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Lipp, Alexander [Verfasser]. "Totalsynthese von (–)-Thebain und (–)-Oxycodon durch intramolekulare anodische Aryl–Aryl-Kupplung 3’,4’,5’-trioxygenierter Laudanosinderivate / Alexander Lipp." Mainz : Universitätsbibliothek Mainz, 2019. http://d-nb.info/1197618236/34.
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Miguélez, Cavero Laura. "Poems in context : Greek poetry in the Egyptian Thebaid 200-600 AD /." Berlin : de Gruyter, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3147904&prov=M&dok_var=1&dok_ext=htm.
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Brown, Joanne. "Into the woods : narrative studies in the 'Thebaid' of Statius, with special reference to books IV-VI." Thesis, University of Cambridge, 1994. https://www.repository.cam.ac.uk/handle/1810/283700.
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Dewar, Michael John. "A commentary of Statius, Thebaid Book Nine." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359562.
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Parkes, Ruth. "A commentary on Statius, Thebaid 4.1-308." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.275753.
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Lovatt, Helen. "Games and realities in Statius, 'Thebaid 6'." Thesis, University of Cambridge, 2000. https://www.repository.cam.ac.uk/handle/1810/272014.
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Hulls, J. M. "The role of kingship in Statius' Thebaid." Thesis, University College London (University of London), 2007. http://discovery.ucl.ac.uk/1446011/.
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This thesis analyses Statius' Thebaid and the relationship it creates with VirgiVs Aeneid and the emperor Domitian. The poem constructs itself as a competing source of authority, both poetic and ideological. The poem aims to supersede Virgil's masterpiece as a poetic authority whilst providing Domitian with imperial, and in particular, regal ideology. The thesis examines three key qualities, virtus pietas and dementia in this regard, showing the manner in which Virgilian and Augustan interpretations are undermined and new understandings of these ideas are provided for Domitian's principate. The thesis then examines the role tyranny and tyrannical behaviour plays in the poem. The Thebaid portrays tyranny in unusual ways and promotes surprising responses to tyrannical rule. Throughout the poem, Statius is working to provide his audience, especially Domitian, with an educational framework for understanding models of kingship Domitian should learn from the negative examples the Thebaid provides. Statius uses the Thebaid as a step in a poetic oeuvre whose design is nothing less than to make the poet himself powerful by becoming the poetic voice on which his emperor depends.
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Manasseh, James. "A commentary on Statius' 'Thebaid' 1.1-45." Thesis, University of St Andrews, 2017. http://hdl.handle.net/10023/11354.
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This dissertation discusses the proem of Statius' Thebaid (1.1-45) and the analysis of the text is split between an introduction, three extended chapters and a lemmatized commentary. Statius' acknowledgements of his literary debts, in particular Virgil, encourages, if not demands, an intertextual reading of his poetry. As such, my first chapter, Literary Models, looks at how Statius engages with his epic models, namely Homer, Virgil, Lucan and Ovid, but also how he draws upon the rich literary Theban tradition. Like all Roman poets, Statius is highly self-conscious of his craft, and draws upon Hellenistic and lyric models to enrich his epic and define himself as an exemplary poet. I will argue that the proem offers a useful lens for analysing the Thebaid and introduces his epic in exemplary fashion, in the sense that he draws attention to the concept of opening his epic with the use of traditional tropes (namely, the invocation of inspiring force; a recusatio; an imperial encomium and a synopsis of the poem's narrative). Considering the importance of origins in the Thebaid, and the inability to escape them, I consider the proem, in this sense, the origin of the poem itself insofar as elements of it are constantly ‘remembered' and reiterated throughout the poem. The central feature of the proem is the encomium to Domitian, in which Statius advises Domitian to realize his own limits and hence retain order of the world he rules over, articulating contemporary concerns about succession and empire. Statius, in a similar manner, expresses intent to impose limits upon his own poem, which prompted me to write the chapter entitled Restraint. The third chapter, Characterisation, draws upon the discussions in Literary Models and Restraint in an analysis of the heroes introduced at 1.41-45.
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Harlick, Stephanie. "Cruelty towards children in Theban traditional tales." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0013/MQ42391.pdf.
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Frings, Irene. "Gespräch und Handlung in der "Thebais" des Statius /." Stuttgart : B. G. Teubner, 1991. http://catalogue.bnf.fr/ark:/12148/cb356971587.
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Mottram, Philip. "A commentary on Statius Thebaid 6. 1-192." Thesis, University of Liverpool, 2012. http://livrepository.liverpool.ac.uk/8453/.
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The commentary examines the first 192 verses of Thebaid 6, which describe the preparation and events before the funeral of Ophletes/Archemorus. The commentary explores the cultural effect and “affect” of the text. Philological and intertextual issues are discussed throughout. Textual problems are treated where appropriate. The introduction provides an overview of major themes, concepts and contexts. In the commentary itself, discursive notes introduce shorter lemmata that encompass textual, metrical, linguistic and cultural-historical issues as well as literary interpretation. Theb.6.1-24 describes the summoning of competitors to the first games at Nemea, places those games within the tradition of the other Panhellenic games and finishes with the first simile in the book. The commentary discusses the epinician, aetiological and anachronistic features of the language here and introduces the concept of the “hanging simile”. vv. 25-53 describe an “epic” Dawn, detail the lamenting in and around the palace and summarize the consolation speech of Adrastus. The commentary examines how reader expectations are defeated and how Roman and Greek rituals merge at this point. The rhetorical features of consolatio and the ineffectiveness of oratory to console are considered. vv. 54-83 focus is on the funeral couch of Opheltes. The commentary discusses the metapoetic comment in this passage; also the use of ekphrasis and the emotional significance of the gifts placed on the pyre. vv. 84-117 detail the cutting down of the grove for the funeral pyre, following aspects of the traditional topos and finishing on a second simile, the latter anachronistically describing direptio. The commentary draws out the Greek and indigenous Italian elements of this passage and shows how the language foreshadows future conflict. The animated and hyperreal nature of the landscape is explained in the commentary. vv. 118-134 the gods above and below are given equal altars and the funeral procession starts. The commentary discusses the infernal gods in the context of the poem, elucidating Roman and “Oriental”, as well as Greek, motifs. vv.135-192 Eurydice, mother of Opheltes begins a lament but, on seeing Hypsipyle, she turns it into a recriminatory speech. The commentary examines her speech as an intertextual node around which other mothers, distraught and guilty because of a lost child, can be seen. Her speech, language and non-verbal communication are then associated with these intertexts. Focus is also upon how the speech changes in terms of tone, elevation and erratic structure, and illuminates the historical/eternal conflict between birth mother and wet-nurse. The generic relationship between epic narrative and dramatic structures, such as tragedy and mime are made throughout the commentary especially at 25-192.
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Miguélez, Cavero Laura. "Poems in context Greek poetry in the Egyptian Thebaid 200 - 600 AD." Berlin New York, NY de Gruyter, 2006. http://d-nb.info/990069737/04.
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Moss, Carina M. "Elegy with Epic Consequences: Elegiac Themes in Statius’ Thebaid." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1592134478208502.
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Taylor, John H. "The development of Theban coffins during the third intermediate period:." Thesis, University of Birmingham, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494236.
