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Journal articles on the topic 'Thutmose'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Abdel Ghany, Khaled. "Das frühste Amduat-Exemplar im Tal der Könige." Zeitschrift für Ägyptische Sprache und Altertumskunde 145, no. 1 (June 1, 2018): 1–21. http://dx.doi.org/10.1515/zaes-2018-0001.

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Summary After G. Daressy had indicated in the Catalogue général that two small mud-plaster fragments of Amduat (CG 24990 C) were found in the tomb of king Thutmosis I (KV 38), egyptologists assumed that the tomb KV 38 may have been originally decorated with a mud-plaster version of Amduat – however, there were neither archaeological evidences nor illustrations available. For this reason in 2015 I started an exploration in the tomb KV 38. In this search, I actually found further mud-plaster fragments of the Amduat book in the small side chamber (Ja). After examination and analysis of the discovered fragments with comparable scenes from the tomb of Thutmose III (KV 34) I think that the mud-plaster fragment scenes from the tomb of Thutmosis I (KV 38) are much earlier than the similar scenes from the tomb of Thutmosis III. Therefore, the discovered mud-plaster Amduat fragments from the tomb KV 38 represent the earliest ever Amduat specimen in the Valley of the Kings, made by the King Thutmosis I.

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2

Dodson, Aidan, and Betsy M. Bryan. "The Reign of Thutmose IV." Journal of Egyptian Archaeology 80 (1994): 247. http://dx.doi.org/10.2307/3821879.

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3

Bryan, Betsy M. "Portrait Sculpture of Thutmose IV." Journal of the American Research Center in Egypt 24 (1987): 3. http://dx.doi.org/10.2307/40000256.

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4

Hill, Marsha, and Deborah Schorsch. "A Bronze Statuette of Thutmose III." Metropolitan Museum Journal 32 (January 1997): 5–18. http://dx.doi.org/10.2307/1512987.

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5

Casperson, Lee W. "The Lunar Dates of Thutmose III." Journal of Near Eastern Studies 45, no. 2 (April 1986): 139–50. http://dx.doi.org/10.1086/373175.

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6

M., Negm Eddin. "COUNCIL OF WAR [SEQNENRE – KAMOSE – THUTMOSE III]." Egyptian Journal of Archaeological and Restoration Studies 1, no. 1 (June 1, 2011): 15–30. http://dx.doi.org/10.21608/ejars.2011.7471.

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7

Abd El Raziq, Heba, MAHMOUD ABDEL RAZIQ, and Mofida El Weshahy. "The Asiatic Campaigns of the King Thutmose." Journal of Association of Arab Universities for Tourism and Hospitality 5, no. 2 (December 1, 2008): 19–24. http://dx.doi.org/10.21608/jaauth.2008.68346.

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8

Dodson, Aidan. "Book Review: The Reign of Thutmose IV." Journal of Egyptian Archaeology 80, no. 1 (December 1994): 247–51. http://dx.doi.org/10.1177/030751339408000134.

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9

Taterka, Filip. "The Co-Regency of Thutmose III and Amenhotep II Revisited." Journal of Egyptian Archaeology 105, no. 1 (June 2019): 43–57. http://dx.doi.org/10.1177/0307513319885097.

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The aim of the article is to reconsider the question of the co-regency of Thutmose III and Amenhotep II in the light of recent research casting into doubt the existence of this institution in the Middle Kingdom. The author re-examines the sources cited in favour of the co-regency, showing that the co-regency hypothesis generates more problems than it allegedly solves. Instead of searching for one simple solution for all seemingly insurmountable problems raised up by the available evidence, the author proposes to explain each problem individually. As a result, it seems that questions such as the alleged double coronation date of Amenhotep II, the problem of his two ‘first victorious campaigns’, or the presence of the images of Thutmose III and Amenhotep II in the temple of Amada can be satisfactorily explained without any necessity to maintain that both pharaohs ever ruled together, even for a brief period of time.

