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Books on the topic 'Thin film studies'

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Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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1

Peng, Zhilong. Bio-inspired Studies on Adhesion of a Thin Film on a Rigid Substrate. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-46955-2.

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2

International Conference on Surface and Thin Film Studies Using Glancing-incidence X-ray and Neutron Scattering (1989 Marseille, France). X-ray and neutron scattering from surfaces and thin films: Proceedings of the International Conference on Surface and Thin Film Studies Using Glancing-incidence X-ray and Neutron Scattering : Marseille, France, May 31, June 1-2, 1989. Les Ulis, France: Editions de physique, 1989.

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3

Hussain, T. Magnetic anisotropy studies of TbFe thin films. Salford: University of Salford, 1990.

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4

Fernandez-Pacheco, Amalio. Studies of Nanoconstrictions, Nanowires and Fe₃O₄ Thin Films: Electrical Conduction and Magnetic Properties. Fabrication by Focused Electron/Ion Beam. Berlin, Heidelberg: Springer-Verlag Berlin Heidelberg, 2011.

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5

Li, Jian Ping. Studies of electrical properties of Cu/SiO thin films. Uxbridge: Brunel University, 1989.

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6

Edwards, Jacqueline Ann. Orientation studies of thin films of high temperature superconductors. Birmingham: University of Birmingham, 1994.

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7

Fernandez-Pacheco, Amalio. Studies of Nanoconstrictions, Nanowires and Fe₃O₄ Thin Films. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-15801-8.

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8

Feygenson, Mikhail. Magnetic and structural properties of thin films and nanoparticles studied by scattering methods. Jülich: Forschungszentrum Jülich, Zentralbibliothek, 2007.

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9

Attaran-Kakhki, Ebrahim. Magnetic, magnetic-optic and structural studies of PtMnSb thin films. Salford: University of Salford, 1989.

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10

Khatamian, Djamshid. Crystal structure of thin oxide films grown on Zr-Nb alloys studied by RHEED. Chalk River, Ont: Reactor Materials Research Branch, Chalk River Laboratories, 1996.

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11

Paul, Heike, Sarah Marak, Katharina Gerund, and Marius Henderson, eds. Lexicon of Global Melodrama. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459737.

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This new go-to reference book for global melodrama assembles contributions by experts from a wide range of disciplines, including cultural studies, film and media studies, gender and queer studies, political science, and postcolonial studies. The melodramas covered in this volume range from early 20th century silent movies to contemporary films, from independent ›arthouse‹ productions to Hollywood blockbusters. The comprehensive overview of global melodramatic film in the Lexicon constitutes a valuable resource for scholars and practitioners of film, teachers, film critics, and anyone who is interested in the past and present of melodramatic film on a global scale. The Lexicon of Global Melodrama includes essays on All That Heaven Allows, Bombay, Casablanca, Die Büchse der Pandora, In the Mood for Love, Nosotros los Pobres, Terra Sonâmbula, and Tokyo Story.
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12

Bird, Daniel P. C. The investigation of thin metal oxide films by STM and RAIRS studies. Manchester: UMIST, 1997.

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13

Herzogenrath, Bernd, ed. The Films of Bill Morrison. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789089649966.

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Avant-garde filmmaker Bill Morrison has been making films that combine archival footage and contemporary music for decades, and he has recently begun to receive substantial recognition: he was the subject of a retrospective at the Museum of Modern Art, and his 2002 film Decasia was selected for the National Film Registry by the Library of Congress. This is the first book-length study of Morrison's work, covering the whole of his career. It gathers specialists throughout film studies to explore Morrison's "aesthetics of the archive"-his creative play with archival footage and his focus on the materiality of the medium of film.
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14

Munns, Clifford B. X-ray diffraction studies of evaporated gold thin films deposited on aluminum nitride substrates. Monterey, Calif: Naval Postgraduate School, 1994.

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15

Zhang, Jinsong. Transport Studies of the Electrical, Magnetic and Thermoelectric properties of Topological Insulator Thin Films. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-49927-6.

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16

Yilbas, Bekir Sami. Laser Surface Processing and Model Studies. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013.

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17

Khatamian, D. Crystal structure of thin oxide films grown on Zr-Nb alloys studied by RHEED. Chalk River, Ont: Chalk River Laboratories, 1996.

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18

Richard, David Evan. Film Phenomenology and Adaptation. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463722100.

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Film Phenomenology and Adaptation: Sensuous Elaboration argues that in order to make sense of film adaptation, we must first apprehend their sensual form. Across its chapters, this book brings the philosophy and research methodology of phenomenology into contact with adaptation studies, examining how vision, hearing, touch, and the structures of the embodied imagination and memory thicken and make tangible an adaptation’s source. In doing so, this book not only conceives adaptation as an intertextual layering of source material and adaptation, but also an intersubjective and textural experience that includes the materiality of the body.
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19

Martin, Adrian. Mysteries of Cinema. NL Amsterdam: Amsterdam University Press, 2018. http://dx.doi.org/10.5117/9789462986831.

