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Journal articles on the topic 'Themes in art'

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Published: 4 June 2021
Last updated: 20 February 2023

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1

ARNOLD, MARION. "THEMES IN CONTEMPORARY ART." Art Book 12, no. 4 (November 2005): 68–69. http://dx.doi.org/10.1111/j.1467-8357.2005.00621_8.x.

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2

Stastny, Kimm, Elizabeth L. Katz, E. Louis Lankford, and Jan D. Plank. "Themes and Foundations of Art." Journal of Aesthetic Education 31, no. 1 (1997): 111. http://dx.doi.org/10.2307/3333476.

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3

Johari Fard, R. "P-1150 - Themes analysis & theme therapy: a new approach to art therapy." European Psychiatry 27 (January 2012): 1. http://dx.doi.org/10.1016/s0924-9338(12)75317-8.

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4

Garlake, P. S. "Themes in the prehistoric art of Zimbabwe." World Archaeology 19, no. 2 (October 1987): 178–93. http://dx.doi.org/10.1080/00438243.1987.9980033.

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5

Drioli, Alessandra. "The Art of Science Communication." Journal of Science Communication 12, no. 01 (March 21, 2013): C02. http://dx.doi.org/10.22323/2.12010302.

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The science&art research played an important role in the topics covered by JCOM because actually the convergence of languages and themes of art and science increasingly continue to act synergistically in the most diverse knowledge fields.
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6

ÖZDEL, GİZEM. "ART THEMES URBAN MARKETING POWER USED BY MOVIES." TURKISH ONLINE JOURNAL OF DESIGN, ART AND COMMUNICATION 4, no. 3 (July 1, 2014): 29–39. http://dx.doi.org/10.7456/10403100/003.

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7

Adams, Nicholas, and Martin Kemp. "The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat." Technology and Culture 32, no. 3 (July 1991): 599. http://dx.doi.org/10.2307/3106115.

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8

Maynard, Patrick, Martin Kemp, Erwin Panofsky, and Christopher S. Wood. "The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat." Journal of Aesthetics and Art Criticism 52, no. 2 (1994): 243. http://dx.doi.org/10.2307/431174.

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9

Monsevich, Violeta. "HISTORICAL THEMES IN UKRAINIAN ART THROUGH THE PRISM OF IDEOLOGIZATION OF ART CULTURE." Knowledge, Education, Law, Management 1, no. 7 (2021): 89–93. http://dx.doi.org/10.51647/kelm.2021.7.1.14.

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10

Arnheim, Rudolf, and Martin Kemp. "The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat." Leonardo 24, no. 1 (1991): 92. http://dx.doi.org/10.2307/1575491.

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11

Elkins, James, and Martin Kemp. "The Science of Art, Optical Themes in Western Art from Brunelleschi to Seurat." Zeitschrift für Kunstgeschichte 54, no. 4 (1991): 597. http://dx.doi.org/10.2307/1482575.

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12

Summers, David, and Martin Kemp. "The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat." Art Bulletin 73, no. 3 (September 1991): 496. http://dx.doi.org/10.2307/3045819.

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13

Alashari, Duaa, and Mohd Azhar Abd. Hamid. "A Systematic Review on Arabic Calligraphy within Islamic Architecture." Ulum Islamiyyah 33, no. 1 (April 25, 2021): 1–15. http://dx.doi.org/10.33102/uij.vol33no1.263.

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Islamic architecture is distinguished by the formulation in various forms and artistic models of the Arabic calligraphy style. Arabic inscriptions are found in several areas of Islamic architecture both in the external elements as well as in the building's internal elements. The art of calligraphy as describing the building has many impacts to improve the different roles that this art offers. This art often has a symbolic significance according to the structure. This study aims to explore existing research into the use of the art of calligraphy as an important component of Islamic architecture. Preferred Reporting Items for Systematic Review and Meta-Analyses (PRISMA) as lead to direct this systematic review and 14 related studies have recognized and selected from databases Web of Science, Scopus, and Dimensions. This paper helps to provide some sources of information that can be used by people who would like to understand and study Islamic calligraphy and Islamic art. Two research questions applied in this review to obtain themes within the data, and two significant themes arose, namely art in Islam and forms of art. The analysis of two main themes further presented a result of five sub-themes that emerged from forms of art and six sub-themes that developed from the types of khat themes.
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14

Tneth, Aung Ko. "Art Building Design Using Byblos Local Value Themes Approach." Journal La Multiapp 1, no. 6 (December 31, 2020): 23–27. http://dx.doi.org/10.37899/journallamultiapp.v1i6.293.

