Relevant bibliographies by topics / Time in motion pictures

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Time in motion pictures'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Time in motion pictures"

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Trotto, Paul A., and Robert J. Tracy. "The Effect of Implied Motion on the Recall of Interactive Pictures." Imagination, Cognition and Personality 13, no. 3 (March 1994): 249–58. http://dx.doi.org/10.2190/xmb4-47dd-ceth-xuh9.

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The literature has customarily defined interaction between pictured objects in two ways. First, interaction has been defined as simply a conjoined union or physical touching of objects within a given picture scene. The second definition portrays interaction as predetermined action or implied motion between the pictured objects. Researchers typically assume these two modes of defining interaction as essentially equivalent. Generally stated, the purpose of this study was to uncover the effect that implied motion has on the processing of visual information. A factorial design was conducted with dependent variables being imageability, nameability, and recall of pictured objects. Independent variables were implied motion and viewing time. Results showed that implied motion pictures presented at a short viewing time were more nameable and better recalled than stationary pictures presented at a short viewing time. But when subjects were given more time to view visual information, implied motion and stationary pictures were equally nameable and recalled. The results indicate that when visual information is presented for a sufficiently short time, implied motion heightens the availability of a verbal code.
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Lee, Dae Yeol, Hyunsuk Ko, Jongho Kim, and Alan C. Bovik. "On the space-time statistics of motion pictures." Journal of the Optical Society of America A 38, no. 7 (June 7, 2021): 908. http://dx.doi.org/10.1364/josaa.413772.

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Civil, Gabrielle, and Anna Martine Whitehead. "Dreaming in Motion: Zoom Excerpts from Black Motion Pictures." Journal of American Folklore 134, no. 534 (October 1, 2021): 501–12. http://dx.doi.org/10.5406/jamerfolk.134.534.0501.

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Abstract Gabrielle Civil, a Black feminist performance artist, and Anna Martine Whitehead, a Black transdisciplinary artist, formulate, exchange, and respond to embodied strategies of creativity and resistance. They discuss Black performance dreams and their own movements as Black performers. Recorded on June 4, 2020, during the coronavirus shutdown and shortly after George Floyd’s tragic death, their words have become a time capsule. Their conversation is part of Black Motion Pictures, Civil’s interview series with radical Black creatives on Zoom, an internet video conference platform. Time signatures and ellipses from the original Zoom transcript highlight the glitchy strangeness and mediation of the moment.
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Silenzie, Ricardo, and Muhammad Adi Pribadi. "Interaksi Simbolik dalam Komunikasi Pemasaran Terpadu di PT. Creative Motion Pctures: Studi Kasus Komunikasi Pemasaran Film Once Upon a Time in Indonesia." Prologia 4, no. 2 (October 1, 2020): 310. http://dx.doi.org/10.24912/pr.v4i2.6514.

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Integrated marketing communication planning in film marketing activities is implemented as a sales solution and promotes a film title to the public in a variety of effective and interactive ways in which the message in the film can touch the appropriate target audience. PT. Creative Motion Pictures is a film company that uses an integrated marketing communication planning formula to meet the needs of its audience. PT. Creative Motion Pictures formulas when planning marketing communication. The influence of symbolic interaction has a major contribution in the marketing communication planning of PT. Creative Motion Pictures. This research uses a qualitative methodology with a case study method. Data collection was done by participant observation, in-depth interviews with PT. Creative Motion Pictures. The conclusion of this research is that it has 4 stages of integrated marketing communication planning namely Film Products, Target Market, Promotion, Distribution. At all stages there are symbolic interactions such as language selection, organizational regulations, and company vision.Perencanaan komunikasi pemasaran terpadu dalam kegiatan pemasaran film diterapkan sebagai solusi penjualan dan mempromosikan sebuah judul film kepada masyarakat dengan berbagai cara yang efektif dan interaktif dimana pesan dalam film bisa menyentuh target audience yang sesuai. PT. Creative Motion Pictures merupakan perusahaan film yang menggunakan formula perencanaan komunikasi pemasaran terpadu untuk memenuhi kebutuhan penontonnya. PT. Creative Motion Pictures formula-formula yang ketika melakukan perancanaan komunikasi pemasaran. Pengaruh Interaksi simbolik memiliki kontribusi yang besar dalam perencanaan komunikasi pemasaran PT. Creative Motion Pictures. Penelitian ini menggunakan metodologi kualitatif dengan metode studi kasus. Pengumpulan data dilakukan dengan observasi partisipan, wawancara yang mendalam dengan tim PT. Creative Motion Pictures. Kesimpulan dari penelitian ini yakni memiliki 4 tahapan perencanaan komunikasi pemasaran terpadu yaitu Produk Film, Target Pasar, Promosi,Pendistribusian. Pada semua tahapan tersebut terdapat interaksi lambing-lambang seperti, pemilihan bahasa,peraturan organisasi, sampai visi perusahaan.
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Ju, Yang. "Study of Human Motion Recognition Algorithm Based on Multichannel 3D Convolutional Neural Network." Complexity 2021 (May 26, 2021): 1–12. http://dx.doi.org/10.1155/2021/7646813.

