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Books on the topic 'Tiles Exhibitions History'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Franco, Siron. Arte & indústria: Siron 800 vezes. Edited by Marques Lucimar Mothé Vianna and Museu Nacional de Belas Artes (Brazil). Rio de Janeiro: Museu Nacional de Belas Artes, 2000.

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2

Patte, Florence. Le sourire du chat: Les carreaux de Florence Patte : azulejos et zelliges = The cat's grin : the tiles of Florence Patte : azulejos and zelliges. [Versailles]: Artlys, 2008.

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3

Kloet, Willem van der. Os Azulejos de Willem Van der Kloet em Portugal =: Willem Van der Kloet tile pictures in Portugal. Lisboa: Lisboa 94, 1994.

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4

Dominican Republic) Trienal Internacional del Tile Cerámico (2nd 2002 Santo Domingo. Elit-tile 02/03: II Trienal Internacional del Tile Cerámico. Santo Domingo, República Dominicana: Museo de la Cerámica Contemporánea, 2002.

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5

Hakubutsukan, Fukushima Kenritsu. Mutsu no kogawara: Kawara ga kataru Fukushima no kodaishi : kikakuten. Aizuwakamatsu-shi: Fukushima Kenritsu Hakubutsukan, 1988.

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6

Brentjens, Yvonne. Rozenburg, plateel uit Haagse kringen (1883-1917). Zwolle: Waanders Uitgevers, 2007.

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7

Triennale Design Museum (Milan, Italy). Talent for tiles: Prima edizione del concorso internazionale sugli utilizzi innovativi della ceramica = first edition of the international competition for innovative uses of ceramics. Bologna: Compositori, 2011.

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8

Müzesi, Sadberk Hanım, and Vehbi Koç Vakfı, eds. Dance of fire: Iznik tiles and ceramics in the Sadberk Hanım Museum and Ömer M. Koç collections. Istanbul: Vehbi Koç Foundation, 2009.

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9

Röcke, Matthias, Josef Erhardt, and Agnes Menacher. Heiss gebrannt und unverwüstlich: 140 Jahre Fliesen aus Sinzig. Edited by HeimatMuseum Schloss Sinzig. Sinzig: Arbeitskreis Keramik im HeimatMuseum Schloss Sinzig, 2011.

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10

Lozas y azulejos de Triana: Colección Carranza. Sevilla: Instituto de la Cultura y las Artes de Sevilla, 2011.

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11

Aalen, Limesmuseum, ed. Ton + Technik: Römische Ziegel. Esslingen: Limesmuseum Aalen, Zweigmuseum des Archäologischen Landesmuseums Baden-Württemberg, 2010.

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12

United States. National Archives and Records Administration., ed. Ties that bind: Communities in American history. Washington, DC: National Archives, 1992.

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13

Baribeau, Claude. Papineau, his life and times. Edited by Public Archives Canada. [Ottawa]: Public Archives Canada, 1986.

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14

Jewelry in Europe and America: New times, new thinking. London: Thames and Hudson Ltd, 1996.

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15

Canada, National Archives of. Papineau : his life and times =: Papineau et son temps. Edited by Baribeau Claude 1952-, Wilson Bruce G. 1946-, and Archives nationales du Canada. Ottawa, Ont: National Archives of Canada = Archives nationales du Canada, 1987.

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16

Allen, Gloria Seaman, and Lynne Anderson. Wrought with careful hand: Ties of kinship on Delaware samplers. Dover, Delaware: Biggs Museum of American Art, 2014.

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17

Guo li gu gong bo wu yuan, ed. Yongzheng: Qing Shizong wen wu da zhan = Harmony and integrity : the Yongzheng Emperor and his times. Taibei Shi: Guo li gu gong bo wu yuan, 2009.

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18

Hannouch, Hanin. Gabriel Lippmann's Colour Photography. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463728553.