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This article discusses the design of an arts building with an approach to the theme of local values. This design is carried out considering the importance of the existence of an art and culture in big cities to boost the local economy and also become an attraction for the tourism sector, as well as the desire of the community to enjoy the beauty of art, as well as the desire of artists to be witnessed and exhibit their works of art. The location that is used as a place for the art building must fill the city spatial planning, where the location of the building that I designed is on Jalan Tanjung Bunga is the central business district, where several supporting facilities such as public transportation, clean water, electricity, telephone network etc., this is the basis for my choosing a location on this flower promontory road. Efforts to increase the attractiveness of the Arts Building by combining traditional Makassar ethnic styles. So that visitors can also find out the typical regional ornaments through this art building. Paying attention to the harmony and balance of design elements in the Arts Building is expected to provide comfort to visitors and organizers of a show.
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15

Everett, William A. "National Themes in Scottish Art Music, ca. 1880-1990." International Review of the Aesthetics and Sociology of Music 30, no. 2 (December 1999): 151. http://dx.doi.org/10.2307/3108443.

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16

Romaine, James. "Themes of Paradise in Contemporary British and American Art." Religion and the Arts 22, no. 1-2 (February 16, 2018): 218–28. http://dx.doi.org/10.1163/15685292-02201017.

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Abstract The idea of paradise has inspired the artistic imagination in, at least, two directions. One is an impulse to create a more perfect tomorrow by addressing social ills today. The other is sometimes manifest in a desire to recover a lost spiritual consciousness or creative imagination. These directions are evidenced in the work of two contemporary artists. In an exhibition entitled Tomorrow is Another Day, created for the 2017 Venice Biennale, Los Angeles-based artist Mark Bradford draws the viewer toward an imagined social horizon, beyond which dawns a more perfect world. Simultaneously on view in Venice, but not a part of the Biennale, Damien Hirst’s Treasures from the Wreck of the Unbelievable explores a rapacious hunger for immortality. Purporting to be the salvage of an ancient shipwreck, Hirst’s exhibition tests the modern, post-enlightenment, viewer’s willingness, even ability, to believe.
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17

Ottenberg, Simon. "Sources and Themes in the Art of Obiora Udechukwu." African Arts 35, no. 2 (July 1, 2002): 30–92. http://dx.doi.org/10.1162/afar.2002.35.2.30.

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18

Castaldo, Daniela. "Musical Themes and Private Art in the Augustan Age." Greek and Roman Musical Studies 6, no. 1 (March 22, 2018): 96–114. http://dx.doi.org/10.1163/22129758-12341314.

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Abstract Some musical themes represented in terra sigillata reflect the political propaganda of the Augustan regime, as in the presence of Apollo citharoedus, of Sirens and of Hercules with the Muses. This visual repertory shares many features with the Augustan poets (especially the elegists) and with other private art of the Augustan period. Arretine ware potters often included Dionysiac, symposiastic and erotic scenes in their repertory, moving well beyond Augustus’ official program. They recall formal and cultural models of the Hellenistic era.
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19

Taylor, Stephen, and Charles Rattray. "Themes and variations." Architectural Research Quarterly 11, no. 3-4 (December 2007): 338–42. http://dx.doi.org/10.1017/s1359135500000841.

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The work of Stephen Taylor Architects extends from urban strategies to the individual dwelling. Underlying this continuum is a deep understanding of the city and its component parts and a concern to develop typologies that contribute to civic life. Taylor studied in London at South Bank University and the Royal College of Art (RCA) and worked first for Richard Reid, his former tutor at South Bank and the author of a number of studies of housing types. After brief periods in the offices of Richard Rogers, Stanton Williams and others, Taylor established a partnership with Andrew Houlton in 1993. For several years in that partnership and for the five years subsequently, Taylor has occupied the same site in Shoreditch, east London. To begin with, the practice occupied the basement and he lived over the shop. As the office expanded, it colonised a set of spaces on three floors organised around a small court. We met there in a space at the back, beyond the court, and began by discussing the arrangement of the spaces.
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20

Trushnikova, E. L. "INTERDISCIPLINARY APPROACH AND A CULTURE OF PARTICIPATION IN THE METHODOLOGY OF TEACHING ART HISTORY." Современная высшая школа инновационный аспект, no. 2 (2022): 38–48. http://dx.doi.org/10.7442/2071-9620-2022-14-2-38-48.

