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Books on the topic 'Theatre manager'

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Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Christopher Rich of Drury Lane: The biography of a theatre manager. Lanham, MD: University Press of America, 1986.

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2

Edmond, Mary. Rare Sir William Davenant: Poet laureate, playwright, civil war general, Restoration theatre manager. New York: St. Martin's Press, 1987.

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3

Rare Sir William Davenant: Poet laureate, playwright, Civil War general, Restoration theatre manager. Manchester: Manchester University Press, 1987.

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4

Collins, Theresa. How theater managers manage. Lanham, Md: Scarecrow Press, 2003.

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5

Zazzaro, Mario. Everything you always wanted to know about being a good theatre manager but no one would tell you: The basics. Waterbury, CT: Exec-U-Books, 1990.

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6

Curry, Jane Kathleen. Nineteenth-century American women theatre managers. Westport, Conn: Greenwood Press, 1994.

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7

Walter Hampden: Dean of the American theatre. Madison [N.J.]: Fairleigh Dickinson University Press, 2008.

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8

Newlyn, Doreen. Theatre connections: A very personal story. (Leeds?): Walter Newlyn, 1995.

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9

Under two managers: The everyday life of the Thornton-Barnett Theatre Company, 1785-1853. London: Society for Theatre Research, 2001.

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10

Louis D'Alton and the Abbey Theatre. Dublin: Four Courts, 2004.

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11

Matson, Cecil. The way it was: A kaleidoscopic look at early theatre in the Oregon country and a view of the changing pattern of theatre in the early years of th twentieth century into the present day. Portland, Or. (10430 N.W. Flotoma Drive, Portland 97229): C. Matson, 1988.

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12

Matson, Cecil. The way it was: A kaleidoscopic look at early theatre in the Oregon country and a view of the changing pattern of theatre in the early years of the twentieth century into the present day. Portland, Or: C. Matson, 1988.

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13

Karinthy, Márton. Okosan kell szeretni a magyarságunkat: Karinthy Márton színigazgató, íróval beszélget Dutka Judit . Budapest: Kairosz Kiadó, 2012.

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14

Tra arte e mercato: Agenti e agenzie teatrali nel XIX secolo. Roma: Bulzoni, 2006.

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15

Running theaters: Best practices for leaders and managers. New York, N.Y: Allworth Press, 2004.

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16

Henry Fielding and the London theatre, 1728-1737. Oxford [Oxfordshire]: Clarendon Press, 1988.

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17

Milt, Machlin, ed. Minsky's burlesque. New York: Arbor House, 1986.

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18

Bingham, Charlotte. Distant music. London: Doubleday, 2002.

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19

Darlings all: The dramatic life of a New York theater family, 1895-1957. [Bloomington, IN]: Xlibris, 2011.

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20

Annie Horniman: A pioneer in the theatre. London: Methuen, 1990.

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21

Intorno al palcoscenico: Storie e cronache dell'organizzatore teatrale. Milano, Italy: FrancoAngeli, 2012.

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22

1616, Henslowe Philip d., ed. A companion to Henslowe's Diary. Cambridge [Cambridgeshire]: Cambridge University Press, 1988.

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23

Rinear, David L. The temple of Momus: Mitchell's Olympic Theatre. Metuchen, N.J: Scarecrow Press, 1987.

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24

Durdant-Hollamby, Margaret. Life's not a rehearsal: The autobiography of Margaret Durdant-Hollamby. Sevenoaks: Durdant-Hollamby, 1998.

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25

Næss, Trine. Thora Hansson: En pionér i norsk teater : skuespillerinne, pedagog, instruktør, teatersjef. Oslo: Teatermuseet i Oslo, 1989.

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26

Collision: When reality and illusion collide. Bloomington, IN: AuthorHouse, 2011.

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27

Hughes, Jim. Management of theatre imaging. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198813170.003.0007.

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This chapter covers the basics of managing surgical imaging across one or more theatres/operating rooms, with examples of potential pitfalls and errors that may occur and how to remedy them. Professional working and management of conflict and issues is also covered, at the level of both the individual radiographer and the team manager. As C-arm systems are expensive, it is unlikely that each operation theatre in a hospital will have its own, and imaging systems will hence be shared across the theatre department. It is therefore important for radiographers working in theatre departments to manage their resources and coordinate with theatre teams to avoid delaying procedures.

