Journal articles on the topic 'Theatre – Production and direction'
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Montecchi, Fabrizio. "Creation processes in contemporary shadow theatre." Móin-Móin - Revista de Estudos sobre Teatro de Formas Animadas 2, no. 21 (December 20, 2019): 293–306. http://dx.doi.org/10.5965/2595034702212019293.
Full textKreicberga, Zane. "LATVIAN THEATRE IN TRANSITION . THE ROOTS IN THE 1990s." Culture Crossroads 19 (October 11, 2022): 78–88. http://dx.doi.org/10.55877/cc.vol19.30.
Full textMojžišová, Michaela. "Peter Konwitschny, Opera and Theatre Director Shaping the Profile of the Bratislava Opera of a New Millennium." Slovenske divadlo /The Slovak Theatre 65, no. 3 (September 1, 2017): 266–82. http://dx.doi.org/10.1515/sd-2017-0015.
Full textMark Gasper, Tekena. "Approaches to Play Directing in Contemporary Nigerian Theatre: A Study of Segun Adefila and Bolanle Austen-Peters." Journal of Contemporary Drama in English 7, no. 2 (November 7, 2019): 314–32. http://dx.doi.org/10.1515/jcde-2019-0022.
Full textJones, Nesta. "Looking at Lear: the Voice Work and Direction of Cicely Berry." New Theatre Quarterly 35, no. 02 (April 15, 2019): 135–49. http://dx.doi.org/10.1017/s0266464x19000058.
Full textLindovská, Nadežda. "Ján Jamnický’s Ten Days with Soviet Theatre." Slovenske divadlo /The Slovak Theatre 65, no. 2 (June 27, 2017): 121–41. http://dx.doi.org/10.1515/sd-2017-0008.
Full textBarnes Lipscomb, Valerie. "“The play’s the thing”: theatre as a scholarly meeting ground in age studies." International Journal of Ageing and Later Life 7, no. 2 (April 12, 2013): 117–41. http://dx.doi.org/10.3384/ijal.1652-8670.1272a6.
Full textPodmaková, Dagmar. "Alexander Dubček Twice – An (Un)Known Side of Him." Slovenske divadlo /The Slovak Theatre 66, no. 3 (September 1, 2018): 242–66. http://dx.doi.org/10.2478/sd-2018-0015.
Full textJACOBSHAGEN, ARNOLD. "Staging at the Opéra-Comique in nineteenth-century Paris: Auber's Fra Diavolo and the livrets de mise-en-scène." Cambridge Opera Journal 13, no. 3 (November 2001): 239–60. http://dx.doi.org/10.1017/s0954586701002397.
Full textFitzPatrick Dean, Joan. "Hilton Edwards, Brecht and the Brechtian." Review of Irish Studies in Europe 4, no. 1 (June 14, 2021): 82–98. http://dx.doi.org/10.32803/rise.v4i1.2622.
Full textAnderson, Martin. "London, English national Opera: ‘The Handmaid's Tale’." Tempo 57, no. 225 (July 2003): 39. http://dx.doi.org/10.1017/s0040298203220246.
Full textYelchyk, Oksana. "Screen Adaptation of Theatrical Performances of the 1970–1980s: Preconditions, Trends of Formation and Development." Folk art and ethnology, no. 4 (December 30, 2022): 82–88. http://dx.doi.org/10.15407/nte2022.04.082.
Full textStuart, Ian. "Revisiting ‘The Sea’: Bond's English Comedy in Toulouse." New Theatre Quarterly 15, no. 2 (May 1999): 178–82. http://dx.doi.org/10.1017/s0266464x00012859.
Full textAfandiyeva, Nazrin R. "Turandot by Carlo Gozzi in the Russian theatre reception of the 1910-1920s." Imagologiya i komparativistika, no. 18 (2022): 154–67. http://dx.doi.org/10.17223/24099554/18/8.
Full textPekkala, Laura, and Riku Roihankorpi. "An Artistic Community and a Workplace." Nordic Theatre Studies 30, no. 1 (August 2, 2018): 115–43. http://dx.doi.org/10.7146/nts.v30i1.106926.
Full textCantrell, Tom. "Directing actors in continuing drama." Critical Studies in Television: The International Journal of Television Studies 13, no. 3 (August 21, 2018): 297–314. http://dx.doi.org/10.1177/1749602018781312.
Full textMarowitz, Charles. "Otherness: the Director and the Discovery of the Actor." New Theatre Quarterly 14, no. 53 (February 1998): 3–8. http://dx.doi.org/10.1017/s0266464x00011684.