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Aiming at the problem that it is difficult to balance the speed and accuracy of human behaviour recognition, this paper proposes a method of motion recognition based on random projection. Firstly, the optical flow picture and Red, Green, Blue (RGB) picture obtained by the Lucas-Kanade algorithm are used. Secondly, the data of optical flow pictures and RGB pictures are compressed based on a random projection matrix of compressed sensing, which effectively reduces power consumption. At the same time, based on random projection compression data, it can effectively find the optimal linear representation to reconstruct training samples and test samples. Thirdly, a multichannel 3D convolutional neural network is proposed, and the multiple information extracted by the network is fused to form an output recognizer. Experimental results show that the algorithm in this paper significantly improves the recognition rate of multicategory actions and effectively reduces the computational complexity and running time of the recognition algorithm.
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Shirai, Daisuke, Tetsuo Kawano, Tatsuya Fujii, Kunitake Kaneko, Naohisa Ohta, Sadayasu Ono, Sachine Arai, and Terukazu Ogoshi. "Real time switching and streaming transmission of uncompressed 4K motion pictures." Future Generation Computer Systems 25, no. 2 (February 2009): 192–97. http://dx.doi.org/10.1016/j.future.2008.07.003.

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Wicks, Frank. "Picture This." Mechanical Engineering 126, no. 07 (July 1, 2004): 32–35. http://dx.doi.org/10.1115/1.2004-jul-3.

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This article highlights that the adage, a picture is worth a thousand words, is a flawed understatement. Our memories, knowledge, and opinions rely heavily on pictures. Words can only provide an explanation to information contained in a good picture. Time always moves forward, but a picture allows us to look back to some prior moment in time. Photography, which means writing with light, would require replacing the artist’s paper with a chemically coated screen, exposing the screen to the image, and then stabilizing the resulting picture. The first practical photographic process was announced in France in 1839 by Louis Daguerre, who had achieved fame as a designer of theater stages and lighting effects. George Eastman built a magnificent Colonial Revival Mansion on East Avenue in Rochester in 1905. It is a National Historic Landmark and is chartered by the State of New York as the International Museum of Photography and Film. It displays a rare collection of photographs, cameras, projectors, books, and motion pictures.
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Knight, Arthur. "Spotlight on Film: All the World's a Stage." Media Information Australia 43, no. 1 (February 1987): 9–11. http://dx.doi.org/10.1177/1329878x8704300103.

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One phenomenon dominates the history of motion pictures: at one time or another, a single country has emerged as the most creative and vital source of film making on the international scene. It is almost as if a spotlight moved across the stages of the world, pausing now here, now there, to illuminate the work of an entire group of artists. This was perhaps understandable in the Soviet Union during the mid-Nineteen-Twenties, when a new government actively encouraged experimentation in all the arts, and particularly the art of the motion picture.
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Olmedo, Javier. "Evolution in totally constrained models: Schrödinger vs. Heisenberg pictures." International Journal of Modern Physics D 25, no. 08 (July 2016): 1642004. http://dx.doi.org/10.1142/s0218271816420049.

