Relevant bibliographies by topics / Time and art

Academic literature on the topic 'Time and art'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Time and art"

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Dankwa-Mullan, Irene, M. Christopher Roebuck, Joseph Tkacz, Oluwadamilola Motunrayo Fayanju, Yi Ren, Gretchen Purcell Jackson, and Yull Edwin Arriaga. "Disparities in receipt of and time to adjuvant therapy after lumpectomy." Journal of Clinical Oncology 38, no. 15_suppl (May 20, 2020): 534. http://dx.doi.org/10.1200/jco.2020.38.15_suppl.534.

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534 Background: Adjuvant treatment after breast conserving surgery (BCS) has been shown to improve outcomes, but the degree of uptake varies considerably. We sought to examine factors associated with post-BCS receipt of and time to treatment (TTT) for adjuvant radiation therapy (ART), cytotoxic chemotherapy (ACT) and endocrine therapy (AET) among women with breast cancer. Methods: IBM MarketScan claims data were used to select women diagnosed with non-metastatic invasive breast cancer from 01/01/2012 to 03/31/2018, who received primary BCS without any neoadjuvant therapy, and who had continuous insurance eligibility 60 days post-BCS. Logistic and quantile regressions were used to identify factors associated with receipt of adjuvant therapy (ART, ACT, AET) and median TTT in days for ART (rTTT), ACT (cTTT), and AET (eTTT), respectively, after adjustment for covariates including age, year, region, insurance plan type, comorbidities, and a vector of ZIP3-level measures (e.g., community race/ethnicity-density, education level) from the 2019 Area Health Resource Files. Results: 36,270 patients were identified: 11,996 (33%) received ART only, 4,837 (13%) received ACT only, 3,458 (10 %) received AET only, 5,752 (16%) received both ART and AET, and 9,909 (27%) received no adjuvant therapy within 6 months of BCS. (318) 1% of patients received combinations of either ART, AET or ACT. Relative to having no adjuvant therapy, patients > 80 years were significantly less likely to receive ART only (relative risk ratio [RRR] 0.65), ACT only (RRR 0.05), or combination ART/AET (RRR 0.66) but more likely to receive AET alone (RRR 3.61) (all p < .001). Patients from communities with high proportions of Black (RRR 0.14), Asian (RRR 0.13), or Hispanic (RRR 0.45) residents were significantly less likely to receive combination ART and AET (all p < .001). Having HIV/AIDS (+11 days; p = .01) and residing in highly concentrated Black (+8.5 days; p = .01) and Asian (+12.2 days; p = .04) communities were associated with longer rTTT. Longer cTTT was associated with having comorbidities of cerebrovascular disease (+6.0 days; p < .001), moderate to severe liver disease (+12.3 days; p < .001) and residing in high-density Asian communities (+18.0 days; p < .001). Shorter eTTT (-11.4 days; p = .06) and cTTT (-14.8 days; p < .001) was observed in patients with comorbidities of dementia. Conclusions: Results from this cohort of privately insured patients demonstrate disparities in receipt of post-BCS adjuvant radiation and systemic therapy along multiple demographic dimensions and expose opportunities to promote timely receipt of care.
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McCabe, Martin, and Michael Wilson. "Art Discourse: Time Based Art." Circa, no. 69 (1994): 18. http://dx.doi.org/10.2307/25562694.

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Nag, Koustav. "Post-Colonial Time: The Evaluation of Printmaking Practice and Present Time." Praxis International Journal of Social Science and Literature 6, no. 4 (April 25, 2023): 39–47. http://dx.doi.org/10.51879/pijssl/060404.

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Printmaking has a long and rich history that dates back thousands of years. The earliest forms of printmaking were developed in ancient china, where the artist would create prints using wood blocks as early as the 7th century. However, in the 15th century in Europe, printmaking began to develop into a proper art form. Johannesburg was a German goldsmith printer and inventor widely credited with movable type printing in the mid-15th century. In 1455 Bible was the first important Book in history. In the 16th century, Goa was the first place in India where printing technology started during the British period. Initially, it was used for religious printing and some commercial printing, like religious posters, pamphlets etc. later 20th century, this printing process transformed into fine art printmaking techniques. It became an educational part of developing printing technology and technician. This printing technology became a curriculum for the Art & Craft College, like Madras art college, Kolkata Govt. Art and Craft College, J.J art college, Lahore art college (now in Pakistan), and another essential college is Kala Bhavana under the Visva Bharati University. From post-colonial to contemporary times, printing to printmaking evolved in many ways. Most places academically followed the colonial curriculum, but commercial printing technology rapidly changed. Academically Visva Bharati University Santiniketan develops new technology for the students.
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Gaifman, Milette, and Lillian Lan-Ying Tseng. "Art and Time." Art Bulletin 103, no. 1 (January 2, 2021): 6. http://dx.doi.org/10.1080/00043079.2021.1840256.

