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Journal articles on the topic 'Theory'

To see the other types of publications on this topic, follow the link: Theory.

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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1

CHO, Kyu Hyung. "The Soul of Theory." Criticism and Theory Society of Korea 27, no. 3 (October 31, 2022): 225–40. http://dx.doi.org/10.19116/theory.2022.27.3.225.

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‘Soul’ is a very traditional, old-fashioned, now archaic, and even obsolete term. Instead of ‘soul,’ today ‘ego’ and ‘self’ have become the dominant terms in both academic and general usage. ‘Self-development’ emphasizes the infinite enhancement of individual ego on the one hand, and ‘self-healing’ trend acknowledges the limitations of this situation on the other. Foucault’s last lectures, however, recalled the case of Socrates’ “taking care of one’s soul.” Socratic care of the soul goes beyond ‘self-reflection’ and forward to the ‘self-care’ of individual inner standards. Socrates puts another emphasis upon ‘parrhèsia’(free speech) so as to avoid the potentially extreme individualist turn of the self care. Foucault wanted to present the Cynic model as a clear example of going further than that of Socrates. Cynics seek to grasp their souls in tense dynamics of subjectivity and its others, and intentionally and constantly test themselves with extreme experiences of even sub-human as well as metaphysical dimension. Here, the soul is not a substance of eternal nature, but rather a constantly doubting and experimenting subject to be established and managed. Theory, as a space of criticism, conjecture, and fiction, creates and maintains its subject of tension and balance between objective reason and subjective argument. Here, intuitive and rational logic interweaves with personal judgment and lifestyle. Freud’s, Foucault’s, and Derrida’s theories represent prototypes of the individual subject’s soul that survives in the age of information and data.

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2

Lee, Taek-Gwang. "French Theory and Cybernetics." Criticism and Theory Society of Korea 29, no. 1 (February 29, 2024): 149–67. http://dx.doi.org/10.19116/theory.2024.29.1.149.

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This paper aims to identify the relationship between cybernetics and the post-war French philosophies or theories known and embraced as structuralism, poststructuralism, and postmodernism. Recent research has shown that cybernetics was closely associated with Lévi-Strauss’s structuralism, which was the cool of the new French theory, and that poststructuralism or postmodernism was a response to the technologies of control represented by cybernetics. From this perspective, the misconceptions and prejudices surrounding French theory must be confronted with an understanding of the historical context that gave rise to the phenomenon of postmodernism. This paper looks at French theory as an intellectual movement that emerged out of the reflection on cybernetic technologies in the post-war period centred on the Maginot Line and revisits its theoretical context through the keyword cybernetics. This new examination will allow us to rewrite the genealogy of French theories that emerged after 1950 as a response to cybernetics, whether postmodernism is interpreted as a cultural logic of late capitalism, as an extension of modernism, or as a new epistemology inevitably resulting from the decline of modernity. From this perspective, this paper argues that French theory and its effect, postmodernism, should not be buried in the annals of history as relics of a bygone era but should be recognized as a historical legacy shaping our present reality and should be re-examined.

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3

Hong, Seongmin. "The Social Emphathy and Discursive State : Cultural Theory about State Theory in Korea." Criticism and Theory Society of Korea 26, no. 2 (June 30, 2021): 143–76. http://dx.doi.org/10.19116/theory.2021.26.2.143.

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4

Lee, Taek-Gwang. "Literature as a Global Theory." Criticism and Theory Society of Korea 28, no. 3 (October 31, 2023): 245–66. http://dx.doi.org/10.19116/theory.2023.28.3.245.

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This essay discusses the globalization of literature and its political implications, arguing that literature is not timeless or ahistorical but a modern invention deeply rooted in its historical, linguistic, and cultural context.I begin my arguments by pointing out that “literature” is not universal but a specifically European concept. In Japan, for example, the word “bungaku” (文学), which is translated as “literature”, had a different meaning before Soseki encountered English literature. Soseki confessed that he found it challenging to subsume Chinese classics and English literary works under a single definition of literature. This discrepancy between Chinese and English literature, Soseki argued, is because literature is not simply a collection of writings but a specific style of writing associated with modernity. Literature is not self-explanatory but requires a certain level of cultural literacy to understand. Therefore, the globalisation of literature is not simply a process of spreading European literary culture to other parts of the world. Instead, it adapts European literary forms and concepts to different cultural contexts. This process is often fraught with political implications, as it can involve imposing hegemonic cultural values on marginalized cultures. I conclude by arguing that there is no such thing as political literature, but only literary politics. The style of writing as such is the ambiguous process of modernisation. This means that literature is not simply a tool for political propaganda but rather a complex and multifaceted phenomenon that can be used to explore and challenge a wide range of political issues.

