Log in

Relevant bibliographies by topics / Theatre / Books

To see the other types of publications on this topic, follow the link: Theatre.

Books on the topic 'Theatre'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 November 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Theatre.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Hertzberger, Herman. Chassé Theater Breda =: Theatre Breda. Rotterdam: Uitgeverij 010 Publishers, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Georges, Aperghis, ed. Theater und Musik =: Theatre and music. Brussel: Kaaitheater, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Maugham, W. S. Theatre. Санкт-Петербург: КАРО, 2006.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Maugham, W. S. Theatre. Санкт-Петербург: КАРО, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

Ch"oe, Inhun. Theatre. Paris: Cric/Libraire-galerie Racine, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Maugham, W. Somerset. Theatre. Москва: Менеджер, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Stone, Judy S. J. Theatre. London: Macmillan Caribbean, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Cohen, Robert. Theatre. 6th ed. Boston: McGraw-Hill, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Cohen, Robert. Theatre. 4th ed. Mountain View, Calif: Mayfield Pub. Co., 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Anderson, Judith. Theatre. London: Wayland, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

1934-, Von Szeliski John, ed. Theatre. 2nd ed. Mountain View, Calif: Mayfield Pub. Co., 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Zanzi, Anic. Theatre. Milan, Italy: 5 continents, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Sophocles, ed. Theatre. Oldcastle, Country Meath, Ireland: Gallery Books, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Dawson, Jerry. Left theatre: Merseyside Unity Theatre. Liverpool: Merseyside Writers, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Núñez, Nicolás. Anthropocosmic Theatre: Theatre, Ritual, Consciousness. Huddersfield: University of Huddersfield Press, 2019.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

V, TV. Theater Lover Theatre Geek. Independently published, 2018.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Public theatres and theatre publics. Newcastle upon Tyne: Cambridge Scholars Pub., 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Gerould, Daniel. Theatre/Theory/Theatre. Applause Books, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

Gerould, Daniel, and Hal Leonard Corp Staff. Theatre/Theory/Theatre. Leonard Corporation, Hal, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

McMillan, Joyce. Traverse Theatre Story. Heinemann, 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Ehrlich, Roman. Theater des Krieges: Theatre of War. Dreen, Markus, Anne König u. Jan Wenzel. Spectormag GbR, 2021.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Want, Robert S. Want's Theater Directory 1994 (American Theatre). Want Pub, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Theatre and Audience (Theatre &). Palgrave Macmillan, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Services, York (England) Leisure, ed. Theatre Royal: Theatre club. York City Council Leisure Services, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Theatre and Politics (Theatre &). Palgrave Macmillan, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Theatre and Education (Theatre &). Palgrave Macmillan, 2009.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

(Editor), John Istel, ed. Theatre Profiles: The Illustrated Guide to America's Nonprofit Professional Theatres (Theatre Profiles). 2nd ed. Theatre Communications Group, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Yarrow, Ralph. Indian Theatre: Theatre of Origin, Theatre of Freedom. Routledge, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Indian Theatre: Theatre of Origin, Theatre of Freedom. Routledge, 2012.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Indian Theatre: Theatre of Origin, Theatre of Freedom. RoutledgeCurzon, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Yarrow, Ralph. Indian Theatre: Theatre of Origin, Theatre of Freedom. Taylor & Francis Group, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

Yarrow, Ralph. Indian Theatre: Theatre of Origin, Theatre of Freedom. Taylor & Francis Group, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

Yarrow, Ralph. Indian Theatre: Theatre of Origin, Theatre of Freedom. Taylor & Francis Group, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Lazardzig, Jan, and Hole Rößler, eds. Technologies of Theatre. Klostermann, 2016. http://dx.doi.org/10.5771/9783465142591.

Full text

Abstract:

Baroque theatre spectacles are frequently celebrated for their overwhelming effects and marvelous technologies. However, little is known about how the mechanical knowledge for elaborate stage machineries was actually acquired by architects and engineers, and how it disseminated throughout European theatre cultures with regard to specific religious, social, political as well as economical contexts. So far unnoticed by historians of theatre and performance, the early seventeenth-century codex iconographicus 401 (Bavarian State Library) offers new insight to the transfer of mechanical knowledge and theater technology. This manuscript can now be attributed to Joseph Furttenbach (1591-1667), building master of the Swabian city of Ulm, today best known for his numerous publications on architectural theory. The codex incorporates technical drawings and descriptions of the theatrical machineries invented and designed by Giulio Parigi for the epoch-making festivals at the Medici court in Florence. The invention and construction of theatrical machineries was taught at Parigi’s Florentine academy of art and engineering, which Furttenbach attended. Besides an English translation of Furttenbach’s manuscript (originally written in German language), this volume collects studies at the intersection of theater, architecture, and technology, proposing an innovative approach to the historiography of early modern theater.