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Undrill, Guy. "Pleasure in the theatre : psychoanalysis; from narrative to performance." Thesis, University of Bristol, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.311341.
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Penha, Ferreira Vieira Mariana. "On the razor-edge of fate : perceptions of destiny in Sophocles' Theban plays." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/9907.
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The goal of this thesis is to analyse the differences and similarities in the perceptions of fate and aleatory events in the Antigone, the Oedipus Tyrannus, and the Oedipus at Colonus of Sophocles. Rather than dwelling on the anachronistic question of “determinism versus freewill”, the focus will be on the ways in which the characters themselves interpret the things that happen to them in their lifespan, in terms of luck, fate, or things that could have been different had they known better at a given moment of time. The conditions in which they perform the determining actions of their lives will be under scrutiny. Actions that seem to arise from contingency, from the previous moves of other actors, from accidental miscalculation, or even from voluntary offence will be contrasted with those for which there is no visible chain of cause and effect, and that are thus attributed to the desires of the gods or to inborn misfortune. There is, from one play to another, a contrast between authoritative assertions of characters with acknowledged prophetic power (Tiresias in the first two works, Oedipus in the later play) that lead the audience to hope for different things: in the Antigone, it shall be argued, there is more room for the possibility of a timely solution for the conflict, than in the Oedipus Tyrannus, where everything has happened already before the start of the play. In the Oedipus at Colonus, Oedipus’ new status means that he has understood more about the functioning of reality and the workings of destiny. The ways in which the plot structure itself conveys a view on the workings of fate will also be analysed, from the series of coincidences in the Oedipus Tyrannus to the function of the episodes in the other two plays. Even though the Theban plays are not philosophy treatises, the echoes of contemporary philosophical ideas are a constant in their text. Wherever relevant, a contrast with the Presocratic corpus has been made in an attempt to identify some of the thought patterns reused and adapted by Sophocles for his specific purposes and portrayals of the human position in the vaster cosmos.
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Frisby, Danielle Marianne. "Epic precedence : Statius’ Thebaid and its intertextual links to the Iliad of Homer." Thesis, University of Nottingham, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.594601.
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This thesis explores the intertextual relationship of Statius' Thebaid with Homer's Iliad. It is an uneasy relationship. wavering between playful competition and the nihilistic sense that a competition taken to such hyperbolic levels is self-destructive, corresponding with the issue at the heart of the narrative: civil war. It considers key features of epic poetry: the gods, cosmos, and epic substitution in examining the Thebaid's response to the Iliad. The nature of civil war in the text is a major concern, brought out through confusion of identities in blending of characters, and the way the narrative uneasily inhabits the epic genre. Characters and scenes allude to multiple points in the literary tradition between Homer and Statius, including Vergil, Ovid, Lucan, Aeschylus and Callimachus. Statius highlights and often 'corrects' Vergil by going back to Homer, and seems to set up a conflict in the genre. I address how the natural world of epic seeps through from imagery into reality, and indicates the emotional and destructive nature of civil conflict. Homeric violence is escalated to render heroes more impressive than their Homeric counterparts, but also more transgressive and essentially self-defeating in their attempt to compete with Homeric precedent. Problems of divine patronage are brought out, as well as apparently split personalities in gods. Multiple poet figures, even within one character, indicate multiple conflicted narratorial voices pulling the reader in different, often opposing directions. Issues of lineage are frequently brought to the fore, with heroes of the Iliad being the generation after the heroes of the Thebaid, and in some cases their actual descendents, placing the Thebaid in a paradoxical position of being both before and after the Iliad. The result is a disquieting reading of the text which leaves the reader uncertain whether epic has been taken to a new level or made to self-destruct.
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Eschyle, Morocho Gayo Gaspar. "Scholia in Aeschyli Septem adversus Thebas /." León : Universidad de León, Secretariado de publicaciones, 1989. http://catalogue.bnf.fr/ark:/12148/cb355881076.
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Gervais, Kyle G. "Dealing with a massacre spectacle, eroticism, and unreliable narration in the Lemnian episode of Statius' Thebaid /." Thesis, Kingston, Ont. : [s.n.], 2008. http://hdl.handle.net/1974/1241.
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Wilson, Sarah Louise. "Aspects of Theban tomb decoration in the twenty-fifth and twenty-sixth dynasties." Thesis, University of Birmingham, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.534680.
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Gundlach, Meg Leigh. "Typology and artisanship in twenty-fifth dynasty Theban shabtis : the chief lector priest Pedamenope." Thesis, Swansea University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.678456.
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Bedigan, Kirsten M. "Boeotian Kabeiric ware : the significance of the ceramic offerings at the Theban Kabeirion in Boeotia." Thesis, University of Glasgow, 2008. http://theses.gla.ac.uk/503/.
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This study presents a re-evaluation of the ceramic material from the sanctuary of the Kabeiroi at Thebes in Boeotia. The lack of relevant literary evidence necessitates a reliance on the archaeology as the primary means of interpretation. In particular the archaeological context and iconography of the ceramics offer an interesting and highly unusual perspective into the secretive and often peculiar nature of the Kabeiric cult. Previous studies conducted on the ceramic material have only considered it in iconographic terms, yet by reappraising the data using an analytical approach and socio-archaeological theory it is possible to acquire a deeper understanding of the operation of this cult. By examining the form and function of the ceramics we can elicit inferences relating to the role of wine and intoxication within the rituals of the sanctuary. Comparative studies between form and iconography can further develop our interpretations of the scenes as representations of cult practices. The evidence is further scrutinised for indications as to whether the Theban site is characteristic of the Kabeiric cult as a whole, or if its unique iconography demonstrates its individuality within the ancient world. The data from other Kabeiric and non-Kabeiric sanctuaries clearly indicates that cults within the Greek world were experiencing parallel development in relation to their ceramic usage. Furthermore, the ceramic material from purely Kabeiric sites also shows the same biases in the archaeological record with an emphasis on the preparation and consumption of wine. Extending this research to other archaeological material also implies a common iconographic heritage stretching beyond the boundaries of the Theban site. By considering the ceramics in a more analytical manner than that of previous research – combining archaeological, anthropological and art historical models – we can move away from the premise that the decorated Greek vase is merely a work of art. Instead it is possible to detail the sanctuary’s evolution through the development of the ceramics and to offer insights into the society that produced and utilised them.
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Bedigan, Kirsten Madeleine. "Boeotian Kabeiric ware the significance of the ceramic offerings at the Theban Kabeirion in Boeotia /." Connect to e-thesis, 2008. http://theses.gla.ac.uk/503/.
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Thesis (Ph.D.) -- University of Glasgow, 2008.Ph.D. thesis submitted to the Department of Archaeology, Faculty of Arts, University of Glasgow, 2008. Includes bibliographical references. Print version also available.
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ʻAlī, Muḥammad Šarīf. "Hieratische Ritzinschriften aus Theben : Paläographie der Graffiti und Steinbruchinschriften /." Wiesbaden : Harrassowitz, 2002. http://catalogue.bnf.fr/ark:/12148/cb41080416r.