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5

Bhoi, Jhasaketan, and Ujjwal Laha. "Integral Transforms and Their Applications to Scattering Theory." International Journal of Applied Physics and Mathematics 4, no. 6 (2014): 386–405. http://dx.doi.org/10.17706/ijapm.2014.4.6.386-405.

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6

Kim, Yongsoo. "Topology of Literary Theory: A Citation Network Analysis of The Journal of Criticism and Theory (1996-2015)." Criticism and Theory Society of Korea 27, no. 1 (February 28, 2022): 57–94. http://dx.doi.org/10.19116/theory.2022.27.1.57.

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7

Rachlin, Howard. "Theory-theory theory." Behavioral and Brain Sciences 16, no. 1 (March 1993): 72–73. http://dx.doi.org/10.1017/s0140525x00029083.

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8

C.S., Harisha. "Graph Theory Approach to Number Theory Theorems." Journal of Advanced Research in Dynamical and Control Systems 12, no. 01-Special Issue (February 13, 2020): 568–72. http://dx.doi.org/10.5373/jardcs/v12sp1/20201105.

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9

Riani Putri Asyrofi, Reva, Anang Santoso, and Sumadi x. "Noam Chomsky's Linguistic Theory: Generative Transformation Theory." International Journal of Science and Research (IJSR) 12, no. 12 (December 5, 2023): 376–80. http://dx.doi.org/10.21275/sr231203152444.

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10

Lee, Taek-Gwang. "Critical Theory in the Age of Big Data." Criticism and Theory Society of Korea 27, no. 3 (October 31, 2022): 241–60. http://dx.doi.org/10.19116/theory.2022.27.3.241.

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This essay discusses the rise of neoliberalism and globalization and its effects on the reconstruction of critical theory. This consideration will be about how the desire for critical theory, or the desiring critique, could intervene in the cognitive or surveillance capitalism phase based on big data technology. For this purpose, I will clarify the fact that the revival of critical theory should be the reconsideration of French philosophy (or French theory) and its political foundation since the 1950s. The vital link between critical theory and political conjunctures is revealed in the CIA’s report on French philosophy in the 1980s. The failure of radical French philosophy led to the decline of intellectuals and the reification of critical theory. I will relate this situation to the advent of cognitive or surveillance capitalism and its changed mode of accumulation. My conclusion will focus on the role of critical theory in understanding the function of big data capitalism and imposing its political implication on the celebration of technological advances.

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11

Yoh, Keonjong. "Critical Theory and a New Ethics of Narrative." Criticism and Theory Society of Korea 27, no. 3 (October 31, 2022): 207–24. http://dx.doi.org/10.19116/theory.2022.27.3.207.

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Current crisis of the humanities is closely involved with hyper-institutionalization and professionalization of academic critical discourse and the humanities education. We have narrowed down humanities education to the point where it no longer provides the enhanced capacity for civic engagement. As an alternative to the current crisis of the humanities, this article proposes a new ethics of narrative. According to Martha Nussbaum, narrative imagination is a capacity to enter into and understand the experiences and lives of the others. New ethics of narrative emphasizes the vital role of narrative imagination in cultivating the powers of judgment and sensibility of a mature and responsible person, by exploring how the ability to be a sympathetic reader of another person’s story can be a basic qualification of democratic and cultivated citizen. This ability contributes to moral development of a citizen by fostering the capacity to understand people who may act from very different motives, identities and experiences.

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12

Kim, Jae-Yin. "Theory of ‘Disjunctive Synthesis’ of Deleuze and Guattari." Criticism and Theory Society of Korea 28, no. 2 (June 30, 2023): 115–40. http://dx.doi.org/10.19116/theory.2023.28.2.115.