Full textSmart, Billy. "Three Different Cherry Orchards, Three Different Worlds: Chekhov at the BBC, 1962–81." Critical Studies in Television: The International Journal of Television Studies 9, no. 3 (September 1, 2014): 65–76. http://dx.doi.org/10.7227/cst.9.3.7.
Full textIzvarina, О. M. "Opera directing in the Ukrainian Musical Theatre in 20s of 20th century." Musical art in the educological discourse, no. 3 (2018): 66–70. http://dx.doi.org/10.28925/2518-766x.2018.3.6670.
Full textStuart, Ian. "Answering to the Dead: Edward Bond's ‘Jackets’, 1989–90." New Theatre Quarterly 7, no. 26 (May 1991): 171–83. http://dx.doi.org/10.1017/s0266464x00005443.
Full textBrewster, Yvonne. "Drawing the Black and White Line: Defining Black Women's Theatre." New Theatre Quarterly 7, no. 28 (November 1991): 361–68. http://dx.doi.org/10.1017/s0266464x00006060.
Full textHusin, Fazilah, Nik Fazli Mohamad, Zulkifli Mohamad, and Mohd Zariat Abdul Rani. "A PERFORMANCE APPROACH FOR DINSMAN's ISLAMIC THEATRES." International Journal of Creative Industries 1, no. 2 (December 15, 2019): 18–28. http://dx.doi.org/10.35631/ijcrei.12002.
Full textMathers, Pete. "Edward Bond Directs ‘Summer’ at the Cottesloe, 1982." New Theatre Quarterly 2, no. 6 (May 1986): 136–53. http://dx.doi.org/10.1017/s0266464x00002025.
Full textShevtsova, Maria. "Lev Dodin's ‘Musical Dramatic Art’ and the World of Opera." New Theatre Quarterly 20, no. 4 (October 25, 2004): 341–53. http://dx.doi.org/10.1017/s0266464x04000235.
Full textABELIOVICH, RUTHIE. "Work and Play: Rolf Hochhuth's The Representative in Tel Aviv (1964)." Theatre Research International 45, no. 3 (October 2020): 326–31. http://dx.doi.org/10.1017/s0307883320000334.
Full textTugbokorowei, Martins Uze E., and Tunde Obado Oliogu. "The Director’s craft in the Nigerian Educational Theatre: A Study of Henry Leopold Bell-Gam’s Directorial Approach." Global Journal of Arts, Humanities and Social Sciences 10, no. 9 (August 15, 2022): 20–33. http://dx.doi.org/10.37745/gjahss.2013/vol10n92033.
Full textJirglová, Lucie. "The Correspondence of Bohuslav Martinů with Josef Munclinger and his Comments on the Stage Direction of the Four-Part Opera Hry o Marii in the Collections of the National Museum." Musicalia 10, no. 1-2 (December 1, 2018): 149–75. http://dx.doi.org/10.1515/muscz-2018-0005.
Full textPogrebnіak, Galyna. "Topical Issues of Modern Directing Education." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 5, no. 2 (December 22, 2022): 189–98. http://dx.doi.org/10.31866/2617-2674.5.2.2022.269526.
Full textGlytzouris, Antonis. "Karolos Koun in the 1930s and the Birth of Modernist Shakespeare in Greece." New Theatre Quarterly 30, no. 1 (February 2014): 40–50. http://dx.doi.org/10.1017/s0266464x14000062.
Full textQuinn, Michael L. "‘Reading‘ and Directing the Play." New Theatre Quarterly 3, no. 11 (August 1987): 218–23. http://dx.doi.org/10.1017/s0266464x00015190.
Full textGudkov, Maxim M. "Leonid Snegoff as Vakhtangov’s follower in the USA and his Broadway production of Dmitry Scheglov’s play “The Blizzard”." ТЕАТР. ЖИВОПИСЬ. КИНО. МУЗЫКА, no. 2 (2022): 10–33. http://dx.doi.org/10.35852/2588-0144-2022-2-10-33.
Full textSmole, Simon. "Dangerous promises." Maska 34, no. 198 (December 1, 2019): 60–63. http://dx.doi.org/10.1386/maska.34.198-199.60_1.
Full textCarroll, Kathleen L. "The Americanization of Beatrice: Nineteenth-Century Style." Theatre Survey 31, no. 1 (May 1990): 67–84. http://dx.doi.org/10.1017/s0040557400000995.
