Relevant bibliographies by topics / Three-dimensional photography

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Three-dimensional photography'

Author: Grafiati
Published: 4 June 2021
Last updated: 19 February 2022

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Journal articles on the topic "Three-dimensional photography"

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Jacobs, Robert A. "Three-Dimensional Photography." Plastic and Reconstructive Surgery 107, no. 1 (January 2001): 276–77. http://dx.doi.org/10.1097/00006534-200101000-00049.

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Lunazzi, Jose J. "Three-dimensional photography by holography." Optical Engineering 29, no. 1 (1990): 9. http://dx.doi.org/10.1117/12.55558.

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Latto, Richard, and Bernard Harper. "The Non-Realistic Nature of Photography: Further Reasons Why Turner Was Wrong." Leonardo 40, no. 3 (June 2007): 243–47. http://dx.doi.org/10.1162/leon.2007.40.3.243.

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The authors discuss the limitations of photography in producing representations that lead to the accurate perception of shapes. In particular, they consider two situations in which the photographic representation, although an accurate reproduction of the geometry of the two-dimensional image in the eye, does not capture the way human vision changes this geometry to produce a three-dimensionally accurate perception. When looking at a photograph, the viewer's uncertainty of the camera-to-subject distance and the fact that, unnaturally, a photograph presents almost exactly the same view of an object to the two eyes result in substantially distorted perceptions. These most commonly result in a perceived flattening and fattening of the 3D shape of the object being photographed.
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Machida, Kenji. "Three-Dimensional Stress Analysis by Three-dimensional Local Hybrid Method." Key Engineering Materials 306-308 (March 2006): 523–28. http://dx.doi.org/10.4028/www.scientific.net/kem.306-308.523.

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In the displacement measurement inside a specimen by speckle photography, it is not easy to get clear Young's fringes images. Stress-intensity factors of mixed mode can be estimated by embedded speckle photography. However, the error of the stress intensity factor inside a specimen was considerably large. To evaluate the 3-D stress field inside the specimen from displacement data on the free surface obtained from the 2-D intelligent hybrid method, we developed the 3-D local hybrid method based on an inverse problem analysis. The accuracy of the 3-D local hybrid method varies depending on the depth of the plane of error assessment, hybrid domain size, and specimen thickness. Hence the optimal analysis conditions were discussed.
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Kilcullen, Patrick, Cheng Jiang, Tsuneyuki Ozaki, and Jinyang Liang. "Camera-free three-dimensional dual photography." Optics Express 28, no. 20 (September 17, 2020): 29377. http://dx.doi.org/10.1364/oe.402310.

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Nicholson, Paul T. "Three-dimensional imaging in archaeology: its history and future." Antiquity 75, no. 288 (June 2001): 402–9. http://dx.doi.org/10.1017/s0003598x00061056.

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Whilst digital cameras and computer graphics are starting to be used in archaeological recording, stereoscopic photography tends to be overlooked. This technique has been used successfully in three recent projects and could be beneficial as a means of 3D photographic recording.
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Young, R. N. "Two dimensional landscape photography and the three dimensional landscape." Landscape Research 17, no. 1 (March 1992): 38–46. http://dx.doi.org/10.1080/01426399208706357.

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Martins, Carolina, Luiz Felipe Alencastro, Alvaro Campero, and Albert Rhoton. "Three-Dimensional Endoscopic Photography of Anatomic Specimens." World Neurosurgery 120 (December 2018): e730-e736. http://dx.doi.org/10.1016/j.wneu.2018.08.150.

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Pierce, Kathleen. "Photograph as Skin, Skin as Wax: Indexicality and the Visualisation of Syphilis in Fin-de-Siècle France The William Bynum Prize Essay." Medical History 64, no. 1 (December 19, 2019): 116–41. http://dx.doi.org/10.1017/mdh.2019.79.

