Relevant bibliographies by topics / Tibullo

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Tibullo'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Tibullo"

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Rosalia, Anonino de. "Interpretazione di Tibullo 2, 3, 33-35." Helmántica 46, no. 139 (January 1, 1995): 23–31. http://dx.doi.org/10.36576/summa.3436.

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Morelli, Alfredo M. "I "Saturnia regna" nell'elegia 1,3 di Tibullo." Materiali e discussioni per l’analisi dei testi classici, no. 26 (1991): 175. http://dx.doi.org/10.2307/40235983.

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Bulgariu, Emilian. "On the Uniqueness and Continuous Dependence in the Linear Theory of Thermo-Microstretch Elasticity Backward in Time." Annals of the Alexandru Ioan Cuza University - Mathematics 59, no. 2 (July 1, 2013): 339–55. http://dx.doi.org/10.2478/v10157-012-0042-7.

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Abstract We study the uniqueness and the continuous dependence problems for the thermo-microstretch elastic processes backward in time. The data are given for the final time t = 0 and we want to study the solution at the previous moments. We transform the problem in a boundary-initial value problem by an appropriate change of variables. The uniqueness theorems presented in this article extend in a particular case the uniqueness theorem of Passarella and Tibullo (2010) and we also discuss a different class of problems than the one considered by them. We find some estimates that prove the continuous dependence of solution with respect to the final data.
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Merli, Elena. "Per la chioma di Minerva: nota a Tibullo 1, 4, 23-26." Rivista di Filologia e di Istruzione Classica 145, no. 2 (July 2017): 400–404. http://dx.doi.org/10.1484/j.rfic.5.123441.

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Gagliardi, Paola. "Properzio nell'epicedio Ovidiano per Tibullo: Ov. Amor. 3.9 e il dialogo con l'elegio d'amore." Acta Classica 61, annual (2018): 36–52. http://dx.doi.org/10.15731/aclass.061.03.

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Gagliardi, Paola. "Properzio nell’epicedio ovidiano per Tibullo: Ov. Amor. 3.9 e il dialogo con l’elegia d’amore." Acta Classica 61, no. 1 (2018): 36–52. http://dx.doi.org/10.1353/acl.2018.0002.

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Maltby, Robert. "Tibullus 1.2 - Walter Wimmel: Tibull und Delia, Zweiter Teil: Tibulls Elegie 1, 2. (Hermes Einzelschriften, 47.) Pp. v +130. Wiesbaden: Franz Steiner, 1983. Paper, DM. 44." Classical Review 35, no. 2 (October 1985): 279–81. http://dx.doi.org/10.1017/s0009840x00108807.

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Witczak, Krzysztof. "Rzymski elegik Serwiusz Sulpicjusz - znany czy nieznany?" Collectanea Philologica 1 (January 1, 1995): 113–18. http://dx.doi.org/10.18778/1733-0319.01.14.

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Libro quarto Corporis Tibulliani continentur ignoti poetae longa elegia, quae Panegyricus Messallae vulgo appeIlatur (IV, I), quinque elegiae auctoris, quem "Sulpiciae laudatorem" voco (IV, 2--6), sex brevia elegidia sub Sulpiciae nomine servata (IV, 7-12) et postremo duae elegiae TibuIlo adiudicatae (IV, 13-14). Multi viri docti iam diu disputant, qui fuerit "Sulpiciae laudator". Qui poeta talem distichi elegiaci structuram adhibere solebat, qualis ante Ovidium exculta est. Constat autem auctorem elegiarum IV, 2--6, quae de amore Sulpiciae erga Cerinthum narrant atque a muItis viris doctis Tibulli opera ducuntur, "Sulpiciae laudatorem" fuisse. Quisnam is esset et quare Matronalium die elegiam III, 8 Sulpiciae donasset, quaerebatur. Nova opinio ad ignoti poetae personam, eius vitae aetatem otiumque litterarium spectans nostro in opusculo proposita est. Ex meis investigationibus apparet Servium Sulpicium Quinti Horatii Flacci amicum aequalemque aetate (Hor., Sat., I, 10, 86), elegiarum scriptorem (Ovid., Trist., II, 441; Plin., Ep., V, 3, 5) se poetriae fratrem firmissimumque "Sulpiciae laudatorem" praestare.
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Kennedy, Duncan F. "WHAT’S IN A NAME? DELIA IN TIBULLUS 1.1." Classical Quarterly 67, no. 1 (March 15, 2017): 193–98. http://dx.doi.org/10.1017/s0009838817000118.

