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Books on the topic 'Theatere'

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Author: Grafiati

Published: 26 July 2024

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1

Breton, Gaelle. Theatres =: Theaters. Paris: Editions du Moniteur, 1989.

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2

Hertzberger, Herman. Chassé Theater Breda =: Theatre Breda. Rotterdam: Uitgeverij 010 Publishers, 1995.

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3

Georges, Aperghis, ed. Theater und Musik =: Theatre and music. Brussel: Kaaitheater, 1995.

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4

Wit, eloquence and commerce: A history of Auckland's Mercury theatre. Auckland, N.Z: Connacht Books, 2007.

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5

Theatermedien: Theater als Medium - Medien des Theaters. Bern: Haupt Verlag, 2010.

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6

Girshausen, Theo. Ursprungszeiten des Theaters: Das Theater der Antike. Berlin: Vorwerk 8, 1999.

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7

Brisbane, Katharine. Not wrong just different: Observations on the rise of contemporary Australian theatre. Sydney: Currency Press, 2005.

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8

Nicholas, Grene, Lonergan Patrick, and Chambers Lilian, eds. Interactions: Dublin Theatre Festival, 1957-2007. Dublin: Carysfort Press, 2008.

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9

Gillespie, C. Richard. The James Adams Floating Theatre. Centreville, Md: Tidewater Publishers, 1991.

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10

Full circle: The history of the St James Theatre. Wellington, N.Z.]: Phantom House, 1998.

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11

Glazer, Irvin R. The Earle Theatre: Philadelphia, Penna., Hoffman and Henon, Architects, opened, March 24, 1924. [Chicago, Ill.]: Theatre Historical Society, 1986.

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12

Hoffmann, Eric Alexander. Theater als System: Eine Evolutionsgeschichte des modernen Theaters. Trier: Wissenschaftlicher Verlag Trier, 1997.

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13

Handwerg, Ute. Theater über Leben: Entwicklungsbezogene Theaterarbeit = Theatre of relevance : theater work focusing on development. Berlin: Schibri-Verlag, 2006.

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14

Daniel, Watt, Meyer-Dinkgräfe Daniel 1958-, and Theatre and Performance Research Association., eds. Theatres of thought: Theatre, performance and philosophy. Newcastle, UK: Cambridge Scholars Pub., 2007.

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15

Jan, McDonald, Schumacher Claude, and University of Glasgow. Department of Theatre Studies., eds. The Citizens' Theatre season: Glasgow 1990. Glasgow: Theatre Studies Publications, 1991.

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16

Mike, Filey, and Lindsay John C. 1933-, eds. Pantages Theatre: Rebirth of a landmark. Toronto, Ont., Canada: Key Porter Books, 1989.

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17

Marcelo, Nunes, Sopher Eva, Chwartzmann Clarice, Axt Gunter, and Associação Amigos do Theatro São Pedro., eds. Theatro São Pedro: 150 anos. Porto Alegre, Brasil: Nova Prova Editora, 2008.

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18

1921-, Findlater Richard, ed. The National: The theatre and its work, 1963-1997. London: Nick Hern Books in association with Royal National Theatre, 1997.

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19

Theater im arabischen Sprachraum: Theatre in the Arab world. Berlin: Theater der Zeit, 2013.

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20

Imperatorskiĭ Mikhaĭlovskiĭ teatr =: Mikhailovsky theatre = Théâtre Michel = Michael-Theater. Sankt-Peterburg: LIK, 2001.

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21

Let's go to the Grand!: 100 years of entertainment at London's Grand Theatre. Toronto: Natural Heritage Books, 2001.

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22

Hinrichs, Carl M. The theatre experience: Appreciation of theatre. Dubuque, Iowa: Kendall/Hunt Pub. Co., 1991.

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23

Júnior, Silio Boccanera. O teatro na Bahia da Colônia à República (1800-1923). 2nd ed. Salvador, BA: EDUFBA/EDUNEB, 2008.

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24

Júnior, Silio Boccanera. O teatro na Bahia da Colônia à República (1800-1923). 2nd ed. Salvador, BA: EDUFBA/EDUNEB, 2008.

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25

Beijing ren min yi shu ju yuan. Xi ju bo wu guan., ed. Jiao Juyin wen ji. Beijing Shi: Wen hua yi shu chu ban she, 2005.

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26

Theater im Römischen Reich: Bühne für Schauspieler, die Feiern des Imperiums und die Sponsoren des Reiches. Mainz: Nünnerich-Asmus, 2013.

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27

Ch'oe, Ŏm-yun. Kŭkchang i innŭn tosi p'unggyŏng: Taegu sogŭkchang kihaeng. Sŏul-si: T'eksŭt'ŭ, 2010.

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28

1948-, Costa Marcelo Farias, and Nogueira João 1867-1947, eds. Teatro na terra da luz. Fortaleza-Ceará: EUFC, 1985.

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29

Ehlers, Katrin. Mimesis und Theatralität: Dramatische Reflexionen des modernen Theaters im 'Theater auf dem Theater' (1899-1941). Münster: Waxmann, 1997.

