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1

Les "bienfaits" de la colonisation: 18 textes de 16 auteurs. Belfort-du-Quercy (Lot): ABS éditions, 2007.

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2

Vuillermoz, Marc. Le système des objets dans le théâtre français des années 1625-1650: Corneille, Mairet, Rotrou, Scudéry. Genève: Droz, 2000.

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3

Groupe de recherche sur la poétique du drame moderne et contemporain (Paris), ed. Nouveaux territoires du dialogue. Arles (Bouches-du-Rhône): Actes Sud-Papiers, 2005.

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4

Le diable et la vierge: Textes dramatiques du Moyen Age. Paris: Christian Bourgois, 1990.

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5

Julie, Sermon, ed. Le personnage théâtral contemporain: Décomposition, recomposition. Montreuil-sous-Bois: Editions théâtrales, 2006.

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6

Dethurens, Pascal. Le théâtre et l'infini: Métamorphose du sacré dans la dramaturgie européenne de 1890 à 1940. Saint-Pierre-du-Mont: Eurédit, 2000.

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7

Le diable dans le vaudeville au XIXe siècle: Avec une chronologie des pièces, un index des auteurs et un répertoire des revues et journaux. Paris: Lettres modernes Minard, 2003.

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8

La scène surveillée: Essai. Arles [France]: Actes Sud, 2006.

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9

F, Népote-Desmarres, Grosperrin J. -Ph, and Louvat-Molozay B, eds. Mythe et histoire dans le théâtre classique: Hommage à Christian Delmas. Paris: Edition H. Champion, 2002.

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10

Université Paul Valéry. Groupe de recherche études germaniques et centre-européennes. Représentations du corps dans les arts du spectacle et la littérature des pays germaniques: Darstellungen des Körpers. Montpellier: Université Paul-Valéry Montpellier 3, 2004.

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11

Pilar Nieva de la Paz. Autoras dramáticas españolas entre 1918 y 1936: Texto y representación. Madrid: Consejo Superior de Investigaciones Científicas, Instituto de Filología, 1993.

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12

The drama of fallen France: Reading la comédie sans tickets. Albany: State University of New York Press, 2004.

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13

1939-, Zimmerman Susan, ed. Erotic politics: Desire on the Renaissance stage. New York: Routledge, 1992.

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14

Aristophanes and the Poetics of Surprise. de Gruyter GmbH, Walter, 2020.

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15

Aristophanes and the Poetics of Surprise. de Gruyter GmbH, Walter, 2020.

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16

Kanellakis, Dimitrios. Aristophanes and the Poetics of Surprise. de Gruyter GmbH, Walter, 2020.

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17

Dasgupta, Anannya. Magical Epistemologies: Forms of Knowledge in Early Modern English Drama. Routledge, 2021.

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18

Dasgupta, Anannya. Magical Epistemologies. Taylor & Francis Group, 2021.

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19

Magical Epistemologies: Forms of Knowledge in Early Modern English Drama. Routledge, 2021.

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20

Chansky, Dorothy, and Ann Folino White. Food and Theatre on the World Stage. Taylor & Francis Group, 2015.

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21

Chansky, Dorothy, and Ann Folino White. Food and Theatre on the World Stage. Taylor & Francis Group, 2015.

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22

Food and Theatre on the World Stage. Taylor & Francis Group, 2015.

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23

Chansky, Dorothy, and Ann Folino White. Food and Theatre on the World Stage. Taylor & Francis Group, 2015.

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24

Chansky, Dorothy, and Ann Folino White. Food and Theatre on the World Stage. Taylor & Francis Group, 2015.

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25

Barton, Anne. The Names of Comedy. University of Toronto Press, 1990.

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26

Cox, Emma. Performance and Migration. Taylor & Francis Group, 2021.

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27

Cox, Emma. Performance and Migration. Taylor & Francis Group, 2021.

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28

Performance and Migration. Taylor & Francis Group, 2021.

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29

Krauss, Kenneth. Drama of Fallen France: LA Comedie Sans Tickets. State University of New York Press, 2003.

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30

Krauss, Kenneth. The Drama of Fallen France: Reading LA Comedie Sans Tickets (Stanley Fish). State University of New York Press, 2003.

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31

Zimmerman, Susan. Erotic Politics: The Dynamics of Desire in the Renaissance Theatre. Taylor & Francis Group, 2005.

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32

Zimmerman, Susan. Erotic Politics: The Dynamics of Desire in the Renaissance Theatre. Taylor & Francis Group, 2005.

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33

Zimmerman, Susan. Erotic Politics: The Dynamics of Desire in the Renaissance Theatre. Taylor & Francis Group, 2005.

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