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10

Spalinger, Anthony. "The Festival Structure of Thutmose III's Buto Stele." Journal of the American Research Center in Egypt 33 (1996): 69. http://dx.doi.org/10.2307/40000607.

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11

Spalinger, Anthony, and Donald B. Redford. "The Wars in Syria and Palestine of Thutmose III." Journal of the American Oriental Society 124, no. 2 (April 2004): 365. http://dx.doi.org/10.2307/4132234.

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12

Müller, Matthias. "Kupfer, Klunker und Klamotten: Das Notizbuch des Schreibers Thutmose." Lingua Aegyptia - Journal of Egyptian Language Studies 28 (November 2020): 285–309. http://dx.doi.org/10.37011/lingaeg.28.10.

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Review article on the edition of P. Vienna ÄS 10321 by Regina Hölzl, Michael Neumann & Robert J. Demarée. The paper discusses the general contents of the entries relating mainly to transfers of copper. In addition, various issues regarding new or known lexical items are highlighted. Finally, a list with sundry observations to the edition ensues.

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13

Metawi, Dina. "A Brother for Thutmose III (Cairo Museum BN 104)*." Journal of Egyptian Archaeology 99, no. 1 (January 2013): 101–16. http://dx.doi.org/10.1177/030751331309900104.

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14

Iwaszczuk, Jadwiga. "Battle Scenes from the Temple of Thutmose I in Qurna." Ägypten und Levante 31 (2021): 147–62. http://dx.doi.org/10.1553/aeundl31s147.

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15

Enmarch, Roland, and Yannis Gourdon. "The Son of a Chief of Sculptors Thutmose at Hatnub." Journal of Egyptian Archaeology 103, no. 2 (December 2017): 173–77. http://dx.doi.org/10.1177/0307513317743719.

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16

Martínez Babón, Javier. "Estudio preliminar sobre la tumba 22, hallada en el noroeste del templo de Millones de Años de Tutmosis III." Trabajos de Egiptología. Papers on Ancient Egypt, no. 10 (2019): 217–26. http://dx.doi.org/10.25145/j.tde.2019.10.12.

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So far, five tombs have been discovered in the northwest corner of the site of the Temple of Millions of Years of Thutmose III. These tombs date from the end of the Third Intermediate Period to the Late Period. From the architectural point of view, they correspond to two historical moments, on which the oldest one has evidence of a destructive flooding. Tomb no. XXII is especially interesting because many mummy and goods were found in it. This discovery will provide new information on the Late Period Theban necropolis

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17

Murnane, William J. "Rhetorical History? The Beginning of Thutmose III's First Campaign in Western Asia." Journal of the American Research Center in Egypt 26 (1989): 183. http://dx.doi.org/10.2307/40000706.

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18

Reunov, Yury S. "NECESSARY CRUELTY: ON THE ISSUE OF THE GENDER ICONOGRAPHY OF THUTMOSE III." Articult, no. 4 (2022): 71–79. http://dx.doi.org/10.28995/2227-6165-2022-4-71-79.

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Thutmose III went down in history as a great warrior pharaoh who expanded borders of Egypt, conquered many peoples in the Middle East and upstream of the Nile, in Nubia. His victories were secured by a professionally trained army, as well as personal qualities of the king himself, such as courage, determination, cunning and the ability to inspire. No less important, as the Egyptians believed, was support of gods who gave the ruler victory over foreigners and power over conquered territories. Triumph over the enemies was imprinted on walls of temples, including one in Karnak. In the scenes, the pharaoh acts as a warrior ruthlessly cracking down on numerous opponents. This paper is devoted to study of gender role of the ruler defeating enemies, as well as artistic techniques of representing this role on reliefs.

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19

Chapon, Linda. "Algunas hipótesis sobre el programa decorativo de las paredes en arenisca del Templo de Millones de Años de Tutmosis III." Trabajos de Egiptología. Papers on Ancient Egypt, no. 10 (2019): 63–92. http://dx.doi.org/10.25145/j.tde.2019.10.04.

