Journal articles on the topic 'Theatre – Australia – History'
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Kaiser, Max, and Lisa Milner. "“Part of What We Thought and Felt”: Antifascism, Antisemitism and Jewish Connections with the New Theatre." Labour History 120, no. 1 (May 1, 2021): 95–116. http://dx.doi.org/10.3828/jlh.2021.6.
Full textKelly, Veronica. "Beauty and the Market: Actress Postcards and their Senders in Early Twentieth-Century Australia." New Theatre Quarterly 20, no. 2 (April 21, 2004): 99–116. http://dx.doi.org/10.1017/s0266464x04000016.
Full textWilson, Pat H. "Singing Our Songs: Celebrating Australian Music Theatre repertoire." Australian Voice 22 (2021): 9–15. http://dx.doi.org/10.56307/bxzp3343.
Full textSone, Yuji. "Tolerance and History: Theatre of the Australia–Japan Relationship." Contemporary Theatre Review 26, no. 4 (October 2016): 444–56. http://dx.doi.org/10.1080/10486801.2016.1216406.
Full textTompkins, Joanne. "‘Homescapes’ and Identity Reformations in Australian Multicultural Drama." Theatre Research International 26, no. 1 (March 2001): 47–59. http://dx.doi.org/10.1017/s0307883301000050.
Full textSt Leon, Mark Valentine. "Presence, Prestige and Patronage: Circus Proprietors and Country Pastors in Australia, 1847–1942." Alternative Spirituality and Religion Review 12, no. 1 (2021): 39–73. http://dx.doi.org/10.5840/asrr2021122179.
Full textWake, Caroline. "Headphone Verbatim Theatre: Methods, Histories, Genres, Theories." New Theatre Quarterly 29, no. 4 (November 2013): 321–35. http://dx.doi.org/10.1017/s0266464x13000651.
Full textFLEMING, JOSEPHINE, ROBYN EWING, MICHAEL ANDERSON, and HELEN KLIEVE. "Reimagining the Wheel: The Implications of Cultural Diversity for Mainstream Theatre Programming in Australia." Theatre Research International 39, no. 2 (June 4, 2014): 133–48. http://dx.doi.org/10.1017/s0307883314000054.
Full textMcIntyre, John Alexander. "New Education beyond the school: Rosemarie Benjamin’s Theatre for Children, 1937-1957." History of Education Review 47, no. 2 (October 1, 2018): 217–28. http://dx.doi.org/10.1108/her-11-2017-0021.
Full textAnderson, Margot. "Dance Overview of the Australian Performing Arts Collection." Dance Research 38, no. 2 (November 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.
Full textChannells, Philip. "Perfect (im)Perfections–the choreographer’s reflections on the creative process." Nordic Journal of Dance 6, no. 1 (June 1, 2015): 48–53. http://dx.doi.org/10.2478/njd-2015-0005.
Full textKelly, Veronica. "A Complementary Economy? National Markets and International Product in Early Australian Theatre Managements." New Theatre Quarterly 21, no. 1 (January 26, 2005): 77–95. http://dx.doi.org/10.1017/s0266464x04000351.
Full textSyron, Liza-Mare. "‘Addressing a Great Silence’: Black Diggers and the Aboriginal Experience of War." New Theatre Quarterly 31, no. 3 (July 9, 2015): 223–31. http://dx.doi.org/10.1017/s0266464x15000457.
Full textMeyrick, Julian, Tully Barnett, and Robert Phiddian. "The conferral of value: the role of reporting processes in the assessment of culture." Media International Australia 171, no. 1 (September 24, 2018): 80–94. http://dx.doi.org/10.1177/1329878x18798704.
Full textAtkey, Mel. "A Million Miles from Broadway." Brock Review 12, no. 2 (December 5, 2011): 1–11. http://dx.doi.org/10.26522/br.v12i2.358.
Full textWaterhouse, Richard. "Lola Montez and high culture: The Elizabethan theatre trust in post‐war Australia." Journal of Australian Studies 21, no. 52 (January 1997): 148–58. http://dx.doi.org/10.1080/14443059709387305.
Full textKaori, Kobayashi. "‘The Actors Are Come Hither’: Shakespeare Productions by Travelling Companies in Asia." New Theatre Quarterly 32, no. 1 (January 7, 2016): 49–60. http://dx.doi.org/10.1017/s0266464x15000858.
Full textHolman, Brett. "The militarisation of aerial theatre: air displays and airmindedness in Britain and Australia between the world wars." Contemporary British History 33, no. 4 (September 25, 2018): 483–506. http://dx.doi.org/10.1080/13619462.2018.1519430.