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Physicist Gabriel Lippmann’s (1845–1921) photographic process is one of the oldest methods for producing colour photographs. So why do the achievements of this 1908 Nobel laureate remain mostly unknown outside niche circles? Using the centenary of Lippmann’s death as an opportunity to reflect upon his scientific, photographic, and cultural legacy, this book is the first to explore his interferential colour photography. Initially disclosed in 1891, the emergence of this medium is considered here through three shaping forces: science, media, and museums. A group of international scholars reassess Lippmann’s reception in the history of science, where he is most recognised, by going well beyond his endeavours in France and delving into the complexity of his colour photography as a challenge to various historiographies. Moreover, they analyse colour photographs as optical media, thus pluralising Lippmann photography’s ties to art, cultural and imperial history, as well as media archaeology. The contributors also focus on the interferential plate as a material object in need of both preservation and exhibition, one that continues to fascinate contemporary analogue photographers. This volume allows readers to get to know Lippmann, grasp the interdisciplinary complexity of his colourful work, and ultimately expand his place in the history of photography.

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19

Luca, Tiago. Planetary Cinema. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463729628.

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The story is now familiar. In the late 1960s humanity finally saw photographic evidence of the Earth in space for the first time. According to this narrative, the impact of such images in the consolidation of a planetary consciousness is yet to be matched. This book tells a different story. It argues that this narrative has failed to account for the vertiginous global imagination underpinning the media and film culture of the late nineteenth century and beyond. Panoramas, giant globes, world exhibitions, photography and stereography: all promoted and hinged on the idea of a world made whole and newly visible. When it emerged, cinema did not simply contribute to this effervescent globalism so much as become its most significant and enduring manifestation. Planetary Cinema proposes that an exploration of that media culture can help us understand contemporary planetary imaginaries in times of environmental collapse. Engaging with a variety of media, genres and texts, the book sits at the intersection of film/media history and theory/philosophy, and it claims that we need this combined approach and expansive textual focus in order to understand the way we see the world.

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20

Shinbunsha, Asahi, and Kawasaki-shi Shimin Myūjiamu, eds. Dai Zabieru ten: Rainichi 450-shūnen sono shōgai to Nanban bunka no ihō = St. Francis Xavier, his life and times. [Tokyo]: Tōbu Bijutsukan, 1999.

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21

Society, Chicago Historical, ed. I do!: Chicago ties the knot. Chicago: Chicago Historical Society, 2010.

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22

V, Murdoch T., and Museum of London, eds. Treasures & trinkets: Jewellery in London from pre-Roman times to the 1930s. [London]: Museum of London, 1991.

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23

Diego, Rivera. Diego Rivera and the revolution: Mexico in times of ghanges [i.e. change]. [Mexico City]: Diego Rivera Studio Museum, 1993.

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24

Portsmouth, Athenaeum (Portsmouth N. H. ). Times of turbulence and triumph: Prints and printing pertaining to New Hampshire, 1700 to 1783. [Portsmouth, N.H: The Yankee Printer], 1998.

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25

Oldfield, Philip. Dental roots: A history of dentistry from early times to the nineteenth century : April 2l-June 13, 1986, Thomas Fisher Rare Book Library, University of Toronto. [Toronto: The Library, 1986.

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26

Ann, Apicella Mary, and Skalet Linda Henefield, eds. The Tile Club and the aesthetic movement in America. New York: Harry N. Abrams, 1999.

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27

Healey, Robin. Hopeful travellers: Italian explorers, missionaries, merchants, and adventurers from the Middle Ages to modern times. [Toronto]: University of Toronto Library, 2007.

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28

G, Leffingwell Edward, Kismaric Carole 1942-, Heiferman Marvin, and P. S. 1. Museum, eds. Jack Smith: Flaming creature : his amazing life and times. London: Serpent's Tail, 1997.

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29

Metcalf, E. W. The ties that bind: Folk art in contemporary American culture : November 21, 1986-January 10, 1987, the Contemporary Arts Center, Cincinnati, Ohio. Cincinatti, Ohio: The Center, 1986.