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Martí, Antoni. "Time and art." Enrahonar. Quaderns de filosofia 15 (March 1, 1989): 95. http://dx.doi.org/10.5565/rev/enrahonar.767.

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GROYS, BORIS. "Time-based art." Res: Anthropology and aesthetics 59-60 (March 2011): 337–41. http://dx.doi.org/10.1086/resvn1ms23647799.

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Smith, Jeffrey K., and Lisa F. Smith. "Spending Time on Art." Empirical Studies of the Arts 19, no. 2 (July 2001): 229–36. http://dx.doi.org/10.2190/5mqm-59jh-x21r-jn5j.

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Stiegler, Bernard. "Kant, Art, and Time." boundary 2 44, no. 1 (January 5, 2017): 19–34. http://dx.doi.org/10.1215/01903659-3725845.

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Li, Z., C. Wang, and R. P. Agarwal. "Time-hybrid heat and wave equations on scattered $n$-dimensional coupled-jumping time scales." Issues of Analysis 29, no. 2 (June 2022): 42–58. http://dx.doi.org/10.15393/j3.art.2022.11910.

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IIZUKA, Kunihiko. "ART : Neural Network for Real Time Learning." Journal of Japan Society for Fuzzy Theory and Systems 9, no. 3 (1997): 327–31. http://dx.doi.org/10.3156/jfuzzy.9.3_327.

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Dissertations / Theses on the topic "Time and art"

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Mathis, Neil W. "Inside of an outside in time time| Thoughtitarium." Thesis, California State University, Long Beach, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1603757.

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Since the Devonian Period, 360 million years ago, trees have been foundational for the survival of aerobic life. Today, most humans relate to trees through the idea, material and commodity of wood. This understanding is primarily informed by its use as a building material: the formal attributes of its grain pattern read to assess structural integrity and aesthetic applications. I think of these marks as autonomous and unique natural drawings, documenting time in a scale different from our lifespan. Wood’s composition of cellulose and lignin create patterns that record temporal fluctuations in precipitation and the unique soil compounds of each tree’s growth site as a codex. As an MFA candidate, I used woodworking techniques to explore the relationship between temporality and materiality. Along the way, I became interested in the reductive carving techniques of woodturning as a metaphor for this investigation: cutting through layers of time. Small segments of wood were laminated together in mathematical patterns and turned to reveal parabolic grids on the interior and exterior surface of each object. This study led me to consider the limitations that traditional art display conventions impose on the viewer’s perception of an artwork, and to the realization of the Thoughtitarium; an eight-foot diameter fiberglass hemisphere that hovered above the gallery floor in architectural scale.

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Campbell, Barber Fionna. "The time of Irish art." Thesis, Manchester Metropolitan University, 2018. http://e-space.mmu.ac.uk/621811/.

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How might an understanding of the temporal help us to engage with the visual? To what extent is this mediated by a sense of location - in this case within (or about) Ireland? This thesis takes the form of an enquiry into the meanings of time in relation to Irish art over a period of approximately one hundred years from 1910 onwards. Rather than a focus on the production of meaning within artworks themselves, however, the thesis is concerned with art historiography - an investigation into the wider discursive content of a selection of my published work between 2013-2018. In doing so it establishes a critical and distinctive position for the importance of time and temporality not just in relation to the broader field of art history, but within a wider understanding of the historical formations of Irish visualities. To achieve this, I focus on the deconstruction of selected notions of temporality within the discourses of art history (the role of linear histories, canons and contemporaneity) in conjunction with an analysis of the specificity of Irish temporalities. This takes two forms: evidencing the uneven experience of modernity and the active presences of traumatic memory, both legacies of colonialism, as a means of undoing the progressive drive of linear history, and an accompanying analysis of the complex temporalities of post-conflict Northern Ireland, as a means of more specifically situating how art historical writing can produce the meanings of its artworks in both locations. Finally, in conjunction with a return to the written work submitted to accompany this thesis, I map out further directions this can take, as a means of understanding the crucial role of past modes of temporalities in an engagement with the present and an attempt to shape the future.
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Luckner, Peter P. "The Topology of Time." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405958596.