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The archaeological excavations undertaken since 2008 in the Henket-ankh, the Temple of Millions of Years of Thutmose III located on the West Bank of Thebes, have resulted in the discovery of a large number of relief fragments, both in sandstone and limestone. While a part of the sanctuary would have been made of limestone, sandstone was used for most decorated walls of the temple. The material is very fragmented, and very little of the original structures of the temple remains. However, its study has allowed us to elaborate hypotheses about some of the scenes that would have been represented, as well as to suggest possible reconstructions. They included, among others, the massacre and list of enemies or battle, a calendar of festivities, processions, the Ished tree or the king outfitted with the Heb Sed robe. These iconographic elements responded to an intentional program in which each type of representation, ritual or other, had its place in specific areas of the temple. These would be combined with scenes of offerings to the gods, in particular to Amun, guarantor at the same time than recipient of the king’s deeds. This paper aims to present an integral vision of what has been determined in terms of these scenes. Given the state of the material, the limitations that we face when it comes to deciphering this figurative discourse are manifest; however, the reliefs discovered in the Henket-ankh evidence the complexity of the decorative and symbolic program, as well as the quality of relief and polychrome, which once existed in the Temple of Millions of Years of Thutmose III

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20

Huber, Peter J. "The Astronomical Basis of Egyptian Chronology of the Second Millennium BC." Journal of Egyptian History 4, no. 2 (2011): 172–227. http://dx.doi.org/10.1163/187416611x618721.

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Abstract Egyptian dates are widely used for fixing the chronologies of surrounding countries in the Ancient Near East. But the astronomical basis of Egyptian chronology is shakier than generally assumed. The moon dates of the Middle and New Kingdom are here re-examined with the help of experiences gained from Babylonian astronomical observations. The astronomical basis of the chronology of the New Kingdom is at best ambiguous. The conventional date of Thutmose III’s year 1 in 1479 BC agrees with the raw moon dates, but it has been argued by several Egyptologists that those dates should be amended by one day, and then the unique match is 1504 BC. The widely accepted identification of a moon date in year 52 of Ramesses II, which leads to an accession of Ramesses II in 1279 BC, is by no means certain. In my opinion that accession year remains nothing more than one of several possibilities. If one opts for a shortened Horemhab reign, dating Ramesses II to 1290 BC gives a better compromise chronology. But the most convincing astronomical chronology is a long one: Ramesses II in 1315 BC, Thutmose III in 1504 BC. It is favored by Amarna-Hittite synchronisms and a solar eclipse in the time of Muršili II. The main counter-argument is that this chronology is at least 10–15 years higher than what one calculates from the Assyrian King List and the Kassite synchronisms. For the Middle Kingdom on the other hand, among the disputed dates of Sesostris III and Amenemhet III one combination turns out to be reasonably secure: Sesostris III’s year 1 in 1873/72 BC and Amenemhet III’s 30 years later.

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21

Serrano, José M. "The Ritual of “Encircling the Tomb” in the Funerary Monument of Djehuty (TT 11)." Zeitschrift für Ägyptische Sprache und Altertumskunde 146, no. 2 (November 1, 2019): 209–23. http://dx.doi.org/10.1515/zaes-2019-0018.

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Summary In the Theban tomb of Djehuty (TT 11) we have the representation of a ritual apparently focused on surrounding the funerary monument. The objective of this paper is the reconstruction of the scene, and the text that accompanies it, thanks to the parallel of TT 20 (Montuherkhepeshef). This allows us to link this ritual to the Pap. Ramesseum E and other antecedents of the Old and Middle Kingdom. An interpretation within the historical, religious and cultural context of the age of Hatshepsut-Thutmose III, and a possible relationship with the Middle Egypt background of the owners of TT 11 and TT 20 is also proposed.