Full textO'Sullivan, Patrick, and Judith Maitland. "Greek and Latin Teaching in Australian and New Zealand Universities: A 2005 Survey." Antichthon 41 (2007): 109–20. http://dx.doi.org/10.1017/s0066477400001787.
Full textTsokhas, Kosmas. "‘Trouble Must Follow’: Australia's Ban on Iron Ore Exports to Japan in 1938." Modern Asian Studies 29, no. 4 (October 1995): 871–92. http://dx.doi.org/10.1017/s0026749x00016218.
Full textRaudsepp, Anu. "Vaimse vastupanu püüded okupatsioonivõimudele Hugo Raudsepa 1940. aastate komöödiates." Ajalooline Ajakiri. The Estonian Historical Journal 172, no. 2 (December 31, 2020): 117–40. http://dx.doi.org/10.12697/aa.2020.2.02.
Full textLey, Graham. "Diaspora Space, the Regions, and British Asian Theatre." New Theatre Quarterly 27, no. 3 (August 2011): 215–28. http://dx.doi.org/10.1017/s0266464x11000431.
Full textKartomi, Margaret J. "“Traditional Music Weeps” and Other Themes in the Discourse on Music, Dance and Theatre of Indonesia, Malaysia and Thailand." Journal of Southeast Asian Studies 26, no. 2 (September 1995): 366–400. http://dx.doi.org/10.1017/s0022463400007141.
Full textHudoshnyk, Oksana, and Liliia Temchenko. "Discussion aspects of interdisciplinary interaction of journalism and oral history." Synopsis: Text Context Media 28, no. 2 (2022): 95–103. http://dx.doi.org/10.28925/2311-259x.2022.2.7.
Full textGilbert, Helen. "Cultural Frictions: John Romeril's The Floating World." Theatre Research International 26, no. 1 (March 2001): 60–70. http://dx.doi.org/10.1017/s0307883301000062.
Full textRixon, Tessa, Jennifer Irwin, David Walters, Jeremy Neideck, M’ck McKeague, Richard Roberts, Anthony Brumpton, and Latai Taumoepeau. "Shaping Our Australian Scenographic Identities: A visual essay." Scene 9, no. 1 (December 1, 2021): 133–55. http://dx.doi.org/10.1386/scene_00041_3.
Full textLey, Graham. "Varifocalism: a Perspective on the Discipline of Theatre Studies." New Theatre Quarterly 30, no. 3 (August 2014): 268–73. http://dx.doi.org/10.1017/s0266464x14000505.
Full textGoldstein, Tara. "The Bridge: The Political Possibilities of Intergenerational Verbatim Theater." Qualitative Inquiry 26, no. 7 (April 15, 2019): 833–39. http://dx.doi.org/10.1177/1077800419843947.
Full textTulloch, John, Tom Burvill, and Andrew Hood. "Reinhabiting ‘The Cherry Orchard’: Class and History in Performing Chekhov." New Theatre Quarterly 13, no. 52 (November 1997): 318–28. http://dx.doi.org/10.1017/s0266464x00011441.
Full textBrown, Jacqueline M. "Unspoken Indigenous History on the Stage: The Postcolonial Plays of Jack Davis." New Theatre Quarterly 38, no. 4 (October 18, 2022): 333–45. http://dx.doi.org/10.1017/s0266464x22000240.
Full textMilner, Lisa, and Cathy Brigden. "Staging international communism: British–Australian radical theatre connections." Contemporary British History 33, no. 4 (September 20, 2018): 507–23. http://dx.doi.org/10.1080/13619462.2018.1519431.
Full textMulcahy, Sean Alexander, and Sean Mulcahy. "Acting Law | Law Acting: A Conversation with Dr Felix Nobis and Professor Gary Watt." Exchanges: The Interdisciplinary Research Journal 4, no. 2 (April 30, 2017): 189–200. http://dx.doi.org/10.31273/eirj.v4i2.158.
Full textBarker, Craig. "Some Initial Observations on a Building Excavated on Fabrika in Nea Paphos in Cyprus by the Australian Archaeological Mission." Studies in Ancient Art and Civilisation 19 (December 30, 2015): 169–201. http://dx.doi.org/10.12797/saac.19.2015.19.09.
Full textVu, Linh D. "Bones of Contention: China’s World War II Military Graves in India, Burma, and Papua New Guinea." Journal of Chinese Military History 8, no. 1 (May 17, 2019): 52–99. http://dx.doi.org/10.1163/22127453-12341339.