APA, Harvard, Vancouver, ISO, and other styles

35

Miroshnik, Meg. Theater Artists Making Theatre With No Theater: Spring 2020. Savage Candy Productions, 2020.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

Theatre. London: Random House Publishing Group, 2008.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Brady, Linzy, and Jolyon Mitchell. Theatre. Edited by Joel D. S. Rasmussen, Judith Wolfe, and Johannes Zachhuber. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198718406.013.18.

Full text

Abstract:

How did the relation between Christianity and drama evolve during the long nineteenth century? How were Christian beliefs represented, promoted, and interrogated through drama? What part did Christianity play in the changing kinds, spaces, and genres of theatre? This chapter analyses the creation, production, and reception of a range of dramatic forms, including melodramas, musicals, ‘classics’, comedies, and tragedies, as well as explicitly religious, and later in the nineteenth century, cinematic dramas. Plays by George Bernard Shaw, Leo Tolstoy, and Henrik Ibsen are scrutinized alongside early silent films and the evolving passion and religious plays tradition. The chapter teases out a number of underlying tensions relating to the place of Christianity within popular and respectable theatre, romantic and realistic drama, and theatrical and screen drama. The chapter highlights how Christian beliefs were creatively used by playwrights, actors, and theatre-goers, in theatrical, domestic, and public spaces.

APA, Harvard, Vancouver, ISO, and other styles

38

Woodruff, Paul. Theatre. Edited by Jerrold Levinson. Oxford University Press, 2009. http://dx.doi.org/10.1093/oxfordhb/9780199279456.003.0034.

Full text

Abstract:

Philosophy of art began, for European cultures, with Plato's criticism of theatre and Aristotle's account of tragedy; modern philosophical discussion of the arts has been less oriented to theatre, which has generally been submerged in the broader topics of literature and fiction and, most recently, obscured by the rising interest in film. This article explains what theatre is threadbare. Theatre has become increasingly hard to define; traditional theories allowed theatre to melt into literature, while ideas that were new in the twentieth century shattered the comfort of what was thought to be the Aristotelian model and demanded that thinkers about theatre recognize the unique implications of theatre in religion, politics, and the life of community.

APA, Harvard, Vancouver, ISO, and other styles

39

Theatre. Vintage International, 2001.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Cheek-O'Donnell, Sydney. Theatre. Emerald Publishing Limited, 2021. http://dx.doi.org/10.1108/9781838673338.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Theatre. Ottawa: eBooksLib, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

42

Dupont, Florence. Theatre. Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780199211524.013.0028.

Full text

APA, Harvard, Vancouver, ISO, and other styles

43

Hutson, Lorna. Theatre. Edited by James Simpson and Brian Cummings. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199212484.013.0013.

Full text

Abstract:

In the 1980s, New Historicist critics suggested that Renaissance theater was marked by the Reformation; specifically, that it expressed the vanishing of ritual and sacrament from ordinary people’s lives. More recently, critics like Sarah Beckwith have shown how pre-Reformation theater worked as ritual and sacrament by revealing the extent to which it was implicated in the jurisdiction of confession, penance and absolution for sin. This article revisits the question of how the Reformation abolition of annual mandatory confession affected theater. It qualifies both the New Historicist view of Renaissance theater as evacuated ritual and Beckwith’s view of the Protestant abolition of confession as an exteriorization of penance. Reading the first English Renaissance neoclassical comedy in English,Gammer Gurton’s Needle(c.1553-60), the article shows how profoundly its neoclassical concern with proof and evidence is tied in with a rejection of priestly confession and an invitation to parishioners and neighbors to be more skeptical and less credulous in believing the worst of one another.

APA, Harvard, Vancouver, ISO, and other styles

44

Marland, Serge. Theatre. Vol. 4. Paris, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Marland, Serge. Theatre. Vol. 2. Paris, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

46

Marland, Serge. Theatre. Vol. 1. Paris, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Obaldia, Rene de. Theatre. Grasset, 2000.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Cohen, Robert. Theatre. 6th ed. McGraw-Hill Humanities/Social Sciences/Languages, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

49

Theatre. 7th ed. Boston: McGraw-Hill, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

50

Theatre. Independently Published, 2021.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!