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22

Steel, L., W. P. Manley, J. Clarke, and M. Sadeq. "Egyptian ‘Funerary Cones’ from El-Moghraqa, Gaza." Antiquaries Journal 84 (September 2004): 319–33. http://dx.doi.org/10.1017/s0003581500045856.

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In 1996 the Palestinian Department of Antiquities, Gaza, identified a previously unknown site dating to the second millennium BC, in the area of el-Moghraqa, some joom north of the Wadi Gaza. The cultural remains recovered from the surface included a series of terracotta cones stamped with the cartouches of Thutmose III and Hatshepsut. These artefacts are unique amongst the cultural assemblages of the Levant and are most closely paralleled by Egyptian funerary cones of the Eighteenth Dynasty from Thebes. Fieldwork conducted by the Gaza Research Project (GRP) in 1999 and 2000 examined the archaeological context of the cones, with the purpose of identifying their function and assessing the symbolic significance of this Egyptianizing material within a Levantine context.

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23

Kwack, Min-soo. "Thutmose III’s Recognition of the Past and His Individual Identity - An Archaeological Perspective." Journal of Humanities, Seoul National University 71, no. 4 (November 2014): 191–228. http://dx.doi.org/10.17326/jhsnu.71.4.201411.191.

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24

Der Manuelian, Peter, and Christian E. Loeben. "New Light on the Recarved Sarcophagus of Hatshepsut and Thutmose I in the Museum of Fine arts, Boston." Journal of Egyptian Archaeology 79, no. 1 (October 1993): 121–55. http://dx.doi.org/10.1177/030751339307900109.

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The royal sarcophagus Boston MFA 04.278 is of critical importance to the art historical, political and mortuary history of the early Eighteenth Dynasty, yet has been inadequately documented. This study provides new photographs and computer-generated line drawings of all decorated surfaces, new insights into alterations and recarvings, and translations of all texts. The sarcophagus, including its archaeological history and inscriptional evidence, is set in its historical context; it provides no evidence in favour of KV 20 being originally the sepulchre of Thutmose I. Descriptions of the decoration, prototype Book of the Dead texts and facial representational styles follow. Concluding remarks focus on the development of early New Kingdom sarcophagi. An appendix presents scientific analysis of the red paint and filling material used in the recarved inscriptions.

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25

Araújo, Luís Manuel. "[Recensão a] Hournung, Erik; Loeben, Christian; Wiese, André - Immortal Pharaoh: the tomb of thutmose III." Cadmo: Revista de História Antiga, no. 18 (2008): 299–302. http://dx.doi.org/10.14195/0871-9527_18_19.

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26

Abdel Ghany, Khaled. "Amduat-Exemplare von Thutmosis I.: Weitere Fundstücke im Grab KV 38." Zeitschrift für Ägyptische Sprache und Altertumskunde 146, no. 1 (May 20, 2019): 1–17. http://dx.doi.org/10.1515/zaes-2019-0001.

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Summary This article deals with the further exploration in tomb KV 38 in the Valley of Kings. In the course of this exploration in early 2018 I discovered more small mud-plaster fragments of the Amduat book. These different Amduat fragments can be identified as a part of the fourth, sixth, seventh, eighth and tenth hour of the book of Amduat. Therefore, these Amduat fragments prove that possibly the cliff walls of the tomb of king Thutmose I were originally encased and decorated with a complete corpus of the book of Amduat (long version). After an examination of the displayed scenes and their comparison with similar sections of the Amduat from tomb KV 34 it turned out that both specimens show clear differences and that both tombs have manifold artistic variations. Therefore, both specimen are originate from different reigns and were not made by the same king.

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27

Chapon, Linda. "The Decoration of the Columns and Pillars from the Henket-ankh of Thutmose III (Western Thebes)." Études et Travaux, no. 33 (March 20, 2021): 33. http://dx.doi.org/10.12775/etudtrav.33.004.