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Delia, the name given to Tibullus’ mistress in five of the poems in the first book of his elegies (1.1, 1.2, 1.3, 1.5, 1.6), has long inspired curiosity. Two approaches have dominated discussion. The biographical approach takes its cue from theApologyof Apuleius (10), which regards Delia as a pseudonym:eadem igitur opera accusent C. Catullum, quod Lesbiam pro Clodia nominarit, et Ticidam similiter, quod quae Metella erat Perillam scripserit, et Propertium, qui Cynthiam dicat, Hostiam dissimulet, et Tibullum, quod ei sit Plania in animo, Delia in uersu.
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Arndt, Aleksandra. "Perskie oko Rzymianina - groteska, absurd i ironia w elegiach miłosnych Tibullusa." Collectanea Philologica 14 (January 1, 2011): 134–47. http://dx.doi.org/10.18778/1733-0319.14.11.

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L’élégie érotique de Tibulle comporte de nombreux éléments humoristiques. Grâce au grotesque le poète fait diminuer la signification de son amour aux filles – Délie et Nemezis, ainsi que son estime pour Venus. Son comportement absurde en tant qu’amant démontre la fiction des sentiments présentés dans les poèmes. Enfin, l’ironie à l’aide de laquelle Tibulle décrit des événements mythologiques et la déesse Pax montre son désintérêt pour la politique de l’empereur Auguste. C’est surtout à Tibulle qu’Ovide doit la vis comica dans ses Amores.
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Dissertations / Theses on the topic "Tibullo"

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Cesaro, Novella <1984&gt. "Editoria, prassi scolastica, letteratura: la fortuna di Tibullo nella cultura italiana (1472-1945)." Doctoral thesis, Università Ca' Foscari Venezia, 2014. http://hdl.handle.net/10579/4625.

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This work is aimed at reconstructing a history of Tibullus’s presence in modern and contemporary Italian culture, especially focusing on three aspects: publishing, textbooks publishing and literary imitation. The analysis of the most important Tibullian editions circulating in Italy allows to identify different periods of development of Tibullus’s presence in fifteenth to twentieth century publishing. As far as teaching is concerned, I have considered not only teaching books, but also school programmes, evidence and moral judgments about Tibullus and his presence among readings made by young people. As to literature, Tibullus’s influence is continuous, not only in poetry, but also in prose, in vernacular and Neolatin production. The analysis of imitations enables to reconstruct a history of Tibullus’s literary tradition. To realize this work, I have examined and described 318 editions, 102 of which are textbooks, and I have analyzed passages that belong to the literary production of 110 Italian authors.
Questo lavoro è finalizzato a ricostruire una storia della fortuna di Tibullo nella cultura italiana di età moderna e contemporanea, con particolare attenzione a tre ambiti: editoria, prassi scolastica e imitazione letteraria. L’analisi delle più importanti edizioni tibulliane circolanti nel territorio nazionale consente di individuare diverse fasi di sviluppo della presenza dell’elegiaco nell’editoria dei secoli XV-XX. Per quel che concerne l’insegnamento, sono stati presi in considerazione non solo volumi destinati all’apprendimento, ma anche programmi scolastici, testimonianze e giudizi di carattere morale inerenti all’autore e alla sua presenza fra le letture dei giovani. Per quanto riguarda la letteratura, l’influsso di Tibullo è costante, non solo in poesia, ma anche in prosa, nella produzione volgare e in quella neolatina. L’analisi dei procedimenti imitativi ha consentito di ricostruire una storia della cospicua fortuna letteraria di questo poeta. Allo scopo di realizzare la presente ricerca, ho compulsato e schedato 318 edizioni, di cui 102 a uso scolastico, e analizzato brani appartenenti alla produzione letteraria di 110 autori italiani.
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ALVES, J. P. M. "Elegias de Tibulo: Tradução e comentário." Universidade Federal do Espírito Santo, 2014. http://repositorio.ufes.br/handle/10/3174.

