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Books on the topic 'Theatre intercultural and interdisciplinary'

Author: Grafiati

Published: 25 May 2024

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1

1946-, Kettemann Bernhard, and Marko Georg, eds. Crossing borders: Interdisciplinary intercultural interactions. Tübingen: Gunter Narr, 1999.

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2

Leffler, Elliot. Applied Theatre and Intercultural Dialogue. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-98515-8.

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3

1949-, Brunt Richard James, and Enninger Werner, eds. Interdisciplinary perspectives at cross-cultural communication. Aachen: Rader, 1985.

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4

Roche, Jörg, and Thomas Salumets. Germanics under construction: Intercultural and interdisciplinary prospects. München: Iudicium Verlag, 1996.

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5

Feng, Wei. Intercultural Aesthetics in Traditional Chinese Theatre. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-40635-6.

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6

Jones, Peter. Intercultural Learning: Critical preparation for international student travel. Broadway: UTS ePRESS, 2019.

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7

Jews and theatre in an intercultural context. Leiden: Brill, 2012.

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8

Eckhard, Breitinger, and Gesellschaft für die Neuen Englischsprachigen Literaturen., eds. Theatre and performance in Africa: Intercultural perspectives. Bayreuth, Germany: Bayreuth University, 1994.

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9

Eckhard, Breitinger, ed. Theatre and performance in Africa: Intercultural perspectives. Bayreuth: E. Breitinger, 1994.

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10

Eckhard, Breitinger, ed. Theatre and performance in Africa: Intercultural perspectives. 2nd ed. Bayreuth, Germany: Eckhard Breitinger, Bayreuth University, 2003.

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11

Nahshon, Edna. Jews and theatre in an intercultural context. Leiden: Brill, 2012.

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12

Kindelan, Nancy. STEM, Theatre Arts, and Interdisciplinary Integrative Learning. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-08907-7.

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13

missing], [name. The concept of the foreign: An interdisciplinary dialogue. Lanham, MD: Lexington Books, 2002.

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14

Interdisciplinary perspectives in cross-cultural communication. Muenchen: Lincom Europa, 2012.

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15

Buttimer, Anne. Life experience as catalyst for disciplinary communication: Adventures in dialogue 1977-1985. Lund: University of Lund, 1986.

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16

Belkin, Ahuva. Jewish theatre: Tradition in transition and intercultural vistas. Tel Aviv: Assaph Books, 2008.

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17

Ahuva, Belkin, ed. Jewish theatre: Tradition in transition and intercultural vistas. Tel Aviv: Assaph Books, 2008.

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18

Jewish theatre: Tradition in transition and intercultural vistas. Tel Aviv: Assaph Books, 2008.

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19

Ahuva, Belkin, ed. Jewish theatre: Tradition in transition and intercultural vistas. Tel Aviv: Assaph Books, 2008.

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20

Bharucha, Rustom. Theatre and the World. London: Taylor & Francis Group Plc, 2004.

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21

1934-, Schechner Richard, and Appel Willa, eds. By means of performance: Intercultural studies of theatre and ritual. Cambridge: Cambridge University Press, 1990.

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22

Young people, new theatre: A practical guide to an intercultural process. New York, NY: Routledge, 2007.

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23

Ibsen's theatre of ritualistic visions: An interdisciplinary study of ten plays. Oxford: P. Lang, 2008.

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24

Performative inter-actions in African theatre 3: Making space, rethinking drama and theatre in Africa. Newcastle upon Tyne: Cambridge Scholars Publishing, 2013.

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25

The poetics of difference and displacement: Twentieth-century Chinese-Western intercultural theatre. Hong Kong: Hong Kong University Press, 2008.

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26

Spaces of intercultural communication: An interdisciplinary introduction to communication, culture, and globalizing/localizing identities. Creskill, NJ: Hampton Press, 2003.

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27

Erika, Fischer-Lichte, Gissenwehrer Michael, and Riley Josephine, eds. The Dramatic touch of difference: Theatre, own and foreign. Tübingen: G. Narr, 1990.

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28

Theatre at the crossroads of culture. London: Routledge, 1992.

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29

McAllister-Viel, Tara. Training Actors' Voices: Towards an Intercultural/Interdisciplinary Approach. Taylor & Francis Group, 2018.

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30

McAllister-Viel, Tara. Training Actors' Voices: Towards an Intercultural/Interdisciplinary Approach. Taylor & Francis Group, 2018.

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31

McAllister-Viel, Tara. Training Actors' Voices: Towards an Intercultural/Interdisciplinary Approach. Taylor & Francis Group, 2018.