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28

Chudzik, Patryk, Ahmed-Reda M. El Younsy, Wael F. Galal, and Abdelhamid M. Salman. "Geological appraisal of the Theban cliff overhanging the Hatshepsut temple at Deir el-Bahari." Polish Archaeology in the Mediterranean, no. 30/1 (December 31, 2021): 275–95. http://dx.doi.org/10.31338/uw.2083-537x.pam30.1.02.

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Throughout its existence the Temple of Hatshepsut, as well as two other royal sanctuaries, the temples of Mentuhotep II and Thutmose III, located in the great bay of Deir el-Bahari, have been under constant threat of falling rocks from the overhanging Theban cliff. The PCMA UW archaeological expedition at Deir el-Bahari, which has progressed with the study and conservation of the Hatshepsut temple since the 1960s, has implemented a project designed to address the issue of the protection of the temple from damages that could be caused by environmental processes (rainwater and seismic activity) affecting the Theban cliff behind the monument. In a geological survey of the fractured limestone cliff, the evidence from 31 observation stations was appraised and samples of Esna Shale and Theban Limestone were examined in order to ascertain the degree of the cliff’s instability and fragility. The results were used to prepare a 2D model presenting the environmental processes threatening the ancient substance.

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29

Mekawy Ouda, Ahmed M. "A Group of Unpublished Objects from a Foundation Deposit for King Thutmose III from the Temple of Amun, Djeserakhet, at Deir el-Bahari." Journal of Egyptian Archaeology 106, no. 1-2 (June 2020): 145–59. http://dx.doi.org/10.1177/0307513320978244.

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This paper explores 32 inscribed objects from foundation deposits of the Temple of Thutmose III, Djeserakhet, at Deir el-Bahari. They contain ointment jars, chisels, saws, axes, surveyor’s stakes, ‘Opening of the Mouth’ adzes, a grinder, and a model of a rocker. They are kept at the Egyptian Museum in Cairo and the museum database records that they were found at Sheikh Abd el-Qurna; however, the method of acquisition is unknown. This paper evaluates these pieces of information in light of the inscriptions on these objects and other objects from foundation deposits for the same king from the same site, Djeserakhet (which are scattered in different museums around the world), to reconstruct their archaeological context. This paper also notes the current museum inventory numbers of these objects to create a network of the entire group. It closely scrutinizes these objects, their inscriptions, the techniques used for engraving them, and the addressed deity.

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30

Seco Álvarez, Myriam, and Javier Martínez Babón. "The Temple of Millions of Years of the Pharaoh Thutmose III (Luxor). An Update on the Research." Études et Travaux, no. 33 (March 20, 2021): 179. http://dx.doi.org/10.12775/etudtrav.33.011.

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31

Barwik, Mirosław. "New Prayers and Invocations to Hathor among Unpublished Dipinti from the Thutmose III Temple at Deir el-Bahari." Études et Travaux, no. 33 (March 20, 2021): 23. http://dx.doi.org/10.12775/etudtrav.33.003.

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32

Manuelian, Peter Der, and Christian E. Loeben. "New Light on the Recarved Sarcophagus of Hatshepsut and Thutmose i in the Museum of Fine Arts, Boston." Journal of Egyptian Archaeology 79 (1993): 121. http://dx.doi.org/10.2307/3822161.

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33

Dorman, Peter. "Compositional Format and Spell Sequencing in Early Versions of the Book of the Dead." Journal of the American Research Center in Egypt 55 (November 22, 2019): 19–53. http://dx.doi.org/10.5913/jarce.55.2019.a003.