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Kahl, Jochem. "Siut-Theben : zur Wertschätzung von Traditionen im alten Ägypten /." Leiden : Brill, 1999. http://catalogue.bnf.fr/ark:/12148/cb37221755j.
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Jimenez, Higueras A. "Development and landscape of the sacred space at Dra Abu el-Naga : a case study within the Theban Necropolis." Thesis, University of Liverpool, 2016. http://livrepository.liverpool.ac.uk/3003980/.
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The aim of this research project is the study, theoretical development and reconstruction of the physical, religious and cultural landscape of the southern area and the first part of the northern area of Dra Abu el-Naga as well as its evolution from the 18th to the 20th Dynasties (1550-1069 BC). In order to do so, the methodological approach derives from theories relating to Landscape Archaeology, which efficiently manages to compile and to link prosopographical-genealogical, archaeological and Geographical Information System (GIS) data, meaning that the area of Dra Abu el-Naga can be studied as a "ritual landscape". The advantages of this type of research include the creation of a holistic conception of the Theban necropolis, especially of Dra Abu el-Naga, by reconciling textual and archaeological perspectives. The ancient landscape of the study area and its surroundings have been remodelled and the palaeorelief reconstructed by establishing a connection between the geological-geomorphological and topographical data with GIS visibility analyses, all of which were surveyed according to the historical, cultural and religious context. GIS is an essential tool for the study of the sacred space and can be used to offer a detailed cartography. For the first time, the tombs have been recorded by precise geographic coordinates, which are offered in this research. The research model created in this work has shown the chronological development of the study area, the clear visual relationship between the tombs of a specific reign and the key monuments contemporary to them. Kinship, political marriages and attempts to acquire a higher rank, as well as the professional and family links between many of the owners of these tombs, demonstrate that they also wanted to be connected in the afterlife. The work undertaken at Dra Abu el-Naga opens up new lines of investigation into the wider landscape of the necropolis. Therefore, this model could be productively applied to future studies of other ancient Egyptian tombs, necropolises and funerary landscapes. The resulting wider insight into the Theban necropolis, including the position played by the Dra Abu el-Naga cemetery within the Theban funerary context, is essential since the aim of this research project is to approach to the actual funerary landscape of Thebes as an inseparable complex of diverse components.
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Franchet, d'Espèrey Sylvie. "Le conflit et le mal dans La Thebaide de stace violence et non-violence /." Lille : A.N.R.T, Université de Lille III, 1996. http://bibpurl.oclc.org/web/36495.
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Theben, Juliane [Verfasser]. "Häufigkeit akzidenteller Uterusmalignome im Rahmen der laparoskopisch assistierten, suprazervikalen Hysterektomie / Juliane Theben." Lübeck : Zentrale Hochschulbibliothek Lübeck, 2011. http://d-nb.info/1013093062/34.
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Fukaya, Masashi. "Socio-religious functions of three Theban festivals in the New Kingdom : the festivals of Opet, the Valley, and the New Year." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:a9eebe42-68d3-42dd-adcd-d1a3da145f0b.
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In addition to temple rituals performed for the god by the king, festivals incorporated a broader domain, where a wider public had access to the divine. The participants in feasts ranged from the royal, officials and priests to the non-elite and the dead. Theoretically and ideologically, individuals would have received fruits of the divine power through the king by taking part in celebrations to variable extent. This functioned a vehicle for the god and the king to maintain their authoritative credibility and, by extension, the world order. The circulation of the divine force formed a different appearance at each festival, such as material supplies, promotions, and juridical decrees. These divine conveyances would have more or less met people’s social and religious needs. By embracing modality, periodicity, and publicness, festivals provided participants and audiences with a public setting and a formal means, whereby they were able to seek their identity as part of society. This may or may not have been relevant to personal piety, allegiance, responsibilities, and goodness, but public celebrations at least brought the king’s subjects together to common grounds for official beliefs and social decorum. In order to demonstrate such socio-religious functions of festivals, I will attempt to focus on and examine three Theban celebrations in the New Kingdom, namely, the Festivals of Opet, the Valley, and the New Year, about which a wealth of information has survived. The examination can hardly be possible without exploring the history of these feasts because their development from earlier times, to which part of this thesis is also devoted, shows the continuity of elements essential to Egyptian cult practices, particularly those associated with the mortuary cult.
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Donker, van Heel Koenraad. "Abnormal hieratic and early demotic texts collected by the Theban Choachytes in the reign of Amasis : papyri from the Louvre Eisenlohr lot /." Online version, 1996. http://bibpurl.oclc.org/web/31485.
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Freytag, Bettina von. "Das Giebelrelief von Telamon : und seine Stellung innerhalb der Ikonographie der "Sieben gegen Theben /." Mainz : P. von Zabern, 1986. http://catalogue.bnf.fr/ark:/12148/cb355219691.
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Hollender, Gabi. "Amenophis I. und Ahmes Nefertari Untersuchungen zur Entwicklung ihres posthumen Kultes anhand der Privatgräber der thebanischen Nekropole." Berlin New York, NY de Gruyter, 1991. http://d-nb.info/991724895/04.
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Barreda, Edo Pere-Enric. ""Studia Statiana": estudios sobre la tradición española de la "Tebaida" de Estacio." Doctoral thesis, Universitat de Barcelona, 1991. http://hdl.handle.net/10803/1722.
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El estudio de la tradición de Estacio, y concretamente de la "Tebaida", no se habla abordado en España hasta ahora de una manera sistemática. Marcelino Menéndez y Pelayo reunió a fines del siglo pasado los pocos conocimientos que se tenían sobre traducciones e imitaciones del épico latino, y recientemente Lisardo Rubio ha hecho lo mismo con los manuscritos, ambos en el marco de sus obras generales sobre clásicos latinos en España. Por tanto, no puede hablarse de un estudio monográfico sobre el mencionado autor como punto de partida de esta tesis.Visto el punto de partida anterior, la presente memoria se ha propuesto el objetivo de sentar una base sólida para el estudio de la tradición española de la "Tebaida" de Estacio en dos aspectos: por una parte, en el estudio de los manuscritos conservados, y por otra, en la búsqueda de sus influencias en la literatura, especialmente en la épica del Siglo de Oro, aunque con limitaciones debido a la imposibilidad de realizar un estudio exhaustivo debido a la magnitud de tal objetivo.
Una primera parte, como paso previo al estudio concreto de la presencia de esta epopeya en España, se fundamenta en la realización de una aproximación a la tradición general de la misma, ejemplificada en cinco caprtulos: el listado de los principales manuscritos que han sido utilizados por los editores; la enrevesada historia del texto de la "Tebaida", con las relaciones entre dichos manuscritos; las ediciones, traducciones y comentarios modernos sobre esta obra~ los comentarios y textos afines antiguas, que constituyen las aporatciones de la filología medieval; y finalmente su influencia en la literatura tardía y medieval, asl como en los albores de las literaturas europeas hasta el Renacimiento. Esta primera pane, que constituye una sintética monografía sobre la obra de Estacio, sirve de aproximación para su presencia en España.
A partir de estos cinco puntos, y siguiendo su estructura (aunque no exactamente por las particularidades que afectan a la tradición española de esta obra), se pasa al estudio concreto de la "Tebaida" en España.