Full textBraun, Kazimierz. "Wprowadzenie do „Za kulisami” Cypriana Norwida." Tematy i Konteksty 16, no. 11 (2021): 400–413. http://dx.doi.org/10.15584/tik.2021.26.
Full textChatterjee, Sudipto. "SOUTH ASIAN AMERICAN THEATRE: (UN/RE-)PAINTING THE TOWN BROWN." Theatre Survey 49, no. 1 (May 2008): 109–17. http://dx.doi.org/10.1017/s0040557408000069.
Full textSpivakovskyi, Oleksandr. "Ukrainian performances of small form operas in the era of the 2000s." Ukrainian musicology 46 (October 27, 2020): 75–85. http://dx.doi.org/10.31318/0130-5298.2020.46.234597.
Full textMitchell, Katie, and Mario Frendo. "A Conversation on Directing Opera." New Theatre Quarterly 37, no. 3 (July 19, 2021): 246–55. http://dx.doi.org/10.1017/s0266464x21000142.
Full textSaldivar, Nicholas, Thomas C. Varkey, Brianna J. Rafidi, Jack B. Ding, Taydan Tran, and Kartik Akkihal. "The Use of Scent Within the Changing Landscape of Theatre and Its Application to Long-Term Rehabilitation." International Journal of Medical Science and Clinical Invention 9, no. 09 (September 30, 2022): 6256–62. http://dx.doi.org/10.18535/ijmsci/v9i09.05.
Full textAllen, David. "Jonathan Miller Directs Chekhov." New Theatre Quarterly 5, no. 17 (February 1989): 52–66. http://dx.doi.org/10.1017/s0266464x00015335.
Full textMerolla, Daniela. "De La Parole aux Videos. Oralite, Ecriture et Oralite Mediatique Dans la Production Culturelle Amazigh (Berbere)." Afrika Focus 18, no. 1-2 (February 15, 2005): 33–58. http://dx.doi.org/10.1163/2031356x-0180102004.
Full textRomanska, Magda. "BETWEEN HISTORY AND MEMORY: AUSCHWITZ IN AKROPOLIS, AKROPOLIS IN AUSCHWITZ." Theatre Survey 50, no. 2 (November 2009): 223–50. http://dx.doi.org/10.1017/s0040557409990056.
Full textChebotarev, Sergey A. "Art of theater direction in the 20th–21st centuries." Neophilology, no. 28 (2021): 718–25. http://dx.doi.org/10.20310/2587-6953-2021-7-28-718-725.
Full textTulloch, John, Tom Burvill, and Andrew Hood. "Reinhabiting ‘The Cherry Orchard’: Class and History in Performing Chekhov." New Theatre Quarterly 13, no. 52 (November 1997): 318–28. http://dx.doi.org/10.1017/s0266464x00011441.
Full textWoźniak, Katarzyna. "Pirandello jako widz zawodowy." Annales Universitatis Paedagogicae Cracoviensis | Studia Historicolitteraria 17 (October 12, 2018): 126–34. http://dx.doi.org/10.24917/20811853.17.11.
Full textGhelardi, Marco. "Doing Things with Words: Directing Dario Fo in the UK." New Theatre Quarterly 18, no. 3 (August 2002): 222–33. http://dx.doi.org/10.1017/s0266464x02000313.
Full textShishkin, Andrei Gennadievich. "Repertory theater of production type – trends in the dialogue of cultures in modern music and theater culture (on the example of the Ural Opera Ballet Theater)." Культура и искусство, no. 5 (May 2021): 37–46. http://dx.doi.org/10.7256/2454-0625.2021.5.35614.
Full textLaird, Andrew. "Roman Epic Theatre? Reception, performance, and the poet in Virgil'sAeneid." Proceedings of the Cambridge Philological Society 49 (2003): 19–39. http://dx.doi.org/10.1017/s0068673500000936.
Full textLēvalde, Vēsma. "Digimodernisms teātrī: perspektīva un naratīvs." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 25 (March 4, 2020): 276–85. http://dx.doi.org/10.37384/aplkp.2020.25.276.
Full textAdeoye, ARA. "The Thesis and Synthesis of Production Philosophy in the African Literary Theatre Directing." African Research Review 9, no. 2 (July 1, 2015): 13. http://dx.doi.org/10.4314/afrrev.v9i2.2.
Full textGow, Sherrill. "Queering Brechtian feminism: Breaking down gender binaries in musical theatre pedagogical performance practices." Studies in Musical Theatre 12, no. 3 (December 1, 2018): 343–53. http://dx.doi.org/10.1386/smt.12.3.343_1.
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