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Recent studies of the early development of the Book of the Dead have tended to focus on the content of this group of spells, the objects on which the spells are written, the sequences in which they occur, and their early prototypes, which appear on Middle Kingdom coffins. The physical presentation of the first texts that can be described as fully in the Book of the Dead tradition, however, illustrates how scribes addressed the challenges of transmission of this mortuary corpus hand in hand with the evolution of novel burial practices in the Theban region beginning in the late Second Intermediate period, including the introduction of anthropomorphic coffins, linen shrouds, and papyrus rolls. Both hieratic and cursive hieroglyphic scripts were employed on these media, along with compositional formats suitable to them, as well as the appearance of scribal sketches that evolved into the vignettes for which the quintessential New Kingdom Books of the Dead are justly renowned. An “Ahmoside” sequencing tradition prior to the co-rule of Hatshepsut/Thutmose III is further defined, and the codicil to BD 72 is examined for its relation to the use of linen versus papyrus in Theban burials of the period.

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34

Ershova, Elena S. "ICONOGRAPHY OF THE REWARDING SCENE FROM THE ANCIENT EGYPTIAN PRIVATE TOMBS OF THE XIX DYNASTY." Articult, no. 4 (2020): 37–42. http://dx.doi.org/10.28995/2227-6165-2020-4-37-42.

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The phenomenon of the king’s rewarding of the court officials and warriors for the loyal service reached the peak of its development during the New Kingdom Era, which is confirmed by lots of historical sources, as well as the scenes depicting the king’s rewarding the noble people which first appeared in private tombs during the reign of Thutmose IV and went on appearing during the whole New Kingdom Era. This article deals with the rewarding scenes which can be seen in private tombs in Thebes and which are dating back to Dynasty XIX period. Painting of private tombs of Dynasty XIX is characterized by fewer number of scenes depicting services and daily life of officials, and, to the contrary, larger amount of scenes related to the posthumous existence of the tomb owner. There are only three rewarding scenes in the private tombs dated back to the period in question, and these scenes can be found in the burials of Paser, the mayor of Thebes (TT 106), Apy the sculptor (TT 217) as well as in the burial of Thai who was a royal scribe. The composition of these scenes is based on scenes dated back to the period of Dynasty XVIII reign, however, they are smaller in scale.

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35

Karlshausen, Christina, and Thierry De Putter. "From Limestone to Sandstone – Building Stone of Theban Architecture During the Reigns of Hatshepsut and Thutmosis III." Journal of Egyptian Archaeology 106, no. 1-2 (June 2020): 215–27. http://dx.doi.org/10.1177/0307513320978411.

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This paper reviews the monuments built in the Theban area during the reigns of Hatshepsut and Thutmosis III, and their stone materials. This period witnessed a shift from limestone to sandstone in the second part of the Hatshepsut coregency with Thutmosis III, when the queen commissioned an ambitious architectural program. In his autonomous reign, Thutmosis III reused limestone in various monuments, possibly to distance himself from the queen’s choices, and to connect his reign with those of their glorious predecessors in the Middle Kingdom (Mentuhotep II at Deir el-Bahari; Senusret III at Medamud) and in the early Eighteenth Dynasty (Thutmosis I and II).

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36

Takei, Hideki. "Japanese Amusement Arcades in the Retro Video Game Segment: A Case of Survival Strategy." Business Management and Strategy 12, no. 1 (March 26, 2021): 149. http://dx.doi.org/10.5296/bms.v12i1.18359.

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Amusement arcades called Game-centers have tried to find ways of surviving in Japan. Independent game-centers with limited financial capacities have mostly struggled to find the best possible way to survive (Livedoor, 2015; Thutmosev, 2015; Nomu, 2016; SPEEDA, 2017; Chiba, 2018; Kamohara, 2019). For them, a niche strategy may be the best possible strategic direction to survive (Thutmosev, 2015; Sankei, 2016; Hirakawa, 2019; Kamohara2, 2019). This paper will focus on game-centers’ strategies in the retro video game niche to develop a general model of game-centers’ survival strategies. We will then refine the model through interviews with senior-level employees of Japan’s most successful retro game-center.