El primer aspecto tratado son los manuscritos, tanto aquellos de los que tan sólo se tienen vagas noticias como los que todavía se conservan. Entre éstos, se estudian exhaustivamente los conservados en la Biblioteca Nacional (ya colacionado por el editor inglés Hill), procedente de la Biblioteca Capitular de Toledo; el de la Catedral de Tortosa; el de la Universidad de Salamanca; y finalmente el pasaje antológico del códice de Ripoll.
Tras un estudio introductivo paleográfico y codicol6gico, se hace la colación de los mismos con la edición de Hill para obtener sus variantes. La colación no se limita al texto, sino que incluye el aparato critico, para relacionar las variantes con los manuscritos coincidentes, o bien dar las variantes exclusivas. Después se trabaja con éstas, clasificándolas convenientemente para extraer unas conclusiones que han pennitido ver las relaciones con el resto de manuscritos e identificar, finalmente, la rama o grupo de códices a que penenece.
Las variantes propias de los manuscritos estudiados se relacionan en apéndice final de una forma simple y cómoda, de manera que teniendo a mano la edición de Hill no sea ningún problema saber cuál es la lectura concreta que dan los manuscritos de Tortosa o de Salamanca en un detenninado pasaje.
El segundo capítulo habla a continuación de los comentarios, textos afines y estudios sobre la "Tebaida" en España. Estos comentarios y textos afines se estudian también a partir de sus originales manuscritos, haciendo en el primer caso una transcripción completa de las glosas que constituyen el comentario al primer libro de la "Tebaida" del manuscrito de Salamanca. A partir de esta transcripción se realiza un estudio de las mismas para efectuar una clasificación, mediante criterios morfológico-sintácticos, semánticos, y de léxico. También se analizan las variantes que presentan los manuscritos españoles en el texto de los argumentos métricos, entre ellas una lectura de gran interés no utilizada por su editor, Klotz. Después se relacionan las aportaciones de la filología hispana al estudio de Estacio, ejemplificadas en una biografía atribuida a Juan de Aljona y en una serie de trabajos actuales de bastante interés.
El tercer capítulo estudia la traducción de la "Tebaida" al castellano por Juan de Arjona y Gregorio Morillo. El análisis de la misma se ha realizado con un método comparativo entre el texto original y la versión. A partir de esta comparación (a nivel sintáctico, semántico, etc.), se anotan todas las divergencias que presenta la traducción, en especial los errores de interpretación, los añadidos (paráfrasis, nuevas redacciones, etc. ) y las omisiones (resumen o supresión de determinados pasajes).
En el apartado correspondiente se clasifican según los parámetros anteriores y se relacionan también los ejemplos más particulares de la técnica de traducción de los intérpretes españoles de la "Tebaida". Este estudio ha permitido comprobar las peculiaridades del estllo barroco de los traductores, su capacidad en parafrasear poéticamente el texto de Estacio, y respecto de sus diferencias, una menor ostentación de recursos por parte de Gregario Morillo.
El cuarto capítulo da paso a una síntesis aproximativa de las influencias de Estacio en las literaturas hispánicas, con un especial apartado para la épica culta, representada por "La Araucana" de Ercilla y "El Bernardo" de Balbuena. Esta investigación debe, no obstante, calificarse de aproximación, debido a la falta total de las monografías indispensables para tales efectos. A pesar de ésto, se han comprobado influencias en autores como el Marqués de Santillana, Juan de Mena y Juan del Encina, en Garcilaso de la Vega y en Luis de Góngora.
Ha sido muy fructífero el análisis de las influencias en la poesía épica del Siglo de Oro, centrado en "El Bernardo" de Balbuena. El análisis se ha realizado a partir de una lectura detenida de éste autor, haciendo especial atención en su uso de los tópicos o temas épicos de la poesía clásica.
A partir de esta delimitación se hace una lectura comparada de pasajes similares con la "Tebaida" de Estacio para determinar las influencias de este autor, tanto las referencias al tema tebano como las reminiscencias y la imitación estricta, comprobada en varios pasajes.
Todas las aportaciones de esta tesis al estudio de la tradición de la "Tebaida" en España se resumen en unas conclusiones fmales que comprenden todos los aspectos tratados. Al final del la tesis se da una relación completa de fuentes, que comprenden una bibliografía clasificada de Estacio y la Tebaida, así como otras obras subsidiarias para la redacción de la misma. Esta relación va seguida de un apéndice con todos los materiales complementarios a este estudio, como son las colaciones y clasificaciones de lecturas de los dos manuscritos, así como las transcripciones de glosas del manuscrito de Salamanca y la biografía inédita de Estacio. Igualmente, las ilustraciones sobre dichos aspectos, en especial las referidas a los manuscritos, figuran al final.
The study of the tradition of Stace, and concretely of the "Thebaid", has not begun in Spain systematically until now. This dissertation has as objective to begin the study of the Hispanic tradition of this work in two aspects: the analysis of the presented manuscripts, and the search of its influences in literature, especially in epic poetry of "Siglo de Oro".
The first part is based on an approximation to general tradition of the "Thebaid", exemplified in five chapters: the main manuscripts used by editors; the complicated history of the text and the reports between manuscripts; the recent editions, translations and commentaries; the old commentaries and contiguous texts; and, finally, its influence upon late medieval literature, and in the European literature until the Renaissance.
The first chapter of the second part deals with the Hispanic manuscripts: a general study of the manuscript kept in the Biblioteca Nacional de Madrid, coming from Toledo, the one of the Cathedral of Tortosa, and the one of the University of Salamanca. They are collected with Hill's edition (text and critical apparatus) to obtain their variant readings. Later I work with these for the identification of the group of similar manuscripts (DN1880 of Hill). The second chapter enumerates the commentaries, contiguous texts and studies on the "Thebaid".
The third chapter studies the translation of the "Thebaid" into Spanish by Juan de Arjona and Gregorio Morillo. This study has shown the peculiarities of the baroc translator's style and his own capacity for poetical paraphrase of Stace's text.
The fourth chapter is an approximation to the influences of Stace in Hispanic literature, with special attention to epic poetry, represented by "El Bernardo" of Balbuena. I have also probed the influences between authors as the Marqués de Santillana, Juan de Mena, Juan del Encina, Garcilaso de la Vega and Luis de Góngora.
All contributions of this dissertation to the study of the Hispanic tradition of the "Thebaid" are abridged in ultimate conclusions. At the end of the dissertation an appendix appears with all complementary materials to this study, as well as the collations and classifications of the readings of the two manuscripts, the glosses of the manuscript of Salamanca and an unpublished biography of Stace.
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Cardoso, Leandro Dorval [. UNESP]. "A Tebaida, de Públio Papínio Estácio: introdução, tradução e comentários (cantos I-V)." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/157165.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Esta tese propõe um projeto de tradução poética para os cinco primeiros cantos do poema épico Thebais, do autor romano Públio Papínio Estácio (séc. I d.C.), fundamentado no objetivo de manifestar, em português, as peculiaridades da poesia estaciana. Para isso, a tradução foi precedida por uma análise das principais características do texto e por uma discussão sobre a natureza e o próprio papel da tradução, feita a partir de concepções contemporâneas desenvolvidas no âmbito dos Estudos da Tradução. Após a tradução, são apresentados comentários críticos e explicativos para cada um dos cinco cantos com vistas a discutir, destacar e esclarecer passagens mais obscuras, referências sutis e questões relevantes para a construção de sentidos no poema.