Full textFotheringham, Richard. "The Great War and popular modernism: Pat Hanna's Louis XI." Queensland Review 23, no. 2 (December 2016): 133–42. http://dx.doi.org/10.1017/qre.2016.25.
Full textArrighi, Gillian. "Synthesising circus aesthetics and science: Australian circus and variety theatre at the turn of the twentieth century." Early Popular Visual Culture 16, no. 3 (July 3, 2018): 235–53. http://dx.doi.org/10.1080/17460654.2019.1569843.
Full textFenton-Smith, Ben. "Discourse structure and political performance in adversarial parliamentary questioning." Journal of Language and Politics 7, no. 1 (May 26, 2008): 97–118. http://dx.doi.org/10.1075/jlp.7.1.05smi.
Full textLeclercq, M. G., and A. G. Robertson. "(A268) Lessons Learned: Western Australia's Health Sector Resilience during a Severe Storm." Prehospital and Disaster Medicine 26, S1 (May 2011): s74. http://dx.doi.org/10.1017/s1049023x11002524.
Full textGregory, Fiona. "Performing the Rest Cure: Mrs Patrick Campbell's Ophelia, 1897." New Theatre Quarterly 28, no. 2 (May 2012): 107–21. http://dx.doi.org/10.1017/s0266464x12000218.
Full textParker, Christopher, Barbara Yorke, Elizabeth Truax, John N. King, Roberta Anderson, Geoff Ridden, Keith Lindley, et al. "Reviews: Historical Theory, a Companion to Anglo-Saxon Literature, Malory's Morte D'Arthur: Re-Making Arthurian Tradition, Writing the Reformation: Actes and Monuments and the Jacobean History Play, Women on the Renaissance Stage: Anna of Denmark and Female Masquing in the Stuart Court, 1590–1619, Who Killed Shakespeare? What's Happened to English since the Radical Sixties, Oral and Literate Culture in England, 1500–1700, the Poetry of Mildmay Fane, Second Earl of Westmorland from the Fulbeck, Harvard and Westmorland Manuscripts, the Antichrist's Lewd Hat: Protestants, Papists and Players in Post-Reformation England, Staging Domesticity: Household Work and English Identity in Early Modern Drama, Shakespeare's Domestic Economies: Gender and Property in Early Modern England, Dorothy Osborne: Letters to William Temple: Observations on Love, Literature, Politics and Religion, Eighteenth-Century Contexts: Historical Inquiries in Honor of Phillip Harth, Family and Friends in Eighteenth-Century England: Household, Kinship and Patronage, Jane Austen and the Theatre, Jane Austen and the Theatre, Waterloo and the Romantic Imagination, George Eliot and the British Empire, Fiction Rivals Science: The French Novel from Balzac to Proust, the Impact of the Railway on Society in Britain: Essays in Honour of Jack Simmons, Middle-Class Culture in the Nineteenth Century: America, Australia and Britain, James Hanley: Modernism and the Working Class, Transformations of Domesticity in Modern Women's Writing: Homelessness at Home, Teaching LiteratureFulbrookMary, Historical Theory , Routledge, 2002, pp. xii + 228, £10.99.PulsianoPhillip and TraherneElaine (eds), A Companion to Anglo-Saxon Literature , Blackwell, 2001, pp. 529, £80.BattCatherine, Malory's Morte D'Arthur: Re-making Arthurian Tradition , Palgrave, 2002, pp. xxiii + 264, £32.50.RobinsonMarsha S., Writing the Reformation : Actes and Monuments and the Jacobean History Play , Ashgate, 2002, pp. xxiii + 192, £40.McManusClare, Women on the Renaissance Stage: Anna of Denmark and Female Masquing in the Stuart Court, 1590–1619 , Manchester University Press, 2002, pp. 276, £45.BrantlingerPatrick, Who Killed Shakespeare? What's Happened to English Since the Radical Sixties , Routledge, 2001, pp. 238, £14.99 pb.FoxAdam, Oral and Literate Culture in England, 1500–1700 , Oxford Studies in Social History, Clarendon Press, Oxford, 2000, pp. 413, £45.00.CainTom (ed.), The Poetry of Mildmay Fane, Second Earl of Westmorland from the Fulbeck, Harvard and Westmorland Manuscripts , Manchester University Press, 2001, pp. xii + 465, £50.LakePeter (with Michael Questier), The Antichrist's Lewd