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Deleuze and Guattari’s first co-authored work was a 1970 paper called “Disjunctive Synthesis”. It is said to be an abridged version of their forthcoming ‘Capitalism and Schizophrenia’, referring to Pierre Klossowski’s recent work. This paper is a draft of the rationale for Anti-Oedipus. Interestingly, however, there are no studies that address the relationship between the “Disjunctive Synthesis” and Anti-Oedipus. “Disjunctive Synthesis” is very helpful in that it unravels and clarifies the ambiguity of Anti-Oedipus. Furthermore, the paper shows Deleuze and Guattari’s initial problem with Anti-Oedipus, concerning the unconscious. In particular, the rupture that separates Anti-Oedipus from The Logic of Sense is identified. I have followed the “Disjunctive synthesis” in order to clarify the problem that the paper is trying to solve, and to show the points that correspond to the “paths” and “bridges” of how this problem develops later in Anti-Oedipus. I have particularly focused on elucidating the inclusive, illimitative, and affirmative usages of the “disjunctive synthesis” in the synthesis of the unconscious.

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13

Kim, Yongsoo. "Topology of Literary Theory 2: A Citation and Semantic Network Analysis of The Journal of Criticism and Theory (1996-2020)." Criticism and Theory Society of Korea 28, no. 2 (June 30, 2023): 77–113. http://dx.doi.org/10.19116/theory.2023.28.2.77.

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This paper performs a semantic network analysis of the nouns from the titles of all papers published in The Journal of Criticism and Theory from 1996 to 2020, and attempts an additional citation network analysis for papers from 2016 to 2020, building on the same kind of analysis (1996-2015) in the previous study (2022). Noun networks are composed of the relationships between words with meaning, and thus are helpful in understanding the overall distribution of topics and their interconnections, compared to citation networks only with the names of scholars. These two methods generally show similar results in terms of the global landscape and change of theoretical topology while highlighting different aspects. The noun network from 1996 to 2015 shows outcomes similar to the citation network, but reveals new aspects such as the existence of aesthetic theory centered on “literature,” Derrida’s peripheral status, and the emergence of university discourse. Analysis of papers from 2016 to 2020 suggests that the theoretical paradigm which dominated the previous 20 years is collapsing and that new theories and themes are being sought. The citation network reveals the strong consolidation of the Deleuzian group and the rise of Butler along with the rapid contraction of existing theories while the noun network captures the emergence of scientific and technological discourses such as digital humanities and neuroscience in the context of exploring new possibilities. Drawing the theoretical topography of The Journal of Criticism and Theory is part of the grand task of grasping the knowledge field and history of Korean English literary studies. Hopefully, this research will be extended to other academic journals, leading to a macroscopic view of English literary studies in Korea.

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14

Lee, Hyoseok. "A Study on The Quare Fellow: Postcolonial Crisis of Nation and Difficulties of Writer." Criticism and Theory Society of Korea 26, no. 1 (February 28, 2021): 105–33. http://dx.doi.org/10.19116/theory.2021.26.1.105.

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15

Cho, Hyun June. "The Force of Non-violence and an Egalitarian Imaginary." Criticism and Theory Society of Korea 26, no. 1 (February 28, 2021): 185–211. http://dx.doi.org/10.19116/theory.2021.26.1.185.

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16

Jung, Eunju. "A Study on the Aspects of Narrative Time in Hwang Seok-Young’s Novels." Criticism and Theory Society of Korea 26, no. 1 (February 28, 2021): 135–65. http://dx.doi.org/10.19116/theory.2021.26.1.135.

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17

Kim, Yugon. "Transpacific Avant-Garde Poetry and John Cage’s Cultural Transformation of Zen Buddhism." Criticism and Theory Society of Korea 26, no. 1 (February 28, 2021): 33–62. http://dx.doi.org/10.19116/theory.2021.26.1.33.

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18

Seo, Jung Eun. "Beyond Paranoid Sympathy: On the Meaning of ‘Extension of Sympathy’ in George Eliot’s Middlemarch." Criticism and Theory Society of Korea 26, no. 1 (February 28, 2021): 85–104. http://dx.doi.org/10.19116/theory.2021.26.1.85.

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19

Cho, Seong-kwan. "Active Receiver: Rancière’s Audience Emancipation and Shakespeare on the Korean Stage." Criticism and Theory Society of Korea 26, no. 1 (February 28, 2021): 167–84. http://dx.doi.org/10.19116/theory.2021.26.1.167.