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32

McAllister-Viel, Tara. Training Actors' Voices: Towards an Intercultural/Interdisciplinary Approach. Taylor & Francis Group, 2018.

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33

McAllister-Viel, Tara. Training Actors' Voices: Towards an Intercultural/Interdisciplinary Approach. Taylor & Francis Group, 2018.

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34

(Editor), Irene Mariaf Blayer, and Monica Sanchez (Editor), eds. Storytelling: Interdisciplinary and Intercultural Perspectives. Peter Lang Publishing, 2002.

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35

Kelz, Robert. Competing Germanies. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501739859.001.0001.

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Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. This book tracks the paths of several stage actors from European theaters to Buenos Aires and explores how two of Argentina's most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed. Theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts. The book reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance. Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives the book a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus.

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36

Theatre Arts: An Interdisciplinary Approach. Kendall Hunt Publishing Company, 2015.

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37

Theatre Arts: An Interdisciplinary Approach. Kendall Hunt Publishing Company, 2019.

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38

Enns, Fernando, Olav Fykse Tveit, and Annette Mosher. Just Peace: Ecumenical, Intercultural, and Interdisciplinary Perspectives. Wipf & Stock Publishers, 2013.

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39

Kannabiran, Kalpana, Bettina Hollstein, and Florian Hoffmann. Discourses on Corruption: Interdisciplinary and Intercultural Perspectives. SAGE Publications India Pvt Ltd, 2021. http://dx.doi.org/10.4135/978-93-5479-014-0.

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Corruption, often described as all that is rotten in the modern society, has become an increasingly dominant theme in contemporary political discourse, one that is related to specific practices, concepts and evaluations that vary across regions, cultures, spheres of action and disciplines. This volume, through case studies, investigates corruption in the Global South (especially India and Brazil) and West (especially Switzerland) to gain a more nuanced view of the phenomenon. The chapters in this volume are organized into two loosely structured and overlapping parts: the first part consisting of Chapters 2¬¬–5 covers conceptual questions related to corruption discourses from different perspectives such as economic ethics, social capital theory and literature; the second part consisting of Chapters 6–11 details the complexity and diversity of corruption practices within and between countries and regions, providing different interpretative frameworks, which in turn flow into discourses on corruption. Kalpana Kannabiran is an Independent Sociologist and Lawyer, Hyderabad, India. Bettina Hollstein is Managing Director, Max Weber Centre for Advanced Cultural and Social Studies, University of Erfurt, Germany. Florian F. Hoffmann is a Professor of Law, Department of Law, Pontifícia Universidade Católica do Rio de Janeiro (PUC-Rio), Brazil.

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40

Green, Judith L., and W. Douglas Baker, eds. Interdisciplinary and Intercultural Programmes in Higher Education. Routledge, 2019. http://dx.doi.org/10.4324/9781315204239.

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41

Hoffmann, Florian F., Kalpana Kannabiran, and Bettina Hollstein. Discourses on Corruption: Interdisciplinary and Intercultural Perspectives. SAGE Publications India Pvt, Ltd., 2021.

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42

Enns, Fernando, Olav Fykse Tveit, and Annette Mosher. Just Peace: Ecumenical, Intercultural, and Interdisciplinary Perspectives. Wipf & Stock Publishers, 2013.

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43

Enns, Fernando, Olav Fykse Tveit, and Annette Mosher. Just Peace: Ecumenical, Intercultural, and Interdisciplinary Perspectives. Wipf & Stock Publishers, 2013.

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44

Dundjerovic, Aleksandar Sasha. Live Digital Theatre: Interdisciplinary Performative Pedagogies. Routledge, Chapman & Hall, Incorporated, 2023.

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45

Dundjerovic, Aleksandar Sasha. Live Digital Theatre: Interdisciplinary Performative Pedagogies. Routledge, Chapman & Hall, Incorporated, 2023.

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46

Wallner, Friedrich G., and Fengli Lan. Evaluation of Acupuncture: An Intercultural and Interdisciplinary Approach. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

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47

Wallner, Friedrich G., and Fengli Lan. Evaluation of Acupuncture: An Intercultural and Interdisciplinary Approach. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

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48

Wallner, Friedrich G., and Fengli Lan. Evaluation of Acupuncture: An Intercultural and Interdisciplinary Approach. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

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49

Wallner, Friedrich G., and Fengli Lan. Evaluation of Acupuncture: An Intercultural and Interdisciplinary Approach. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2018.

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50

Zarrilli, Phillip B., Jerri Daboo, and Rebecca Loukes. Acting : Psychophysical Phenomenon and Process: Intercultural and Interdisciplinary Perspectives. Palgrave Macmillan, 2013.

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