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Propõe-se uma tradução literária da obra do escritor romano antigo Álbio Tibulo e um comentário-estudo que revele, simultaneamente, aspectos das elegias do poeta e um pouco do passo a passo da tradução, da engenharia de sua construção. Em um quadro assim, pressupõe-se a gênese concomitante de tradução e comentário, uma vez que um é pretexto e argumento para a existência do outro. No interior do comentário, a obra de Tibulo e as escolhas de tradução surgem lado a lado, em um só movimento. Para a confecção de tal proposta, esta pesquisa aponta, como artifício necessário e enriquecedor, o trabalho tradutor-literário como fruto de teoria da tradução, de alguns estudos críticos sobre Tibulo e a poesia antiga e da leitura de comentários filológicos às elegias do poeta clássico. Da reunião e leitura de material desse tipo, espera-se construir o entendimento de aspectos das elegias de Tibulo e do projeto de versão constante destas páginas, além de cooperar para a compreensão do gênero elegíaco antigo entre nós.
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Martins, Maria Helena Aguiar. "A elocuÃÃo do amor em Tibulo." Universidade Federal do CearÃ, 2016. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=17601.

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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior
A presente dissertaÃÃo investiga a elocuÃÃo de onze poemas da obra atribuÃda ao poeta latino Ãlbio Tibulo (c. 55-19 a.C.): os poemas 1.1-6, 1.8-9, 2.3-4 e 2.6. A delimitaÃÃo desse corpus de anÃlise baseia-se na temÃtica erÃtica e nos personagens aos quais os poemas sÃo direcionados, DÃlia, MÃrato e NÃmesis; a investigaÃÃo formal da elocuÃÃo ampara a discussÃo de aspectos dessa temÃtica; em funÃÃo disso, dividimos em trÃs ciclos os poemas a serem analisados; a elocuÃÃo de cada ciclo serà examinada em separado e depois comparada com a dos demais. Para desenvolver esta pesquisa, utilizamos como fundamentaÃÃo teÃrica estudos e comentÃrios da obra de Tibulo, textos de retÃrica da Antiguidade greco-latina e estudos de retÃrica, especialmente os que abordam a elocuÃÃo. A anÃlise dos poemas foi fundamentada principalmente na RetÃrica a HerÃnio e no Manual de RetÃrica LiterÃria, de Lausberg. Uma discussÃo mais aprofundada de poesia latina requer um exame da elocuÃÃo, pois os poetas latinos tinham o estudo da retÃrica como formaÃÃo bÃsica. Na obra de Tibulo, à perceptÃvel que a seleÃÃo e a disposiÃÃo de palavras nos versos servem-se de figuras de linguagem em consonÃncia com o conteÃdo e ainda sublevam o teor erÃtico dos poemas.
This dissertation investigates the elocution of eleven poems from Albius Tibullus (c. 55-19 BC) work: poems 1.1-6, 1.8-9, 2.3-4 and 2.6. The demilitation of this corpus of analysis is based on the erotic subject and it is also based on the characters to which the poems are addressed: Delia, Marathus and Nemesis; the formal investigation of the elocution sustains the discussion about some aspects from this subject; therefore, we divided the poems analyzed in three cycles; the elocution of those cycles is going to be analyzed separately and compared to each other. In order to develop this research, as theoretical foundation we use research and commentaries on the work of Tibullus, rhetorical texts from Greco-Roman Antiquity, and researches about rhetoric, especially those woks that develop the elocution. The analysis is based mainly on Ad Herennium and also on Manual de RetÃrica LiterÃria, from Lausberg. A further discussion of Latin poetry requires an examination of the elocution, since the Latin poets had rhetoric as their foundation. It is noticeable, that Tibullus selection and arrangement of the words in his verses utilizes figures of speech in order to mimic their content; moreover the disposition rise up the erotic content of the poems.
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Martins, Maria Helena Aguiar. "A elocução do amor em Tibulo." reponame:Repositório Institucional da UFC, 2016. http://www.repositorio.ufc.br/handle/riufc/19720.

