Books on the topic 'Theatre Architecture'

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1

Clemente, Susanna. Reconstructing Theatre Architecture. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89968-4.

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2

Rufford, Juliet. Theatre & Architecture. London: Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-45115-6.

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3

Hertzberger, Herman. Chassé Theater Breda =: Theatre Breda. Rotterdam: Uitgeverij 010 Publishers, 1995.

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4

Read, Gray. Modern Architecture in Theatre. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137368683.

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5

Theatre Engineering and Architecture Conference. (1st 2002 London, England). Theatre engineering and architecture. London: Theatrical Events Ltd, 2004.

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6

Lee, Briant Hamor. European post-Baroque neoclassical theatre architecture. Lewiston: E. Mellen Press, 1996.

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7

Hilmera, Jiří. Česká divadelní architektura =: Czech theatre architecture. Praha: Divadelní ústav, 1999.

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8

1942-, Cole Robert Reed, ed. Joseph Urban: Architecture, theatre, opera, film. New York: Abberville Press, 1992.

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9

Architecture in words: Theatre, language and the sensuous space of architecture. New York: Routledge, 2006.

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10

Vlassēs, Dēmētrēs. Dēmētrēs Vlassēs: Architektonikē, design, glyptikē, theatro = Dimitris Vlassis : architecture, design, sculpture, theatre. Athēna: Ekdoseis Papazēsē, 1992.

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11

Pesch, Ludwig. Sittrarangam: A theatre for all, the "small theatre", Madras. Udipi, India: Indo-German Society, Manipal, 1988.

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12

Orrell, John. The human stage: English theatre design, 1567-1640. Cambridge [England]: Cambridge University Press, 1988.

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13

1948-, Collie Keith, ed. Theatre London: An architectural guide. London: Ellipsis, 2001.

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14

Consultants, Artec. Artec Consultants, Inc.: Feasibility and economic studies, programming and planning, theatre design and planning, theatre equipment consulting, acoustics consulting. New York, NY: Artec, 1998.

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15

De Spiegel: Theatre architecture as a mirror of experience. Amsterdam: Architectura & Natura Press, 2007.

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16

Carlson, Marvin A. Places of performance: The semiotics of theatre architecture. Ithaca, N.Y: Cornell University Press, 1989.

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17

Theatre space: A rediscovery reported. Cambridge: Entertainment Technology Press, 2006.

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18

Bernheim, Alfred L. The business of the theatre. New York: Actors' Equity Association, 1987.

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19

Spanu, Marcello. The theatre of Diokaisareia. Berlin: de Gruyter, 2011.

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20

Nitsch, Hermann. Die Architektur des Orgien Mysterien Theaters =: The architecture of the O.M. Theatre. München: F. Jahn, 1987.

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21

The theatre of Diokaisareia. Berlin: de Gruyter, 2011.

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22

Dilse, Paul. Toronto's Theatre Block: An architectural history. Toronto: Toronto Region Architectural Conservancy, 1989.

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23

Strong, Judith. Encore: Strategies for theatre renewal. London: Theatres Trust Charitable Fund, 1998.

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24

Consultants, Artec. Artec Consultants Inc: Feasibilty and economic studies, programming and planning, theatre design and planning, theatre equipment consulting, sound & communication systems consulting, acoustics consulting. New York, N.Y: Artec, 2000.

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25

Künnapu, Liivi. Estonia: Teater = teatteri = theatre. Helsinki: Edita, 1997.

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26

Association of British Theatre Technicians, ed. Theatre buildings: A design guide. Oxon [England]: Routledge, 2010.

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27

Glazer, Irvin R. The Earle Theatre: Philadelphia, Penna., Hoffman and Henon, Architects, opened, March 24, 1924. [Chicago, Ill.]: Theatre Historical Society, 1986.

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28

Jacek, Purchla, and International Cultural Centre (Kraków, Poland), eds. Theatre architecture of the late 19th century in Central Europe: International Conference for the Centenary of the Municipal Theatre Inauguration, 7-8 October 1993, Cracow. Cracow: International Cultural Centre, 1993.

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29

Kamisiński, Tadeusz. Zagadnienia akustyki zabytkowych sal teatralnych na planie podkowy: Acoustic issues in historic horseshoe-shaped theatre halls. Kraków: Wydawnictwa AGH, 2012.