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Ouzounian, Gascia. "Sound art and spatial practices situating sound installation art since 1958 /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p3291983.

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Thesis (Ph. D.)--University of California, San Diego, 2008.
Title from first page of PDF file (viewed May 14, 2008). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references P. 359-373.
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Smith, Craig. "Structuring interactivity : space and time in relational art." Thesis, Goldsmiths College (University of London), 2006. http://research.gold.ac.uk/11018/.

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This thesis describes the concepts of space, time and interactivity in Relational Art. Relational Art is an interdisciplinary art practice described by the art critic and curator Nicolas Bourriaud in his book Relational Aesthetics (1998/2002). For Bourriaud, Relational Art consists of a location (space) in which viewers endure a physical encounter with the artist and artworks exhibited (time). Bourriaud describes this encounter as `interactivity; ' a term borrowed from digital aesthetics and 20'h Century performance art to describe `viewer-participation' with artworks. This thesis tests the capacity of Bourriaud's Relational Aesthetics to provide a theory of `interactivity. ' The thesis is divided into three parts. Part One includes a critical reading of Bourriaud's Relational Aesthetics and the concept of space in Relational Art practices. In Part One, Bourriaud's `space of encounter' is compared to the `Literalist' artwork described in Michael Fried's "Art and Objecthood" (1968) as well as James Meyer's concept of the 'Mobile Site' (2000). Both Fried and Meyer depict the use of `location' in contemporary artworks. Part Two of this thesis is a demonstration of Bourriaud's concept of time in Relational Aesthetics. Bourriaud describes `time' as that which is `lived through' by the artist, artwork and viewer. The thesis demonstrates this concept of time through the design and performance of an artwork produced specifically for this thesis. Entitled: PartnerWork, this performance artwork consists of two persons continuously exercising in a hotel gymnasium for an `endured' period of nine hours. In Part Three, the thesis proposes a set of criteria for recognizing 'interactivity' in Relational Art practices, including the example of PartnerWork. Interactivity is determined to be 'structured' through successive stages of participation, and is described as having the capacity to alter the formal structure of an artwork.
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Hole, Yukiko. "The Art of David Lamelas| Constructions of Time." Thesis, California State University, Long Beach, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=10977417.

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David Lamelas’s life-long research projects have included examinations of social phenomena. The artist takes interest in the dynamics of mass communication and media, urban mundane activities, and documentary films. He employs the element of time often in the structure of his art as an innovative approach by which to study his subjects.

I argue that in pairing the element of time with social phenomena, Lamelas exposes how people’s perceptions, both the visual experience and the thought processes impacted by these experiences, tend to work, therefore leading viewers to consider systems of knowledge and their own accumulation of knowledge. His artwork provokes viewers to open their minds to new ways of seeing and thinking, stimulates self-awareness, and challenges their concepts of knowledge.

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DUNNE, THOMAS G. "DEFINING THE ART OF INTERACTIVE REAL-TIME 3D." University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1085463758.

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Williams, Matthew Earl. "Where time forgot : a bowlers guide." Thesis, University of Iowa, 2016. https://ir.uiowa.edu/etd/3218.

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It's about living It's about feeling incomplete It's about nostalgia It's about culture It's about joy It's about how life flashes before our lives It's about sorrow It's about what's hidden under the rug It's about fitting in It's about getting away It's about a journey It's about language It's about class It's about how something clean can leave a stain It's about goodbyes It's about fiction It's about place It's about blame It's about obsession It's about feeling stranded It's about itching a scratch It's about holding on It's about being found It's about how we all settle eventually It's about desire It's about conflict It's about you It's about me It's about future It's about community It's about failure It's about wondering which one of us is next It's about the American dream It's about right now It's about the people we will become It's about the search It's about routine It's about finding It's about change It's about living
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Keller, Kourtney. "Lumensecity: Objects Illuminated in Time." ScholarWorks@UNO, 2010. http://scholarworks.uno.edu/td/1206.