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We study the relation between two evolution pictures that are currently considered for totally constrained theories. Both descriptions are based on Rovelli’s evolving constants approach, where one identifies a (possibly local) degree of freedom of the system as an internal time. This method is well understood classically in several situations. The purpose of this paper is to further analyze this approach at the quantum level. Concretely, we will compare the (Schrödinger-like) picture where the physical states evolve in time with the (Heisenberg-like) picture in which one defines parametrized observables (or evolving constants of the motion). We will show that in the particular situations considered in this paper (the parametrized relativistic particle and a spatially flat homogeneous and isotropic spacetime coupled to a massless scalar field) both descriptions are equivalent. We will finally comment on possible issues and on the genericness of the equivalence between both pictures.
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Zhao, Shu Tao, Yu Tao Xu, Zhi Wan Cheng, Jian Feng Ren, and Dan Jiang. "Circuit Breaker Mechanical Characteristic Parameters Measurement Based on Machine Vision." Applied Mechanics and Materials 687-691 (November 2014): 934–37. http://dx.doi.org/10.4028/www.scientific.net/amm.687-691.934.

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Aim at the disadvantages of traditional circuit breaker mechanical characteristic parameters test. Get the motion pictures of insulation connecting rod through high-speed camera, using the finite difference method to quickly screen out the motion pictures, and selecting punctuation area as a template for learning, using non-uniform sampling have a template matching, obtain the center coordinates of matching results, time interval is known every frame. Through coordinate changes over time we can obtain mechanical parameters of the circuit breaker accurately, fast, conveniently. Lab VIEW programs achieve the above process automatically.
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Dissertations / Theses on the topic "Time in motion pictures"

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Rassos, Effie School of Media Film &amp Theatre UNSW. "Everyday narratives - reconsidering filmic temporality and spectatorial affect through the quotidian." Awarded by:University of New South Wales. School of Media, Film & Theatre, 2005. http://handle.unsw.edu.au/1959.4/25717.

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This thesis takes as its focus the relation between particular constructions of filmic time and the resulting affective and emotional experiences these temporalities produce on a spectatorial level. This connection between time and affect is thought through more specifically here in relation to an idea of the everyday not only as a thematic concern with the minutia of routine daily existence but also as distinct, and yet shifting, conceptions of filmic and viewing time. While film studies has often approached the temporal construction of the quotidian through the rubric of ???real time,??? I explore different articulations of the everyday in a number of film practices through the writings of Henri Lefebvre. As a sociologist and philosopher preoccupied with the revolutionary quality of everyday time in both material reality and art practices including film, Lefebvre???s work enables this thesis to approach film as an especially potent and significant site for affective experiences of time and of the everyday. Beginning with John Cassavetes??? Faces (1968) and an analysis of an affective everyday temporality that film is able to produce as a temporal medium, this thesis goes on to consider the quotidian through photography and stillness in Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Akerman, 1975), dying and witnessing via Silverlake Life: The View from Here (Tom Joslin and Peter Friedman, 1993), and finally melodrama and unrequited love in Wong Kar-wai???s In the Mood for Love (Huayang Nianhua, 2000). In the analysis of these films and videos, this thesis draws on film debates explicitly concerned with time as well as focusing on those places in philosophy and critical theory where a promising and productive articulation of film and its inscription of time and affect can be found and conceptualised. In this investigation, the everyday as both a temporal construction and a spectatorial affective experience is a means to reflect on the cinema as a continually shifting and dynamic affective site.
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Law, Yuk-wa. "On time and festivity : a study of Chinese new year films /." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38301155.

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Pigott, Michael. "Time and film style." Thesis, University of Warwick, 2009. http://wrap.warwick.ac.uk/3780/.

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This thesis proposes that the temporality of the moving image is not just its basic condition, but also an alterable stylistic parameter. By analysing three broad stylistic categories of cinema - Classical Continuity-editing, Montage, and Long Take - it is demonstrated that the time of a sequence or shot operates as an active element within the formal fabric of the work. Beyond this, it shows that these film styles may in fact be defined by the characteristic ways in which they treat time. Methodologically, it adapts concepts from the philosophies of Gilles Deleuze, Henri Bergson and Hans Georg Gadamer, fusing them with close textual analysis to allow the theory to grow around the practical instance of its object. One of the primary goals is to establish a critical idiom capable of dealing appropriately and sympathetically with this neglected aspect of film aesthetics, to uncover a suitable vocabulary for talking about the expressive use of time in cinema. This study contributes to the existing body of research on cinematic time (which is primarily concerned with ontology and ideology) by addressing the distinct lack of critical and theoretical work that engages with the temporality of cinema at the microscopic level of the moment to moment passage of a scene, that is, the temporal stylistics of cinema.
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Barotsi, Rosa. "Contemporary European cinema, time, and the everyday." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648429.