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In early twentieth-century France, syphilis and its controversial status as a hereditary disease reigned as a chief concern for physicians and public health officials. As syphilis primarily presented visually on the surface of the skin, its study fell within the realms of both dermatologists and venereologists, who relied heavily on visual evidence in their detection, diagnosis, and treatment of the disease. Thus, in educational textbooks, atlases, and medical models, accurately reproducing the visible signposts of syphilis – the colour, texture, and patterns of primary chancres or secondary rashes – was of preeminent importance. Photography, with its potential claims to mechanical objectivity, would seem to provide the logical tool for such representations.Yet photography’s relationship to syphilographie warrants further unpacking. Despite the rise of a desire for mechanical objectivity charted in the late nineteenth century, artist-produced, three-dimensional, wax-cast moulages coexisted with photographs as significant educational tools for dermatologists; at times, these models were further mediated through photographic reproduction in texts. Additionally, the rise of phototherapy complicated this relationship by fostering the clinical equation of the light-sensitive photographic plate with the patient’s skin, which became the photographic record of disease and successful treatment. This paper explores these complexities to delineate a more nuanced understanding of objectivity vis-à-vis photography and syphilis. Rather than a desire to produce an unbiased image, fin-de-siècle dermatologists marshalled the photographic to exploit the verbal and visual rhetoric of objectivity, authority, and persuasion inextricably linked to culturally constructed understandings of the photograph. This rhetoric was often couched in the Peircean concept of indexicality, which physicians formulated through the language of witness, testimony, and direct connection.
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Honeybrook, Adam, Jason D. Bloom, Charles Woodard, and Eric F. Bernstein. "Three-Dimensional Photography for Measuring Volumetric Changes After Submental Cryolipolysis." American Journal of Cosmetic Surgery 35, no. 3 (February 19, 2018): 135–42. http://dx.doi.org/10.1177/0748806818754440.

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High-resolution 3-dimensional photography offers unparalleled advantages in objective and detailed skin contour characterization, quantification, volumetric and surface area analysis. This study aims to illustrate the benefits of 3-dimensional photography through analysis of noninvasive reduction of submental fat using cryolipolysis. A nonrandomized prospective analysis was performed of 14 selected patients who underwent treatment with cryolipolysis (CoolSculpting System; Zeltiq) between February and June 2016. The benefits of 3-dimensional photography (Vectra; Canfield Scientific) are presented. High-quality 3-dimensional images are presented to illustrate the utility of 3-dimensional photography as a means to quantitatively evaluate changes in submental volume, fat thickness, and surface area reduction, thereby exemplifying the broad applicability of this imaging technique. Three-dimensional photography technology provides clinicians with enhanced options that extend beyond simple 2-dimensional photography. Our study illustrates the benefits of the technology for accurately measuring volumetric changes after submental cryolipolysis treatment.
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Dissertations / Theses on the topic "Three-dimensional photography"

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Gamble, Susan Ann. "The hologram and its antecedents, 1891-1965 : the illusory history of a three-dimensional illusion." Thesis, University of Cambridge, 2005. https://www.repository.cam.ac.uk/handle/1810/280116.

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Since 1962, a photographic invention by Gabriel Lippmann (1845-1921), his Nobel Prize winning interference colour photograph of 1891, has been cited by physicists as the antecedent of the three-dimensional hologram. However, Dennis Gabor (1900-1979) in his original publications on the hologram of 1948 and 1949 did not cite Lippmann’s work. This thesis explores how the hologram that featured in Gabor’s original theory, as an imaging technique to improve the electron-microscope, was significantly different from the hologram for which Gabor was awarded the Nobel Prize for Physics in 1971. The citation of Lippmann’s work as the antecedent to the hologram confirmed that the hologram was to be seen as a three-dimensional photograph, and attempted to give the invention a progressive historical lineage that would conform to photography’s existing history. This popular narrative, as demonstrated in this text, could overlook the pursuit of the hologram for Cold War surveillance by researchers at the University of Michigan on behalf of the United States military. This technology was, from 1955, engaged with aerial radar image processing, a significant application that was classified and hidden from the public, and initially from Gabor himself. Two researchers at the University of Michigan, Emmett Leith (1927–) and Juris Upatnieks (1936–) attracted the attention of the popular press for their development of a three-dimensional laser hologram. This thesis reveals the fragmented nature of the new discipline at the peak of holography’s popularity. This analysis explores some of the historical traits between the two Nobel Prize winning inventions, the Lippmann photograph and the hologram, that were exploited to promote a new imaging medium to the public. In presenting these technologies as images the text also reviews devices and papers––some cited within the popular Lippmann-to Gabor historical narrative––by father and son Frederic (1856-1937) and Herbert Ives (1882-1953), that have competed to produce a three-dimensional full-colour image.
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Ye, Hongwei. "Development and implementation of fully three-dimensional iterative reconstruction approaches in spect with parallel, fan- and cone-beam collimators." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2008. http://wwwlib.umi.com/cr/syr/main.