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30

Hans, Lee John, ed. See through Ledoux: Architecture, theatre, and the pursuit of transparency. San Rafael, CA: ORO Editions, 2006.

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31

Broadway Theatre & Architecture. Mineola, N.Y.: Dover Publications, 1999.

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32

Theatre and Architecture. Springer, 2015.

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33

Barkhin, Grigory. Architecture of the Theatre. Fontanka, 2021.

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34

R, Mulryne J., and Shewring Margaret, eds. Making space for theatre: British architecture and theatre since 1958. Stratford-upon-Avon: Mulryne and Shewring, 1995.

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35

Fair, Alistair. Towards a New Theatre Architecture, 1945–60. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807476.003.0004.

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This chapter considers the evolution of a new image of theatre architecture in the 1940s and 1950s. Beginning with a brief discussion of the international sources on which theatre architects might draw, the chapter continues by examining a selection of built and unbuilt projects from the 1940s and 1950s. It shows how modern architecture was thought to connote the new status of theatre as a subsidized amenity, and to embody the growing confidence of the country’s subsidized repertory companies. Key examples discussed include: the Congress Theatre, Eastbourne; early designs for the National Theatre in London; and the Belgrade Theatre, Coventry.
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36

Frederiksen, Rune, Alexander Sokolicek, and Elizabeth Gebhard. Architecture of the Ancient Greek Theatre. Aarhus University Press, 2015.

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37

Architecture of the Ancient Greek Theatre. Aarhus University Press, 2015.

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38

Barkhin, Grigory. Architecture of the Theatre: Volume 2. Fontanka, 2021.

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39

Mulryne, J. R. Making Space for Theatre: British Architecture and Theatre Since 1958. Mulryne and Shewring, 1995.

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40

Lazardzig, Jan, and Hole Rößler, eds. Technologies of Theatre. Klostermann, 2016. http://dx.doi.org/10.5771/9783465142591.

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Baroque theatre spectacles are frequently celebrated for their overwhelming effects and marvelous technologies. However, little is known about how the mechanical knowledge for elaborate stage machineries was actually acquired by architects and engineers, and how it disseminated throughout European theatre cultures with regard to specific religious, social, political as well as economical contexts. So far unnoticed by historians of theatre and performance, the early seventeenth-century codex iconographicus 401 (Bavarian State Library) offers new insight to the transfer of mechanical knowledge and theater technology. This manuscript can now be attributed to Joseph Furttenbach (1591-1667), building master of the Swabian city of Ulm, today best known for his numerous publications on architectural theory. The codex incorporates technical drawings and descriptions of the theatrical machineries invented and designed by Giulio Parigi for the epoch-making festivals at the Medici court in Florence. The invention and construction of theatrical machineries was taught at Parigi’s Florentine academy of art and engineering, which Furttenbach attended. Besides an English translation of Furttenbach’s manuscript (originally written in German language), this volume collects studies at the intersection of theater, architecture, and technology, proposing an innovative approach to the historiography of early modern theater.
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41

Pelletier, Louise. Architecture in Words: Theatre, Language and the Sensuous Space of Architecture. Taylor & Francis Group, 2006.

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42

Pelletier, Louise. Architecture in Words: Theatre, Language and the Sensuous Space of Architecture. Taylor & Francis Group, 2006.

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43

Pelletier, Louise. Architecture in Words: Theatre, Language and the Sensuous Space of Architecture. Taylor & Francis Group, 2006.

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44

Pelletier, Louise. Architecture in Words: Theatre, Language and the Sensuous Space of Architecture. Taylor & Francis Group, 2006.

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45

Pelletier, Louise. Architecture in Words: Theatre, Language and the Sensuous Space of Architecture. Taylor & Francis Group, 2006.

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46

Pelletier, Louise. Architecture in Words: Theatre, Language and the Sensuous Space of Architecture. Taylor & Francis Group, 2006.

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47

Pilbrow, Richard. Sense of Theatre - the Untold Story of the National Theatre: Theatre, Architecture and Performance. Pilbrow Design, Richard, 2020.

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48

Shubert, Howard. Richard Henriquez: Memory Theatre. The MIT Press, 1994.

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49

Theatre Builders. Academic Press, 1996.

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50

Play On: Contemporary Theatre Architecture in Britain. Lund Humphries Publishers, Limited, 2019.

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