Hat: Protestants, Papists and Players in Post-Reformation England , Yale UP, 2002, pp. 731, $45.00.WallWendy, Staging Domesticity: Household Work and English Identity in Early Modern Drama , Cambridge University Press, 2002, pp. xiii + 292, £45KordaNatasha, Shakespeare's Domestic Economies: Gender and Property in Early Modern England , University of Pennsylvania Press, 2002, pp. ix + 276, $49.95.ParkerKenneth (ed.), Dorothy Osborne: Letters to William Temple: Observations on Love, Literature, Politics and Religion , Ashgate, 2002, pp. xi + 348£49.50.WeinbrotHoward D., SchakelPeter J. and KarianStephen E. (eds), Eighteenth-century Contexts: Historical Inquiries in Honor of Phillip Harth , University of Wisconsin Press, 2001, pp. xviii + 305, $21.95.TadmorNaomi, Family and Friends in Eighteenth-century England: Household, Kinship and Patronage , Cambridge University Press2001, pp. x + 312, £40.ByrnePaula, Jane Austen and the Theatre , Hambledon, 2002, pp. xvii + 283, £25GayPenny, Jane Austen and the Theatre , Cambridge University Press, 2002, pp. xi + 201, £37.50.ShawPhilip, Waterloo and the Romantic Imagination , Palgrave, 2002, pp. xiv + 260, £45.HenryNancy, George Eliot and the British Empire , Cambridge University Press, 2002, pp. xi + 182, £35.ThiherAlan, Fiction Rivals Science: The French Novel from Balzac to Proust , University of Missouri Press, 2001, pp. ix + 226, £31.50.EvansA. K. B. and GoughJ. V. (eds), The Impact of the Railway on Society in Britain: Essays in Honour of Jack Simmons , Ashgate, 2003, pp. 340, 25 illustrations and 6 maps, £20.YoungLinda, Middle-Class Culture in the Nineteenth Century: America, Australia and Britain , Palgrave, 2003, pp. xi + 245, £45.FordhamJohn, James Hanley: Modernism and the Working Class , University of Wales Press, 2002, pp. xii + 315, £25.ForsterThomas, Transformations of Domesticity in Modern Women's Writing: Homelessness at Home , Palgrave, 2002, pp. 224, £42.50.ShowalterElaine, Teaching Literature , Blackwell, 2002, pp. xi + 166, £45, £12.99 pb." Literature & History 13, no. 1 (May 2004): 76–103. http://dx.doi.org/10.7227/lh.13.1.6.
Full textKITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 162, no. 4 (2008): 523–94. http://dx.doi.org/10.1163/22134379-90003665.
Full textAria, Kezia. "White Australia has a Blackie Blackie Brown history." NEW: Emerging scholars in Australian Indigenous Studies 5, no. 1 (March 6, 2020). http://dx.doi.org/10.5130/nesais.v5i1.1570.
Full textPender, Anne. "Australia and China at 50: The New Wave Theatre and the Drama of Cultural Exchange." Journal of Australian Studies, July 20, 2022, 1–14. http://dx.doi.org/10.1080/14443058.2022.2099951.
Full textMitchell, Annie. "Paronella Park: Music, Migration and the ‘Tropical Exotic’." eTropic: electronic journal of studies in the tropics 12, no. 2 (August 2, 2016). http://dx.doi.org/10.25120/etropic.12.2.2013.3343.
Full textMakeham, Paul Benedict, Bree Jamila Hadley, and Joon-Yee Bernadette Kwok. "A "Value Ecology" Approach to the Performing Arts." M/C Journal 15, no. 3 (May 3, 2012). http://dx.doi.org/10.5204/mcj.490.
Full textBrackley du Bois, Ailsa. "Repairing the Disjointed Narrative of Ballarat's Theatre Royal." M/C Journal 20, no. 5 (October 13, 2017). http://dx.doi.org/10.5204/mcj.1296.
Full textBellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 10, no. 6 (April 1, 2008). http://dx.doi.org/10.5204/mcj.2715.
Full textBellanta, Melissa. "Voting for Pleasure, Or a View from a Victorian Theatre Gallery." M/C Journal 11, no. 1 (April 1, 2008). http://dx.doi.org/10.5204/mcj.22.
Full textDowning, Leanne. "Sensory Jam." M/C Journal 9, no. 6 (December 1, 2006). http://dx.doi.org/10.5204/mcj.2685.
Full textVella Bonavita, Helen, and Lelia Green. "Illegitimate." M/C Journal 17, no. 5 (October 29, 2014). http://dx.doi.org/10.5204/mcj.924.
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