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This thesis explores the evolution of my work in graduate school. Upon entering into this course of study my artistic expression was polarized into realms of 2 and 3-Dimensional tactile works and experiments in 4-Dimensions (time) in the form of animations and short films. The content and context of these works have interwoven but their presentations remained polarized. In my masterʼs studies I have attempted to synergize the mediums of my artworks in order to achieve more realized and formal presentations. Following this course, I hope for my work to further evolve.
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Paar, Donna L. "Chronological time development of primary students through art historical inquiry." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1991. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M. Ed.)--Kutztown University of Pennsylvania, 1991.
Source: Masters Abstracts International, Volume: 45-06, page: 2772. Abstract precedes thesis as [1] preliminary leaf. Typescript. Includes bibliographical references (leaves [41-46]).
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Books on the topic "Time and art"

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Michel, Baudson, Palais des beaux-arts (Brussels, Belgium). Société des expositions., International Business Machines Europe, and Barbican Art Gallery, eds. Art & time. London: Barbican Art Gallery, 1986.

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Michel, Baudson, Barbican Art Gallery, and Palais des beaux-arts (Brussels, Belgium). Société des expositions., eds. Art & time. [London]: Barbican Art Gallery, 1986.

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Adams, Laurie. Art across time. 4th ed. New York: McGraw-Hill, 2011.

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Adams, Laurie. Art across time. Boston: McGraw Hill College, 1999.

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Lloyd, Jones, Campbell P, and Wylie P, eds. Art and time. North Melbourne, Vic: Australian Scholarly Pub., 2007.

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Adams, Laurie Schneider. Art across time. Dubuque, Iowa: McGraw-Hill College, 1999.

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Adams, Laurie. Art across time. 4th ed. New York: McGraw-Hill, 2011.

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Adams, Laurie. Art across time. Boston: McGraw Hill College, 1999.

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(Korea), Aram Misulgwan. Art beyond time. Yerevan: Tigran Mets Publishing House, 2016.

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Björn, Roth, and Roth Dieter 1930-1998, eds. Material time, work time, life time. Frankfurt am Main: Revolver, 2005.

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Book chapters on the topic "Time and art"

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Carlotto, Federica. "Time." In Luxury Brand and Art Collaborations, 47–63. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003274094-4.

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Gussak, David E. "Drawing Time Revisited." In Art and Art Therapy with the Imprisoned, 64–78. New York, NY: Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429286940-4.

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Laurenson, Pip. "Making Time." In Conservation of Contemporary Art, 385–401. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42357-4_19.

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AbstractThis chapter considers the different temporalities within the contemporary art museum and explores how externally funded research affords thicker care time to enable an engagement with works that challenge the structures, systems and temporalities of the museum. Drawing on the idea of a “timescape” introduced by the sociologist Barbara Adam, it considers the “timescapes” of conservation practice and thinking, of the museum and of artworks, and how these different and sometimes conflicting temporalities impact our practices of care.
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Meisen, Philipp. "State of the Art." In Analyzing Time Interval Data, 45–71. Wiesbaden: Springer Fachmedien Wiesbaden, 2016. http://dx.doi.org/10.1007/978-3-658-15728-9_3.

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Falco, Charles M. "Optics and Renaissance Art." In Optics in Our Time, 265–83. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-31903-2_11.

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Page-Wood, Esther S., Carol J. Kaufman, and Paul M. Lane. "The Art of Time." In Proceedings of the 1990 Academy of Marketing Science (AMS) Annual Conference, 56–61. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-13254-9_11.

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Blay, Christopher. "Space and Time." In Art as Social Practice, 177–82. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003169109-17.

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Baers, Michael. "No good time for an exhibition." In Curating Art, 213–27. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315686943-32.

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Jayemanne, Darshana. "Time Invaders – Conceptualizing Performative Game Time." In Performativity in Art, Literature, and Videogames, 259–97. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54451-9_10.

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Pesce, Laura. "Timeless Time." In Close Encounters of Art and Physics, 57–61. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22730-2_10.

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Conference papers on the topic "Time and art"

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"[Cover art]." In 2008 15th International Symposium on Temporal Representation and Reasoning (TIME '08). IEEE, 2008. http://dx.doi.org/10.1109/time.2008.33.

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"[Cover art]." In 2009 16th International Symposium on Temporal Representation and Reasoning (TIME 2009). IEEE, 2009. http://dx.doi.org/10.1109/time.2009.29.

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"[Cover art]." In 2010 17th International Symposium on Temporal Representation and Reasoning (TIME 2010). IEEE, 2010. http://dx.doi.org/10.1109/time.2010.30.

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"Cover Art." In 2012 19th International Symposium on Temporal Representation and Reasoning (TIME). IEEE, 2012. http://dx.doi.org/10.1109/time.2012.30.