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The major essays of the distinguished and prolific Australian-born film critic Adrian Martin have long been difficult to access, so this anthology, which collects highlights of his work in one volume, will be welcomed throughout film studies. Martin offers indepth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays, written between 1982 and 2016, balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. Mysteries of Cinema circumscribes a special cultural period that began with the dream of critique as a form of poetic writing, and today arrives at collaborative experiments in audiovisual essays. Throughout these essays, Martin pursues a particular vision of what cinema has been, what it is, and what it still could be.
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20

Fossati, Giovanna, and Annie Oever, eds. Exposing the Film Apparatus. NL Amsterdam: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789462983168.

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Film archives have long been dedicated to preserving movies, and they've been nimble in recent years in adapting to the changing formats and technologies through which cinema is now created and presented. This collection makes the case for a further step: the need to see media technologies themselves as objects of conservation, restoration, presentation, and research, in both film archives and film studies. Contributors with a wide range of expertise in the film and media world consider the practical and theoretical challenges posed by such conservation efforts and consider their potential to generate productive new possibilities in research and education in the field.
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21

Narlikar, Anant. HTS Thin Film And More on Vortex Studies (Studies of High Temperature Superconductors). Nova Science Publishers, 2005.

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22

National Aeronautics and Space Administration (NASA) Staff. Theoretical and Material Studies on Thin-Film Electroluminescent Devices. Independently Published, 2018.

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23

Peng, Zhilong. Bio-inspired Studies on Adhesion of a Thin Film on a Rigid Substrate. Springer, 2016.

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24

Peng, Zhilong. Bio-Inspired Studies on Adhesion of a Thin Film on a Rigid Substrate. Springer, 2015.

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25

Peng, Zhilong. Bio-Inspired Studies on Adhesion of a Thin Film on a Rigid Substrate. Springer, 2015.

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26

Shih, Shou-Po. Electrical characterization and aging studies of ALE ZnS:Mn ACTFEL devices with varying phosphor thicknesses. 1995.

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27

Abu-Dayah, Ahmad I. Internal charge-phosphor field analysis, electrical characterization, and aging studies of AC thin-film electroluminescent devices. 1993.

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28

Abu-Dayah, Ahmad I. Internal charge-phosphor field analysis, electrical characterization, and aging studies of AC thin-film electroluminescent devices. 1993.

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29

Kumar, Manoj. Electrical characterization and aging studies of green ZnS: Tb AC thin-film electroluminescent devices. 1994.

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30

Theoretical and material studies of thin-film electroluminescent devices: Final report. [Washington, DC: National Aeronautics and Space Administration, 1990.

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31

Pham, Long V. Electrical characterization, maximum charge-maximum voltage (Q[max]-V[max]) analysis, aging and temperature studies of thiogallate thin-film electroluminescent devices. 1995.

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32

Davidson, James D. Capacitance-voltage analysis, SPICE modeling, and aging studies of AC thin-film electroluminescent devices. 1991.

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33

Davidson, James D. Capacitance-voltage analysis, SPICE modeling, and aging studies of AC thin-film electroluminescent devices. 1991.

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34

Hossin, Abdeldayem, and United States. National Aeronautics and Space Administration., eds. Nonlinear optical properties of organic and polymeric thin film materials of potential for microgravity processing studies. [Washington, D.C: National Aeronautics and Space Administration, 1997.

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35

Nivaggioli, Thierry. In situ studies of thin polymer film dissolution by simultaneous laser interferometry and fluorescence quenching measurements. 1993.

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36

A, Goldman J., Brennan K. F, and United States. National Aeronautics and Space Administration., eds. Theoretical and material studies of thin-film electroluminescent devices: Sixth six-monthly report for the period 1 November 1987 - 30 April 1988. Atlanta, GA: Georgia Institute of Technology ; [Washington, DC, 1988.

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37

F, Brennan K., and United States. National Aeronautics and Space Administration., eds. Theoretical and material studies of thin-film electroluminescent devices: Second six monthly report for the period 1 October 1985 - 31 March 1986. [Washington, DC: National Aeronautics and Space Administration, 1986.

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38

R, Benz, and United States. National Aeronautics and Space Administration, eds. Theoretical and material studies on thin-film electroluminescent devices: Fourth six-monthly report for the period 1 October 1986 - 31 March 1987. [Washington, DC: National Aeronautics and Space Administration, 1987.

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39

F, Brennan K., and United States. National Aeronautics and Space Administration, eds. Theoretical and material studies of thin-film electroluminescent devices: Third six-monthly report for the period 1 April 1986 - 30 September 1986. [Washington, DC: National Aeronautics and Space Administration, 1986.