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37

McClain, J. Brett. "The Wars in Syria and Palestine of Thutmose III. By Donald B. Redford. Culture and History of the Ancient Near East, vol. 16. Leiden: Brill, 2003. Pp. xiv + 272 + 7 figs. + 6 pls. 2 maps + 1 fold‐out plan. $119." Journal of Near Eastern Studies 66, no. 4 (October 2007): 292–94. http://dx.doi.org/10.1086/524158.

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38

Meltzer, Edmund S., and Betsy M. Bryan. "The Reign of Thutmosis IV." Journal of the American Research Center in Egypt 31 (1994): 225. http://dx.doi.org/10.2307/40000681.

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39

Goedicke, Hans. "The Thutmosis I Inscription near Tomâs." Journal of Near Eastern Studies 55, no. 3 (July 1996): 161–76. http://dx.doi.org/10.1086/373823.

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40

Bedier, Shafia. "Ein Stiftugsdekret Thutmosis III (Mit 6 Abb." Bulletin of the Center Papyrological Studies 10, no. 1 (December 1, 1994): 1–23. http://dx.doi.org/10.21608/bcps.1994.72453.

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41

Lacovara, Peter, Christine Lilyquist, M. Eaton-Krauss, and John Baines. "Egyptian Stone Vessels: Khian through Thutmosis IV." American Journal of Archaeology 101, no. 4 (October 1997): 780. http://dx.doi.org/10.2307/506840.

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42

ERNST, HERBERT. "Ein Weihgeschenk Thutmosis' III. an Amun-Re." Zeitschrift für Ägyptische Sprache und Altertumskunde 128, no. 1 (January 1, 2001): 1–6. http://dx.doi.org/10.1524/zaes.2001.128.1.1.

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43

Navratilova, Hana. "Ostraca from the Temple of Millions of Years of Thutmose III, by Fredrik Hagen. Culture and History of the Ancient Near East 120. Leiden: Brill, 2021. xiv + 172 pp., 99 plates. Hardback and e-book, both €156.00/$188.00, available by chapter for €29.95/$34.95. https://doi.org/10.1163/9789004447561." Bulletin of the American Society of Overseas Research 388 (November 1, 2022): 237–40. http://dx.doi.org/10.1086/718774.

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44

Webster, Lyndelle, Katharina Streit, Michael Dee, Irka Hajdas, and Felix Höflmayer. "New Radiocarbon-based assessment Supports the Prominence of Tel Lachish during late Bronze age IB-IIA." Radiocarbon 61, no. 6 (November 18, 2019): 1711–27. http://dx.doi.org/10.1017/rdc.2019.131.

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ABSTRACTThis article presents a new suite of radiocarbon (14C) dates for the lower portion of the Late Bronze Age (LBA) sequence of Area S, Tel Lachish. The results show that the lowest levels reached by Ussishkin in the 1980s (S-2 and S-3) date significantly earlier than was previously thought. Level S-3, with its monumental architecture, belongs in the 2nd half of the 15th century BCE, as does the commencement of Level S-2. The laminated deposit of S-2 continues through the first half of the 14th century BCE, coinciding at least in part with the Amarna period. This redating leads to improved agreement between archaeological and textual evidence regarding the presence of a substantial, prominent settlement at Lachish during LB IB-IIA, from the reign of Thutmoses III through the Amarna period.

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Lakomy, Konstantin C. "Kronprinz Thutmosis als sm-Priester: Eine Rekontextualisierung des Sandsteinfragmentes UC14797 im Petrie Museum of Egyptian Archaeology (London)." Journal of Egyptian Archaeology 104, no. 1 (June 2018): 29–40. http://dx.doi.org/10.1177/0307513318783620.