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FAUSZ, JAMES K. "EXPLORING PUBLIC INVOLVEMENT THROUGH PHOTOGRAPHY AND INTERACTIVE DESIGN." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1147629903.

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Choi, Keum-Ran. "3D thermal mapping of cone calorimeter specimen and development of a heat flux mapping procedure utilizing an infrared camera." Link to electronic thesis, 2005. http://www.wpi.edu/Pubs/ETD/Available/etd-020205-215634/.

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Dissertation (Ph.D.)-- Worcester Polytechnic Institute.
Keywords: temperature measurement; heat flux maps; Cone Calorimeter; three-dimensional heat conduction; fire growth models; retainer frame; ceramic fiberboard; edge effect; one-dimensional heat conduction; heat flux mapping procedure; infrared camera; specimen preparation; edge frame; one-dimensional heat conduction model; thermal properties. Includes bibliographical references (p.202-204).
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El-Hajjaji, Abdellah. "Traitement numérique en 3D d'un couple d'images stéréo du satellite SPOT." Rouen, 1993. http://www.theses.fr/1993ROUES028.

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L'objectif de notre recherche est d'extraire les altitudes h d'une scène donnée prise en image sous deux angles différents donnés par le satellite SPOT. Dans ce but nous avons modélisé le mouvement du satellite et de son système optique afin de transformer les deux images initiales en images épipolaires, ce qui nous permettra de réduire le temps d'appariement et de trouver les pixels homologues avec succès. Pour la mise en correspondance, nous avons utilisé une technique qui est à base de la corrélation et de la programmation dynamique. Cette méthode nous a permet d'apparier 96 % des pixels homologues avec une erreur inférieure à 5 mètres. Ce problème de mise en correspondance reste toujours ouvert
The aim of our research was to extract the level h of a precise landscape taken over two differents angles by the satellite SPOT. To do so, we have modelised the movement of the satellite and his optical system to transform the two first images in another one, epipolar which will allow us to reduce the matching time and to find with success the equivalent pixels. For the pairing, we have utilised a technic wich is based on the corrolation and of the dynamic programming. This method was very satisfactory and allow us to match 96 % of the equivalent pixels, with an error of less than 5 meters, but the original problem is still a matter of research for complimentary studing
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Granillo, Nathan. "Three-Dimensional Photographic Evaluation of Immediate Soft Tissue Changes Following Rapid Maxillary Expansion." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2504.

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The skeletal and dental changes associated with rapid maxillary expansion (RME) are well documented. Effects on the soft tissues and the potential impact on facial esthetics have not been well researched. The purpose of this study was to evaluate immediate changes in facial soft tissues as a result of RME by comparing threedimensional digital photogrammetric images before and after RME treatment. The 3dMDface System was used to obtain photographic images of 21 patients (mean age = 11.8 years) before and after RME treatment for transverse maxillary deficiency. A control group of 13 patients (mean age = 12.7 years) also had two images taken at a similar time interval. Mean expansion was 6.5 mm in the RME patients. Intercanthal distance, nose width, and intercommissural width changed significantly in the RME patients from T0 to T1 (P = 0.011, P = 0.050, and P = 0.003, respectively). Intercommissural width, however, was the only measure that significantly changed as compared with the control group (P = 0.041). Changes in intercanthal distance and nose width were significantly related to the amount of expansion achieved (R2 = 0.428, P = 0.0013 and R2 = 0.501, P = 0.0003, respectively).
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Schindler, Grant. "Unlocking the urban photographic record through 4D scene modeling." Diss., Georgia Institute of Technology, 2010. http://hdl.handle.net/1853/34719.

