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Relevant bibliographies by topics / Theatre and Media Studies / Books

Books on the topic 'Theatre and Media Studies'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Stefan, Bläske, Kirchmann Kay, Ruchatz Jens, Schoenmakers Henri, Bläske Stefan, Kirchmann Kay, and Ruchatz Jens, eds. Theater und Medien / Theatre and the Media: Grundlagen - Analysen - Perspektiven. Eine Bestandsaufnahme. Bielefeld: transcript Verlag, 2008.

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2

Wagner, Meike. Nähte am Puppenkörper: Der mediale Blick und die Körperentwürfe des Theaters. Bielefeld: transcript Verlag, 2003.

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3

Bory, Paolo. The Internet Myth: From the Internet Imaginary to Network Ideologies. London: University of Westminster Press, 2020.

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4

1945-, Winn Conrad, ed. The theater of terror: Mass media and international terrorism. New York: Longman, 1994.

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5

European, Conference on Modern South Asian Studies (11th 1990 Amsterdam Netherlands). Literature, language, and the media in India: Proceedings of the 11th European Conference on South Asian Studies, Amsterdam, 1990, Panel 13. New Delhi: Manohar Publications, 1992.

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6

Die deutschen Kanzler im Fernsehen: Theatrale Darstellungsstrategien von Politikern im Schlüsselmedium der Nachkriegsgeschichte. Bielefeld: Transcript, 2009.

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7

Mapping intermediality in performance. Amsterdam: Amsterdam University Press, 2010.

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8

Pickering, Kenneth, and Mark Woolgar. Theatre Studies. London: Macmillan Education UK, 2009. http://dx.doi.org/10.1007/978-1-349-92330-4.

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9

Mark, Woolgar, ed. Theatre studies. Houndmills: Palgrave Macmillan, 2009.

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10

Lonergan, Patrick. Theatre & Social Media. London: Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-137-46371-5.

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11

1950-, Fourie Pieter J., ed. Media studies. Lansdowne: Juta, 2001.

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12

Media studies. Deddington, Oxfordshire: Philip Allan Publishers Ltd, 1998.

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13

Long, Paul, Beth Johnson, Shana MacDonald, Schem Rogerson Bader, Tim Wall, Vian Bakir, and Andrew McStay. Media Studies. 3rd ed. London: Routledge, 2021. http://dx.doi.org/10.4324/9781315690834.

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14

Núñez, Nicolás. Anthropocosmic Theatre: Theatre, Ritual, Consciousness. Huddersfield: University of Huddersfield Press, 2019.

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15

Spring, Ian. Media studies materiography. Glasgow: Jordanhill College of Education, 1985.

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16

Understanding media studies. South Melbourne: Oxford University Press, 2010.

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17

Bastard Or Playmate Adapting Theatre Mutating Media And Contemporary Performing Arts. Amsterdam University Press, 2012.

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18

Christopher, Balme, and Wagner Meike, eds. Beyond aesthetics: Performance, media, and cultural studies. Trier: Wissenschaftlicher Verlag, 2004.

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19

GIANNACHI, GABR. THE POLITICS OF NEW MEDIA THEATRE: LIFER (Routledge Advances in Theatre & Performance Studies). Routledge, 2006.

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20

Militz, Klaus Ulrich. Personal Experience And the Media: Media Interplay in Rainer Werner Fassbinder's Work for Theatre, Cinema And Television (European University Studies). Peter Lang Publishing, 2006.

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21

Personal Experience And the Media: Media Interplay in Rainer Werner Fassbinder's Work for Theatre, Cinema And Television (European University Studies). Peter Lang Publishing, 2006.

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22

Berghaus, Gunter. Fascism and Theatre: Comparative Studies on the Aesthetics and Politics of Performance in Europe, 1925-1945 (Media & Film Studies). Berghahn Books, 1996.

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23

Marginal Sights: Staging the Chinese in America (Studies Theatre Hist & Culture). University Of Iowa Press, 1994.

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24

The Internationalization of Ayahuasca (Performances: Intercultural Studies on Ritual, Play and Theatre - Performanzen: Interkulturelle Studien zu Ritual, Spiel und Theater). LIT Verlag, 2011.

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25

(Editor), Pascale Aebischer, Nigel Wheale (Editor), and Ed Esche (Editor), eds. Remaking Shakespeare: Performance Across Media, Genres and Cultures (Palgrave Shakespeare Studies). Palgrave Macmillan, 2003.

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26

Bloom, Gina. Gaming the Stage: Playable Media and the Rise of English Commercial Theater. University of Michigan Press, 2018.

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27

Gaming the Stage: Playable Media and the Rise of English Commercial Theater. University of Michigan Press, 2018.

