Relevant bibliographies by topics / Themes, motives

Academic literature on the topic 'Themes, motives'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Themes, motives"

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Rudnianyn, O. I. "OLEKSA IZARS’KYI’S DIARIES: THEMES AND MOTIVES." Lviv Philological Journal, no. 6 (2019): 180–85. http://dx.doi.org/10.32447/2663-340x-2019-6-31.

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Graubart, Michael. "Integration in Schubert: Themes & Motives 1." Musical Times 144, no. 1884 (2003): 37. http://dx.doi.org/10.2307/3650699.

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Geiger, Nathaniel. "Perceptions of Self-Motives and Environmental Activists’ Motives for Pro-Environmental Behavior." Sustainability 14, no. 17 (August 26, 2022): 10656. http://dx.doi.org/10.3390/su141710656.

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The manuscript presents a thematic analysis of a U.S. adult sample’s self-reported motives and perception of environmental activists’ motives to engage in pro-environmental behavior via a qualitative online survey. I identified themes using a two-stage coding procedure. First, undergraduate research assistants coded all content into 1 or more of 17 inductive content categories. Second, I examined the categories and created five themes based on both inductive and theoretical considerations: (a) harm and care, (b) purity, (c) waste and efficiency, (d) spreading awareness, and (e) self-interest (mostly non-financial). Some themes (harm and care; preserving purity; and self-interest) were consistent with previous research and theory, but themes of waste and efficiency and spreading awareness have been less explored by previous work as key motivators of pro-environmental behavior, suggesting ripe avenues for future research. Conversely, some factors that have been proposed by previous research as key possible motives of pro-environmental behavior were not described by participants in the present work. The endorsement of themes was qualitatively similar across individuals’ descriptions of their own vs. environmental activists’ motives. Collectively, these findings suggest that individuals’ descriptions of common motives for pro-environmental behavior partially aligns with factors commonly proposed in environmental psychology literature, but key discrepancies warrant further investigation.
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Yalkharoeva, Marem A. "MAIN THEMES OF THE NOVEL “SILVER DAGGER” BY SADETTINE JANPOLAT." Proceedings of Southern Federal University. Philology 27, no. 4 (December 22, 2023): 122–28. http://dx.doi.org/10.18522/1995-0640-2023-4-122-128.

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Rostov-on-Don Russian – in 2020, the second edition – in 2022 and is being investigated for the first time, the article is devoted to the novel "Silver Dagger" by Sadettin Janpolat/Dzaurov, which was published in Turkish in 2016 in Istanbul, in Russian - in 2020 in Rostov-onDon. The paper examines the main motives of the novel. These are the motives of the road and search; motives and images of national culture, national character; motives of love, friendship and brotherhood. The main one is the image of the road, which should help the heroes of the novel to find a way out of the difficult situation in which their people found themselves.
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Graubart, Michael. "Further Integration in Schubert: Themes & Motives 2." Musical Times 144, no. 1885 (2003): 28. http://dx.doi.org/10.2307/3650723.

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Luo, Shixian, Jing Xie, and Katsunori Furuya. "“We Need such a Space”: Residents’ Motives for Visiting Urban Green Spaces during the COVID-19 Pandemic." Sustainability 13, no. 12 (June 16, 2021): 6806. http://dx.doi.org/10.3390/su13126806.

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Since the outbreak of the Novel Coronavirus Pneumonia in 2019, several cities have been blocked to prevent the expansion of the infection. This qualitative study aimed to determine the motives of urban residents for visiting urban green spaces during the epidemic (especially within the context of the city blockade), and what might weaken these motives. In total, 47 residents (17 men and 30 women) were recruited from Chengdu, in China, to participate in interviews. A thematic analysis was used to analyze the interview data. According to the results, the motives of the respondents were divided into strong motives and weak motives. These strong motives for visiting UGS can be divided into four themes: “A place for health”, “Escape”, “Social support”, and “A safe and important place for outdoor activities”. Residents classified as the weak motive primarily considered the reasons of “Keep distance with others”, “Potential infection risk” and “Seek compensation”. The results of this study are significant for current and future urban management, green space planning, and social well-being.
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CHUI, A. V. "FEMALE LYRICS OF HRYHORII CHUPRYNKA: THEMES, MOTIVES AND IMAGES." Academic Studies. Series “Humanities”, no. 2 (2021): 73–79. http://dx.doi.org/10.52726/as.humanities/2021.2.6.

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Mamatov, Gleb M. "Motive of the music of the moon in the poetry by K. D. Balmont." Izvestiya of Saratov University. Philology. Journalism 22, no. 1 (February 21, 2022): 78–83. http://dx.doi.org/10.18500/1817-7115-2022-22-1-78-83.