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Vast collections of historical photographs are being digitally archived and placed online, providing an objective record of the last two centuries that remains largely untapped. We propose that time-varying 3D models can pull together and index large collections of images while also serving as a tool of historical discovery, revealing new information about the locations, dates, and contents of historical images. In particular, our goal is to use computer vision techniques to tie together a large set of historical photographs of a given city into a consistent 4D model of the city: a 3D model with time as an additional dimension. To extract 4D city models from historical images, we must perform inference about the position of cameras and scene structure in both space and time. Traditional structure from motion techniques can be used to deal with the spatial problem, while here we focus on the problem of inferring temporal information: a date for each image and a time interval for which each structural element in the scene persists. We first formulate this task as a constraint satisfaction problem based on the visibility of structural elements in each image, resulting in a temporal ordering of images. Next, we present methods to incorporate real date information into the temporal inference solution. Finally, we present a general probabilistic framework for estimating all temporal variables in structure from motion problems, including an unknown date for each camera and an unknown time interval for each structural element. Given a collection of images with mostly unknown or uncertain dates, we can use this framework to automatically recover the dates of all images by reasoning probabilistically about the visibility and existence of objects in the scene. We present results for image collections consisting of hundreds of historical images of cities taken over decades of time, including Manhattan and downtown Atlanta.
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Hyde, Justen. "Estimation of three dimensional structure from passport-style photographic images for enhanced face recognition performance in humans." Thesis, University of York, 2006. http://etheses.whiterose.ac.uk/11006/.

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Buchholz, Bert. "Abstraction et traitement de masses de données 3D animées." Phd thesis, Télécom ParisTech, 2012. http://pastel.archives-ouvertes.fr/pastel-00958339.

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Dans cette thèse, nous explorons des structures intermédiaires ainsi que le rapport entre eux et des algorithmes utilisés dans le contexte du rendu photoréaliste (RP) et non photoréaliste (RNP). Nous présentons des nouvelles structures pour le rendu et l'utilisation alternative des structures existantes. Nous présentons trois contributions principales dans les domaines RP et RNP: Nous montrons une méthode pour la génération des images stylisées noir et blanc. Notre approche est inspirée par des bandes dessinées, utilisant l'apparence et la géometrie dans une formulation d'énérgie basée sur un graphe 2D. En contrôlant les énérgies, l'utilisateur peut générer des images de differents styles et représentations. Dans le deuxième travail, nous proposons une nouvelle méthode pour la paramétrisation temporellement cohérente des lignes animées pour la texturisation. Nous introduisons une structure spatiotemporelle et une formulation d'énérgie permettant une paramétrisation globalement optimale. La formulation par une énérgie donne un contrôle important et simple sur le résultat. Finalement, nous présentons une extension sur une méthode de l'illumination globale (PBGI) utilisée dans la production de films au cours des dernières années. Notre extension effectue une compression par quantification de données générées par l'algorithme original. Le coût ni de memoire ni de temps excède considérablement celui de la méthode d'origin et permet ainsi le rendu des scènes plus grande. L'utilisateur a un contrôle facile du facteur et de la qualité de compression. Nous proposons un nombre d'extensions ainsi que des augmentations potentielles pour les méthodes présentées.
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Luo, He-Lin, and 羅禾淋. "The study of applying Slit-scan photography technique in three dimensional interactive installations." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/w33z39.