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MARTINS, Maria Helena Aguiar. A elocução do amor em Tibulo. 2016. 98f. – Dissertação (Mestrado) – Universidade Federal do Ceará, Programa de Pós-graduação em Letras, Fortaleza (CE), 2016.
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This dissertation investigates the elocution of eleven poems from Albius Tibullus (c. 55-19 BC) work: poems 1.1-6, 1.8-9, 2.3-4 and 2.6. The demilitation of this corpus of analysis is based on the erotic subject and it is also based on the characters to which the poems are addressed: Delia, Marathus and Nemesis; the formal investigation of the elocution sustains the discussion about some aspects from this subject; therefore, we divided the poems analyzed in three cycles; the elocution of those cycles is going to be analyzed separately and compared to each other. In order to develop this research, as theoretical foundation we use research and commentaries on the work of Tibullus, rhetorical texts from Greco-Roman Antiquity, and researches about rhetoric, especially those woks that develop the elocution. The analysis is based mainly on Ad Herennium and also on Manual de Retórica Literária, from Lausberg. A further discussion of Latin poetry requires an examination of the elocution, since the Latin poets had rhetoric as their foundation. It is noticeable, that Tibullus selection and arrangement of the words in his verses utilizes figures of speech in order to mimic their content; moreover the disposition rise up the erotic content of the poems.
A presente dissertação investiga a elocução de onze poemas da obra atribuída ao poeta latino Álbio Tibulo (c. 55-19 a.C.): os poemas 1.1-6, 1.8-9, 2.3-4 e 2.6. A delimitação desse corpus de análise baseia-se na temática erótica e nos personagens aos quais os poemas são direcionados, Délia, Márato e Nêmesis; a investigação formal da elocução ampara a discussão de aspectos dessa temática; em função disso, dividimos em três ciclos os poemas a serem analisados; a elocução de cada ciclo será examinada em separado e depois comparada com a dos demais. Para desenvolver esta pesquisa, utilizamos como fundamentação teórica estudos e comentários da obra de Tibulo, textos de retórica da Antiguidade greco-latina e estudos de retórica, especialmente os que abordam a elocução. A análise dos poemas foi fundamentada principalmente na Retórica a Herênio e no Manual de Retórica Literária, de Lausberg. Uma discussão mais aprofundada de poesia latina requer um exame da elocução, pois os poetas latinos tinham o estudo da retórica como formação básica. Na obra de Tibulo, é perceptível que a seleção e a disposição de palavras nos versos servem-se de figuras de linguagem em consonância com o conteúdo e ainda sublevam o teor erótico dos poemas.
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Lee-Stecum, Parshia. "Powerplay in Tibullus : reading Elegies Book One /." London ; New York ; Melbourne (Australie) : Cambridge university press, 1998. http://catalogue.bnf.fr/ark:/12148/cb370854338.

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Dixon, Helen Margaret. "Studies in the transmission of Tibullus." Thesis, University of Cambridge, 2001. https://www.repository.cam.ac.uk/handle/1810/272114.

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Goga-Lambion, Stefana. "Le moi lyrique et le temps chez Catulle, Tibulle, Properce et Horace." Paris 4, 2002. http://www.theses.fr/2002PA040210.

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Prenant comme point de départ le vocabulaire de la mémoire, qui désigne la production du texte élégiaque, et les allégories qui la traduisent métaphoriquement, cette recherche aboutit à dégager la valeur autoréflexive de l'image du " je " et de celle de la bien-aimée, autour desquelles est structurée l'élégie. De la même manière, le temps subjectif, organisateur du discours, apparaît comme un lieu d'autoréflexivité. L'approfondissement théorique de cette lecture - dans la perspective de la Poétique d'Aristote, de l'Art Poétique d'Horace et du traité Du Sublime - ainsi qu'un parallèle avec la lyrique horatienne, permettent de mieux cerner l'art des poètes élégiaques et les traits du genre qu'ils pratiquent. Une évolution du discours élégiaque peut ainsi être esquissée à partir de l'œuvre de Catulle et jusqu'aux Amours d'Ovide, dernière œuvre qui obéisse strictement au code de l'élégie érotique latine
Beginning with the vocabulary of memory that characterizes elegiac text production, and with the allegories that translate it metaphorically, this study then uncovers the self-reflexive value of the " I "'s and of the mistress's images, around which the elegy is structured. Similarly, the subjective time that organizes the text appears to be a frame within which reflexivity occurs. In-depth theoretical reading - from the perspective of Aristotle's Poetics, Horace's Art of Poetry and On the Sublime - affords us a better understanding of the art of the elegiac poets, and of the distinctive aspects of the genre they practiced. We can thus sketch out an evolution of the elegiac discourse from Catullus' work through to Ovid's Amores, the last work to adhere strictly to the Latin erotic elegiac code
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Almaida, Martínez Rosa. "Comentario de Achilles Statius a Tibulo (Libro I). Edición, traducción y estudio." Doctoral thesis, Universidad de Murcia, 2005. http://hdl.handle.net/10803/10801.