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In the article the motive of the music of the moon in K. D. Balmont’s poetry is researched on the material of his poems, prose and aesthetic articles. Its symbolic value and evolution in books of the early, mature and late periods are explored. The following conclusions are drawn. In the early lyric poetry of Balmont the moon is associated with the oxymoronic motive of the ‘sounding silence’. This motive is determined by the principal role of psychologism in the early poems of the symbolist, the ‘sounding silence’ emphasizes the state of the inner world of the hero, who is always detached from reality and is reflecting on the essence of life and death. The connection of the motive of the ‘sounding silence’ with gothic symbolic range is considered, which is characteristic for the first books by Balmont. In his mature lyrical poetry, the moon is associated with the theme of music, which has a lot of connotations. Firstly, the music of the moon correlates with the traditional motives of poetry and art. In the book Let’s be Like the Sun the world is on the line between lunar silence and melody of strings, which the poet uses to play his odes to the orb of the night. But in mature poetry in the books Only Love. Seven-color Flower, Liturgy of the Beauty. Hymns of the Elements and Sonnets of Sun, Honey and Moon. The song of worlds lunar music is connected with themes of fairy tale, magic, love, dream and phantasy, but at the same time with motives of the illusion, unfeasible reveries, death, specularity and ghostliness. Particular attention is paid to the connection between the motive of lunar music and the philosophy of music of the senior symbolist and his spontaneous mythology. No less important is the functioning of this motive in the poem The Moon, dedicated to the cosmogonic myth of the creation of the world, where moon music is related to the themes of archaic mythology and the motives of initiation, death, rebirth and transformation into a deity.
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Quach, Sara, and Park Thaichon. "Dark motives-counterfeit selling framework." Marketing Intelligence & Planning 36, no. 2 (April 3, 2018): 245–59. http://dx.doi.org/10.1108/mip-04-2017-0069.

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Purpose The purpose of this paper is to explore the motives of online sellers of counterfeit products in online social networking sites. Design/methodology/approach The study uses a sample of 22 in-depth interviews with counterfeit sellers. Findings Based on the findings, the authors have developed a framework called “Dark motives-counterfeit selling.” The framework includes ten motives for selling online counterfeit products organized into four main themes. Personal characteristics include self-interest priority and sense of adventure. Moral justifications consist of denial of responsibility, and inequality hypothesis of self-deception process, and social acceptance. Operational aspects include: low-cost investment, free riding on luxury brands’ marketing effort, and invisibility from regulators. Finally, relationship management involves projecting image using volitional cues and interpersonal relationship with buyers. The themes regarding personal characteristics and morality are associated with their choice of counterfeit business. The other two themes are associated with the use of social networking sites for counterfeit business. Finally, some outcomes of online counterfeit retailing were revealed as value creation for the counterfeit buyers and value destruction for genuine brands’ customers. Originality/value This study investigates different rationalization strategies and motives behind selling counterfeit products with a special focus on online platforms. This is among the first to investigate the perspectives of counterfeit retailers in social network sites.
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Liu, Yu-Shan, and Susan Wohlsdorf Arendt. "Development and validation of a work motive measurement scale." International Journal of Contemporary Hospitality Management 28, no. 4 (April 11, 2016): 700–716. http://dx.doi.org/10.1108/ijchm-02-2014-0091.

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Purpose The purpose of this study was to develop a measurement scale to assess work motives for hospitality employees utilizing McClelland’s theory of needs as the theoretical underpinning. Design/methodology/approach Both qualitative and quantitative methods were applied to achieve the study purpose. First, individual interviews were conducted to explore employee work motives and develop work motive scale items. Second, data from a self-administered paper questionnaire, completed by 388 respondents, were used to validate the developed scale. Findings Four themes were identified which reflect employees’ perspectives of hospitality jobs and culture: the job itself, need for affiliation, need for achievement and need for power. The developed scale, consisting of 22 items, was found to be reliable and valid in assessing work motives. Research limitations/implications The majority of participants were entry-level employees; therefore, the developed scale may not be useful when assessing work motives of individuals not in front-line positions. Future research could extend the measurement model to investigate work motives of individuals in managerial positions. In addition, future research could assess work motives as antecedents of employee organizational behaviors and attitudes. Practical implications The developed scale could be used as a selection tool to assess applicants’ work motives, thereby assisting employers in making effective hiring decisions. Originality/value This study contributes a new reliable and valid measurement scale developed specifically to address the unique work motives desirable for individuals seeking employment in the hospitality industry.
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Dissertations / Theses on the topic "Themes, motives"

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Lerner, Lindomar Linos. "A Study of the Systematic Use of Themes and Motives." Diss., The University of Arizona, 2008. http://hdl.handle.net/10150/193810.

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Antonio Carlos Gomes (1836-1896) is considered one of the most important Brazilian composers and was the first New World composer whose work was accepted in Europe. His opera Fosca, though, was never discussed in depth and should be recognized as an important work in the history of the nineteenth century Italian opera for its skillful use of themes and motives. The Brazilian composer and musicologist Mario de Andrade presented a study of the principal themes in 1936, in commemoration of the centennial of Carlos Gomes' birth, but there is no record of a thorough study that shows the magnitude of Carlos Gomes' application of his motivic and thematic technique in this work.In this document, the author identifies the principal themes and motives, and demonstrates how the composer systematically used them to enhance the drama and lend coherence to the work as a whole. Gomes, in Fosca, used the technique to such extent that every major character in the opera has a minimum of one theme related to him or her. The leading role Fosca has many themes to represent her different feelings throughout the opera. There are also themes representing specific feelings between two people, and themes related to the chorus as well. Gomes uses his themes to contribute to the drama as active psychological elements and not simply as ornamentation.The recurring themes in Fosca are easily heard and recognized, but this does not mean that Gomes used them in a rudimentary or merely mechanical manner. Gomes' simplicity proves to be a useful tool in ensuring musical and dramatic continuity, offering us an idea of his broader goal as a musical dramatist.
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Bakalova, Elitsa. "THE DIY - Theatre of Handa Gote. Recurring Themes and Motives." Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202418.