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Рroblems of the content and methods of teaching Art History at higher school are discussed. The essence of interdisciplinary approach, participatory culture application, art pedagogy, museum pedagogy in involving students in participation in the formation art history course content is revealed. The survey of “Design” Bachelor students is analyzed. The survey was conducted to expand the subject themes and introduce local art themes into the content of art history content. It is concluded that participatory culture and cultural meditation can be a methodological support to introduce local themes and the ways of its study and research.
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21

Reel, Candice, Rebecca Allen, Bailey Lanai, Sami Sneed, and Daniel Potts. "Bringing Art to Life: Measuring Engagement Through Art, Connection, and Dignity." Innovation in Aging 4, Supplement_1 (December 1, 2020): 834. http://dx.doi.org/10.1093/geroni/igaa057.3054.

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Abstract The BATL program aims to improve the quality of life for community-dwelling people living with dementia (PWD) through art therapy, intergenerational contact, and life story preservation. This study utilized a modified ENGAGE measure (Hartmann et. al, 2017) to evaluate ethnographic transcripts recording activity and social engagement over time (N=100). A five-member analysis team independently coded the observation transcripts for engagement and qualitative themes. Results reveal average communication engagements (M=28.30, SD=13.36) significantly exceed the average art engagements (M=9.86, SD=5.56) over time t (98) = 20.85, p<0.001). Emergent themes included reminiscence, intergenerational communication, and creating art. These mixed method results suggest the intergenerational contact and reminiscence portions of BATL were fundamental features in comparison with art-making. More studies are needed to determine if the BATL intervention 1) has greater comparative effectiveness than typical programs in adult service centers, and 2) is scalable nationally to enhance the quality of life in PWD.
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22

Stevenson, Christine. "Essay Review: Art and Optics, the Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat." History of Science 29, no. 1 (March 1991): 99–101. http://dx.doi.org/10.1177/007327539102900104.

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23

Stavila, Tudor. "The themes of works of Bessarabian painters between 1888-1917." Arta 30, no. 1 (August 2021): 24–32. http://dx.doi.org/10.52603/arta.2021.30-1.03.

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The themes and subjects approached by the plastic artists, in a certain period of time, in a certain geographical space, including the names of the works, indirectly reflect the existing tendencies in the respective epoch. These moments are indisputable, regardless of the evolutions of art in various cultural environments, in the centers of international art or on its peripheries, objectively reflecting the styles and priorities of the time. Thus, realism operates with certain terms that define the options of the current, different from those of impressionism, expressionism, etc. The Bessarabian visual arts are no exception in this case. More refractory and more specific, the evolution of local culture was due to the historical situation of the land, ruled by the Tsarist Empire for a century, with the late emergence of professional art and the direct influences of Russian and Ukrainian itinerants’ realism characterized by special themes. But these trends were also marked by the emergence of non-conformist representatives of Russian art, such as Vladimir Falileev, Alexander Shevchenko, Nathan Altman, participants in Bessarabian salons in the early twentieth century. More eloquently, these renewals of local art occur after the internship of Eugenia Maleshevsci in Europe, the sporadic return to the homeland of Pavel Shilingovschi, but also the appearance in Bessarabia of a true representative of the new currents, such as Auguste Baillayre.
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24

Beregovska, Khrystyna O. "Ukrainian-Polish Émigré Themes in the Art of William Kurelek: An Attempt to Analyze." Revista Gestão Inovação e Tecnologias 11, no. 3 (June 30, 2021): 890–900. http://dx.doi.org/10.47059/revistageintec.v11i3.1984.

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25

Díaz, Jazz. "Art and Ethnic Studies." Ethnic Studies Review 42, no. 2 (2019): 173–79. http://dx.doi.org/10.1525/esr.2019.42.2.173.

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Jazz Díaz is an activist artist (artivist) who combines Art and Ethnic Studies. She describes her political consciousness and decolonizing process in navigating Western-centric art spaces. She highlights critical themes that her artwork addresses, and the essay includes examples of her work.
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26

Trzcińska, Izabela. "Esoteric Themes in the Artistic Works of Janina Kraupe." Nova Religio 19, no. 4 (May 1, 2016): 80–101. http://dx.doi.org/10.1525/nr.2016.19.4.80.