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Raffaele, Julie. "Tide weavers project." Thesis, Raffaele, Julie (2007) Tide weavers project. Masters by Research thesis, Murdoch University, 2007. https://researchrepository.murdoch.edu.au/id/eprint/271/.

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The Tide Weavers Project examines the representation of landscape in motion picture films and explores the ways in which certain filmmakers closely reference the desert landscape to mirror and represent notions of self and consequently, to shape film character portrayal. I argue that these filmmakers use this setting to describe a particular relationship for themselves and their characters. In this relationship the desert becomes a space in which to project and examine aspects of self and it can initiate a transaction or relationship so intimate that at many points, (human) being becomes landscape, and landscape becomes being. I will draw on the work of a range of Philosophers and Postcolonial theorists to inform my reading of this relationship and to frame my engagement with specific Australian and international films. The inclusion and analysis of my own desert-based motion picture script Tide Weavers will add to my understanding of the possibilities of film (as a medium) provides for altering an audiences' reading of landscape. I challenge the notion of estrangement from the land, either though ignorance or where colonialist landscape theory detracts from a sense of connectedness, such as through the superficial or subjective application of cartography, fear arising from monotonous and unfamiliar geography, and the eroticising of land as woman. I engage with current theory surrounding the idea of fusion with landscape to open new opportunities for exploring landscape/character interaction. I also propose that collaborative working processes between indigenous and non-indigenous filmmakers have the potential to alter the ways in which landscape is both represented and interpreted. I then look at how these ideas are translatable to the themes of the Tide Weavers script. Grief and gender are primary themes, with an emphasis on how respite, sacred space and surrender to landscape can lead to healing. I believe this work will contribute to exciting new filmic interpretations of landscape theory.
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Raffaele, Julie. "Tide weavers project." Raffaele, Julie (2007) Tide weavers project. Masters by Research thesis, Murdoch University, 2007. http://researchrepository.murdoch.edu.au/271/.

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The Tide Weavers Project examines the representation of landscape in motion picture films and explores the ways in which certain filmmakers closely reference the desert landscape to mirror and represent notions of self and consequently, to shape film character portrayal. I argue that these filmmakers use this setting to describe a particular relationship for themselves and their characters. In this relationship the desert becomes a space in which to project and examine aspects of self and it can initiate a transaction or relationship so intimate that at many points, (human) being becomes landscape, and landscape becomes being. I will draw on the work of a range of Philosophers and Postcolonial theorists to inform my reading of this relationship and to frame my engagement with specific Australian and international films. The inclusion and analysis of my own desert-based motion picture script Tide Weavers will add to my understanding of the possibilities of film (as a medium) provides for altering an audiences' reading of landscape. I challenge the notion of estrangement from the land, either though ignorance or where colonialist landscape theory detracts from a sense of connectedness, such as through the superficial or subjective application of cartography, fear arising from monotonous and unfamiliar geography, and the eroticising of land as woman. I engage with current theory surrounding the idea of fusion with landscape to open new opportunities for exploring landscape/character interaction. I also propose that collaborative working processes between indigenous and non-indigenous filmmakers have the potential to alter the ways in which landscape is both represented and interpreted. I then look at how these ideas are translatable to the themes of the Tide Weavers script. Grief and gender are primary themes, with an emphasis on how respite, sacred space and surrender to landscape can lead to healing. I believe this work will contribute to exciting new filmic interpretations of landscape theory.
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Martin-Jones, David. "Becoming-other in time : the Deleuzian subject in cinema." Thesis, University of Glasgow, 2002. http://theses.gla.ac.uk/2738/.