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"Cover Art." In 2013 20th International Symposium on Temporal Representation and Reasoning (TIME). IEEE, 2013. http://dx.doi.org/10.1109/time.2013.29.

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"Cover Art." In 2014 21st International Symposium on Temporal Representation and Reasoning (TIME). IEEE, 2014. http://dx.doi.org/10.1109/time.2014.30.

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"Cover Art." In 2015 22nd International Symposium on Temporal Representation and Reasoning (TIME). IEEE, 2015. http://dx.doi.org/10.1109/time.2015.32.

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"Cover Art." In 2016 23rd International Symposium on Temporal Representation and Reasoning (TIME). IEEE, 2016. http://dx.doi.org/10.1109/time.2016.34.

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Yamamoto, Yasuhiro, Atsushi Aoki, and Kumiyo Nakakoji. "Time-ART." In CHI '01 extended abstracts. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/634067.634136.

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Yamamoto, Yasuhiro, Atsushi Aoki, and Kumiyo Nakakoji. "Time-ART." In CHI '01 extended abstracts. New York, New York, USA: ACM Press, 2001. http://dx.doi.org/10.1145/634133.634136.

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Reports on the topic "Time and art"

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Jordan III, Daniel W. The Use of Battlespace and Time in the Operational Art. Fort Belvoir, VA: Defense Technical Information Center, April 1993. http://dx.doi.org/10.21236/ada283034.

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Jansen, Leonard J. The Emergence of Operational Art for Space: Is it Time for Another Mitchell or Mahan. Fort Belvoir, VA: Defense Technical Information Center, February 1998. http://dx.doi.org/10.21236/ada348439.

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Douglas, Mitchel, and John Lindgren. Hypersonic Weapons Technology for the Time Critical Mobile Ground Threat A State-of-the-Art Review,. Fort Belvoir, VA: Defense Technical Information Center, January 1999. http://dx.doi.org/10.21236/ada361137.

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Eslami, Keyvan, and Thomas M. Phelan. The Art of Temporal Approximation: An Investigation into Numerical Solutions to Discrete and Continuous-Time Problems in Economics. Federal Reserve Bank of Cleveland, May 2023. http://dx.doi.org/10.26509/frbc-wp-202310.

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A recent literature within quantitative macroeconomics has advocated the use of continuous-time methods for dynamic programming problems. In this paper we explore the relative merits of continuous-time and discrete-time methods within the context of stationary and nonstationary income fluctuation problems. For stationary problems in two dimensions, the continuous-time approach is both more stable and typically faster than the discrete-time approach for any given level of accuracy. In contrast, for convex lifecycle problems (in which age or time enters explicitly), simply iterating backwards from the terminal date in discrete time is superior to any continuous-time algorithm. However, we also show that the continuous-time framework can easily incorporate nonconvexities and multiple controls—complications that often require either problem-specific ingenuity or nonlinear root-finding in the discrete-time context. In general, neither approach unequivocally dominates the other, making the choice of one over the other an art, rather than an exact science. Code can be found at https://github.com/tphelanECON/The Art of Temporal Approximation WP.
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Lewis, William K., Nick G. Glumac, and Eduardo G. Yukihara. Time-Dependent Temperature Measurements in Post-Detonation Combustion: Current State-of-the-Art Methods and Emerging Technologies. Fort Belvoir, VA: Defense Technical Information Center, March 2016. http://dx.doi.org/10.21236/ad1006208.

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Bellwood-Howard, Imogen, Peter Taylor, and Aminata Niang. How to Use Collaborative Art-Making for Dialogue and Communication. Institute of Development Studies, August 2023. http://dx.doi.org/10.19088/ids.2023.035.

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Artists have often used artworks to express emotions and thus prompt public dialogue about contemporary challenges. At the same time, it has been suggested that collaborative art-making can be used in environmental deliberation processes, where stakeholder groups discuss contentious challenges such as the effects of flooding. Policy actors have rarely been deeply involved in these processes. Our recent research showed that collaborative art could be used to develop relationships between groups, including policy actors, in deliberation processes, by creating artworks to bring concerns into the public domain.
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Alexander, Chris. L52318 State of the Art Assessment of Composite Repair Systems. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), September 2010. http://dx.doi.org/10.55274/r0000005.