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The purpose of this article is to present the character and art of Janina Kraupe, a renowned Polish painter influenced by esoteric thought. While Theosophical concepts constitute one of the most important inspirations in her life, she borrows the concept of universal evolution from Anthroposophy, and her artistic experiments with geometric forms and the symbolism of color are influenced by astrology, Kabbalah, and Christian mysticism. Kraupe searches for a common ground in all these traditions, and her art is a synthesis of religious themes.
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27

Serbest Yilmaz, Betul. "THEMES FROM ILIAD OF HOMER IN EUROPEAN ART OF PAINTING." Ulakbilge Dergisi 5, no. 9 (February 28, 2017): 103–28. http://dx.doi.org/10.7816/ulakbilge-05-09-06.

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28

Billings, Mary-Michael. "Issues vs. Themes: Two Approaches to a Multicultural Art Curriculum." Art Education 48, no. 1 (January 1995): 21. http://dx.doi.org/10.2307/3193557.

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Paponnet-Cantat, Christiane. "Painting Themes, Social Memory and National Identity in Cuban Art." International Journal of Arts Theory and History 8, no. 2 (2014): 33–45. http://dx.doi.org/10.18848/2326-9952/cgp/v08i02/36248.

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30

Walling, Donovan R. "Brainstorming Themes That Connect Art and Ideas Across the Curriculum." Art Education 59, no. 1 (January 2006): 18–24. http://dx.doi.org/10.1080/00043125.2006.11651574.

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31

Howe, Jeffery. "Symbolist Spirituality: Religious Themes on the Art of Fernand Khnopff." Religion and the Arts 8, no. 4 (2004): 415–57. http://dx.doi.org/10.1163/1568529044012201.

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32

Jalali, Seyed Mohammad Jafar, and Han Woo Park. "State of the art in business analytics: themes and collaborations." Quality & Quantity 52, no. 2 (June 13, 2017): 627–33. http://dx.doi.org/10.1007/s11135-017-0522-7.

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33

Oggins, Jean. "“Reversing Vandalism”: Coping themes in a library's community art exhibit." Arts in Psychotherapy 34, no. 3 (January 2007): 263–76. http://dx.doi.org/10.1016/j.aip.2007.03.002.

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34

Španjol-Pandelo, Barbara. "Iconography and Medieval Art Historical Studies: Iconographers, Methodologies and Themes." IKON 10 (January 2017): 399–400. http://dx.doi.org/10.1484/j.ikon.4.2017034.

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35

Sandefur, Jim, and Dane Camp. "From the Editors: Patterns: Revitalizing Recurring Themes in School Mathematics." Mathematics Teacher 98, no. 4 (November 2004): 211. http://dx.doi.org/10.5951/mt.98.4.0211.

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Patterns are the very essence of mathematics, the language in which it is expressed. In recognizing and creating patterns of every conceivable type, mathematics is an art. It is also the science of analyzing and synthesizing such patterns. The art and science of exploring patterns have been entwined with mathematics from the very beginning, a relationship that is akin to the role of rhyme in poetry.
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36

Lindberg, David C. "The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat. Martin Kemp." Isis 83, no. 2 (June 1992): 300–301. http://dx.doi.org/10.1086/356121.

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37

Karimimoshaver, Mehrdad, Bahare Eris, Farshid Aram, and Amir Mosavi. "Art in Urban Spaces." Sustainability 13, no. 10 (May 17, 2021): 5597. http://dx.doi.org/10.3390/su13105597.

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This study investigates the effect of art on promoting the meaning of the urban space. After considering the semantic dimension of the urban space and the mechanism of transferring the meanings of art through the views of experts, a model is presented for examining the art’s cooperation in promoting urban space meaning. In the first stage, the categories of space meanings influenced by art were extracted using the qualitative method of interpretative phenomenological analysis, and by examining 61 in-depth interviews in 6 urban spaces eligible for urban art in Tehran. In the second stage, these categories were surveyed in these spaces through 600 questionnaires after converting to the questionnaire items. Based on the results, “experience and perception capability”, “social participation”, and “relationship with context” were the main themes of the semantic relationships between art and urban space. Further, the lower scores related to the theme of “social participation” in the quantitative investigations indicate that this theme was weaker than the other themes in promoting the meaning of the urban space through the art in the selected urban spaces.
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38

Morwood, M. J., and D. R. Hobbs. "Themes in the prehistory of tropical Australia." Antiquity 69, no. 265 (1995): 747–68. http://dx.doi.org/10.1017/s0003598x00082314.

