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Books on the topic 'Thomas Charles George Weston'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Beer, Gillian. Darwin's plots: Evolutionary narrative in Darwin, George Eliot and nineteenth-century fiction. 3rd ed. Cambridge: Cambridge University Press, 2009.

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Beer, Gillian. Darwin's plots: Evolutionary narrative in Darwin, George Eliot and nineteenth-century fiction. 3rd ed. Cambridge: Cambridge University Press, 2009.

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Beer, Gillian. Darwin's plots: Evolutionary narrative in Darwin, George Eliot, and nineteenth-century fiction. 2nd ed. Cambridge: Cambridge University Press, 2000.

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Beer, Gillian. Darwin's plots: Evolutionary narrative in Darwin, George Eliot and nineteenth-century fiction. 3rd ed. Cambridge: Cambridge University Press, 2009.

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Beer, Gillian. Darwin's plots: Evolutionary narrative in Darwin, George Eliot and nineteenth-century fiction. 3rd ed. Cambridge: Cambridge University Press, 2009.

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6

Darwin's plots: Evolutionary narrative in Darwin, George Eliot and nineteenth-century fiction. 3rd ed. Cambridge: Cambridge University Press, 2009.

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7

Beer, Gillian. Darwin's plots: Evolutionary narrative in Darwin, George Eliot, and nineteenth-century fiction. London: Ark Paperbacks, 1985.

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8

Strachey, Lytton. Eminent Victorians. London: Bloomsbury, 1988.

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9

1900-, Partridge Frances, and Bloomsbury Authors, eds. Eminent Victorians: The illustrated edition. London: Bloomsbury, 1988.

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10

Strachey, Lytton. Eminent Victorians. London: Chatto & Windus, 1993.

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11

Eminent Victorians: The illustrated edition. New York: Weidenfeld & Nicolson, 1989.

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12

Strachey, Lytton. Eminent Victorians. Oxford: Oxford University Press, 2009.

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13

Eminent Victorians: Cardinal Manning, Florence Nightingale, Dr. Arnold, General Gordon. London: Continuum, 2002.

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14

Eminent Victorians. Harmondsworth, Middlesex, England: Penguin Books, 1986.

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15

Strachey, Lytton. Eminent Victorians. New York: Barnes & Noble World Digital Library, 2002.

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16

Strachey, Lytton. Eminent Victorians: The illustrated edition. London: Bloomsbury, 1988.

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17

Glendening, John. The evolutionary imagination in late-Victorian novels: An entangled bank. Aldershot, England: Ashgate, 2007.

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18

Cecil Blanche Fitz Gerald Woodham Smith. The reason why. London: Constable, 1987.

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19

Toker, Leona. Towards the ethics of form in fiction: Narratives of cultural remission. Columbus: Ohio State University Press, 2010.

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20

Towards the ethics of form in fiction: Narratives of cultural remission. Columbus: Ohio State University Press, 2010.

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21

Beer, Gillian. Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction (Ark Paperbacks). Routledge, 1985.

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22

Strachey, Lytton. Eminent Victorians (Classic Books on Cassettes Collection) (Classic Books on Cassettes Collection). Audio Book Contractors, Inc., 1994.

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23

Strachey, Lytton. Eminent Victorians (Penguin Twentieth-Century Classics). Penguin Classics, 1990.

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24

Strachey, Lytton. Eminent Victorians. Bloomsbury Publishing PLC, 1989.

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25

(Foreword), Frances Partridge, and Paul Levy (Introduction), eds. Eminent Victorians: The Definitive Edition. Continuum International Publishing Group, 2005.

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26

Strachey, Lytton. Eminent Victorians. Modern Library, 1999.

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27

Strachey, Lytton. Eminent Victorians. Echo Library, 2006.

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28

Strachey, Lytton. Eminent Victorians. Kessinger Publishing, 2004.

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29

Strachey, Lytton. Eminent Victorians. IndyPublish.com, 2003.

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30

Eminent Victorians. Blackstone Audiobooks, 1992.

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31

Eminent Victorians. Modern Library, 1999.

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32

Eminent Victorians: Florence Nightingale, General Gordon, Cardinal Manning, Dr. Arnold. Harvest Books, 2002.

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33

Strachey, Lytton. Eminent Victorians: Cardinal Manning, Florence Nightingale, Dr. Arnold, General Gordon. Continuum International Publishing Group, 2003.

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34

Strachey, Lytton. Eminent Victorians. Kessinger Publishing, LLC, 2004.

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35

(Editor), John Sutherland, ed. Eminent Victorians (Oxford World's Classics). Oxford University Press, USA, 2003.

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36

Strachey, Lytton. Eminent Victorians (Penguin Twentieth-Century Classics). Penguin Classics, 1990.

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37

Strachey, Lytton. Eminent Victorians. IndyPublish.com, 2003.

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38

Strachey, Lytton. Eminent Victorians. Dover Publications, 2006.

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39

The Evolutionary Imagination in Late-Victorian Novels. Ashgate Pub Co, 2007.

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40

Cecil Blanche Fitz Gerald Woodham Smith. The Reason Why: The Story of the Fatal Charge of the Light Brigade. Penguin Group, 1991.

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41

Cecil Blanche Fitz Gerald Woodham Smith. The Reason Why: The Story of the Fatal Charge of the Light Brigade. Penguin Group, 1991.