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Ein in der Vergangenheit nur wenig beachtetes, im Petrie Museum of Egyptian Archaeology (London) unter der Inv.-Nr. UC14797 geführtes, fein reliefiertes, kleines Sandsteinfragment trägt die stilistische und ikonographische Handschrift der Regierungszeit König Amenhoteps III. Die stilkritische Analyse des Reliefs erbrachte besonders auffällige Übereinstimmungen mit den seltenen flach- und rundbildlichen Darstellungen des Königssohnes Thutmosis, dessen Vita bis dato nur lückenhaft rekonstruierbar ist. Das Relieffragment lässt sich vermutlich als Teil einer (Ritual-)Szene deuten, die im engen Zusammenhang mit der Inszenierung des ersten Sedfestes König Amenhoteps III. in Theben(-West) gesehen werden kann.

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Crist, Walter. "Passing from the Middle to the New Kingdom: A Senet Board in the Rosicrucian Egyptian Museum." Journal of Egyptian Archaeology 105, no. 1 (June 2019): 107–13. http://dx.doi.org/10.1177/0307513319896288.

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Egyptian senet boards follow a very consistent morphology that varies in small but notable ways throughout the 2000-year history of the game. A previously unpublished board, in the Rosicrucian Egyptian Museum in San Jose, California, may provide new insight into the evolution of the game in the early New Kingdom. A game table with markings distinctive of the Thutmoside Period, but oriented like Middle Kingdom and Seventeenth Dynasty boards, it is probably a transitional style. It likely dates to the Eighteenth Dynasty before the reign of Hatshepsut, a period to which no other games have previously been securely dated.

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A., Osman, and Omar G. "FRAGMENTS OF AN ASSUMED DREAM STELA OF THUTMOSIS IV FROM GIZA." Egyptian Journal of Archaeological and Restoration Studies 7, no. 1 (June 1, 2017): 39–44. http://dx.doi.org/10.21608/ejars.2017.6827.

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Krauss, R. "Egyptian Chronology: Ramesses II through Shoshenq III, with Analysis of the Lunar Dates of Thutmoses III." Ägypten und Levante 25 (2016): 335–82. http://dx.doi.org/10.1553/aeundl25s335.

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Galán, José M. "Bullfight Scenes in Ancient Egyptian Tombs." Journal of Egyptian Archaeology 80, no. 1 (December 1994): 81–96. http://dx.doi.org/10.1177/030751339408000107.

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Fights between two bulls began to be represented on the walls of local chiefs' tombs in the Sixth Dynasty and lasted until the reign of Thutmosis III, in the Eighteenth Dynasty. The scene has been regarded as one of ‘daily life’. However, its symbolic character is suggested by its context and by contemporary religious-funerary texts, and this explains its incorporation into the tomb iconographic repertoire. The deceased is identified with a bull, leader of its herd, when he is forced to defend his status as regional social leader (on earth), which is questioned by the challenge of another leader. The deceased, by overcoming his opponent, is enabled to claim his right to maintain his leadership in the Netherworld. This symbolism of the bullfight was also mobilized in literature and in royal inscriptions.

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Glanzmann, Rahel. "The Shabti of the Lady of the House Iahhetep and the Emergence of Female Shabtis in the New Kingdom." Zeitschrift für Ägyptische Sprache und Altertumskunde 149, no. 2 (October 27, 2022): 199–212. http://dx.doi.org/10.1515/zaes-2020-1032.

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Summary This paper is divided into two main sections. The first section represents the publication of a shabti preserved in the Musée du Louvre in Paris (Inv. No. E 3088). This shabti belonged to a Lady of the House named Iahhetep. It dates to the 18th Dynasty under Pharaoh Thutmosis III. It is notable because it is one of the first known shabtis to exhibit female features in its outer appearance: the Hathor wig. The second section of this paper deals with female shabtis in general. It illustrates their iconographic variety and outlines their role as transitional figurines within the movement from mummiform shabtis towards the production of shabtis in the dress of daily life. Furthermore, female shabtis may have served as a vehicle of the owner’s self-presentation and may thus be regarded as a manifestation of the self-confidence and self-awareness of elite women of the period.

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