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RESUMENEl trabajo que presentamos lleva por título Comentario de Achilles Statius a Tibulo. (Libro I). Edición, traducción y estudio. En la introducción que inicia nuestra Tesis hemos abordado la figura de Achilles Statius. El bloque principal lo constituyen los textos de las elegías y los comentarios que al respecto hace Estaço. Seguidamente dividimos la Tesis en dos partes. La primera parte se centra en la Edición y Traducción del comentario de Aquiles Estaço. La segunda parte de nuestra Tesis consiste en la valoración del trabajo de Estaço; la valoración que hemos realizado sobre él nos ha hecho llegar a una serie de conclusiones. Establecemos una primera división entre comentarios textuales y no-textuales. La referencia manuscrita es muy importante. Tras los comentarios textuales están los no-textuales. Son apuntes de contenido muy variado.
The work we have presented as Doctoral Thesis takes the title of 'Commentary of Achilles Statius to Tibulo (Book I). Publication, trasnlation and Study. Deals with the work of the Humanist Aquilles Statius. In the Introduction to the Thesis, we have looked at the biography of Aquilles Statius. Here the main block consists of the elegies and Estaco's commentaries on them. Next we divided the Thesis into two parts.The first part is centred on the Publication and Translation of Achilles Etaco's commentary. The second part of my thesis consists of our own valuation of Estaco's work. This evaluation has led us to a series of importants conclusions. On the second part, we have established a first division between 'textual' and 'non-textual' commentaries. We have also made it clear that the reference manuscript in Aquiles Estaco is very important. After the textual commentaries they are 'no-textual' commentaries. It is about extremely varied content notes.Nota Importante: Para leer la tesis correctamente es necesario tener instalada la fuente sgreek (ver ficheros)
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Giannaki, Maria. "Le traitement littéraire des sources grecques chez Tibulle et Properce : recherches sur l’écriture élégiaque latine." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040037.

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L’histoire des genres et des idées littéraires, la sémiotique, la stylistique, la métrique et la littérature en général sont au cœur de notre recherche. Aussi, avons-nous appliqué les théories de l’intertextualité en étudiant les élégies de Tibulle et de Properce, afin de mettre en évidence les processus différenciés qui permettent de maintenir une continuité, et qui font la richesse du genre élégiaque érotique romain. Elles ont mis en évidence les principes d'intertexte et d'allusion, voire de métapoésie, autant que de genre et de généricité, en une hybridité d'écriture très conforme avec une esthétique augustéenne de l'hétérogène. Le résultat en est une réécriture, certes en reconnaissance acquise (fût-elle « allusive » et « réflexive »), mais riche d'auctorialité, pour de nouveaux pactes d'écriture et de lecture, laissant place à un « fait littéraire proprement latin », dans une perspective de recherche tout à la fois diachronique, littéraire, (intertextualité, genre et généricité) et idéologique
The history of literary genders and ideas, the semiology, the style, the metric and the literature in general are in the very centre of our research, but the greatest interest of this work lies in making apparent the evidence of continuity according to the different processes that enrich the Latin love elegy genders. Furthermore, it is noted that the principals of intertext and allusion, and hence of the metapoetry, along with the genders and genericity, appear in a hybrid writing manner very appropriate with the Augustan aesthetics of heterogeneity. As a result it is shown that the Latin love elegy is a rewriting which is based on already acquired knowledge, rich in auctorial, for new pacts of writing and lecture, therefore leaving space for a “proper Latin literary fact”. The perspective of this research is diachronic, literary (intertextuality, gender, genericity) and, at the same time, ideological
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Lee-Stecum, Parshia. "Power and process : a reading of Tibullus, Elegies Book One." Thesis, University of Cambridge, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362860.

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Books on the topic "Tibullo"

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Bertoli, Enea. L' elegia 1.3 di Tibullo. Verona: Libreria editrice universitaria, 1991.