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30

Ñān̲amūrtti, Tā Ē. Naṭippuk kalai. Tañcāvūr: Tamil̲p Palkalaikkal̲akam, 2006.

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31

Patanaik, Dhirendranath. Folk theatre of Orissa. Bhubaneswar: Orissa Sangeet Natak Akademi,1998., 1998.

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32

Gerd, Taube, and Sauer Ilona, eds. Kinder spielen Theater: Spielweisen und Strukturmodelle des Theaters mit Kindern. Berlin: Schibri-Verlag, 2007.

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33

Tolar, Günter. So ein Theater!: Die Geschichte des Theaters an der Wien. Wien: Ueberreuter, 1991.

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34

Practical handbook of stage lighting and sound. Malabar, Fla: R.E. Krieger Pub. Co., 1989.

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35

Janselijn, Han. Het theater van de stad =: The theatre of the city. Utrecht: Uitgeverij Impress, 1989.

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36

V, TV. Theater Lover Theatre Geek. Independently published, 2018.

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37

Bauman, Thomas. Motts’s Last Years. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038365.003.0006.

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This chapter focuses on Robert T. Motts's last years and how the Pekin Theater fared after his death in 1911. It first considers the competition faced by the Pekin during the period from other theaters on The Stroll, including the New Grand Theater and the Frank L. Gale Piano Company, and goes on to discuss Motts's efforts to ensure that his theater's position at the top of The Stroll was not just a matter of geography but also one of prestige, popularity, and profitability. It then examines Jesse A. Shipp's musical comedies written for the Pekin, including The Lime Kiln Club, as well as the songs that figured prominently in his shows for the theater. It also describes the closure of the Pekin after Motts's death and its resumption of operations on September 5 with a five-act melodrama called Tallaboo, followed by other shows such as “Dixie” musical comedies.

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38

Ehrlich, Roman. Theater des Krieges: Theatre of War. Dreen, Markus, Anne König u. Jan Wenzel. Spectormag GbR, 2021.

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39

Want, Robert S. Want's Theater Directory 1994 (American Theatre). Want Pub, 1994.

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40

Public theatres and theatre publics. Newcastle upon Tyne: Cambridge Scholars Pub., 2012.

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41

Svalinkou, Chare. Theatro & Archi-Theates. Ekdoseis Paulos, 2002.

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42

McMillan, Joyce. Traverse Theatre Story. Heinemann, 1988.

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43

Szczepaniak-Gillece, Jocelyn. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190689353.003.0001.

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This introduction lays out the direction of the book on the whole by discussing the movie palace, Ben Schlanger, modernism, and new cinema histories. Schlanger’s life and career are briefly introduced, and the importance of using archival materials and the Better Theatres section of Motion Picture Herald for documenting Schlanger’s theory of theater design is explained. From such writings, one can gather that Schlanger’s ideal theaters would be places of both bodily passivity and contemplation, yet also of immersion in the sense that the local environment and fellow viewers would fall away in service of the screen. Furthermore, the term “neutral” is examined via Bertrand Russell and neutral monism; in addition, the introduction explores the neutral and neutralization’s connections to the apparatus. All of these strands are connected via a modern approach to spectatorship explicated by Schlanger in his theaters.

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44

Hochadel, Lena. Intermedialität Im Theater. Die Modernisierung des Theaters. GRIN Verlag GmbH, 2018.

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45

Chambers, Lilian, Nicholas Grene, and Patrick Lonergran. Interactions: Dublin Theatre Festival 1957-2007. Lang AG International Academic Publishers, Peter, 2020.

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46

Chambers, Lilian, Nicholas Grene, and Patrick Lonergran. Interactions: Dublin Theatre Festival 1957-2007. Lang AG International Academic Publishers, Peter, 2020.

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47

Chambers, Lilian, Nicholas Grene, and Patrick Lonergran. Interactions: Dublin Theatre Festival 1957-2007. Lang AG International Academic Publishers, Peter, 2020.

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48

Chambers, Lilian, Patrick Lonergan, and Nicholas Grene. Interactions: Dublin Theatre Festival 1957-2007. Carysfort Press, 2008.

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49

Chambers, Lilian, Nicholas Grene, and Patrick Lonergran. Interactions: Dublin Theatre Festival 1957-2007. Lang AG International Academic Publishers, Peter, 2020.

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50

Semmes, Clovis E. The Problem of Race and Chicago’s Great Tivoli Theater. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037023.003.0003.

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This chapter historicizes the building of “the great palace theaters” of the early twentieth century, paying particular attention to real-life racial politics. Inspired by the architectural designs of the Chateau de Versailles, the Tivoli Theater was located in Washington Park with its 85 percent white population. The theater, originally built in 1921 for white neighborhood residents, employed a number of black men and women in service capacities. Due to gradual demographic shifts, Tivoli Theater management pursued a policy of separate seating for audiences for the live performances and film exhibitions. The chapter notes that the ornate theaters, including the Regal Theater, which was the black counterpart to the Tivoli Theater, sought to sell the feeling of being upper class while giving access to all classes.

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