This thesis proposes a poetic translation project for the first five books of the epic poem Thebais, by the Roman author Publius Papinius Statius (1st century AD), based on the objec- tive of expressing in Portuguese the peculiarities of Statian poetry. For this, the translation was preceded by an analysis of the main characteristics of the text and a by a discussion about the nature and the proper role of the translation, based on contemporary conceptions developed within the framework of the Translation Studies. After the translation, critical and explanatory comments were presented for each of the five books in order to discuss, highlight and clarify more obscure passages, subtle references and issues relevant to the construction of meanings in the poem.
CAPES: 88882.180355/2018-01 (Migrado - SACPAIS)
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Theben, Martin [Verfasser]. "Rechtliche Aspekte der (freiwillig) ausgeübten Prostitution unter besonderer Berücksichtigung gewerberechtlicher Vorschriften und des zivilen Vertragsrechts / Martin Theben." Aachen : Shaker, 2004. http://d-nb.info/1181602807/34.
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Ullrich, (geb Warmer) Carolin [Verfasser], and Gerrit [Akademischer Betreuer] Kloss. "'Aeneida longe sequi?' Ambiguierung und Disambiguierung als spezifische Formen der intertextuellen Kontrastimitation zwischen der 'Aeneis' des Vergil und der 'Thebais' des Statius / Carolin Ullrich (geb. Warmer) ; Betreuer: Gerrit Kloss." Heidelberg : Universitätsbibliothek Heidelberg, 2015. http://d-nb.info/118050139X/34.
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Grieshaber, Frank. "Lexikographie einer Landschaft : Beiträge zur historischen Topographie Oberägyptens zwischen Theben und Gabal as-Silsila anhand demotischer und griechischer Quellen /." Wiesbaden : Harrassowitz, 2004. http://catalogue.bnf.fr/ark:/12148/cb41080880z.
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Texte légèrement remanié de: Dissertation--Fakultät für Kulturwissenschaften--Tübingen, Wintersemester 2001/2002.Textes en grec ou égyptien ancien translittéré avec commentaire ou traduction en allemand. Bibliogr. p. 89-106.
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Moussa, Hassane. "Germination du palmier doum, Hyphaene thebaica (Mart.) et analyse de son interaction avec le mil, Pennisetum glaucum L., en zone semi-aride du Niger." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25442.pdf.
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Veigel, Isabell [Verfasser], and Stephan Johannes [Akademischer Betreuer] Seidlmayer. "Untersuchungen zum Einfluss der Wohnhaus- und Tempelarchitektur auf die Beamtengräber des Neuen Reiches in Amarna, Theben und Memphis / Isabell Veigel ; Betreuer: Stephan Johannes Seidlmayer." Heidelberg : Propylaeum, 2008. http://d-nb.info/1226705634/34.
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Weber, Anke [Verfasser]. "ÜBERlebensmittel : Die Darstellung von Opfergaben auf den Opfertischen des Neuen Reiches in Theben-West unter besonderer Berücksichtigung ihrer symbolischen Bedeutung und der Opfertischszene / Anke Weber." Berlin : Freie Universität Berlin, 2020. http://d-nb.info/1216104956/34.
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Aglan, Hassan. "Recently Discovered 18th Dynasty Tombs at Central Dra’ Abu el-Naga." Doctoral thesis, Humboldt-Universität zu Berlin, 2020. http://dx.doi.org/10.18452/21098.
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Gegenstand dieser Studie ist eine Gruppe von acht Felsgräbern und zwei Schaftgräbern im Zentralbereich von Dra’ Abu el-Naga (Central Dra’ Abu el-Naga, CDAN) auf der thebaischen Westseite. Die Errichtung dieser Anlagen geht auf die Zeit des ägyptischen Neuen Reichs zurück, doch wurden sie über viele Generationen nach der Bestattung der ursprünglichen Grabinhaber weiter benutzt. Die Einleitung (Chapter 1) skizziert den Rahmen der Untersuchung und umfasst drei Teile: Zunächst werden Hintergrundinformationen zur geographischen Lage und physischen Gestalt des Fundareals geliefert. Schließlich werden Verlauf und aktueller Stand der Forschungen in CDAN skizziert. In folgenden Hauptkapitel (Chapter 2) werden die vom ägyptische Ministry of State of Antiquities (MSA) in dem Areal durchgeführten Ausgrabungen behandelt. Durch die Konzentration auf die Analyse der vorkommenden Architekturelemente und deren Einordnung in die in CDAN vorkommenden Stiltypen konnten unserem Wissen.
Im dritten Hauptteil (Chapter 3) setze ich mich mit den Überbleibseln und Spuren der antiken Bestattungsgebräuche auseinander, also in erster Linie mit Objektgruppen auseinander. Im Letztem Hauptteil (Chapter 4) Wiederbenutzung der Grabanlagen in späteren Perioden. Abschließen wird die Bedeutung der neu entdeckten Grabanlagen für den Gesamtkontext der Archäologie von CDAN beleuchtet. Dabei haben sich neue Erkenntnisse zu den spezifischen Verwendungen und Funktionen sowie Nachverwendungen monumentaler Bestattungen in CDAN ergeben – gerade auch dadurch, dass sich der Betrachtungszeitraum vom Neuen Reich bis zur Moderne erstreckte und so unser Blick für die vielfältigen Bezugnahmen und Entwicklungen geschärft wurde.
Die vier Hauptkapitel werden durch einen Katalog der behandelten Objekte ergänzt.In this thesis, a group of eight rock cut tombs and two shaft-tombs located in Central Dra’ Abu el-Naga (CDAN) at the West Bank of Luxor were studied. The construction of these tombs dates mainly to the period of the New Kingdom (NK, c. 1550-1070 BCE), but they continued to be in use for many generations after the death of the original tomb owners. The framework of this study, as sketched in Chapter 1, is characterized by three approaches: the first section is titled The geographical and geological nature of DAN. The overview of The history of excavation at CDAN Finally, the focus is on the history of research on the necropolis of CDAN. In Chapter 2, the excavations conducted in the area by the Egyptian Ministry of State of Antiquities (MSA) are described. I described and discussed the architectural elements of the newly excavated tombs. At the end, the architectural styles that prevailed in the CDAN were described, as a step in clarifying the development of the history of the area. In Chapter 3, deals with the relics and traces of ancient burial customs, especially with the objects like statues, pottery, coffins, shanties, funerary cones, and other funerary equipment, which came to light during the excavations in the area. Particular attention was given to their dating. The last section, Chapter 4, the frequent re-use of the tombs in later periods, as illustrated, e.g., by ceramics and other small finds. At the end, the significance of the newly discovered tombs is highlighted. Further insights into the specific usages and functions of monumental tombs in CDAN in general were gained, and to increase the understanding of the connections, interrelationships and developments, this started from NK and ended to very modern time. The four main chapters are followed by a catalogue of objects.