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The wetter tropical zones of northern Australia are linked by their monsoonal climates. Their archaeology shows its own distinctive pattern as well, and rock-art is an important source of evidence and insight. This study focusses on a part of Queensland, setting this local sequence alongside Arnhem Land (reported by the paper of Taçon & Brockwell) and in the northern pattern as a whole.
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39

Etinhof, Olga E. "ON THE QUESTION OF CLASSICAL THEMES IN THE ART OF PRE-MONGOL RUSSIA." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 1 (2021): 152–83. http://dx.doi.org/10.28995/2686-7249-2021-1-152-183.

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A narrow range of Byzantine texts, primarily chronographic ones, containing classical themes and images, were translated in Russia starting from the 11th century.These texts became the literary basis of secular and ecclesiastic art. Several iconographic motifs from mythological stories and the “Ascension of Alexander the Great” entered the art of pre-Mongol Russian. Byzantium was the main source of the antique elements in Old Russian culture. Some motifs were also adopted in Old Russia from Romanesque art, through close contact with Western Europe. The tradition of using ancient subjects for the decoration of churches in relief, which was widespread both in Byzantine and in Romanesque art, was continued in Russian monuments. Сlassical subjects on the walls of churches served as apotropaic images, but their symbolism could also include other aspects. Antique motifs are encountered even in the frescoes of monastery churches which followed a strict, ascetic iconographic programme in spite of the general orientation of Old Russian art towards the monastic culture of Byzantium. The author deals with the problem of specific samples. It is unlikely that objects of applied art could have served as models for church sculpture.
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40

Buck, Harleah. "CAREGIVERS' EXPECTATIONS OF A MIND-BODY THERAPY FOR COMPLICATED GRIEF." Innovation in Aging 6, Supplement_1 (November 1, 2022): 284. http://dx.doi.org/10.1093/geroni/igac059.1129.

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Abstract Accelerated Resolution Therapy (ART) is a psychotherapy for the treatment of complicated grief, defined as unusually prolonged, functionally impairing grief. The purpose of this study was to qualitatively examine caregiver’s expectations of ART. The sample included 29 primarily female, older (67.4 + 7.1 years) former informal caregivers; a little over half (n=18) had been married to their care recipient. Thematic analysis resulted in three themes and six sub-themes arising: The role of knowledge in expectations (sub-themes uncertainty, prior knowledge); The role of personality in expectations (sub-themes openness, positive affect); and Expecting a process (sub-themes cognitive processes, affective processes) which described the interaction of person and process in shaping expectations of our intervention. An across theme analysis of the specificity of the participants’ expectations uncovered that knowledge and personality inform expectations of ART and that individuals who verbalize a process for recovery tend to be very specific in their expectations.
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41

Dixon, Steve. "Cybernetic-Existentialism in Performance Art." Leonardo 52, no. 3 (June 2019): 247–54. http://dx.doi.org/10.1162/leon_a_01544.

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A theory of Cybernetic-Existentialism is proposed to offer a new critical perspective on technological performance art. Case studies of Wafaa Bilal, Stelarc and Steve Mann are used to demonstrate how core ideas and themes from both cybernetics and existentialism are increasingly converging in contemporary arts.
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Tuhadeleni, Olivia Ningeninawa, and Linda Ndeshipandula Lukolo. "The perceptions of patients on antiretroviral therapy (ART) and treatment supporters with regard to their role towards ART adherence, at ART clinics in the intermediate hospital Oshakati, Namibia." International Journal of Medicine 5, no. 1 (January 13, 2017): 17. http://dx.doi.org/10.14419/ijm.v5i1.6999.