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In the contemporary world that undergoes constant changes, theatre is changing with certain pace as well. It is only natural as it is an integrant, inseparable part of the society and its make-up. New theatre groups are being established ? some of them last longer and turn into steady regulars on the stage, others are more short-lived due to a variety of factors (art, financial or personal ones). The development of the groups in question could help us outline some of the current tendencies in the theatre world and could contribute to getting a broader and fuller understanding of it.
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Chang, Chian-Yeun. "Towards a culturally identifiable architecture." Diss., Virginia Tech, 1990. http://hdl.handle.net/10919/39934.

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This study proposes a systematic approach for investigators to judge how architecture of a given cultural group can be considered as culturally identifiable. More specifically, it proposes the steps in unveiling the relationships between chosen core elements of cultural distinctness and various design patterns. The suggested sources of core elements are political, social/behavioral, and economic influences on architectural design and approaches to create architectural signs. It is presupposed that a design pattern is considered culturally identifiable when important core elements are communicated via noticeable signs. The communication is perceived from a semiotic analogy of architectural signs, whereby the importance of one core element over the other is identified by the investigator through research into the cultural context under study. A case study on China's architecture is presented to illustrate these steps and test the proposed hypotheses. The steps are so designed that testing the relevance of core elements to architectural signs is essential. Forty-six sample buildings selected from China served as stimulus materials in the case study. These building patterns were rated as different types of signs on the basis of the core elements elicited from China's present-day culture. These buildings also were judged in a survey by forty-four Chinese students and their spouses at Virginia Polytechnic Institute and State University who represent samples of overseas Chinese laypersons. The findings show that survey results deviated significantly from the semiotic results as laypersons considered traditional architecture most representative of Chinese identity. The semiotic results show that culturally identifiable designs are the hybrid forms of traditional and modern architecture. Most laypersons ignored the relationships between their perception of distinct identity in architecture and core elements of economic meanings and sign-creation approaches. This deviation implies a significant cultural lag in perceiving distinct identity between professionals and laypersons, and led to modification of the presupposed hierarchical importance of core elements. Through the case study and findings, this research illustrates the procedure by which investigators can determine from a specific range of cultural elements the most effective means of communication of identity. It enables the inclusion of core elements of popular culture in comparing various design patterns and in differentiating built forms of one culture from that of others. The study ends with the factors and suggestions that are related to communication of Chinese identity in architecture.
Ph. D.
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Holaday, Troy A. "Transcending inaccessibility : reassessing the Action Painters in the light of rhetorical theory." Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1237767.

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This interdisciplinary thesis investigates the Action Painting movement using rhetorical theories and models with the intent of producing a higher level of understanding of the paintings and increasing their approachability. A brief history of nonobjective painting, the technique of automatism, and the Action Painting movement is given. Following this, the semiotic character of the visual elements within Action Paintings is discussed and their behavior catalogued through descriptive analysis, using Kenneth Pike's theory of tagmemics. The work culminates in a comparison of painted gestures to conversational implicatures and guidelines are given for establishing meaningful and relevant dialogues with the paintings, presupposing the importance of an intangible context as defined by the reconstruction of authorial intent and anticipated readership.
Department of English
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Yaffe, Phyllis Cohen 1948. "The 'artist and model' theme in Picasso's work between 1926 and 1963 /." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74042.

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Vülser, Ingrid. "The theme of death in Italian art : the triumph of death." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33944.

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This paper focuses on the evolution of the theme the Triumph of Death, the representation of the personification of death and the dead in the late Middle Ages. The first part of this thesis represents different points of view of art historians and historians concerning the death and the afterlife. There follows a short description and analysis of the cultural environment especially regarding literature which closely relates to the visual art and the representation of death. The last part describes three themes of death and the most important representations in frescoes, panels, bas-reliefs of the Triumph of Death evincing the main idea and the underlying structure and composition. Two different ways of representation can be distinguished: the Triumph of Death in the shape of the apocalyptic rider as appearing in the Revelation of Saint John the Evangelist and the Triumph of Death based on Petrarch's poem the Trionfi.
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Grodent, Michel O. L. "De nostos à xenitia: recherches sur la nostalgie de l'exil dans la littérature grecque ancienne et byzantine." Doctoral thesis, Universite Libre de Bruxelles, 2000. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211694.

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Downes, Elizabeth Anne Jaynes 1957. "Psychological Ballet: An analysis of selected choreography by Antony Tudor." Thesis, The University of Arizona, 1989. http://hdl.handle.net/10150/292068.

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The term "Psychological ballet" has been used in reference to Antony Tudor's ballets dating from John Martin's January 16, 1940, review of "Lilac Garden" in The New York Times. Until this thesis, the psychological ballet as a genre has been overlooked and left undefined. The Psychological Ballet can be defined by: (1) using Antony Tudor's "Pillar of Fire" as a model example and (2) analyzing the term "psychological ballet" into its two components "Psychological," and "Ballet," respectively. The contribution of drama, with attention to character, is explored. Those dance works which do not fall under the category of Psychological Ballet but are works whose themes "have mental origin or are affected by mental conflicts and/or states" will be defined as Psychogenic Works.
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Dawson, Louisa Art College of Fine Arts UNSW. "Moving house: the renovation of the everyday." Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43084.