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Meffre, Raphaële. "Le nord de la Moyenne Égypte à l’époque libyenne (vingt-deuxième – vingt-quatrième dynasties)." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040166.
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Cette étude vise à déterminer la place du nord de la Moyenne Égypte à l’époque libyenne (XXIIe-XXIVe dynasties). Cette région est alors d’une importance stratégique majeure car elle est située à la jonction entre les deux pouvoirs qui s’affrontent autour de Thèbes d’une part et de Tanis – Bubastis d’autre part.Le premier volume aborde le territoire du nord de la Moyenne Égypte en évoquant ses différents lieux d’un point de vue toponymique et archéologique. Les sites qui ont fourni du matériel d’époque libyenne ou qui sont réputés avoir été occupés à cette époque y sont présentés et étudiés. Le deuxième volume rassemble et étudie au total 127 monuments (matériel funéraire, stèles, statues, objets, textes et édifices, dont plusieurs inédits) qui constituent notre partie documentaire. Dans un souci d’exhaustivité, nous avons pris en compte l’ensemble de la documentation d’époque libyenne, ou supposée telle, provenant du nord de la Moyenne Égypte, mais également les documents qui concernent l’histoire de la région, sans pour autant en provenir.Notre troisième volume fait la synthèse des informations historiques fournies par cette documentation. Il ressort de notre étude qu’il faut abandonner l’hypothèse de l’origine héracléopolitaine des rois de la XXIIe dynastie. Nous avons également pu déterminer que l’emplacement de la frontière entre les deux pôles principaux du pays a varié au cours de l’époque libyenne. D’abord située à El-Hibeh, elle s’est déplacée vers le Nord, à Héracléopolis, puis a reflué vers le Sud dans la région de Tihna (Akoris). De ce fait, il convient d’abandonner l’hypothèse de la résidence héracléopolitaine des rois de la XXIIIe dynastie « thébaine »This study aims to understand the place of the North of Middle Egypt during the Libyan Period. This area is at this time of great strategic importance as it is situated between the territories directed by Thebes and the ones under the power of the king residing in Tanis – Bubastis. The first volume deals with the toponymy and archaeology of the Northern part of Middle Egypt. The sites where material from the Libyan Period has been found or is said to have been found are studied.In the second volume, a total of 127 monuments (funerary material, stelae, statues, objects of various kinds, texts and buildings, some of them being unpublished) are related and studied. In order to be as exhaustive as possible, we have taken into account the whole inscribed documentation either from Libyan Period, or supposed to be so, issued either from the Northern part of Middle Egypt, or documents concerning the History of the region although coming from other origins.Our third volume is a synthesis of the historic information drawn from this documentation. Our study shows that the hypothesis of the Herakleopolitan origin of the 22nd Dynasty Kings should be abandoned. We were able to determine that the location of the boundary between the two great centres of the country changed throughout the Libyan Period. First situated at El-Hibah, it was displaced to the North, at Herakleopolis, and then moved back to the South, in the vicinity of Tihna. We were able to conclude that, in spite of certain hypothesis, the residence of the kings of the 23rd “Theban” Dynasty should not be located in Herakleopolis although
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Tanré-Szewczyck, Juliette. "La collection Salt. Une collection européenne d'antiquités égyptiennes." Thesis, Lille 3, 2019. https://pepite-depot.univ-lille.fr/RESTREINT/EDSHS/2019/2019LIL3H012.pdf.
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Consul-Général britannique en Égypte de 1816 à 1827, Henry Salt y réunit une collection d’antiquités exceptionnelle. Dispersée en trois ensembles, elle est venue enrichir les départements égyptiens du British Museum et du musée du Louvre, alors en formation. Malgré la renommée d’Henry Salt, aucune étude d’ensemble sur sa collection n’avait jamais été entreprise. Cette thèse propose d’examiner l’impact que cette collection a eu sur une discipline égyptologique qui en était alors à ses balbutiements, et le rôle d’Henry Salt dans ce processus. Pour cela, nous avons d’abord étudié le contexte de formation de la collection à travers quatre axes de réflexion. Le premier chapitre est consacré à une étude d’Henry Salt dans ses activités égyptologiques. Le deuxième chapitre se concentre sur l’étude des processus de collecte d’antiquités sur le sol égyptien dans le premier tiers du XIXe siècle, tandis que le troisième chapitre, en miroir, s’attarde sur l’entrée de ces collections égyptiennes dans les musées européens. Enfin, le quatrième chapitre vient clore cette première partie en proposant une analyse de la place qu’occupent les antiquités égyptiennes dans le marché de l’art à cette période. La seconde partie de cette thèse propose une étude détaillée de la collection afin d’en préciser le contenu et d’affiner notre connaissance de la pratique de collectionneur du consul anglais. Les trois ensembles sont abordés successivement et l’étude est complétée par une analyse détaillée du travail de collecte effectué par Salt et ses agents dans la nécropole thébaineBritish Consul-General from 1816 to 1827, Henry Salt has gathered a remarkable collection of Egyptian antiquities. It was scattered into three groups of objects, which supplemented the Egyptian departments from the British Museum and the Louvre, at their early stages. This PhD aims to investigate the impact of this collection on Egyptology, which was then in their beginnings, and the role Henry Salt has played in this process. Despite Henry Salt’s reputation, no global study on his collection has been made until now. To achieve such a goal, we organised our thoughts into two parts. Firstly, we studied the circumstances of the setting up of this collection, by way of four focus. The first chapter is dedicated to a study of Henry Salt through his Egyptological activities. The second chapter focuses on the process of collecting activities on Egyptian soil during the first third of the nineteenth century, while the third chapter lingers on the processes by which Egyptian collections entered European museums. At last, the fourth chapter ends this first part by offering an analysis of the place of Egyptian antiquities in the art-market of the period. The second part of this PhD offers a detailed study of Henry Salt’s collection, in order to define its content and to clarify our knowledge of the English consul’s practice as a collector. The three groups of collections will be addressed one after another. The study is supplemented by a detailed analysis of Salt’s and his team’s collecting activities in the Theban necropolis
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Criado, Cecilia. "La teología de la Tebaida Estaciana el anti-virgilianismo de un clasicista /." Hildesheim : Georg Olms Verlag, 2000. http://catalog.hathitrust.org/api/volumes/oclc/43944306.html.
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Joo, Kyung Mee. "Three different Jocastas by Racine, Cocteau and Cixous." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4687.