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40

Boychev, Vladimir. Far-infrared studies of superconducting thin films and Fabry-Perot resonators made of such films. 2001.

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41

Th©♭, Stephens Sin-Tsun. Studies of laser-target interactions in pulsed excimer laser evaporation of superconducting oxides and other metal oxides. 1993.

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42

Moore, John Wesley. Studies in photochemistry in thin polymer films. 1987.

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43

Fernandez-Pacheco, Amalio. Studies of Nanoconstrictions, Nanowires and Fe3O4 Thin Films: Electrical Conduction and Magnetic Properties. Fabrication by Focused Electron/Ion Beam. Springer, 2013.

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44

Saxon, Victoria. Poster Art of Cars: Collecting more than a hundred posters and graphics from Pixar Animation Studios and Walt Disney Imagineering. Disney Editions, 2017.

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45

Ingram, David. Rethinking Eco-Film Studies. Edited by Greg Garrard. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199742929.013.023.

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This article analyzes the theoretical and methodological assumptions which influenced ecocritical writings on film. It evaluates the most pragmatically useful theoretical framework for eco-film criticism and examines the strengths and weaknesses of the different theories and methods that have been employed by ecocritics working in film studies. It considers eco-film criticism and ideological analysis within the psycho-semiotic paradigm and the cognitivist film theory. This article also discusses some potential future developments in eco-film criticism.
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46

Kozma, Alicia, and Finley Freibert, eds. ReFocus: The Films of Doris Wishman. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474482349.001.0001.

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This volume—the first ever devoted to director Doris Wishman—covers her vast filmography, and is inclusive of her less discussed later films, hardcore films, and nudist films. By situating Wishman within larger contexts and movements in film history including women’s filmmaking, avant- garde and experimental cinema, and genre film, the volume considers the cultural, historical, and industrial significance of Wishman. Special focus is paid to gender studies, genre studies, film narrative, feminist history, queer history, and adult film history.
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47

Kelly, Catriona. Soviet Art House. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197548363.001.0001.

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This book examines cinema in the Brezhnev era from the perspective of one of the USSR’s largest studios, Lenfilm. Producing around thirty feature films per year, the studio had over three thousand employees working in every area of film production. The discussion covers the period from 1961 to the collapse of centralized state facilities in 1986. The book focuses particularly on the younger directors at Lenfilm, those who joined the studio in the recruiting drive that followed Khrushchev’s decision to expand film production. Drawing on documents from archives, the analysis portrays film production “in the round” and shows that the term “censorship” is less appropriate than the description preferred in the Soviet film industry itself, “control,” which referred to a no less exigent but far more complex and sophisticated process. The book opens with four framing chapters that examine the overall context in which films were produced: the various crises that beset film production between 1961 and 1969 (chapter 1) and 1970 and 1985 (chapter 2), the working life of the studio, and particularly the technical aspects of production (chapter 3), and the studio aesthetic (chapter 4). The second part of the book comprises close analyses of fifteen films that are typical of the studio’s production. The book concludes with a brief survey of Lenfilm’s history after the Fifth Congress of the Filmmakers’ Union in 1986, which swept away the old management structures and, in due course, the entire system of filmmaking in the USSR.
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48

Complex Wave Dynamics on Thin Films (Studies in Interface Science). Elsevier Science, 2002.

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49

Zimerman, Moshe. Jewish and Israeli Film Studies. Edited by Martin Goodman. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199280322.013.0036.

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Despite the problems inherent in defining the scope of creations associated with Israeli cinema, it is relatively easy to define the cinema's boundaries and to delineate the writers of essays, books, and anthologies who deal with it. This is not the case when attempting to define Jewish cinema or deciding what constitutes writing about Jewish cinema. This article discusses this issue extensively, along with some of the side issues that derive from it. Before that, however, this article reviews the history of writing on Israeli cinema, since this sheds much light on the difficulties involved in reviewing writing on Jewish cinema.
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50

Kuhn, Annette, and Guy Westwell. A Dictionary of Film Studies. Oxford University Press, 2020. http://dx.doi.org/10.1093/acref/9780198832096.001.0001.

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Over 550 entries This dictionary covers all aspects of its discipline as it is currently taught at undergraduate level. Offering exhaustive and authoritative coverage, this A-Z is written by experts in the field and covers terms, concepts, debates, and movements in film theory and criticism; national, international, and transnational cinemas; film history, movements, and genres; film industry organizations and practices; and key technical terms and concepts. Since its first publication in 2012, the dictionary has been updated to incorporate over 40 new entries, including computer games and film, disability, ecocinema, identity, portmanteau film, Practice as Research, and film in Vietnam. Moreover, numerous revisions have been made to existing entries to account for developments in the discipline, and changes to film institutions more generally.
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