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Books on the topic 'Theatre of absurdity'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 February 2022

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Consult the top 17 books for your research on the topic 'Theatre of absurdity.'

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1

Demastes, William W. Theatre of chaos: Beyond absurdism, into orderly disorder. Cambridge, U.K: Cambridge University Press, 1998.

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2

Teatro absurdista hispanoamericano. Valencia: Albatros Hispanófila, 1985.

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3

Sinani, Petrit. Absurdi: Tragjedia moderne e fatit. [Albania?]: Shtëpia Botuese Dituria, 1996.

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4

The plays of Harold Pinter: From absurdism to political drama? Marburg: Tectum Verlag, 2009.

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5

Lennartz, Norbert. Absurdität vor dem Theater des Absurden: Absurde Tendenzen und Paradigmata untersucht an ausgewählten Beispielen von Lord Byron bis T.S. Eliot. Trier: WVT Wissenschaftlicher Verlag, 1998.

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6

The theatrical critic as cultural agent: Constructing Pinter, Orton and Stoppard as absurdist playwrights. New York: Peter Lang Pub., 2001.

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7

Farhad Hussain: 'after the theatre of absurdity'. New Delhi: Vadehra Art Gallery, 2007.

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8

Farhad Hussain: 'after the theatre of absurdity'. New Delhi: Vadehra Art Gallery, 2007.

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9

Calder, John. Anthology of Absurdist Theatre. Riverrun Pr, 1995.

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10

Hadwen, Debra. The Theatre of the Absurdism. Taylor & Francis, 1997.

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11

GO: 21st Century Existentialism In An Absurdist Theme. San Jose, USA: Smashwords Independent Publishing Platform, 2013.

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12

GO: 21st Century Existentialism In An Absurdist Theme. Seattle, USA: Amazon Kindle Direct Publishing, 2013.

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13

GO: 21st Century Existentialism In An Absurdist Theme. Seattle, USA: Create Space, 2013.

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14

Demastes, William W. Theatre of Chaos: Beyond Absurdism, into Orderly Disorder. Cambridge University Press, 2005.

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15

Williams, Carolyn. Comic Opera. Edited by Robert Gordon and Olaf Jubin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988747.013.3.

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Abstract:
W. S. Gilbert (librettist) and Arthur Sullivan (composer) wrote fourteen works of musical theatre from 1871 to 1896, often called the ‘Savoy operas’ after 1881, when producer Richard D’Oyly Carte built the Savoy Theatre to house them. They crafted a distinctive genre of English comic opera through parodies of previous genres both high and low, both English and Continental. The operas are absurdist, parodic, and satirical, but are played in a deadpan style and are punctuated with resonantly affecting numbers. The comic operas by Gilbert and Sullivan are an essential precursor of the modern musical, and their depiction of English society is humorous yet critical, replete with satire of English institutions, the law, the professions, gender relations, and empire. They examine the theatricality of everyday life, the dynamics of socialization, accidents of birth and circumstance, the effects of tutelage and authority, Victorian exhibition culture, social class, gender, and nationalism.
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16

Sanborn, Scott Alexander. Disintegration as seen in modern Latin American Absurdist and Brechtian dramas. 1986.

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17

May, Bob. Paul Bunyan, Two Old Men, and a Wizard: A Collection of Fantasy, Absurdist, and Theatrical Plays from a Career in Theatre. Skye Bridge Publishing, 2018.

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