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碩士
國立臺北藝術大學
科技藝術研究所
98
"Slit-Scan" Imaging Technology used the way of repeated-exposure to store visual images, which allows images to produce the abstract psychedelic visuals. In the past, Slit-Scan Imaging Technology was commonly used in the traditional photography and it generated the thoughts of Aesthetics of Time to echo the majority of post-modern philosophy. When it comes the digital era, this Imaging Technology reproduced in the form of digital form, using it in the films, animations, video games and other multimedia effects yet they have been staying on the two-dimensional imaging technology researches. In this study, Slit-Scan Imaging Technology is implemented in three-dimensional interactive devices and extended by the way of virtual reality and interactive installation, attempting to combine the concept of deconstruction and interactive art forms of Slit-Scan, extending to three-dimensional spaces and tring to enter the participants’ bodies, so that the thoughts of Aesthetics are able to extend to the disorder of the spaced deconstruction and information gap. This thesis discussion divides the Slit-Scan into traditional period of time and digital one, for the Slit-Scan Imaging Technology using three dimensional space research, it presents three different interactive art installations to discuss the applications and video operation technique research on three dimensional spaces. The first interactive art installation, Twisting Effect, used Slit-Scan technology on camera to capture the participants’ bodies and a sculpture of the distorted image. The result of operation discussed the relationship between a man and a sculpture as well as extended between virtual and real aesthetics. The work addressed the most basic form of two dimensional images transferring into three dimensional ones and two-dimensional thinking of Slit-Scan, and made the imaging decoding directly affect the real three dimensional sculpture. The second interactive art installation, Whirlpool, implemented two dimensional spaces of Slit-Scan directly int three dimensional object concept directly. Vortex line, deconstructed by Slit-Scan, created a three dimensional area and was recorded and segmented by the rotated camera. The aim was to record and segment the people and objects in the field by using the Slit-Scan technology. The third interactive art installation, Panoptic Prison, made the operations of Slit-Scan extend to the spacial field and used the large mechanical boom to rotate the camera. The camera recorded the entire 360 degree area, with the post processing of the Slit-Scan, and let people and objects in the field mix together to create a sense of twist and tangle. Implementing Slit-Scan Imaging Technology into three dimensional spaces not only allow more interactions in real time, leaving the effect of this technique and aesthetic thinking extends to human bodies and spaces. With the multiple thinking of combined technology, arts and human-machine interaction , it is hoped that this research could be used in more interactive devices and virtual reality.
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Books on the topic "Three-dimensional photography"

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Couper, Heather. The universe: A three-dimensional study. London: Century, 1985.

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The Universe: A three-dimensional study. London, UK: Century Publishing Co. Ltd., 1985.

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David, Pelham, ed. The universe: A three-dimensional study. [New York]: Random House, 1985.

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Cahen, Olivier. L' image en relief: De la photographie stéréoscopique à la vidéo 3D. Paris: Masson, 1990.

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Huang, Fay. Panoramic imaging: Sensor-line cameras and laser range-finders. Chichester, West Sussex, UK: J. Wiley, 2008.

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Ablan, Dan. Digital Photography for 3D Imaging and Animation. New York: John Wiley & Sons, Ltd., 2007.

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Van der Meer, Ron, 1945-, ed. The working camera: The world's first three-dimensional guide to photography made easy. New York, N.Y: Harmony Books, 1986.

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Ross, Miriam. 3D cinema: Optical illusions and tactile experiences. Houndmills, Basingstoke: Palgrave Macmillan, 2015.

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Zone, Ray, Michael D. Smith, Bill Hogan, and Peter Ludé. 3D cinema and television technology: The first 100 years. White Plains, N.Y: Society of Motion Picture and Television Engineers (SMPTE), 2011.

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Zone, Ray, Michael D. Smith, Bill Hogan, and Peter Ludé. 3D cinema and television technology: The first 100 years. White Plains, N.Y: Society of Motion Picture and Television Engineers (SMPTE), 2011.