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This study is about three French plays in which Jocasta, the mother and wife of Oedipus, is shared as a main character: La Thebaide (The Theban Brothers) by Jean Racine, La Machine Infernale (The Infernal Machine) by Jean Cocteau, and Le Nom d’Oedipe (The Name of Oedipus) by Helene Cixous. Jocasta has always been overshadowed by the tragic destiny of Oedipus since the onset of Sophocles’ works. Although these three plays commonly focus on describing the character of Jocasta, there are some remarkable differences among them in terms of theme, style, and stage directions. In The Theban Brothers, Racine’s 17th century play, Jocasta is described as a deathlike mother, while Cocteau’s Jocasta, in The Infernal Machine, is portrayed as an “extravagant, liberal, and hilarious” lady. In The Name of Oedipus, Cixous portrays Jocasta as a woman possessing hermaphroditic characteristics, ushering in a new era of resistance to the age-old paternal hierarchy. As for style, Racine’s neoclassical play shows a strict respect for the three unities of time, space, and action. Cocteau’s avant-garde play neglects all these rules, while Cixous goes even further by destroying the order of languages, as illustrated by her “feminine writing.” Freed from Western orthodoxy, Cixous wants to contribute to the creation of cosmic unity. Her deconstructionist play intends to regenerate the world by establishing a new order and new point of view towards universality. The stage directions of these plays are also an important key to better understanding theatrical evolution. It is
through the stage directions, indicated both implicitly and explicitly in these three plays, that enables us to appreciate the theatrical transformation in terms of visualization as well as metaphysics. In sum, the transformation of theme, style, and stage devices in portraying their own Jocastas demonstrates that while these three plays are deconstructional to one another, each denying the existing value and orders of their respective time periods, they are also constructional in that they all attempt to open a new horizon of theatre.ID: 029049980; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (M.A.)--University of Central Florida, 2010.; Includes bibliographical references (p. 70-71).
M.A.
Masters
Department of Theatre
Arts and Humanities
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McIntyre, James Stuart. "Written Into the landscape : Latin epic and the landmarks of literary reception." Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/543.
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Landscape in Roman literature is manifest with symbolic potential: in particular, Vergil and Ovid respond to ideologically loaded representations of abundance in nature that signal the dawn of the Augustan golden age. Vergil's Eclogues foreground a locus amoenus landscape which articulates both the hopes of the new age as well as the political upheaval that accompanied the new political regime; Ovid uses the same topography in order to suggest the arbitrary and capricious use of power within a deceptively idyllic landscape. Moreover, for Latin poets, depictions of landscape are themselves sites for poetic reflection as evidenced by the discussion of landscape ecphrases in Horace's Ars Poetica. My thesis focuses upon the depiction and refiguration of the locus amoenus landscape in the post-Augustan epics of the first century AD: Lucan's Bellum Civile, Valerius Flaccus' Argonautica, Statius' Thebaid and Silius Italicus' Punica. Landscape in these poems retains the moral, political and metapoetic force evident in the Augustan archetypes. However, I suggest that Lucan's Neronian Bellum Civile fundamentally refigures the landscapes of Latin epic poetry, inscribing the locus amoenus with the nefas of civil war in such a manner that it redefines the perception of landscape in the succeeding Flavian poets. Lucan perverts the landscape, making the locus horridus, a landscape of horror, fear and disgust, the predominant landscape of Latin epic; consequently, the poems of Valerius, Statius and Silius engage with Lucan's refiguration of landscape as a means of expressing the horror of civil war. In the first part of my thesis I examine archetypal landscapes, including those of the Augustan poets and Lucan's Bellum Civile. Taking an approach which engages with literary reception theory and the concept of the â horizon of expectationâ as a framework within which literary topographies can be understood as articulating a response to the thematics of civil war, in the second part of my thesis I demonstrate the manner in which landscapes represent a coherent and paradigmatic response to Lucan's imposition of his civil war narrative within the literary landscape of Roman literature.
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CUCCORO, CORRADO. "IL MITO CLASSICO NELLA DRAMMATURGIA DI LINGUA PORTOGHESE: I CICLI ARGONAUTICO, TEBANO E TROIANO." Doctoral thesis, Università Cattolica del Sacro Cuore, 2018. http://hdl.handle.net/10280/39111.
Full textAbstract:
Dall’inizio del XXI secolo, i drammi portoghesi e brasiliani ispirati all’antichità classica, prima trascurati o semplicemente ignorati dalla critica internazionale, sono stati oggetto di più ampio e sistematico studio, in relazione sia alle fonti antiche sia alla produzione moderna analoga. Nondimeno, in tale contesto hanno spesso prevalso prospettive o interessi nazionali; inoltre, la ricerca si è di solito concentrata su singoli miti, personaggi, motivi. Una ricognizione complessiva sarebbe a questo punto utilissima, ma non è ancora disponibile. La presente tesi è appunto volta a offrire un contributo in tale direzione, attraverso una mappatura ragionata della maggior parte delle opere pertinenti: tutte quelle concernenti i tre principali cicli mitici (argonautico, tebano, troiano). Secondo il mio censimento, il sorprendente corpus consta di tredici drammi (sei portoghesi e sette brasiliani) per il primo ciclo, ventuno (quattordici portoghesi e sette brasiliani) per il secondo e ventidue (diciotto portoghesi e quattro brasiliani) per il terzo.Since the turn of the 21st century, the Portuguese and Brazilian dramas inspired by the classical antiquity, previously overlooked or simply ignored by international critics, have been subject of more widespread and systematic studies, in connection with both their ancient references and similar modern production. Nevertheless, in this context national perspectives or interests have often been predominant; furthermore, research has usually concerned individual narratives, characters or motives. A comprehensive survey would be now very useful, but it is not yet available. The present thesis is just meant to offer a contribution in this regard, by providing an annotated map of most of the relevant works: all those which belong to the three main mythical cycles (Argonautic, Theban, Trojan). According to my data, the striking corpus consists in thirteen plays (six Portuguese and seven Brazilian) for the first cycle; twenty-one (fourteen Portuguese and seven Brazilian) for the second, and twenty-two (eighteen Portuguese and four Brazilian) for the third.
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Cherian, Ribu, Chandra Venkataraman, S. Ramachandran, Johannes Quaas, and Sumita Kedia. "Examination of aerosol distributions and radiative effects over the Bay of Bengal and the Arabian Sea region during ICARB using satellite data and a general circulation model: Examination of aerosol distributions and radiative effects over theBay of Bengal and the Arabian Sea region during ICARB usingsatellite data and a general circulation model." Copernicus Publications, 2012. https://ul.qucosa.de/id/qucosa%3A13466.
Full textAbstract:
In this paper we analyse aerosol loading and its direct radiative effects over the Bay of Bengal (BoB) and Arabian Sea (AS) regions for the Integrated Campaign on Aerosols, gases and Radiation Budget (ICARB) undertaken during 2006, using satellite data from the MODerate Resolution Imaging Spectroradiometer (MODIS) on board the Terra and Aqua satellites, the Aerosol Index from the Ozone
Monitoring Instrument (OMI) on board the Aura satellite, and the European-Community Hamburg (ECHAM5.5) general circulation model extended by Hamburg Aerosol Module (HAM). By statistically comparing with large-scale satellite data sets, we firstly show that the aerosol properties measured during the ship-based ICARB campaign and simulated by the model are representative for the BoB and AS regions and the pre-monsoon season. In a second step, the modelled
aerosol distributions were evaluated by a comparison with the measurements from the ship-based sunphotometer, and the satellite retrievals during ICARB. It is found that the model broadly reproduces the observed spatial and temporal variability in aerosol optical depth (AOD) over BoB and AS regions. However, AOD was systematically underestimated during high-pollution episodes, especially in the BoB
leg. We show that this underprediction of AOD is mostly because
of the deficiencies in the coarse mode, where the model shows that dust is the dominant component. The analysis of dust AOD along with the OMI Aerosol Index indicate that missing dust transport that results from too low dust emission fluxes over the Thar Desert region in the model caused this deficiency. Thirdly, we analysed the spatio-temporal
variability of AOD comparing the ship-based observations to the large-scale satellite observations and simulations. It was found that most of the variability along the track was from geographical patterns, with a minor influence by single events. Aerosol fields were homogeneous enough to yield a good statistical agreement between satellite data at a 1° spatial, but only twice-daily temporal resolution, and the shipbased sunphotometer data at a much finer spatial, but dailyaverage temporal resolution. Examination of the satellite
data further showed that the year 2006 is representative for the five-year period for which satellite data were available. Finally, we estimated the clear-sky solar direct aerosol radiative forcing (DARF). We found that the cruise represents well the regional-seasonal mean forcings. Constraining simulated forcings using the observed AOD distributions yields a robust estimate of regional-seasonal mean DARF of −8.6, −21.4 and +12.9Wm−2 at the top of the atmosphere (TOA),
at the surface (SUR) and in the atmosphere (ATM), respectively,
for the BoB region, and over the AS, of, −6.8, −12.8, and +6Wm−2 at TOA, SUR, and ATM, respectively.