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Through an engagement with Gilles Deleuze's philosophy of the cinema, this thesis explores how the notion of labyrinthine time is represented differently in movement- and time-images. Part I contrasts the different types of subject that are created in the narratives of the two types of image. This begins with an exploration of the philosophical conceptions of time behind the two images and the subjects they create. Chapter two focuses on the role of memory in the creation of these subjects, drawing on the works of Henri Bergson, and using films by Hitchcock and Fellini. The third chapter delves into the recent re-emergence of the debate over spectator positioning, and questions what Deleuze can offer this field. Here the thesis most comprehensively negotiates its place within the field of film studies, through its interaction with psychoanalytical theories of the subject, and the debate over what exactly constitutes suture. Part II focuses on the movement-image. In particular it explores characters' attempts to perform their present identities differently, by falsifying their past and taking a new direction through the labyrinth of time. Chapters four and five analyse the way in which this performativity is represented in, Sliding Doors, Run Lola Run, The Talented Mr Ripley and Memento. These recent films are seen to draw a broad distinction between female performativity, which is sanctioned, but only for a brief while, and male performativity, which is represented as getting away with murder. Movement-images are thus found to uphold a very traditional gender binary, by reterritorializing the labyrinth's subversive potential into a legitimizing straight line and its marginalized, labyrinthine other. This is a conclusion that had already been suggested in chapter three.
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Law, Wing-mei, and 羅詠美. "The challenges to historical time in postmodernism." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B29813712.

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Totaro, Donato. "Time and the long take in The Magnificent Ambersons, Ugetsu and Stalker." Thesis, University of Warwick, 2001. http://wrap.warwick.ac.uk/2355/.

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My thesis is an examination of the formal and textual aspects of the long take, principally as used in The Magnificent Ambersons (1942, Orson Welles), Ugetsil (1954, Kenji Mizoguchi), and Stalker (1979, Andrei Tarkovsky). The thesis begins by defining the long take as a shot of 25 seconds or longer that usually contains one of the following qualities: a sense of completeness or wholeness, 'durational complexity, ' and a 'soft' formal/thematic determinism. This working definition is used as part of a 'philosophical' formal-textual methodological approach to the long take informed by a 'common sense' philosophical understanding of time. An important element of this formal-textual methodology is 'contextual statistical analysis' (CSA) and close, accurate shot description. This 'common sense' philosophical understanding sees time as being expressible by properties that are both outside the self (external time) and by properties that are within the self (internal time). External time becomes the 'measurable' aspects of the long take (duration), which condition and are conditioned by the 'less quantifiable' aspects of a long take's internal time (pertinent formal and textual properties within the shot). Internal and external time combine to express the 'emotional quality' of time in a long take, which I call temporal tonality. By employing this formal-textual methodology to my three case study films, I demonstrate how a dominant use of the long take is an important (though not exclusive) formal component of each film's particular thematic and/or philosophical treatment of time. The long take is also analysed in two other case studies with more general designs: a taxonomy of the long take time and narrative time (Chapter 4), and an analysis of the long take as an expressive narrative agent in popular cinema (Chapter 5). Lastly, the statistical differences concerning long take usage gives rise to an articulation of three long take practices: Dialectical, Synthetic, and Radical. This original observation will lay down a general groundwork for further exploration of long take practice, style, theory, and analysis.
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Tatlock, Melissa S. "From Titanic to Star Wars : a Derridean deconstructive analysis of the minimization of violence in the 25 top grossing films of all-time /." Halifax, N.S. : Saint Mary's University, 2009.

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Books on the topic "Time in motion pictures"

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Deleuze, Gilles. The time-image. London: Bloomsbury Academic, 2013.

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John, Pym, ed. The Time out film guide. 8th ed. London: Penguin Books, 2000.

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Tom, Milne, ed. Time Out film guide. 3rd ed. Harmondsworth: Penguin, 1993.

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Milne, Tom. The Time out film guide. 3rd ed. London, England: Penguin Books, 1993.

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Inc, Blockbuster. The greatest movies of all time. 2nd ed. [S.l.]: Blockbuster Video, 1991.

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Deleuze, Gilles. The time-image. London: Athlone, 1989.

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Monaco, Paul. Ribbons in time: Movies and society since 1945. Bloomington: Indiana University Press, 1988.

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John, Pym, and Time Out Magazine Ltd, eds. Time Out film guide. London: Penguin, 2002.

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Deleuze, Gilles. Cinema 2: The time-image. London: Continuum, 2005.

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Tarkovskiĭ, Andreĭ Arsenʹevich. Sculpting in time: Reflections on the cinema. London: Bodley Head, 1986.

