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Books on the topic 'Theater – Semiotics'

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Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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1

Fischer-Lichte, Erika. The semiotics of theater. Bloomington: Indiana University Press, 1992.

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2

The semiotics of performance. Bloomington: Indiana University Press, 1993.

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3

Eversmann, Peter. De ruimte van het theater. Amsterdam: [Universiteit van Amsterdam], 1996.

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4

Theatre semiotics: Signs of life. Bloomington: Indiana University Press, 1990.

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5

Marx, Peter W. Theater und kulturelle Erinnerung: Kultursemiotische Untersuchungen zu George Tabori, Tadeusz Kantor und Rina Yerushalmi. Tübingen: Francke, 2003.

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6

F, Veltruský Jarmila, and Hoskovec Tomáš, eds. An approach to the semiotics of theatre. Brno: Masaryk University, 2012.

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7

Segre, Cesare. Schriften zu Literatur und Theater. Tübingen: Niemeyer, 2004.

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8

Toro, Fernando de. Theatre semiotics: Text and staging in modern theatre. Toronto: University of Toronto Press, 1995.

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9

Carole, Hubbard, ed. Theatre semiotics: Text and staging in modern theatre. Toronto: University of Toronto Press, 1995.

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10

A semiotics of the dramatic text. London: Macmillan, 1994.

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11

A semiotics of the dramatic text. London: Macmillan, 1994.

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12

Rozik, Eli. Śefat ha-teʼaṭron. Tel-Aviv: Devir, 1991.

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13

Jalāl, Ziyād. Madkhal ilá al-sīmiyāʼ fī al-masraḥ wa-muqārabah sīmyaʼīyah li-naṣṣ Layālī al-ḥasād. ʻAmmān: Wizārat al-Thaqāfah, 1992.

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14

Estudios de semiología del teatro. Valladolid: Aceña Editorial, 1988.

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15

Yan chu fu hao xue dao lun: Yanchufuhaoxuedaolun. Beijing Shi: Zhongguo guang bo dian shi chu ban she, 2009.

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16

Twijnstra, Roel. Betekenis van drama: Voorstellingsanalyse. Amsterdam: International Theatre & Film Books, 1991.

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17

Arkhitektonika na teatralnostta: Teatralnii︠a︡t spektakŭl v semiotichna perspektiva. Sofii︠a︡: Prosveta, 2012.

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18

Kowzan, Tadeusz. Znak i teatr. Warszawa: "Znak-Język-Rzeczywistość", 1998.

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19

Kowzan, Tadeusz. Sémiologie du théâtre. [Paris]: Nathan, 1992.

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20

Meyer, Petra Maria. Intermedialität des Theaters: Entwurf einer Semiotik der Überraschung. Düsseldorf: Parerga, 2001.

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21

Wiingaard, Jytte. Teatersemiotik. [Copenhagen]: Borgen, 1987.

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22

Azama, Michel. Mise en scène, mise en signes: 10 conférences données au Nouveau théâtre de Bourgogne, Centre dramatique national, Dijon, d'octobre 1985 à juin 1986. Dijon: Centre dramatique national de Bourgogne, 1986.

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23

Templado, José García. Ni es cielo ni es azul: Estética de la recepción : ensayos de semiótica, narrativa y publicidad. Madrid: Laberinto, 2004.

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24

El signo y el teatro. Madrid: Arco/Libros, 1997.

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25

Trapero, A. Patricia. Introducción a la semiótica teatral. Palma de Mallorca, Baleares, España: Prensa Universitaria, 1989.

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26

Templado, José García. Ni es cielo ni es azul: Estética de la recepción : ensayos de semiótica, narrativa y publicidad. Madrid: Laberinto, 2004.

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27

Toro, Fernando de. Semiótica del teatro: Del texto a la puesta en escena. Buenos Aires: Editorial Galerna, 1987.

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28

Clark, Fred M. Impermanent structures: Semiotic readings of Nelson Rodrigues' Vestido de noiva, Album de família, and Anjo negro. Chapel Hill: U.N.C. Dept. of Romance Languages, 1991.

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29

W kręgu czeskiej semiotyki teatru: Ivo Osolsobě jako teoretyk teatru i musicalu. Wrocław: Wydawn. Uniwersytetu Wrocławskiego, 2009.

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30

Francoeur, Louis. Le théâtre brèche: Essai. Montréal: Triptyque, 2002.

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31

Elam, Keir. The semiotics of theatre and drama. London: Routledge, 1987.

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32

Elam, Keir. The semiotics of theatre and drama. London: Routledge, 1988.

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33

The semiotics of theatre and drama. London: Methuen, 1988.

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34

Theatre sciences: A plea for a multidisciplinary approach to theatre studies. Brighton [England]: Sussex Academic Press, 2014.

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35

Knapp, Robert S. Shakespeare--the theater and the book. Princeton, N.J: Princeton University Press, 1989.

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36

Miller, Bruce J. Actor's alchemy: Finding the gold in the script. Montclair, NJ: Limelight Editions, 2011.

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37

Salosaari, Kari. Perusteita näyttelijäntyön semiotiikkaan. Tampere: Tampereen yliopisto, 1989.

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38

Asociación Española de Semiótica. Simposio Internacional. II Simposio Internacional de Semiótica, Oviedo, 13-15 de noviembre de 1986. [Oviedo]: Universidad de Oviedo, Servicio de Publicaciones, 1988.

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39

Actor's alchemy: Finding the gold in the script. Montclair, NJ: Limelight Editions, 2011.

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40

Teatro, teoría y práctica. Medellín, Colombia: Ediciones Autores Antioqueños, 1986.

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41

Siebenhaar, Klaus. Lichtenbergs Schaubühne: Imaginarium und kleines Welttheater. Opladen: Westdeutscher Verlag, 1994.

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42

Han'guk yŏn'guk kwa kihohak: Semiotic approaches to Korean stage. Sŏul T'ŭkpyŏlsi: Yŏn'gŭk kwa In'gan, 2006.

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43

A sociosemiotic theory of theatre. Philadelphia: University of Pennsylvania Press, 1990.

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44

Carlson, Marvin A. Places of performance: The semiotics of theatre architecture. Ithaca, N.Y: Cornell University Press, 1989.

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45

ʻAlī, ʻAwwād. Ghiwāyat al-mutakhayyil al-masraḥī: Muqārabāt li-shiʻrīyat al-naṣṣ wa-al-ʻarḍ wa-al-naqd. Bayrūt: al-Markaz al-Thaqāfī al-ʻArabī, 1997.

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46

María del Carmen Bobes Naves. Semiología de la obra dramática. 2nd ed. Madrid: Arco/Libros, 1997.

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47

María del Carmen Bobes Naves. Semiología de la obra dramática. Madrid: Taurus, 1987.

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48

Kowzan, Tadeusz. S emiologie du th e atre. Paris: Nathan, 1992.

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49

Melrose, Susan. A semiotics of the dramatic text. New York: St. Martin's Press, 1994.

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50

Kowalewicz, Kazimierz. Teatr i odbiorca: Przygotowanie do teorii odbioru przedstawienia teatralnego. Łódź: Wydawn. Uniwersytetu Łódzkiego, 1993.

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