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Legendre, Marie. "La Moyenne-Égypte du VIIe au IXe siècle : apports d’une perspective régionale à l’étude d’une société entre Byzance et l’Islam." Thesis, Paris 4, 2014. http://www.theses.fr/2014PA040164.
Full textAbstract:
Cette thèse propose une étude régionale des deux premiers siècles de l’Islam au cœur de la vallée du Nil. Elle se concentre sur la Moyenne-Égypte, plus précisément sur deux divisions administratives byzantines au moment de la conquête de l’Égypte par l’armée de ‘Amr b. al-‘Āṣ : celle de la capitale de la province de Thébaïde, Antinoé, et une de ses dépendances, la pagarchie d’Hermopolis Magna. Nous suivons dans cet espace les situations de contact entre conquérants et conquis au niveau local, entre les VIIe et IXe siècles, afin d’interroger l’évolution de ces deux catégories d’acteurs jusqu’à l’arrivée des Tulunides (868). Le corpus disponible pour cette étude est formé principalement par des papyrus arabes, grecs et coptes, alors que les sources littéraires s’intéressent très peu à la région. Ce riche ensemble documentaire permet de bien connaître la région et sa population à la fin de l’époque byzantine ainsi que de proposer un point de vue local sur l’histoire de la conquête. Un intérêt particulier est porté au développement d’une administration islamique locale née de la refonte du système régional byzantin en place au milieu du VIIe siècle. Au sein du développement de cette nouvelle structure administrative et provinciale au cours de la période umayyade, Antinoé perd tout statut administratif provincial. Elle prend le nom arabe d’Anṣinā, et Hermopolis celui d’Ašmūn(ayn). Cette dernière devient le principal échelon administratif de la Moyenne-Égypte islamique. En parallèle, nous pouvons suivre le développement d’une communauté musulmane de Moyenne-Égypte, impliquée à partir du VIIIe siècle dans l’administration et au cours de la période abbasside dans la propriété terrienne et dans la vie citadine et villageoise de la régionThis thesis offers a regional study of the two first centuries of Islam in the heart of the Egyptian Nile valley. It concentrates on Middle Egypt, precisely on the administrative divisions of the Byzantine system at the time of the conquest of Egypt by the armies of ‘Amr b. al-‘Āṣ (642) : the capital of the province of the Thebaid, Antinoe, and one of its dependencies, the pagarchy of Hermopolis Magna. Particular focus is given to the relationships between conquerors and conquered in this region between the 7th and the 9th century, the goal being to question the evolution of those two categories until the rise of the Tulunid dynasty (868). The sources available for this research are mainly non-literary papyri written in Arabic, Greek, and Coptic, as literary sources rarely express interest in this region. This rich documentary corpus allows us to examine in detail the administrative geography of the region and its population before the conquest and to offer a local point of view on the history of the conquest. Particular attention is given to the development of a new administrative and provincial structure during the Umayyad period in which the Thebaid is suppressed and Antinoe loses its place in the provincial structure of Egypt. It then appears under the Arabic name of Anṣinā and Hermopolis, as Ašmūn(ayn). The latter becomes the main administrative centre of Middle Egypt in the Islamic period and even supervises Anṣinā. In parallel, we can follow the development of the Muslim community involved in the administration of the region from the 8th century, in landholding and in city and village life in the Abbasid period
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Moutsinga, Ghislain de Saint-Val. "Le crédit et le rôle du banquier dans la prévention des difficultés des entreprises." Thesis, Toulon, 2015. http://www.theses.fr/2015TOUL0099.
Full textAbstract:
Cette thèse s’intéresse à l’étude de la relation entre l’ouverture financière et politique et la croissance économique dans les pays en voie de développement. En effet, réformes politiques et libéralisation économique étaient le mot d’ordre des instances financières internationales qui conditionnaient l’octroi des aides financières à l’application de certaines réformes en faveur de la démocratie, du respect des droits de l’Homme et de l’intégration à la sphère financière mondiale. Notre investigation empirique porte sur un échantillon de 108 pays en voie de développement entre 1984 et 2008 et fait appel aux techniques d’estimation de panel statiques et dynamiques et les nouveaux tests de causalité en panel hétérogène. Nos résultats, démontrent que la libéralisation financière en plus de son impact direct sur la croissance, agit positivement sur l’investissement, le commerce extérieur ainsi que la stabilité macroéconomique à travers une réduction de l’inflation. L’intégration financière favorise, aussi, le développement du secteur financier et du capital humain. Ailleurs, la démocratie, même si elle n’a pas d’impact direct significatif sur la croissance, semble influer positivement sur celle-ci de manière indirecte à travers le canal du commerce extérieur mais aussi du développement financier et la promotion du capital humain. Ailleurs, l’instabilité politique affecte négativement le développement économique de manière directe mais aussi de manière indirecte en diminuant les investissements et le commerce avec l’extérieur et en augmentant l’inflation. Finalement, nos résultats suggèrent l’existence d’une relation de causalité bidirectionnelle entre l’intégration financière et la démocratie. Cependant, la relation entre ouverture financière et stabilité politique est plus spécifique et dépend des caractéristiques régionales des paysThe purpose of this thesis is to study the relationship between financial integration, political openness and growth in developing countries. In fact, political reforms and economic liberalization was the slogan of the international financial institutions which conditioned the granting of financial aid to the implementation of certain reforms in favor of democracy and more respect of human rights in addition to more financial integration. Our empirical investigation covers a sample of 108 developing countries between 1984 and 2008 and uses both static and dynamic panel data estimation in addition to the new causality test in heterogeneous panel. Our results show that financial liberalization positively impact growth directly and through indirect channel like Investment, trade and macroeconomic stability. It also favors financial development and promotes human capital. Even though, democracy doesn’t directly influence growth, it has an indirect positive effect on it through favoring international trade in addition to financial and human capital development. Otherwise, political instability negatively affects growth directly but also indirectly through decreasing investment and increasing inflation. Finally, our results suggest the existence of a bidirectional relationship between financial integration and democracy. In the other side, the relationship between financial integration and political stability is more specific and depend upon regionals characteristics of the country