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42

The Reason Why: Men at War. Smithmark Publishers, 1995.

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43

Our Daughters Must Be Wives: Marriageable Young Women In The Novels Of Dickens, Eliot And Hardy (Feministische Forschungen, Bd. 2). Peter Lang Publishing, 2004.

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44

Scott Dickens Eliot Hardy Great Shakespeareans. Continuum, 2011.

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45

L'impronta dell'inutilità. Dalla teleologia di Aristotele alle genealogie di Darwin. Pisa, Italy: ETS, 2012.

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46

Ezell, Margaret J. M. Renovating the Stage: Companies, Actresses, Repertoire, Theatre Innovations, and the Touring Companies. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198183112.003.0009.

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Within three months of Charles II’s return, the London theatres were reopened, with two companies granted royal patents. Thomas Killigrew formed the King’s Company, and William Davenant the Duke’s Company. Initially the repertoire consisted of pre-war plays, with those of Shakespeare, Beaumont, and Fletcher popular. Regular theatre-goer Samuel Pepys recorded his approval of the new actors such as Thomas Betterton, Edward Kynaston, and Charles Hart, and actresses including Nell Gwyn and Elizabeth Barry. The companies invested in new theatres incorporating continental designs for proscenium arches, scenery, and effects at the Theatre Royal in Drury Lane, Lincoln’s Inn Fields, and Dorset Garden. Dramatists providing new plays included John Dryden, Thomas Shadwell, Aphra Behn, William Wycherley, and George Etherege.

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47

Kollins, Michael J. Pioneers of the U.S. Automobile Industry, Vol. II. SAE International, 2002. http://dx.doi.org/10.4271/9780768009019.

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Pioneers of the U.S. Automobile Industry uses four separate volumes to explore the essential components that helped build the American automobile industry - the people, the companies and the designs. This volume uses more than 450 photos to help weave the story of the risk-takers who helped shape the automotive industry from the very beginning. Pioneers and companies covered in this edition include: Charles and Frank Duryea Studebaker The Pratt Family and the Elcar Motor Care Company Joseph Moon Russell Gardner Louis Clarke George Pierce and Charles Clifton Packard/Joy/Macauley and the Packard Motor Car Company Edwin Thomas Ransom Olds Peerless Fred and August Duesenberg Kissel Brothers Hupp / Drake / Hastings / Young and the Hupp Motor Car Corporation Walter Flanders Chapin / Coffin / Bezner / Jackson / Hudson / McAneeny and The Hudson Motor Car Company Harry Stutz Harry Ford Graham Brothers Charles Nash

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48

Rivers, Isabel. Principal Booksellers and Publishing Outlets. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198269960.003.0002.

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This chapter covers the publishing history of some of the main authors discussed in the book, the Congregationalists Isaac Watts, Philip Doddridge, and Elizabeth Rowe, the Methodists John Wesley and George Whitefield, and the Church of England evangelicals James Hervey, John Newton, and William Cowper; the publications of the major London dissenting booksellers, Edward and Charles Dilly, and Joseph Johnson; the printers and sellers for the smaller denominations, the Quakers and the Moravians; and some important provincial printers and sellers of religious books, Joshua Eddowes, Samuel Hazard, Thomas and Mary Luckman, Robert Spence, William Phorson, and John Fawcett.

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49

Otis, Laura, ed. Literature and Science in the Nineteenth Century. Oxford University Press, 2009. http://dx.doi.org/10.1093/owc/9780199554652.001.0001.

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‘It has been said by its opponents that science divorces itself from literature; but the statement, like so many others, arises from lack of knowledge.’ John Tyndall, 1874 Although we are used to thinking of science and the humanities as separate disciplines, in the nineteenth century that division was not recognized. As the scientist John Tyndall pointed out, not only were science and literature both striving to better 'man's estate', they shared a common language and cultural heritage. The same subjects occupied the writing of scientists and novelists: the quest for 'origins', the nature of the relation between society and the individual, and what it meant to be human. This anthology brings together a generous selection of scientific and literary material to explore the exchanges and interactions between them. Fed by a common imagination, scientists and creative writers alike used stories, imagery, style, and structure to convey their meaning, and to produce work of enduring power. The anthology includes writing by Charles Babbage, Charles Darwin, Sir Humphry Davy, Charles Dickens, George Eliot, Michael Faraday, Thomas Malthus, Louis Pasteur, Edgar Allan Poe, Mary Shelley, Mark Twain and many others, and introductions and notes guide the reader through the topic's many strands. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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50

Auyoung, Elaine. When Fiction Feels Real. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190845476.001.0001.

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This book explores questions that are central to literary experience but remain difficult for critics to explain, such as how novels can seem to transport readers to fictional worlds that feel real, why literary characters can come to seem like intimate friends, and what is uniquely pleasurable about reading fiction. By drawing on psychological research on reading and cognition, this book provides literary studies with a new set of tools for analyzing the relationship between narrative technique and the phenomenology of reading. Focusing on classic novels by Leo Tolstoy, Jane Austen, Charles Dickens, George Eliot, and Leo Tolstoy, and on poems by Thomas Hardy, this study makes it possible to specify what is distinctive about realist aesthetics. It changes the way critics think about literary language, mimesis, and what readers bring to fictional texts, opening up a new field of inquiry centered on the relationship between representational technique and comprehension.

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