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28

Bloom, Gina. Gaming the Stage: Playable Media and the Rise of English Commercial Theater. University of Michigan Press, 2018.

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29

Bloom, Gina. Gaming the Stage: Playable Media and the Rise of English Commercial Theater. University of Michigan Press, 2018.

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30

The Theater of Terror: Mass Media and International Terrorism. Longman Group United Kingdom, 1993.

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31

McHugh, Dominic, ed. The Oxford Handbook of Musical Theatre Screen Adaptations. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780190469993.001.0001.

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This book examines the phenomenon of adapting musicals originally written for the Broadway or West End (London) stage into Hollywood movies. It highlights tensions between live and recorded media, between the culture of the East and West Coasts of America, and between producers on Hollywood and Broadway. The book is divided into sections dealing with identity, technology, audiences, music, stars and multiple adaptations of single works. A range of methodologies is used, including film studies and musicology, and archival research has informed original readings in various chapters. Some chapters also look at how the stage musical concerned is already an adaptation, e.g from a play or novel. Overall, the book reflects on stage-to-screen adaptations and offers an introduction to the scholarship on the subject, often offering the first-ever scholarship on various important films.

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32

Vernallis, Carol, Amy Herzog, and John Richardson, eds. The Oxford Handbook of Sound and Image in Digital Media. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199757640.001.0001.

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This collection of essays explores the relations between sound and image in a rapidly shifting landscape of audiovisual media in the digital age. Featuring contributions from scholars who bring with them an impressive array of disciplinary expertise, from film studies and philosophy to musicology, pornography, digital gaming, and media studies, the book charts new territory by analyzing what it calls the “media swirl” and the “audiovisual turn.” It draws on a range of media texts including blockbuster cinema, video art, music videos, video games, amateur video compilations, visualization technologies, documentaries, and immersive theater to address myriad subjects such as the transition of cinematic discourses to digital production and distribution, the relations between screens and public space, and the shifting nature of noise within digital ecosystems. It also examines noise, droning, and silence as recurring themes in New Extremist films of Europe, along with temporal and generic anomalies by citing examples such as the Silent Hill videogame series, the performance/installation Sleep No More, and the poetics of David Lynch’s Inland Empire. In addition, the book discusses the translation of information into digital media, how music has both shaped and become embedded within the aesthetic culture of political conflict, the nature of “realism” in relation to new audiovisual media networks, and the accelerated aesthetics of networked mediascape and the ways in which they may be connected to contemporary labor and global capitalism.

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33

Kattenbelt, Chiel, Sarah Bay-Cheng, Andy Lavender, and Robin Nelson. Mapping Intermediality in Performance. Amsterdam University Press, 2010.

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34

Theatre Studies. Prentice Hall (a Pearson Education company), 1995.

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35

Leach, Robert. Theatre Studies. Taylor & Francis Group, 2008.

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36

Theatre (Behind the Media). Heinemann Library, 2002.

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37

Chambers, Catherine. Theatre (Behind the Media). Heinemann Library, 2001.

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38

Theatre and Social Media. Red Globe Press, 2015.

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39

Marris, Paul, and Sue Thornham. Media Studies. Edinburgh University Press, 1998.

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40

Clive, Scott, and University of East Anglia. School of Modern Languages and European History., eds. Media studies. Norwich: School of Modern Languages and European History, University of East Anglia, 1994.

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41

Long, Paul, and Tim Wall. Media Studies. Taylor & Francis Group, 2021.

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42

Media Studies. Pitman Publishing, 1993.

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43

Long, Paul, and Tim Wall. Media Studies. Taylor & Francis Group, 2021.

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44

Long, Paul. Media Studies. Routledge, 2014. http://dx.doi.org/10.4324/9781315833071.

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45

Whitmarsh, Tim. Media Studies. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199742653.003.0009.

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The most famous and influential classical ‘novel’ is Xenophon’s Cyropaedia, focusing on the hybrid (half-Persian, half-Mede) king. The interpretative issues raised by the Cyropaedia (is it praise or critique?) can be better understood if we consider its subject as semiotically hybrid, balancing the manly, regal mode of Persia against the decadent mode of Media.

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46

(Editor), Paul Marris, and Sue Thornham (Editor), eds. Media Studies. 2nd ed. Edinburgh University Press, 1999.

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47

Media Studies. 2nd ed. Longman, 1998.

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48

Casey Benyahia, Sarah, Abigail Gardner, Philip Rayner, and Peter Wall. Media Studies. Routledge, 2013. http://dx.doi.org/10.4324/9780203106853.

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49

Casey Benyahia, Sarah, Abigail Gardner, Philip Rayner, and Peter Wall. Media Studies. Routledge, 2004. http://dx.doi.org/10.4324/9780203644409.

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50

Media Studies. Taylor & Francis Group, 2018.

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