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20

Seo, Gilwan. "The Current State of Climate Change Response and the Ways to Overcome Climate Denial: M. Night Shyamalan’s The Happening." Criticism and Theory Society of Korea 26, no. 1 (February 28, 2021): 63–83. http://dx.doi.org/10.19116/theory.2021.26.1.63.

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21

Kim, Soonbae. "Critical Reflection on Marie-José Mondzain’s theory of Image and Economy." Criticism and Theory Society of Korea 26, no. 1 (February 28, 2021): 5–32. http://dx.doi.org/10.19116/theory.2021.26.1.5.

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22

Choi, Su. "Reflecting Infanticide in Terms of the “Metaphysical Guilt” in Beloved: Focused on Derrida’s Hauntology." Criticism and Theory Society of Korea 21, no. 1 (January 17, 2016): 125–51. http://dx.doi.org/10.19116/theory.2016.21.1.125.

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23

Kim, Soonbae. "Undoing Irony: Between Epistemology and Ontology." Criticism and Theory Society of Korea 21, no. 1 (January 17, 2016): 153–81. http://dx.doi.org/10.19116/theory.2016.21.1.153.

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24

Shin, Myoung Ah. "A Study of Messianic and Weak Politics in Giorgio Agamben’s Theory of Biopolitics." Criticism and Theory Society of Korea 21, no. 1 (January 17, 2016): 183–210. http://dx.doi.org/10.19116/theory.2016.21.1.183.

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25

Koh, Boo Eung. "Academic Capitalism and the Decline of the Public Goodness of the University." Criticism and Theory Society of Korea 21, no. 1 (January 17, 2016): 35–64. http://dx.doi.org/10.19116/theory.2016.21.1.35.

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26

Kang, Heewon. "The Child as a Gap: Re-reading of William Wordsworth’s “We Are Seven” and “The Idiot Boy”." Criticism and Theory Society of Korea 21, no. 1 (January 17, 2016): 5–33. http://dx.doi.org/10.19116/theory.2016.21.1.5.

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27

Lee, Kyung Ook. "A Reading of Maud: From the Perspective of Pathological Narcissism." Criticism and Theory Society of Korea 21, no. 1 (January 17, 2016): 65–91. http://dx.doi.org/10.19116/theory.2016.21.1.65.

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28

Cho, Kyu-hyung. "Sewol Disaster as a Gift from the Dead." Criticism and Theory Society of Korea 21, no. 1 (January 17, 2016): 93–124. http://dx.doi.org/10.19116/theory.2016.21.1.93.

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29

Kim, Hyena. "A Critical Debate on the Project of the (Post)Modern University: University of Ritual or University of Excellence?" Criticism and Theory Society of Korea 21, no. 2 (April 27, 2016): 105–31. http://dx.doi.org/10.19116/theory.2016.21.2.105.

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30

Oh, Gilyoung. "Narrative and the Utopian impulse." Criticism and Theory Society of Korea 21, no. 2 (April 27, 2016): 133–54. http://dx.doi.org/10.19116/theory.2016.21.2.133.

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31

Yoo, Hui-sok. "The Controversy on Shin Kyung-sook’s Plagiarism and the Criticism." Criticism and Theory Society of Korea 21, no. 2 (April 27, 2016): 23–57. http://dx.doi.org/10.19116/theory.2016.21.2.23.

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32

Yoon, Jikwan. "Some Theoretical Issues on the Plagiarism in Literature." Criticism and Theory Society of Korea 21, no. 2 (April 27, 2016): 5–22. http://dx.doi.org/10.19116/theory.2016.21.2.5.

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33

Kim, Jonggab. "Plagiarism and the Problem of Author Formation." Criticism and Theory Society of Korea 21, no. 2 (April 27, 2016): 59–81. http://dx.doi.org/10.19116/theory.2016.21.2.59.

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34

Kim, Yongsoo. "Voice as a Real Object in and beyond Lacan’s Seminar X." Criticism and Theory Society of Korea 21, no. 2 (April 27, 2016): 83–103. http://dx.doi.org/10.19116/theory.2016.21.2.83.