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Book chapters on the topic "Time in motion pictures"

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Keller, Jocelyn, and Wolfram R. Keller. "“Now is the Time”: Shakespeare’s Medieval Temporalities in Akira Kurosawa’s Ran." In The Medieval Motion Picture, 19–40. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137074249_2.

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Schlemowitz, Joel. "The machine of light and time." In Experimental Filmmaking and the Motion Picture Camera, 27–53. London ; New York : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429504488-3.

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Yabuki, Nobuyoshi, Tomohiro Fukuda, and Ryu Izutsu. "As-Built Detection of Structures by the Segmentation of Three-Dimensional Models and Point Cloud Data." In CONVR 2023 - Proceedings of the 23rd International Conference on Construction Applications of Virtual Reality, 1117–24. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/10.36253/979-12-215-0289-3.111.

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At construction sites, as-built management is generally conducted by taking pictures or surveying with total stations and comparing the images or survey data with design drawings or Building Information Modeling (BIM) models. Since this work is time-consuming and error-prone, more efficient and accurate methods using advanced Information and Communication Technology (ICT) are desired. Therefore, this research proposes a method that can efficiently capture the progress of construction by detecting each constructed structural member, such as beams, columns, connections, etc. In this proposed method, construction engineers first take many pictures of the construction site and conduct automatic image segmentation using a pre-trained Convolutional Neural Network (CNN) model. Next, point cloud data is generated from taken pictures by using Structure from Motion (SfM). Then, the point cloud data is semantically segmented by overlapping the segmented images and point cloud data using the pin-hole camera technique. Finally, the design BIM model and segmented point cloud data are overlapped, and constructed parts of the BIM model can be detected, which can be reported as as-built parts. A prototype system was developed and applied to an actual railway construction project in Osaka, Japan for testing the accuracy and performance of the system
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Yabuki, Nobuyoshi, Tomohiro Fukuda, and Ryu Izutsu. "As-Built Detection of Structures by the Segmentation of Three-Dimensional Models and Point Cloud Data." In CONVR 2023 - Proceedings of the 23rd International Conference on Construction Applications of Virtual Reality, 1117–24. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0289-3.111.

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At construction sites, as-built management is generally conducted by taking pictures or surveying with total stations and comparing the images or survey data with design drawings or Building Information Modeling (BIM) models. Since this work is time-consuming and error-prone, more efficient and accurate methods using advanced Information and Communication Technology (ICT) are desired. Therefore, this research proposes a method that can efficiently capture the progress of construction by detecting each constructed structural member, such as beams, columns, connections, etc. In this proposed method, construction engineers first take many pictures of the construction site and conduct automatic image segmentation using a pre-trained Convolutional Neural Network (CNN) model. Next, point cloud data is generated from taken pictures by using Structure from Motion (SfM). Then, the point cloud data is semantically segmented by overlapping the segmented images and point cloud data using the pin-hole camera technique. Finally, the design BIM model and segmented point cloud data are overlapped, and constructed parts of the BIM model can be detected, which can be reported as as-built parts. A prototype system was developed and applied to an actual railway construction project in Osaka, Japan for testing the accuracy and performance of the system
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Choudhury, Sharmin (Tinni), Kerry Raymond, and Peter Higgs. "Ontology-Based Information Management: Exploiting User Perspective within the Motion Picture Industry." In The Role of Digital Libraries in a Time of Global Change, 254–55. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-13654-2_31.

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kydd, Elspeth. "Motion Pictures." In The Critical Practice of Film, 17–37. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34527-0_2.

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Kamada, Seiichi. "Motion Pictures." In Springer Monographs in Mathematics, 39–73. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4091-7_3.

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Kamada, Seiichi. "Motion pictures." In Mathematical Surveys and Monographs, 63–70. Providence, Rhode Island: American Mathematical Society, 2002. http://dx.doi.org/10.1090/surv/095/09.

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Robb, John. "Translation and Transformation: The Materiality of Rock Art in a World of Bytes." In Deep-Time Images in the Age of Globalization, 259–73. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-54638-9_18.