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Rilettura dell'Elegia 2,5 di Tibullo. Galatina (Le) [i.e. Lecce, Italy]: Congedo, 2006.

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Bertoli, Enea. L' elegia 1.3 di Tibullo. Verona: Libreria editrice universitaria, 1991.

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Commento a Tibullo: Elegie, libro 1. Soveria Mannelli (Catanzaro): Rubbettino, 2002.

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Perrelli, Raffaele. Commento a Tibullo, Elegie, libro 1. Soveria Mannelli (Catanzaro): Rubbettino, 2002.

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Perrelli, Raffaele. Il tema della scelta di vita nelle elegie di Tibullo. Soveria Mannelli [Italy]: Rubbettino, 1996.

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Convegno internazionale di studi su Albio Tibullo (1984 Rome, Italy). Atti del Convegno internazionale di studi su Albio Tibullo, Roma-Palestrina, 10-13 maggio 1984. Roma: Centro di studi ciceroniani, 1986.

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La prima linea della poesia lirica di età augustea: Un'introduzione all'opera di Orazio, Properzio e Tibullo. Soveria Mannelli: Rubbettino, 2016.

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Azay, Lucien d'. Tibulle à Corfou. Paris: Belles lettres, 2003.

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Tibulle à Corfou. Paris: Belles lettres, 2003.

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Book chapters on the topic "Tibullo"

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Perrelli, Raffaele. "Properzio e Tibullo." In Properzio e l'etá augustea. Cultura, storia, arte, 245–53. Turnhout: Brepols Publishers, 2014. http://dx.doi.org/10.1484/m.splslp-eb.5.102586.

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Kuhlmann, Peter Alois. "Tibull." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22192-1.

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Kröner, Hans-Otto. "Tibull." In Kleines Lexikon römischer Autoren, 156–62. Stuttgart: J.B. Metzler, 2015. http://dx.doi.org/10.1007/978-3-476-05456-2_26.

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Heusch, Christine. "Tibull: Elegien." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22193-1.

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Rayor, Diane J., and William W. Batstone. "Tibullus." In Latin Lyric and Elegiac Poetry, 217–41. Second edition. | Abingdon, Oxon; New York: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315718422-12.

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Hadas, Rachel. "Tibullus." In Latin Lyric and Elegiac Poetry, 38–53. Second edition. | Abingdon, Oxon; New York: Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315718422-4.

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Miller, Paul Allen. "Tibullus." In A Companion to Roman Love Elegy, 53–69. Oxford, UK: Wiley-Blackwell, 2012. http://dx.doi.org/10.1002/9781118241165.ch4.

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Scheid, John. "Rituel et poésie. L’élégie 2, 1 de Tibulle." In "Parcourir l'éternité". Hommages à Jean Yoyotte, 965–71. Turnhout: Brepols Publishers, 2012. http://dx.doi.org/10.1484/m.behe-eb.4.00463.

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Perrelli, Raffaele. "Un altro capitolo del dialogo tra Properzio e Tibullo Il Bacco minore di Properzio 3.17." In Antichistica. Venice: Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-557-5/002.

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Abstract:
Propertius’ elegy 3.17 is full of references to Tibullus’ elegies, partly for reasons of convergence of context, partly because of the Propertian choice, to resume an earlier long-distance polemic with the other Roman elegiac poet.
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Maltby, Robert. "Tibullan impersonation and Callimachean influence in the Messalla Panegyric ([Tib.] 3.7)." In Constructing Authors and Readers in the Appendices Vergiliana, Tibulliana, and Ouidiana, 148–69. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198864417.003.0010.

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Abstract:
This chapter asks how a hexameter panegyric found its way into an elegiac collection by various authors that has come down to us as the Appendix Tibulliana. Peirano (2012) makes a good case for the poem being a Tibullan impersonation and this chapter takes the argument further, suggesting that some of the peculiarities of the panegyric are derived from its connection with Callimachean epinicion, also a feature of Tibullus 1.7. The similarity in the positioning of the Messalla Panegyric as seventh in its book, following a group of six love elegies, exactly parallels the position of Tibullus 1.7. The Callimachean features of both poems deserve further investigation; these throw light on the poem’s links with Catalepton 9 and the Laus Pisonis. In conclusion, it is suggested that the poem could have been deliberately placed seventh in the collection by its author, who may well have edited the whole book.
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