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This paper describes my research project and body of work, which investigates social inequalities through the different language and functions of everyday objects. The research moves on from my previous Honours research project on the dou ble nature of caravan parks in NSW and looked at the changing demographics of these locations. I noted the increase of semi-permanent, residential 'homes' for low income earners and the unemployed, in these holiday locations. This paper examines broader social issues of homelessness and social inequalities within our society. I look at the complexities in the definitions of homelessness and the ways in which people find themselves in the position where they rely on welfare agencies and government support. I also investigate different representations of homelessness by artists and other social commentators, ranging from the hopeless victim to the vagrant. This section locates my social concerns with the context of theoretical debate and artistic representation. I have used everyday and mundane objects in my artworks to discuss these social concerns. Everyday objects posses a language and commonality that is familiar to all members of society. This language is developed from the different historical, cultural and functional qualities that everyday objects possess. I discus this in relation to the development of the everyday object in artistic practices from the early 20th century to today. Of specifically importance to my practice is the influence of contemporary German artists and their manipulation of objects to make works with political and social content. Throughout this paper I have discussed individual art works which illustrate my social concerns and the practicalities of the everyday. Revealing how I juxtapose certain objects to question the uneven nature of travel and home, with regards to possessions and mobility. Additionally I challenge the normal functions of objects to reveal new absurd possibilities of use.
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Majumder, Doyeeta. "The 'New Prince' and the problem of lawmaking violence in early modern drama." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/11969.

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The present thesis examines the fraught relationship between the sixteenth-century formulations of the theories of sovereign violence, tyranny and usurpation and the manifestations of these ideas on the contemporary English stage. The thesis will attempt to trace an evolution of the poetics of English and Scottish political drama through the early, middle, and late decades of the sixteenth-century in conjunction with developments in the political thought of the century, linking theatre and politics through the representations of the problematic figure of the usurper or, in Machiavellian terms, the ‘New Prince'. I will demonstrate that while the early Tudor morality plays are concerned with the legitimate monarch who becomes a tyrant, the later historical and tragic drama of the century foregrounds the figure of the illegitimate monarch who is a tyrant by default. On the one hand the sudden proliferation of usurpation plots in Elizabethan drama and the transition from the legitimate tyrant to the usurper tyrant is linked to the dramaturgical shift from the allegorical morality play tradition to later history plays and tragedies, and on the other it is reflective of a poetic turn in political thought which impelled political writers to conceive of the state and sovereignty as a product of human ‘poiesis', independent of transcendental legitimization. The poetics of political drama and the emergence of the idea of ‘poiesis' in the political context merge in the figure of the nuove principe: the prince without dynastic claims who creates his sovereignty by dint of his own ‘virtu' and through an act of law-making violence.
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Books on the topic "Themes, motives"

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Fletcher, Paul. Shakespeare's themes. London: Centaur Press, an imprint of Open Gate Press, 2002.

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author, Etzlstorfer Hannes 1959, ed. Joham: Neun Themen globale Inspiration = nine themes global inspiration. Amstetten: Queiser, 2012.

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Cardoso, María Fernanda. María Fernanda Cardoso: Inventario 20 años. Santafe de Bogotá: Banco de la República, Biblioteca Luis Ángel Arango, 2004.

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Diemer, Christoph. Christoph Diemer: Silbergerät. Bremen: Bremen Landesmuseum für Kunst und Kulturgeschichte, Focke Museum, 2000.

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Lüpertz, Markus. Markus Lüpertz, deutsche Motive. Ostfildern bei Stuttgart: Edition Cantz, 1993.

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Kiridōshi, Risaku. Miyazaki Hayao no "sekai". Tōkyō: Chikuma Shobō, 2001.

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McCarthy, Helen. Hayao Miyazaki: Master of Japanese animation : films, themes, artistry. Berkeley, CA: Stone Bridge, 2002.

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Connors, John Emmett. John Connors: Artist from Troy. Albany: State University of New York Press, 2012.

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Team, Parramón Ediciones Editorial, ed. Complementary themes for painting techniques. Hauppauge, NY: Barron's, 1997.

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Matisse, Henri. Drawings, themes and variations. New York: Dover Publications, 1995.

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Book chapters on the topic "Themes, motives"

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Smart, Mary Ann. "Ulterior Motives: Verdi's Recurring Themes Revisited." In Siren Songs: Representations of Gender and Sexuality in Opera, edited by Mary Ann Smart, 135–59. Princeton: Princeton University Press, 2001. http://dx.doi.org/10.1515/9781400866717-009.

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Lohmann, Hans-Martin, and Joachim Pfeiffer. "Themen und Motive." In Freud-Handbuch, 239–76. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-01242-5_3.

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Maschke, Thomas. "Motive und Themen." In Digitale Aufnahmetechnik, 103–36. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-642-18579-3_5.

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Rein, Katharina. "Elemente, Motive, Themen." In Genrediskurse, 23–49. Wiesbaden: Springer Fachmedien Wiesbaden, 2021. http://dx.doi.org/10.1007/978-3-658-33205-1_2.

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Rein, Katharina. "Elements, Motifs, Themes." In Gothic Cinema, 21–44. Wiesbaden: Springer Fachmedien Wiesbaden, 2023. http://dx.doi.org/10.1007/978-3-658-40721-6_2.

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Smith, Stan. "Yeats’s Themes and Motifs." In W. B. Yeats: A Critical Introduction, 55–121. London: Macmillan Education UK, 1990. http://dx.doi.org/10.1007/978-1-349-20918-7_3.

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Walker, Michael. "Beach Themes and Motifs." In Endings in the Cinema, 175–261. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-31657-0_9.