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AbstractRock art is fundamentally material and local in several ways: its substrate’s material qualities affect how humans made it and interact with it (for instance, how visible it is), it is fixed in a specific landscape location, and it participates in local systems of knowledge ranging from what it is ontologically to what specific motifs represent. This article, working from a material culture perspective and using European rock art as an example, explores what happens when we translate rock art into other media, particularly digitised forms. The process of translation liberates rock art from its location and medium, heightens its visibility and representational clarity, passes it through filters prioritising some imagery (particularly narrative pictures) over others, and reinscribes it into new frames of reference. Thus, it often results in losing the fundamental material qualities that made it rock art, in the process refashioning it into an entirely new product that meets the needs of different people living in a different world.
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Walters, James. "Perpetual motion pictures." In The Routledge Companion to World Cinema, 382–92. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315688251-32.

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Conference papers on the topic "Time in motion pictures"

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Kakue, Takashi, Takashi Nishitsuji, Tetsuya Kawashima, Tomoyoshi Shimobaba, and Tomoyoshi Ito. "Real-time electro-holography with parabolic mirrors for projecting floating 3D motion pictures." In SA'15: SIGGRAPH Asia 2015. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2820926.2820968.

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Maeda, Toshiyuki, Masanori Fujii, and Isao Hayashi. "Sport motion picture analysis as time series data." In 2014 IEEE 13th International Workshop on Advanced Motion Control (AMC). IEEE, 2014. http://dx.doi.org/10.1109/amc.2014.6823337.

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Maeda, Toshiyuki, Masanori Fujii, Isao Hayashi, and Tokio Tasaka. "Sport skill classification using time series motion picture data." In IECON 2014 - 40th Annual Conference of the IEEE Industrial Electronics Society. IEEE, 2014. http://dx.doi.org/10.1109/iecon.2014.7049304.

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Maeda, Toshiyuki, and Masumi Yajima. "Personal skill identification using time series motion picture data." In IECON 2015 - 41st Annual Conference of the IEEE Industrial Electronics Society. IEEE, 2015. http://dx.doi.org/10.1109/iecon.2015.7392474.

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Choi, Sang Hoon, Choon Lee, Young G. Kim, Seong W. Ryu, and Kyu Tae Park. "Hierarchical heterogeneous multiprocessor system for real-time motion picture coding." In Visual Communications and Image Processing '94, edited by Aggelos K. Katsaggelos. SPIE, 1994. http://dx.doi.org/10.1117/12.185934.

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Kakue, Takashi, Nobuyuki Masuda, Yutaka Endo, Ryuji Hirayama, Naohisa Okada, Tomoyoshi Shimobaba, and Tomoyoshi Ito. "Special-purpose computer for real-time reconstruction of holographic motion picture." In International Conference on Optical Instruments and Technology (OIT2013), edited by Yongtian Wang, Xiaocong Yuan, Yunlong Sheng, and Kimio Tatsuno. SPIE, 2013. http://dx.doi.org/10.1117/12.2037630.

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Millard, R. R., and B. I. Greene. "Singlet Exciton Fusion in Molecular Solids." In International Conference on Ultrafast Phenomena. Washington, D.C.: Optica Publishing Group, 1986. http://dx.doi.org/10.1364/up.1986.mf2.

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Singlet exciton motion and annihilation (fusion) in molecular solids have been the subject of much experimental and theoretical work. Previous time-resolved fluorescence studies have resulted in several microscopic theories and pictures of such processes.1,2 Our data, however, is the first to show direct evidence of the microscopic detail and discrete nature of these dynamical processes. These measurements were performed using subpicosecond time-resolved absorption spectroscopy.
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Stanescu, Monica, and Marius Stoicescu. "NEW COMPETENCIES FOR PHYSICAL EDUCATION AND SPORT TEACHERS: USING SOFTWARE FOR MOTION ANALYSYS." In eLSE 2012. Editura Universitara, 2012. http://dx.doi.org/10.12753/2066-026x-12-090.