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Book chapters on the topic "Three-dimensional photography"

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Mishina, Tomoyuki, Jun Arai, Makoto Okui, and Fumio Okano. "Electronic Holography for Real Objects Using Integral Photography." In Three-dimensional Imaging, Visualization, and Display, 389–416. New York, NY: Springer US, 2008. http://dx.doi.org/10.1007/978-0-387-79335-1_20.

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Yi, Zhang, and Mu Sihui. "Study of Three-Dimensional Virtual Simulation System Based on Aerial Photography Image Information." In Lecture Notes in Electrical Engineering, 141–48. London: Springer London, 2012. http://dx.doi.org/10.1007/978-1-4471-2386-6_19.

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Morita, Satoru. "Three Dimensional Reconstruction Using Vertical Constraints from a Photograph." In Advances in Visual Computing, 554–63. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-17277-9_57.

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Tu, Liyun, Antonio R. Porras, Araceli Morales, Daniel A. Perez, Gemma Piella, Federico Sukno, and Marius George Linguraru. "Three-Dimensional Face Reconstruction from Uncalibrated Photographs: Application to Early Detection of Genetic Syndromes." In Uncertainty for Safe Utilization of Machine Learning in Medical Imaging and Clinical Image-Based Procedures, 182–89. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-32689-0_19.

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Sharma, Manish, and Varun Gupta. "Evaluating Three-Dimensional Directions of Focuses on a Target and Utilizing Estimations in Two Photographic Frames." In Lecture Notes in Networks and Systems, 455–59. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-7150-9_48.

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Sanpei, Akio. "Integral Photography Technique for Three-Dimensional Imaging of Dusty Plasmas." In Progress in Fine Particle Plasmas. IntechOpen, 2020. http://dx.doi.org/10.5772/intechopen.88865.

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Krer, Akn, and Yaar Ergun. "Paleoseismological Three Dimensional Virtual Photography Method; A Case Study: Bağlarkayası-2010 Trench, Tuz Gölü Fault Zone, Central Anatolia, Turkey." In Tectonics - Recent Advances. InTech, 2012. http://dx.doi.org/10.5772/48194.

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Dean, Nicola R., Rod Cooter, and Andrea L. Pusic. "Measuring outcomes in plastic surgery of the breast." In Oxford Textbook of Plastic and Reconstructive Surgery, edited by Rodney Cooter, Nicola R. Dean, and Kieran Horgan, 1159–72. Oxford University Press, 2021. http://dx.doi.org/10.1093/med/9780199682874.003.0099.

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A surgical outcome can be sensibly defined as a measurable end point relating to the goal of surgical treatments. Historically, complication rates have been used as surrogates for outcome, but now high-quality outcome measures such as the BREAST-Q are available; these should be a major focus for analysis of results in plastic surgical procedures of the breast. It is also important to collect high-quality data on complications and to document outcomes with methodologies such as standardized photography and three-dimensional laser scanning. Proper evaluation of outcomes is a potent driver of practice improvement in breast reconstruction and practical approaches to outcomes measurement in routine practice is discussed in this chapter. The history of device registries for breast devices is explained and the current and future roles for device registries are discussed.
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Càndito, Cristina. "Representation and Elaboration of Architectural Perspectives." In Advances in Library and Information Science, 384–414. IGI Global, 2017. http://dx.doi.org/10.4018/978-1-5225-0680-5.ch015.