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Distelmaier-Haas, Doris, Martin Holz, Johannes Rüster, Günter Oesterle, Monika Schmitz-Emans, Mario Grizelj, Roland Innerhofer, et al. "Genres, Themen und Motive, Poetik." In Phantastik, 273–593. Stuttgart: J.B. Metzler, 2013. http://dx.doi.org/10.1007/978-3-476-05312-1_12.

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Ißler, Roland, and Ludger Scherer. "Thematologie: Motive, Stoffe und Themen." In Handbuch Kinder- und Jugendliteratur, 297–311. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-04721-2_34.

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Roche, Jeanette. "6.1 Nationale Themen und Motive." In Queere Nation?, 339–46. Bielefeld, Germany: transcript Verlag, 2023. http://dx.doi.org/10.14361/9783839468418-019.

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Conference papers on the topic "Themes, motives"

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Sulaj, Manjola, and Olieta Polo. "SEVERAL THEMES AND MOTIVES IN THE POETIC CREATIVITY OF GIUSEPPE SCHIRÒ DI MAGGIO." In The 5th Electronic International Interdisciplinary Conference. Publishing Society, 2016. http://dx.doi.org/10.18638/eiic.2016.5.1.553.

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Рустамов, Роман Ровшанович. "CHARACTERISTIC FEATURES OF SYLVIA PLATH'S SHORT PROSE." In Социально-экономические и гуманитарные науки: сборник избранных статей по материалам Международной научной конференции (Санкт-Петербург, Июнь 2022). Crossref, 2022. http://dx.doi.org/10.37539/seh303.2022.10.43.006.

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На примере рассказов «Джонни Паника и Библия сновидений», «Дочери Блоссом-стрит», «Мэри Вентура и “Девятое королевство”» и других определяется своеобразие малой прозы Сильвии Плат: доминирование тем одиночества и непонимания, автобиографичность, сюжетная напряженность, фрагментарность, богатая метафоричность. The article reveals the characteristic features of Sylvia Plath`s short prose based on the analysis of stories “Johnny Panic and the Bible of Dreams”, “The Daughters of Blossom Street”, “Mary Ventura and The Ninth Kingdom” and others: the major themes of loneliness and lack of connection, autobiographical motives, the intensity of narrative, fragmentation and metaphoricity.
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Ушакова, Е. К., and Н. Н. Мутья. "VARIETY OF THEMES AND MOTIVES IN THE CREATIVE ACTIVITY OF THE GRADUATES-JEWELERS OF THE DEPARTMENT OF ARTISTIC METAL PROCESSING OF SAINT PETERSBURG STATE ACADEMY OF ARTS AND DESIGN NAMED AFTER A. L. STIEGLITZ." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.59.

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В фокусе исследования — разнообразие тем и их вариаций в творчестве нескольких выпускников кафедры художественной обработки металла Санкт- Петербургской государственной художественно- промышленной академии имени. А. Л. Штиглица. Излюбленные темы — природа, животные и растения, геометрия — воплощаются в разных материалах и формах в зависимости от профессиональных предпочтений молодых ювелиров. The focus of the study is the variety of themes and their variations in the work of several graduates of the Department of Artistic Metal Processing of the St. Petersburg State Academy of Arts and Design named after A. L. Stieglitz. Favorite themes — nature, animals and plants, geometry — are embodied in diff erent materials and forms, depending on the professional preferences of young jewelers.
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Golubkov, M. "PAUSE: ON THE CHARACTERISTICS OF THE CONTEMPORARY LITERARY SITUATION." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3687.rus_lit_20-21/27-32.

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In the literature of the last decade, new motives have appeared, which form “value centers” in the “ideological outlook” of modernity, to use the words by M. Bakhtin. They define the problems of modern Russian literature. But turning to them does not show acquisitions, but rather an intensive search, the need for which is great. Literature as a sphere of social consciousness records the dramatic lack of certain existential landmarks of modern man. The article contains an attempt to identify some of these value centers that can provide modern man with social and ontological guidelines. Among them are the problem of time, historical themes, nostalgia, and the search for the image of a modern leader.
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Куценко, Е. С., and И. В. Палагута. "THE FACETS OF THE WORK OF ST. PETERSBURG ARTIST SERGEI FALKIN." In Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.68.

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В настоящее время имя Сергея Фалькина хорошо известно искушенной публике СанктПетербурга. О творчестве мастера пишут статьи, его работы не раз выставлялись в музеях культурной столицы, России и за рубежом. С. Фалькин — востребованный на рынке скульптор, камнерез. На основе тщательного изучения творчества мастера и по итогам личных интервью автор статьи выполнил обзор камнерезных работ, бронзовой скульптуры, графики, сделал вывод о богатстве тем, мотивов и образов. Nowadays, the name of Sergei Falkin is well known to the sophisticated public of St. Petersburg. Many master’s works are described in the articles; they have been exhibited in museums of St. Petersburg, Russia and abroad. Sculptures and stone products of S. Falkin are in demand on the market. The author of the article performed a review of stone- cutting works, bronze sculpture and graphics based on a thorough study of the master’s work and based on the results of personal interviews, concluded about the richness of themes, motives and images.
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Kazimirchuk, Aleksandra Dmitrievna. "Anthropomorphic motives in Nikolai Karazin's orientalist novel «The Two-Legged Wolf»." In IX All-Russian Scientific Conference of students, postgraduates and young scientists. Publishing house Sreda, 2022. http://dx.doi.org/10.31483/r-104715.