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35

Yun, Ji Yeong. "Heretical confluence of two theoretical branches-the possibility of intersection of affect and drive." Criticism and Theory Society of Korea 21, no. 3 (September 15, 2016): 9–39. http://dx.doi.org/10.19116/theory.2016.21.3.09.

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36

Gu, Jakwang. "A Study on Charles Bernstein’s (anti)poetics." Criticism and Theory Society of Korea 21, no. 3 (September 15, 2016): 113–50. http://dx.doi.org/10.19116/theory.2016.21.3.113.

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37

Kim, Hye Young. "The Split Subjects of Fantasy Theater: Focusing on Minjung Kim’s Poems." Criticism and Theory Society of Korea 21, no. 3 (September 15, 2016): 151–74. http://dx.doi.org/10.19116/theory.2016.21.3.151.

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38

Park, Jusik. "The Poetics of Creole: Edouard Glissant and the Postcolonial Cultural Identity of Caribbean Archipelago." Criticism and Theory Society of Korea 21, no. 3 (September 15, 2016): 175–205. http://dx.doi.org/10.19116/theory.2016.21.3.175.

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39

Chung, Iksoon. "A Study of Singularity on the Plato’s poetics and Euclidean axiom." Criticism and Theory Society of Korea 21, no. 3 (September 15, 2016): 207–29. http://dx.doi.org/10.19116/theory.2016.21.3.207.

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40

Chung, Jaesik. "The Dark Knight and the Chiaroscuro of the Aperture: “Minimal” Ethics and the Risky Experimentation of Light." Criticism and Theory Society of Korea 21, no. 3 (September 15, 2016): 231–56. http://dx.doi.org/10.19116/theory.2016.21.3.231.

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41

Kim, Yaeri. "Femme Fatale vs. Masculine Narrative: Interrogating the Male Gaze in Inception (2010)." Criticism and Theory Society of Korea 21, no. 3 (September 15, 2016): 257–78. http://dx.doi.org/10.19116/theory.2016.21.3.257.

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42

Chang, Siki. "The Discovery of Baduk in Gilles Deleuze." Criticism and Theory Society of Korea 21, no. 3 (September 15, 2016): 41–63. http://dx.doi.org/10.19116/theory.2016.21.3.41.

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43

Lee, Jae-seong. "Glimpsing the Infinite Movement through Literature: The Deleuzian Body without Organs and the Buddhist Emptiness." Criticism and Theory Society of Korea 21, no. 3 (September 15, 2016): 65–88. http://dx.doi.org/10.19116/theory.2016.21.3.65.

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44

Ko, Kangyl. "Brokeback Mountain and Reproductive Futurism." Criticism and Theory Society of Korea 21, no. 3 (September 15, 2016): 89–112. http://dx.doi.org/10.19116/theory.2016.21.3.89.

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45

Oh, Inyong. "Symbol and Allegory: The Structure of the Aesthetic Experience in the Romantic Era." Criticism and Theory Society of Korea 22, no. 1 (January 31, 2017): 107–36. http://dx.doi.org/10.19116/theory.2017.22.1.107.

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46

Koh, Boo Eung. "The Fall of Humanities as the Crisis of the University." Criticism and Theory Society of Korea 22, no. 1 (January 31, 2017): 13–49. http://dx.doi.org/10.19116/theory.2017.22.1.13.

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47

Yoon, Joewon. "The Queer Negativity of Leo Bersani: Intimacies beyond Intimacy." Criticism and Theory Society of Korea 22, no. 1 (January 31, 2017): 137–62. http://dx.doi.org/10.19116/theory.2017.22.1.137.

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48

Lee, Kyung Ook. "A Reading of Tennyson’s “Lucretius”: on Tennyson’s Representation of Lucretius." Criticism and Theory Society of Korea 22, no. 1 (January 31, 2017): 163–90. http://dx.doi.org/10.19116/theory.2017.22.1.163.

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49

Joo, Hyeuk Kyu. "Blindness and Insight on the Top of Black Comb." Criticism and Theory Society of Korea 22, no. 1 (January 31, 2017): 193–216. http://dx.doi.org/10.19116/theory.2017.22.1.193.

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50

Buchanan, Ian. "Our Machines, Our Selves." Criticism and Theory Society of Korea 22, no. 1 (January 31, 2017): 217–36. http://dx.doi.org/10.19116/theory.2017.22.1.217.

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