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Composite materials have been used to repair high pressure transmission pipelines. Over this time period a wide variety of composite systems have been developed and evaluated. With the increased demands being placed on pipeline systems around the world, it is expected that the market potential for composite repair systems will continue to expand. Additionally, as composite technology is further developed the opportunities for new applications will expand. An assessment of this composite repair technology is needed. This report has been developed to provide industry with a state of the art assessment of composite pipeline repair technology as it currently stands.
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Nyman, Matt, Nancy Staus, and Martin Storksdieck. Science and Art Teaching Practices for Oregon Elementary Teachers: Results of a Landscape Survey. Oregon State University, September 2023. http://dx.doi.org/10.5399/osu/1163.

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An Evaluation Report for the Oregon Department of Education. In collaboration with classroom teachers and WRAP personnel we developed and implemented a survey to collect baseline data on the science and arts teaching practices for ALL elementary teachers. This included “regular” classroom teachers (those teachers with an assigned physical classroom and set of students), art teachers, music teachers, PE teachers and other educators or administrators. In December 2022 we recruited three (3) elementary teachers to assist us in survey development, in particular framing questions around frequency of teaching time for both arts and science instruction. One important outcome was that we formulated questions around “dedicated” teaching time where instruction was only focused on science or art content and “integrated” teaching when teachers combine science or art with other instructional areas (such as math or literacy). We also learned that there was a lot of nuances in trying to capture the science and art teaching data; for example, some schools have large blocks of time when they have a particular focus on a science content area and then equally large blocks when science teaching is replaced by instruction in other fields, such as social science. It can be difficult to reduce this instructional framework to a weekly allotment of science teaching.
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9

Butyrina, Maria, and Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.

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The research is devoted to the study of the phenomenon of mediatization of art on the example of virtual museums. Main objective of the study is to give communication characteristics of the mediatized socio-cultural institutions. The subject of the research is forms, directions and communication features of virtual museums. Methodology. In the process of study, the method of communication analysis, which allowed to identify and characterize the main factors of the museum’s functioning as a communication system, was used. Among them, special emphasis is put on receptive and metalinguistic functions. Results / findings and conclusions. The need to be competitive in the information space determines the gradual transformation of socio-cultural institutions into mass media, which is reflected in the content and forms of dialogue with recipients. When cultural institutions begin to function as media, they take on the features of media structures that create a communication environment localized by the functions of communicators and audience expectations. Museums function in such a way that along with the real art space they form a virtual space, which puts the recipients into the reality of the exhibitions based on the principle of immersion. Mediaization of art on the example of virtual museum institutions allows us to talk about: expanding of the perceptual capabilities of the audience; improvement of the exposition function of mediatized museums with the help of Internet technologies; interactivity of museum expositions; providing broad contextual background knowledge necessary for a deep understanding of the content of works of art; the possibility to have a delayed viewing of works of art; absence of thematic, time and space restrictions; possibility of communication between visitors; a huge target audience. Significance. The study of the mediatized forms of communication between museums and visitors as well as the directions of their transformation into media are certainly of interest to the scientific field of “Social Communications”.
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10

Willson. L51756 State of the Art Intelligent Control for Large Engines. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), September 1996. http://dx.doi.org/10.55274/r0010423.

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Computers have become a vital part of the control of pipeline compressors and compressor stations. For many tasks, computers have helped to improve accuracy, reliability, and safety, and have reduced operating costs. Computers excel at repetitive, precise tasks that humans perform poorly - calculation, measurement, statistical analysis, control, etc. Computers are used to perform these type of precise tasks at compressor stations: engine / turbine speed control, ignition control, horsepower estimation, or control of complicated sequences of events during startup and/or shutdown. For other tasks, however, computers perform very poorly at tasks that humans find to be trivial. A discussion of the differences in the way humans and computer process information is crucial to an understanding of the field of artificial intelligence. In this project, several artificial intelligence/ intelligent control systems were examined: heuristic search techniques, adaptive control, expert systems, fuzzy logic, neural networks, and genetic algorithms. Of these, neural networks showed the most potential for use on large bore engines because of their ability to recognize patterns in incomplete, noisy data. Two sets of experimental tests were conducted to test the predictive capabilities of neural networks. The first involved predicting the ignition timing from combustion pressure histories; the best networks responded within a specified tolerance level 90% to 98.8% of the time. In the second experiment, neural networks were used to predict NOx, A/F ratio, and fuel consumption. NOx prediction accuracy was 91.4%, A/F ratio accuracy was 82.9%, and fuel consumption accuracy was 52.9%. This report documents the assessment of the state of the art of artificial intelligence for application to the monitoring and control of large-bore natural gas engines.
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