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The article is devoted to the specifics of the expression of anthropomorphism in the orientalist novel «The Two-Legged Wolf» by the writer, artist, journalist, officer, ethnographer and illustrator of the XIX century Nikolai Nikolaevich Karazin. The expression of anthropomorphism in the orientalist works of the Turkestan theme of the XIX century is characterized by certain features inherent in the peculiarities of the cultural and socio-political discourse of that time.
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Imam Tobroni, Muhammad, Hagung Kuntjara Sambada Wijasa, and Sambudi Hamali. "Motive Design Creation 'Bakau Forest Themes - Muara Gembong' Bekasi to Promote Micro and Small Enterprises Products." In 2021 IEEE 7th International Conference on Computing, Engineering and Design (ICCED). IEEE, 2021. http://dx.doi.org/10.1109/icced53389.2021.9664842.

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Andreeva, Ekaterina. "ANCIENT RUSSIAN MOTIFS AND IMAGES IN THE POEMS OF ARSENY TARKOVSKY 1941-1945." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3637.khmelita-19/149-159.

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The article examines the functioning of ancient Russian artistic images and motifs in the poetry of Arseny Tarkovsky during the Great Patriotic War. The appeal to this motives and images fits modern events into the historical context, helps to create a general picture linking the past and present of the country. The author is particularly in demand for the images of Igor and Yaroslavna from “The Word about Igor's Regiment”, he reinterprets and re-creates images taking into account the new situation. Yaroslavna turns into a symbol of love, sadness, longing, memory, in her image everything opposes war and cruelty. In the poems of 1941-1946 there are references to the Horde invasion. Images of invaders appear in the lines of the poems associatively, intuitively: these are mongols, “tatarva”, Mamai. Poems about the war are devoid of pictures of battle, descriptions of cruel and destructive consequences, their main theme is the theme of love (not only between a man and a woman, but also love for the motherland) and memory, the connection of the past, present and future. Overestimating the cultural and historical material Arseny Tarkovsky fills the famous images with a new, universal sound.
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Becker, Mathias. "Berggeister, Steiger und Grubenmeister. Zu den Themen Bergbau und Bergmann in den deutschsprachigen Sagen des Altvatergebirges." In Form und Funktion. University of Ostrava, 2024. http://dx.doi.org/10.15452/fuflit2023.07.

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The article deals with the representation of the mining industry and the mining workforce in the folk tales of the Jeseníky mountains. Firstly, it shows the mining history of the northern part of the Jeseníky Mountains, especially the areas of Jeseník and Zlaté hory. Additionally, the article provides some theoretical information about mining and miner legends as well as some information about the writer Josef Lowag who is the most prominent writer of miner’s legends. Finally, some mining and miner legends are analysed, with special attention to the mining motives.
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Levshin, N. S. "PROSPECTS FOR THE APPLICATION OF MACHINE LEARNING IN THE PRACTICE OF DETECTING FAKE ACCOUNTS." In STATE AND DEVELOPMENT PROSPECTS OF AGRIBUSINESS. ООО «ДГТУ-Принт» Адрес полиграфического предприятия: 344003, г. Ростов-на-Дону, пл. Гагарина,1., 2024. http://dx.doi.org/10.23947/interagro.2024.283-286.

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The article analyzes the threats of the spread of fakes to society and ways to minimize them, proposed by the global scientific community. In turn, the author suggests paying attention to the analysis of the behavioral motives of the creators of fake accounts and using a trained system for analyzing behavioral metrics to automate the fight against them. Along with the main theses, the author provides various illustrative examples demonstrating the feasibility and effectiveness of the proposed solution.
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Reports on the topic "Themes, motives"

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Sauermann, Henry, and Wesley Cohen. What Makes Them Tick? Employee Motives and Firm Innovation. Cambridge, MA: National Bureau of Economic Research, October 2008. http://dx.doi.org/10.3386/w14443.

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Hillestad, Torgeir Martin. The Metapsychology of Evil: Main Theoretical Perspectives Causes, Consequences and Critique. University of Stavanger, 2014. http://dx.doi.org/10.31265/usps.224.