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Background: The benefits of antiretroviral therapy (ART) are undeniable: decreased morbidity and mortality, improved clinical outcomes, and decreased HIV transmission. In recent years, there have been remarkable efforts to roll out HIV support and treatment programs, resulting in ART access to nearly 4 million people in sub-Saharan Africa. However, a decisive step in improving outcomes of these programs relies on ART adherence. This study was conducted by aiming at exploring and describing the perceptions of patients on ART and treatment supporters about their roles in ART adherence. It was carried out at Oshakati ART clinic in the Intermediate Hospital Oshakati in Oshana region, Northern Namibia.Methods: The qualitative investigation was carried out on patients on ART and treatment supporters by means of unstructured interviews through convenient sampling technique. The data were analysed by content analytical method.Results: The study results from all respondents were consolidated, which gave a clear understanding regarding adherence at the ART clinic in Intermediate Hospital Oshakati. The perceptions of patients on ART and treatment supporters with regard to their role towards ART adherence were classified based on participants’ experiences into two main themes and sub-themes, including: 1) ART patients’ perceptions around their current roles in ART adherence comprise of four sub-themes of ART patients’ perceptions about taking medication daily, perceptions about collection of medicine supply and follow-up visits, perceptions about food and medication and perceptions about support in ART treatment; 2) Treatment supporters’ perceptions about their role in ART adherence consist of four sub-themes of perceptions about follow-up visits and collection of medicine, perceptions about psychosocial and emotional support, perceptions about giving food and medication and perceptions about encouraging personal hygiene.Conclusion: Patients and treatment supporters perceived adherence as an important aspect in the success of antiretroviral treatment. Giving patients correct information, personal motivation, patients understanding of treatment, traditional and religious beliefs were among other factors perceived by treatment supporters to be impacting on ART adherence.
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43

Goodrich, Peter H. "The Grail: A Casebook. Arthurian Characters and Themes Vol. 5 ed. by Dhira B. Mahoney." Arthuriana 11, no. 1 (2001): 121–23. http://dx.doi.org/10.1353/art.2001.0070.

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44

Bittner, Wiseman. "Contemporary Chinese art: Mao's legacy and Danto's definition." SAJ - Serbian Architectural Journal 7, no. 2 (2015): 191–200. http://dx.doi.org/10.5937/saj1502191b.

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In this paper I am going to do three things: First, identify several themes in contemporary Chinese art that show its essentially social nature and its robust materialism. Second, suggest a way that contemporary art in China is post-modern in the way that Western art is and claim, moreover, that as different as the themes and recent history of this art are from contemporary Western art, the works satisfy a definition of art constructed by Arthur Danto. Finally, in a coda, I present the work of a woman artist that is unlike most recent Chinese and Western art. It positions itself at the far reaches of what art in China is and what Danto's definition allows at the same time that it suggests both the interiority of the practice of art and one way of being a woman.
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45

Hoshino, Janice, and Maxine Borowsky Junge. "Themes and Reflections on the Stories of Art Therapists of Color." Art Therapy 23, no. 3 (January 2006): 139–43. http://dx.doi.org/10.1080/07421656.2006.10129623.

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46

Saadi-Nejad, Manya. "Mythological Themes in Iranian Culture and Art: Traditional and Contemporary Perspectives." Iranian Studies 42, no. 2 (April 2009): 231–46. http://dx.doi.org/10.1080/00210860902764946.

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47

Bowen, Amanda. "ENCYCLOPEDIA OF COMPARATIVE ICONOGRAPHY: THEMES DEPICTED IN ART. Helene E. Roberts." Art Documentation: Journal of the Art Libraries Society of North America 18, no. 1 (April 1999): 54–55. http://dx.doi.org/10.1086/adx.18.1.27949004.

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48

Stahl, Peter W. "Identification of Hallucinatory Themes in the Late Neolithic Art of Hungary." Journal of Psychoactive Drugs 21, no. 1 (January 1989): 101–12. http://dx.doi.org/10.1080/02791072.1989.10472147.

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49

Hendry, Joy. "Art therapy for groups: The handbook of themes, games and exercises." Nurse Education Today 6, no. 6 (December 1986): 280. http://dx.doi.org/10.1016/0260-6917(86)90045-6.

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50

Dervišević, Haris. "O ključnim temama islamske umjetnosti očima historije umjetnosti / On the Key Themes of Islamic Art as Seen by The History of Art." Context: Journal of Interdisciplinary Studies 3, no. 1 (March 4, 2022): 51–65. http://dx.doi.org/10.55425/23036966.2016.3.1.51.

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Abstract:
This paper examines a number of very common themes in Islamic art and relates them to its nature, sources, principles, and artistic character. Particular attention is paid to the relationship between Islam and art and to determing the extent to which Islam as a faith has influenced Islamic art. As one can hardly pass over in silence the ban on representing persons, when dealing with Islamic art as a phenomenon, that too is discussed at the appropriate point in the paper. This paper involves no attempt to offer final answers, the author’s hope being to initiate dialogue on themes affecting Islamic art. A satisfactory treatment of the topics of the subsections would require a series of dedicated studies.
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