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28

Lyceum Theatre (New York, N.Y.), ed. Lyceum Theatre: W.J. Fleming, manager, programme, Friday evening, Feb. 8th .. [S.l: s.n., 1986.

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29

Stirling, Edward. Old Drury Lane: Fifty Years Recollections Of Author, Actor And Manager. Kessinger Publishing, LLC, 2007.

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30

Stirling, Edward. Old Drury Lane: Fifty Years Recollections Of Author, Actor And Manager. Kessinger Publishing, LLC, 2007.

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31

Edmond, Mary. Rare Sir William Davenant, Poet Laureate, Playwright, Civil War General, Restoration Theatre Manager. Manchester U.P., 1989.

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32

Collins, Tess. How Theater Managers Manage. The Scarecrow Press, Inc., 2003.

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33

Lansdowne theatre!: Micawber Club, lessees, E.A. McDowell, manager, will open Monday, June 17th, with a carefully selected stock company. [S.l: s.n., 1986.

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34

Crochunis, Thomas C. Women Theatre Managers. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199600304.013.039.

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35

Taylor, David Francis. Theatre Managers and the Managing of Theatre History. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199600304.013.014.

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36

Burden, Michael. Dibdin at the Royal Circus. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812425.003.0003.

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In 1782, Dibdin entered into a partnership with Charles Hughes to set up a new entertainment venue, the Royal Circus. Its unique feature was the combination of an equestrian ring with allegorical and musical entertainments on a proscenium-arch stage, an innovative hybrid that drew upon the respective talents of Hughes and Dibdin. This chapter analyses how the Circus sought to compete with its rivals through its architecture and location, spectacle, music, novelties (including performances by children), and the mixing of genres and forms. Ultimately, however, Dibdin’s time at the Circus ended in ignominious disputes, a product of licensing problems, but also a failure to collaborate successfully in the manner demanded by this form of entertainment. Dibdin’s spell as a theatre-manager at the Circus thus reveals the wider driving forces—competition, innovation, miscellany, and collaboration—that lay behind the flourishing of London’s minor theatres in the late eighteenth century.

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37

Ammen, Sharon. Never Were There Such Devoted Sisters. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040658.003.0002.

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This chapter traces May Irwin’s life from her early move from Canada to America in a vaudeville act with her sister, Flo Irwin. Her apprenticeship with Tony Pastor is reviewed in detail, as is her subsequent split with Flo to work with Augustin Daly. Daly represented a new kind of manager-director in American theatre who used nineteenth century notions of realism on the stage. Irwin’s combined natural ability and technical training assisted her rise to stardom when she left Daly’s company for financial reasons. The chapter considers factors contributing to 1890s theatre growth, the emergence of new theatre audiences, and the success of the Keith-Albee Circuit. The chapter concludes with Irwin’s success in The Widow Jones as she becomes America’s “reigning Queen of Comedy.”

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38

Lyceum, St John Dramatic, ed. Theatre!: St. John Dramatic Lyceum south side, King Square ... summer season 1867, the manager has much pleasure in announcing to his friends and the public generally, that he will open the above popular place of amusement .. [Saint John, N.B.?: s.n., 1987.

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39

Gibbs, Lewis. Sheridan: His Life And His Theatre. Kessinger Publishing, LLC, 2007.

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40

THE LEADER'S HANDBOOK. Bay Area Christian Publishing, 2013.

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41

Webb, Duncan. Running Theaters: Best Practices for Leaders and Managers. Allworth Press, 2005.

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42

Grand Opera House (London, Ont.), ed. Grand Opera House, London, Ont., season '94-95: C.J. Whitney, lessee, A.E. Roote, manager. [London, Ont.?: s.n., 1987.

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43

Webb, Duncan M. Running Theaters: Best Practices for Leaders and Managers. Skyhorse Publishing Company, Incorporated, 2012.

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44

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Gale Cengage, 2008.

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45

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Gale Cengage, 2008.

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46

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Gale Cengage, 2008.

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47

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Gale Cengage, 2008.

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48

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Gale Cengage, 2008.

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49

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Thomson Gale, 2004.

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50

Contemporary Theatre, Film & Television (Contemporary Theatre, Film and Television). Gale Cengage, 2008.

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