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The purpose of this text or dissertation is to throw some basic light on a fundamental problem concerning manhood, namely the question of evil, its main sources, dynamics and importance for human attitudes and behaviour. The perspective behind the analysis itself is that of psychology. Somebody, or many, may feel at bit nervous by the word “evil” itself. It may very well be seen as too connected to religion, myth and even superstition. Yet those who are motivated to lose oneself in the subject retain a deep interest in human destructiveness, malevolence and hate, significant themes pointing at threatening prospects for mankind. The text is organized or divided into four main ordinary chapters, the three first of them organized or divided into continuous and numbered sections. A crucial point or question is of cause how to define evil itself. It can of cause be done both intentional, instrumental and by consequence. Other theorists however have stated that the concept of evil exclusively rests on a myth originated in the Judean-Christian conception of Satan and ultimate evil. This last argument presupposes evil itself as non-existent in the real rational world. It seems however a fact that most people attach certain basic meaning to the concept, mainly that it represents ultimately bad and terrible actions and behaviour directed toward common people for the purpose of bringing upon them ultimate pain and suffer. However, there is no room for essentialism here, meaning that we simply can look “inside” some original matter to get to know what it “really” is. Rather, a phenomenon gets its identity from the constituted meaning operating within a certain human communities and contexts loaded with intentionality and inter-subjective meaning. As mentioned above, the concept of evil can be interpreted both instrumental and intentional, the first being the broadest of them. Here evil stands for behaviour and human deeds having terrifying or fatal consequences for subjects and people or in general, regardless of the intentions behind. The intentional interpretation however, links the concept to certain predispositions, characteristics and even strong motives in subjects, groups and sometimes political systems and nations. I will keep in mind and clear the way for both these perspectives for the discussion in prospect. This essay represents a psychological perspective on evil, but makes it clear that a more or less complete account of such a psychological view also should include a thorough understanding or integration of some basic social and even biological assumptions. However, I consider a social psychological position of significant importance, especially because in my opinion it represents some sort of coordination of knowledge and theoretical perspectives inherent in the subject or problem itself, the main task here being to integrate perspectives of a psychological as well as social and biological kind. Since humans are essential social creatures, the way itself to present knowledge concerning the human condition, must be social of some sort and kind, however not referring to some kind of reductionism where social models of explanation possess or holds monopoly. Social and social psychological perspectives itself represents parts of the whole matter regarding understanding and explanation of human evil. The fact that humans present, or has to represent themselves as humans among other humans, means that basically a social language is required both to explain and describe human manners and ways of being. This then truly represents its own way or, more correctly, level or standard of explanation, which makes social psychology some sort of significant, though not sufficient. More substantial, the vision itself of integrating different ontological and theoretical levels and objects of science for the purpose of manifesting or make real a full-fledged psychological perspective on evil, should be considered or characterized a meta-psychological perspective. The text is partially constructed as a review of existing theories and theorists concerning the matter of evil and logically associated themes such as violence, mass murder, genocide, antisocial behaviour in general, aggression, hate and cruelty. However, the demands of making a theoretical distinction between these themes, although connected, is stressed. Above all, an integral perspective combining different scientific disciplines is aimed at.
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AKHADOVA, R. A., and M. L. SHTUKKERT. ‘THE DREAM OF A RIDICULOUS MAN’ F.M. DOSTOEVSKY AND A. PETROV: POETICS OF THE FEAR. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/978-0-615-67323-3-8-21.

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The purpose of the study is to determine the features of the structure and functioning of the fear motive in F.M. Dostoevsky’s “fantastic story” “The Dream of a Ridiculous Man” and in A. Petrov’s cartoon of the same name. The report first examines the images, details, etc., with which the fear motive is created in the story, and then analyzes the ways of embodying this motive and transmitting a certain frightening atmosphere in the cinema. There is revealed and determined the ontological significance and the main character of fear in the “The Dream of a Ridiculous Man”, which, in our opinion, manifests itself in the fundamental nature and primacy of this feeling in human nature. It can be observed in the transition from the dream world, not defiled by the fall, to the terrible reality of St. Petersburg, described in the story. The scientific novelty lies in the fact that a comprehensive analysis of the fear motive in the story of F. M. Dostoevsky and the peculiarities of the interpretation of this motive in the animated film by A. Petrov has not been carried out before. The study revealed, firstly, a number of repetitive means by which the fear motive is formed in both works (and their functions were determined), and secondly, there was noted the originality of the representation of the analyzed motive in the cinema.
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Schwerdtfeger, Stefanie, Mathias Wilde, and Martin Lanzendorf. Motive des Fahrens ohne (gültigen) Fahrschein. Goethe-Universität, Institut für Humangeographie, December 2017. http://dx.doi.org/10.21248/gups.40315.

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Das Fahren ohne (gültigen) Fahrschein im ÖPNV ist bereits seit den 1960er Jahren ein Problem zahlreicher Verkehrsunternehmen. Auch für die ÖPNV-Nutzenden stellt es ein Problem dar, da Personen, die den ÖPNV ohne (gültiges) Ticket nutzen in Deutschland eine Straftat begehen. In der Wissenschaft wurde das Thema aus unterschiedlichen Perspektiven heraus untersucht (v.a. Rechtswissenschaften, Betriebswirtschaften, Kriminologie sowie einige sozialwissenschaftliche Ansätze), jedoch konzentriert sich die Forschung vorrangig auf sozio-demographische Charakteristika, Marktsegmentierungen und die Folgen des Fahrens ohne (gültigen) Fahrschein für Verkehrsunternehmen und -verbünde. Die Motive und Beweggründe des Fahrens ohne (gültigen) Fahrschein werden in den vorhandenen Studien lediglich objektiv betrachtet. Das Arbeitspapier zeigt die Ergebnisse einer Untersuchung der Motive des Fahrens ohne (gültigen) Fahrschein im Bediengebiet des Rhein-Main-Verkehrsverbundes (RMV), die mithilfe von qualitativen Interviews mit Personen, die bei einer Fahrkartenkontrolle kein (gültiges) Ticket vorzeigen konnten, exploriert wurden.
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Panizza, Ugo, Julián Caballero, and Andrew Powell. The Second Wave of Global Liquidity: Why Are Firms Acting Like Financial Intermediaries? Inter-American Development Bank, May 2016. http://dx.doi.org/10.18235/0011735.

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Recent work suggests non-financial firms have acted like financial intermediaries particularly in emerging economies. This paper corroborates these findings but then asks "why?" The results indicate evidence for carry-trade activities, but they are focused on countries with higher levels of capital controls, particular controls on inflows. There is little evidence for such activities given other potential motives. It is posited that this phenomenon is due more to the reaction of countries in the face of low global interest rates, quantitative easing and strong capital inflows than incomplete markets or the retreat of global banks due to impaired balance sheets or tighter regulations.
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Röders, Jonathan, and Mari Mirasol. Research Brief: Deconstructing the Formerly Armed Actor Threat Stigma. Trust After Betrayal, January 2023. http://dx.doi.org/10.59498/68050.