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30

London Bodies: The Changing Shape of Londoners from Prehistoric Times to the Present Day. London: Museum of London, 1999.

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31

Sadako, Takeda Sharon, Los Angeles County Museum of Art., Tōkyō Kokuritsu Hakubutsukan, and Kokuritsu Rekishi Minzoku Hakubutsukan (Japan), eds. When art became fashion: Kosode in Edo-period Japan. Los Angeles, Calif: Los Angeles County Museum of Art, 1992.

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32

David, Hockney. David Hockney: Exciting times are ahead. Leipzig: E.A. Seemann, 2001.

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33

Jacob, Simon, and National Portrait Gallery (Great Britain), eds. Handel, a celebration of his life and times, 1685-1759. London: National Portrait Gallery, 1985.

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34

Richard, White. The frontier in American culture: An exhibition at the Newberry Library, August 26, 1994 - January 7, 1995. Chicago: The Library, 1994.

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35

Kinoshita, Naoyuki, and Shunʼya Yoshimi. Nyūsu no tanjō: Kawaraban to shinbun nishikie no jōhō sekai = The birth of the news, visual media in 19th-century Japan. Tōkyō: Tōkyō Daigaku Sōgō Kenkyū Hakubutsukan, 1999.

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36

Horst, Janssen. Horst Janssen: Hundred posters : a hundred times just me for all the others. Hamburg: Edition St. Gertrude, 1991.

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37

For every sin. New York: Weidenfeld & Nicolson, 1989.

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38

Douglas, Dreishpoon, Trachtenberg Alan, Weinstock Nancy, and Albright-Knox Art Gallery, eds. The tumultuous fifties: A view from the New York Times Photo Archives. Buffalo, NY: Albright-Knox Art Gallery in cooperation with the New York Times Photo Archives and Times History Productions, a division of the New York Times, 2001.

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39

Treuherz, Julian. Hard times: Social realism in Victorian art. London: Lund Humphries in association with Manchester City Art Galleries, and Moyer Bell, Mt. Kisco, New York, 1987.

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40

Painters and public life in 18th-century Paris. New Haven: Yale University Press, 1987.

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41

Green, Martin Burgess. New York 1913: The Armory Show and the Paterson strike pageant. New York: Scribner, 1988.

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42

1962-, Thurley Simon, and Hampton Court (Richmond upon Thames, London, England), eds. Henry VIII: Images of a Tudor king. Oxford [Eng.]: Phaidon Press in association with the Historical Royal Palaces Agency, 1995.

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43

The dinner party. New York, N.Y., U.S.A: Penguin, 1996.

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44

São Paulo (Brazil : States). Pinacoteca do Estado., ed. OSIRARTE: Pinturas sobre azulejo de Volpi, Zanini, Hilde Weber e Gerda Bretani. [São Paulo]: Governo Montoro, Secretaria de Estado da Cultura, 1985.

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45

La ruta de la cerámica: Taller-Escuela de Cerámica de Muel, Diputación de Zaragoza : del 15 de septiembre al 19 de noviembre de 2000. [Zaragoza]: Diputación de Zaragoza, 2000.

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46

La Ruta de la cerámica: Taller-Escuela de Cerámica de Muel, Diputación de Zaragoza : del 15 de septiembre al 19 de noviembre de 2000. [Zaragoza]: Diputación de Zaragoza, 2000.

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47

Life & Times of the Motorcycle. Reynolds-Alberta Museum, 2005.

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48

Tough Times Companion. Institute on Violence and Survival, 2003.

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49

Shifting Tides: Cuban Photography After the Revolution. Los Angeles County Museum of Art and Merrell, 2001.

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50

Victor, Gray, and Aspey Melanie, eds. The life and times of N.M. Rothschild, 1777-1836. London: N.M. Rothschild, 1998.

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