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ICT development has determined in the latest decades important changes in all the activity fields, including education. These changes are also reflected in the curriculum assigned to teachers’ initial and continuing training. Disciplines such as IT and computer-assisted instruction, specific to the initial training, or purposely designed programs for the continuing training come to meet this exigency of our contemporary society. In the above-mentioned context, this paper aims at highlighting the professionals’ opinion about the opportunity of using ICT in teaching, as well as the characteristics of one of the ICT main applications to the instruction in physical education and sports field, namely to support the motor action assessment process. Starting from the data provided by the survey conducted on 126 physical education teachers and coaches participating in the training program “ICT applications to physical education and sports teaching” (developed within the POSDRU grant 19/1.3/G/13096, Professionalization of teaching career in physical education and sports from the perspective of continuing learning), the paper emphasizes the specialists’ interest in objectifying the assessment of motor actions by means of specialized software, as well as the main functionalities of the software programs for the motion graphical analysis (measuring the motion angles, biomechanical analysis of motions, frame-by-frame motion analysis, measuring the action times and distances, comparing two motor performances, information saving and storage, importing pictures and movies, processing possibilities). The advantages and limitations of practically using such software in our field are also emphasized. Conclusions synthesize the main competencies acquired by the specialists using these tools and which represent the basis for some proposals meant to optimize the training process.
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Konda, Masahiro, Takahiro Nakayama, Naoto Miyamoto, and Tadahiro Ohmi. "A Balanced Vector-Quantization Processor Eliminating Redundant Calculation for Real-Time Motion Picture Compression." In 2007 International Conference on Field-Programmable Technology. IEEE, 2007. http://dx.doi.org/10.1109/fpt.2007.4439277.

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Miyamoto, Yoshihiro, Mutsumi Ohta, and Takao Omachi. "Study On Non-Real-Time Motion Picture Coding For Read-Only Digital Storage Media." In 1989 Symposium on Visual Communications, Image Processing, and Intelligent Robotics Systems, edited by William A. Pearlman. SPIE, 1989. http://dx.doi.org/10.1117/12.970167.

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Reports on the topic "Time in motion pictures"

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Kiv, A. E., T. I. Maximova, and V. N. Soloviev. Microstructure of the relaxed (001) Si surface. [б. в.], December 1999. http://dx.doi.org/10.31812/0564/1245.

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We have applied molecular dynamics method and semi-empirical potential [1] to obtain the realistic picture of Si surface layers relaxation.The starting configuration was taken as a parallelepiped containing 864 atoms. There were 12 layers with 72 atoms in each one. Periodic boundary conditions were used in two dimensions. At first all atoms were in normal lattice positions. The relaxation of Si surface, which corresponds to (001) plane was investigated. MD method was applied in its standard form i.e. the equations of motion were solved by using of the central difference scheme. The time-step was 10-14s.
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Jasinschi, Radu S. Space-Time Filtering, Sampling and Motion Uncertainty. Fort Belvoir, VA: Defense Technical Information Center, June 1988. http://dx.doi.org/10.21236/ada199667.

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Koschmann, Anthony, and Yi Qian. Latent Estimation of Piracy Quality and its Effect on Revenues and Distribution: The Case of Motion Pictures. Cambridge, MA: National Bureau of Economic Research, August 2020. http://dx.doi.org/10.3386/w27649.

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Davis, Larry, and Ross Cutler. Real-Time Periodic Motion Detection, Analysis and Application. Fort Belvoir, VA: Defense Technical Information Center, July 1999. http://dx.doi.org/10.21236/ada391942.

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Jung, Boyoon, and Gaurav S. Sukhatme. Real-time Motion Tracking from a Mobile Robot. Fort Belvoir, VA: Defense Technical Information Center, January 2005. http://dx.doi.org/10.21236/ada459071.

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Rosenberger, A., G. C. Rogers, and S. Huffman. Real-time ground motion from the new strong motion seismic network in British Columbia, Canada. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2006. http://dx.doi.org/10.4095/291853.

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Doerry, Armin. Forming rotated SAR images by real-time motion compensation. Office of Scientific and Technical Information (OSTI), December 2012. http://dx.doi.org/10.2172/1090208.

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Li, Hua. Locally Connected Adaptive Gabor Filter for Real-Time Motion Compensation. Fort Belvoir, VA: Defense Technical Information Center, October 1994. http://dx.doi.org/10.21236/ada285726.

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Li, Hua H. Locally Connected Adaptive Gabor Filter for Real-Time Motion Compensation. Fort Belvoir, VA: Defense Technical Information Center, April 1995. http://dx.doi.org/10.21236/ada300347.

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Perkins, Timothy, Robert Sundberg, John Cordell, Zaw Tun, and Mark Owen. Real-Time Target Motion Animation for Missile Warning System Testing. Fort Belvoir, VA: Defense Technical Information Center, March 2006. http://dx.doi.org/10.21236/ada640003.

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