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In the present contribution, the author presents research on the Winter Room of Palazzo Brignole-Sale (Palazzo Rosso) in Genoa, Italy, which is part of the decorative cycle of the Seasons. The cycle displays the peculiar characteristics of the seventeenth-century Genoese decorative style, where architecture, painting, furniture and stuccos are highly interconnected. The research was carried out using the data collected with nodal-photography techniques. Thanks to these techniques, it was to possible to obtain an interactive panoramic spherical photo and high-resolution scaled photos of planar projections of the architectural perspective, in order to identify the real and illusory space. The analysis proceeded with a series of reverse-perspective constructions and the consequent reconstruction (using three-dimensional models) of the possible virtual space represented in the paintings. Thanks to this information, the author was able to carry out the necessary study to understand the peculiar characteristics of the decorations, the optical illusions of which are extremely impressive.
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WIZEVICH, MICHAEL C. "PHOTOMOSAICS OF OUTCROPS: USEFUL PHOTOGRAPHIC TECHNIQUES." In The Three-Dimensional Facies Architecture of Terrigenous Clastic Sediments and Its Implications for Hydrocarbon Discovery and Recovery, 22–24. SEPM (Society for Sedimentary Geology), 1991. http://dx.doi.org/10.2110/csp.91.03.0022.

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Conference papers on the topic "Three-dimensional photography"

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Kawakita, Masahiro, Hisayuki Sasaki, Naoto Okaichi, Hayato Watanabe, Masanori Kano, Tomoyuki Mishina, and Jun Arai. "3D TV based on integral photography." In Three-Dimensional Imaging, Visualization, and Display 2018, edited by Jung-Young Son, Bahram Javidi, and Osamu Matoba. SPIE, 2018. http://dx.doi.org/10.1117/12.2304800.

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Okano, Fumio. "Applications of Integral Photography for Real-time Imaging." In Digital Holography and Three-Dimensional Imaging. Washington, D.C.: OSA, 2008. http://dx.doi.org/10.1364/dh.2008.dtua1.

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Sgouros, N. P., D. P. Chaikalis, P. G. Papageorgas, and M. S. Sangriotis. "Omnidirectional Integral Photography images compression using the 3D-DCT." In Digital Holography and Three-Dimensional Imaging. Washington, D.C.: OSA, 2007. http://dx.doi.org/10.1364/dh.2007.dtua2.

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Yamamoto, Kenji, Tomoyuki Mishina, and Makoto Okui. "Calibration of Elemental Images in Integral Photography Capture for Electric Holography." In Digital Holography and Three-Dimensional Imaging. Washington, D.C.: OSA, 2009. http://dx.doi.org/10.1364/dh.2009.dwa5.

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Yano, Sumio, Akira Hasegawa, and Min-Chul Park. "Reproducibility of depth distance by one-dimensional integral photography." In Three-Dimensional Imaging, Visualization, and Display 2019, edited by Jung-Young Son, Bahram Javidi, and Osamu Matoba. SPIE, 2019. http://dx.doi.org/10.1117/12.2518588.

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Kilcullen, Patrick, Cheng Jiang, Tsuneyuki Ozaki, and Jinyang Liang. "Single-pixel three-dimensional dual photography." In Emerging Digital Micromirror Device Based Systems and Applications XIII, edited by Benjamin L. Lee and John Ehmke. SPIE, 2021. http://dx.doi.org/10.1117/12.2578897.

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Yano, Sumio, Yuta Katayose, Hyoung Lee, and Min-Chul Park. "Depth and width reproducibility of integral photography from multi-view stereoscopic image." In Three-Dimensional Imaging, Visualization, and Display 2018, edited by Jung-Young Son, Bahram Javidi, and Osamu Matoba. SPIE, 2018. http://dx.doi.org/10.1117/12.2304712.

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Mishina, Tomoyuki. "Three-dimensional television system based on integral photography." In 2011 IEEE Visual Communications and Image Processing (VCIP). IEEE, 2011. http://dx.doi.org/10.1109/vcip.2011.6116049.

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Arai, J. "Three-dimensional television system based on integral photography." In 2012 Picture Coding Symposium (PCS). IEEE, 2012. http://dx.doi.org/10.1109/pcs.2012.6213275.

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Prentice, H. J. "Three-Dimensional Penetration Measurements Using Digital Speckle Photography." In SHOCK COMPRESSION OF CONDENSED MATTER - 2003: Proceedings of the Conference of the American Physical Society Topical Group on Shock Compression of Condensed Matter. AIP, 2004. http://dx.doi.org/10.1063/1.1780477.

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