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Books on the topic 'Theory of History 17th century'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Music and ideas in the sixteenth and seventeenth centuries. Chicago: University of Chicago Press, 2006.

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2

Rivera, Benito V. German music theory in the early 17th century: The treatises of Johannes Lippius. Rochester, N.Y: University of Rochester Press, 1995.

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3

Slowik, Edward. Cartesian spacetime: Descartes' physics and the relational theory of space and motion. Dordrecht: Kluwer Academic, 2001.

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4

Cartesian spacetime: Descartes' physics and the relational theory of space and motion. Dordrecht: Kluwer Academic, 2002.

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5

Between modes and keys: German theory, 1592-1802. Stuyvesant, NY: Pendragon Press, 1989.

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6

Musikalische Norm um 1700. Berlin ; New York: De Gruyter, 2010.

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7

Recollection and experience: Plato's theory of learning and its successors. Cambridge: Cambridge University Press, 1995.

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8

Music, experiment and mathematics in England, 1653-1705. Aldershot, Hants, England: Ashgate, 2008.

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9

Montgomery, Robert Langford. Terms of response: Language andaudience in seventeenth- and eighteenth-century theory. University Park, Pa: Pennsylvania State University Press, 1992.

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10

Terms of response: Language and audience in seventeenth- and eighteenth-century theory. University Park, Pa: Pennsylvania State University Press, 1992.

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11

Perception & reality: A history from Descartes to Kant. Ithaca, NY: Cornell University Press, 1996.

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12

Weyl, Martin. Passion for reason and reason of passion: Seventeenth-century art and theory in France, 1648-1683. New York: P. Lang, 1989.

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13

Mousley, Andy. Renaissance drama and contemporary literary theory. New York: St. Martin's Press, 2000.

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14

Stone, Harriet. The classical model: Literature and knowledge in seventeenth-century France. Ithaca: Cornell University Press, 1996.

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15

The anatomy of superstition: A study of the historical theory and practice of Pierre Bayle. Oxford: Voltaire Foundation at the Taylor Institution, 1989.

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16

Praetorius, Michael. Syntagma musicum III. Oxford: Oxford University Press, 2004.

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17

T, Kite-Powell Jeffery, ed. Syntagma musicum III. Oxford: Oxford University Press, 2004.

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18

Kiernan, Pauline. Shakespeare's theory of drama. Cambridge: Cambridge University Press, 1996.

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19

Jane, Schnell Lisa, ed. Literate experience: The work of knowing in seventeenth-century English writing. New York: Palgrave Macmillan, 2002.

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20

Shakespeare's neighbors: Theory matters in the Bard and his contemporaries. Lanham, MD: University Press of America, 2001.

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21

Venuti, Lawrence. Our halcyon dayes: English prerevolutionary texts and postmodern culture. Madison, Wis: University of Wisconsin Press, 1989.

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22

Genge, Gabriele, and Angela Stercken, eds. Art History and Fetishism Abroad. Bielefeld, Germany: transcript Verlag, 2014. http://dx.doi.org/10.14361/9783839424117.

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Abstract:

By focusing on the various modes and media of the fetishised object, this anthology shifts the debates on thingness into a new global art historical perspective. The contributors explore the attention given to those material images, in both artistic and cultural practice from the heyday of colonial expansion until today. They show that in becoming vehicles and agents of transculturality, so called »fetishes« take shape in the 17th to 19th century aesthetics, psychology and ethnography - and furthermore inspire a recent discourse on magical practice and its secular meanings requiring altered art historical approaches and methods.

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23

Sor Juana/música: How the Décima musa composed, practiced, and imagined music. New York: Lang, 2009.

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24

(Netherlands), Rijksmuseum, ed. 17th-century cabinets. Amsterdam: Rijksmuseum, 2000.

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25

Poetry and the making of the English literary past, 1660-1781. Oxford: Oxford University Press, 2001.

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26

1942-, Gannon Catherine, ed. Reading Renaissance drama: A process approach. New York: P. Lang, 1991.

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27

1952-, Wilson Christopher R., and Coperario, John, 1570 (ca.)-1626., eds. A new way of making fowre parts in counterpoint. Aldershot: Ashgate, 2003.

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28

Calcutta in the 17th century. Calcutta: Firma KLM, 1986.

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29

1632-1677, Spinoza Benedictus de, ed. Spinoza: The way to wisdom. West Lafayette, Ind: Purdue University Press, 1996.

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30

The music theory of Harald Vallerius: Three dissertations from 17th-century Sweden. Uppsala: Uppsala Universitet, 2012.

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31

Huggett, Robert. Early 17th century prices and wages. Bristol: Stuart, 1992.

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32

John, Marshall. Descartes's moral theory. Ithaca, NY: Cornell University Press, 1998.

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33

Corpus Linguistics and 17th-Century Prostitution. Bloomsbury Academic, 2018.

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34

Musical theory in the renaissance. Ashgate, 2013.

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35

Rivera, Benito V. German Music Theory in the Early Seventeenth Century: The Treatises of Johannes Lippius. University of Rochester Press, 1996.

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36

Owens, Jessie Ann. Charles Butler's Principles of Musick(1636). Taylor & Francis Group, 2023.

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37

Towards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.

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38

Bayreuther, Rainer. Musikalische Norm Um 1700. de Gruyter GmbH, Walter, 2010.

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39

Recollection and Experience: Plato's Theory of Learning and its Successors. Cambridge University Press, 2007.

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40

Scott, Dominic. Recollection and Experience: Plato's Theory of Learning and Its Successors. Cambridge University Press, 2009.

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41

Scott, Dominic. Recollection and Experience: Plato's Theory of Learning and Its Successors. Cambridge University Press, 2011.

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42

Konishi, Jin'ichi, Earl Roy Miner, and Nicholas Teele. History of Japanese Literature: The Early Middle Ages. Princeton University Press, 2017.

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43

Konishi, Jin'ichi, Earl Roy Miner, and Nicholas Teele. History of Japanese Literature: The Archaic and Ancient Ages. Princeton University Press, 2017.

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44

Konishi, Jin'ichi, Earl Roy Miner, and Nicholas Teele. History of Japanese Literature: The Archaic and Ancient Ages. Princeton University Press, 2017.

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45

(Editor), Barry Coward, and Julian Swann (Editor), eds. Conspiracies and Conspiracy Theory in Early Modern Europe: From the Waldensians to the French Revolution. Ashgate Publishing, 2004.

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46

Barry, Coward, and Swann Julian, eds. Conspiracies and conspiracy theory in Early Modern Europe: From the Waldensians to the French Revolution. Aldershot, Hampshire, England: Ashgate, 2004.

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47

Coward, Barry, and Julian Swann. Conspiracies and Conspiracy Theory in Early Modern Europe: From the Waldensians to the French Revolution. Taylor & Francis Group, 2017.

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48

Coward, Barry, and Julian Swann. Conspiracies and Conspiracy Theory in Early Modern Europe: From the Waldensians to the French Revolution. Taylor & Francis Group, 2017.

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49

Borgerding, Todd C. Gender, Sexuality, and Early Music. Taylor & Francis Group, 2013.

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50

Borgerding, Todd C. Gender, Sexuality, and Early Music. Taylor & Francis Group, 2013.

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