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This research brief highlights the critical importance of deconstructing the threat stigma associated with formerly armed actors (FAAs) to ensure a more inclusive and successful (re)integration process. By challenging the prevailing perception that FAAs are inherently violent beings, disarmament, demobilisation, and reintegration (DDR) programmes can promote societal acceptance and prevent the marginalisation of FAAs. Public awareness campaigns that contribute to a more nuanced understanding of their backgrounds play a key role in reshaping community perceptions and empowering FAAs as active agents in the (re)integration process. Recognising them as individuals with complex motives and experiences, avoiding stigmatising language and providing targeted support and opportunities for their social reintegration, enhance their chances of becoming valued and productive members of their communities.
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Carrillo, Paul E., Edgar Castro, and Carlos Scartascini. Do Rewards Work?: Evidence from the Randomization of Public Works. Inter-American Development Bank, April 2017. http://dx.doi.org/10.18235/0011793.

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This paper evaluates the effect of positive inducements on tax behavior by exploiting a natural experiment in which a municipality of Argentina randomly selected 400 individuals among more than 72,000 taxpayers who had complied with payment of their property tax. These individuals were publicly recognized and awarded the construction of a sidewalk. Results indicate that: i) being selected in the lottery and publicly recognized by the government has a positive but not persistent effect on future compliance; ii) receiving the sidewalk has a large positive and persistent effect; iii) high and persistent spillover effects exist: some neighbors of those who receive the reward comply more too, and these effects can be even larger than the direct effects; and iv) there is no financial motive effect; i.e., people do not pay their taxes just to participate in the lottery. Recognition serves only as a short-term incentive, but the provision of a durable and visible good has more persistent and broader effects. These findings provide evidence on features that make a positive inducement more successful, whether for tax compliance or other policy purposes.
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Kelly, Luke. Definitions, Characteristics and Monitoring of Conflict Economies. Institute of Development Studies (IDS), February 2022. http://dx.doi.org/10.19088/k4d.2022.024.

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The idea of conflict economies is a broad concept encompassing several research angles. Definitions differ according to these focuses. Some of the main uses of the concept are to understand: • economic analysis of the motives for and likelihood of war • financing of state and non-state belligerents • how the continuation of conflicts can be explained by rational motives including economic ones • how conflict affects economic activity, and how conflict parties and citizens adapt Some distinctive characteristics of war economies are (Ballentine & Nitzschke, 2005, p. 12): • They involve the destruction or circumvention of the formal economy and the growth of informal and black markets, • Pillage, predation, extortion, and deliberate violence against civilians is used by combatants to acquire control over lucrative assets, capture trade networks and diaspora remittances, and exploit labour; • War economies are highly decentralised and privatised, both in the means of coercion and in the means of production and exchange; • Combatants increasingly rely on the licit or illicit exploitation of / trade in lucrative natural resources • They thrive on cross-border trading networks, regional kin and ethnic groups, arms traffickers, and mercenaries, as well as legally operating commercial entities, each of which may have a vested interest in the continuation of conflict and instability. The first section of this rapid review outlines the evolution of the term and key definitions. Most of this discussion occurs in the academic literature around the early 2000s. The second looks at key characteristics of conflict economies identified in the literature, with examples where possible from both academic and grey literature. The third section briefly identifies methodologies used to measure and monitor conflict economies, as well as some current research and programmes on conflict economies, from academic literature as well as NGOs and other sources. The findings have been derived via a literature search and advice from experts in the field. Given time constraints, the report is not comprehensive. The review is gender- and disability blind.
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Price, Roz. Overview of Political Economy Analysis Frameworks in the Area of Climate Governance and Key Issues to Consider. Institute of Development Studies (IDS), June 2021. http://dx.doi.org/10.19088/k4d.2021.088.

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Despite global recognition of the urgency of climate action and the need to transition to a low-carbon economy, greenhouse gas emissions continue to rise, and adaptation needs remain urgent. For a number of years, there have been calls for greater attention to political economy in tackling climate change and development outcomes. The political economy analysis is important as it can be used to assess the factors that may enable or constrain the implementation of climate change policies and actions and sustain political commitment. A framework can guide the process of political economy analysis, identifying relevant stakeholders, their incentives and motives, and other structural factors. This rapid review summarises several such frameworks specifically aimed at climate governance issues developed in recent years, some of these also include useful guidance and steps on the implementation of the framework. The review focuses strictly on the literature around political economy analyses in relation to climate change. It does not explore the history of and rationale for political economy analysis in development in general, nor the accompanying frameworks or operational How-To guides. Another K4D helpdesk by Lucas (2019) looking at what factors affect the political will of African governments to address climate change highlights a number of political economy frameworks that may also be useful to draw on.
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Reichert, Harris, and Vaze. PR-185-0351-R04 Welding Processes for Small to Medium Diameter Pipelines - Improved Root Pass Techniques. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), April 2006. http://dx.doi.org/10.55274/r0011070.

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The purpose of this portion of the project was to develop improved root pass automation (Task 3) and process control systems (Task 4) for girth welding of pipeline butt joints. To achieve these goals a motion control module was developed for control of a track-mounted Serimer-Dasa welding tractor (bug). The module includes a software program that can communicate with a motion controller and control all motions of the axes.
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