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Books on the topic 'Theater – Production and direction – Germany'

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Author: Grafiati

Published: 26 July 2024

Last updated: 28 July 2024

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1

DDR, Brecht-Zentrum der, ed. Bertolt Brecht, die Rundköpfe und die Spitzköpfe: Ein Greuelmärchen, Musik Hanns Eisler : eine Dokumentation der Aufführung des Deutschen Theaters Berlin, 1983. Berlin: Das Zentrum, 1985.

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2

Literature versus theatre: Textual problems and theatrical realization in the later plays of Heiner Müller. Bern: P. Lang, 1998.

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3

Ortrud, Gutjahr, Stemann Nicolas, and Thalia Theater (Hamburg Germany), eds. Ulrike Maria Stuart von Elfriede Jelinek: Uraufführung am Thalia-Theater Hamburg in der Inszenierung von Nicolas Stemann. Würzburg: Königshausen & Neumann, 2007.

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4

Roland, Spahr, ed. Der verbrannte Schmetterling: Wege des Theaters in die Wirklichkeit. Hamburg, Leipzig: Europäische Verlagsanstalt, 2010.

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5

Germany), Thalia Theater (Hamburg, ed. Reigen von Arthur Schnitzler: Sexuelle Szene und Verfehlung in Michael Thalheimers Inszenierung am Thalia-Theater Hamburg. Würzburg: Königshausen & Neumann, 2009.

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6

Katharina, Schmitt, and Krausser Helmut 1964-, eds. Theater als Utopie: Regisseure von morgen : [zum Festival "Radikal jung" im April 2010]. Leipzig: Henschel, 2010.

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7

van, Dijk Anouk, Beckenbach Malte, and Gronemeyer Nicole, eds. Trust. Berlin: Theater der Zeit, 2010.

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8

Rouse, John. Brecht and the West German theatre: The practice and politics of interpretation. Ann Arbor, Mich: UMI Research Press, 1989.

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9

Poschmann, Gerda. Der nicht mehr dramatische Theatertext: Aktuelle Bühnenstücke und ihre dramaturgische Analyse. Tübingen: M. Niemeyer, 1997.

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10

Zlobin, Alekseĭ. I︠A︡bloko ot i︠a︡bloni: German, Fomenko i drugie oproverzhenii︠a︡ Nʹi︠u︡tonova zakona. Sankt-Peterburg: Izdatelʹstvo Ivana Limbakha, 2016.

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11

Germany), Residenztheater (Munich, ed. Die Erde ist gewaltig schön, doch sicher ist sie nicht: Die Intendanz Martin Kusej am Residenztheater München : 2011 bis 2019. München: Hanser, 2018.

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12

Frank, Herdemerten, Kralovitz Rolf 1925-, and Helmholtz-Gymnasium (Essen Germany), eds. So viel Phantasie hat niemand besessen: Szenische Collage der Spielschar am Essener Helmholtz-Gymnasium nach ZehnNullNeunzig in Buchenwald, ein jüdischer Häftling erzählt von Rolf Kralovitz. Köln: Walter Meckauer Kreis, 2000.

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13

Lewy, Tom. ha-Yeḳim ṿeha-teʼaṭron ha-ʻIvri: Be-maʼavaḳ ben Maʻarav le-Mizraḥ Eropah. Tel Aviv: Resling, 2016.

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14

Eddershaw, Margaret. Performing Brecht. New York: Routledge, 1996.

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15

1892-1937, Tretʹi︠a︡kov Sergeĭ Mikhaĭlovich, Wolf Friedrich 1888-1953, and Instytut Teatralny im. Zbigniewa Raszewskiego, eds. Faktomontaże Leona Schillera: Cjankali ; Krzyczcie, Chiny! Warszawa: Instytut Teatralny im. Zbigniewa Raszewskiego, 2015.

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16

Gottessuche in den Theaterinszenierungen von Andrea Breth, Christoph Marthaler und Peter Zadek. Wien: Lit, 2012.

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17

McCaffery, Michael. Directing a play. New York, N.Y: Schirmer Books, 1989.

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18

Catching the light: Sam Mendes and Simon Russell Beale : a working partnership. London: Oberon Books, 2011.

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19

Stagecraft fundamentals: A guide and reference for theatrical production. 2nd ed. Boston: Focal Press, 2012.

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20

Marowitz, Charles. How to stage a play, make a fortune, win a Tony, and become a theatrical icon. Pompton Plains, NJ: Limelight Editions, 2005.

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21

Wainstein, Michael. Stage directing: A director's itinerary. Newburyport: Focus Pub./R. Pullins Company, 2012.

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22

Emmet, Long Robert, ed. Producing and the theatre business: Working in the theatre. New York: Continuum, 2007.

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23

Stephen, Peithman, and Offen Neil, eds. The Stage directions guide to directing. Portsmouth, NH: Heinemann, 1999.

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24

Braun, Kazimierz. Theater directing: Art, ethics, creativity. Lewiston, N.Y: E. Mellen Press, 2000.

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25

Alberts, David. Rehearsal management for directors. Portsmouth, NH: Heinemann, 1995.

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26

1932-, Takahashi Yasunari, ed. The theatre of Suzuki Tadashi. Cambridge: Cambridge University Press, 2004.

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27

Beyond rehearsal: Reflections on interpretation and practice, continued. New York: Peter Lang, 2009.

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28

Ursula, Ditzig-Engalhardt, ed. Musik und Kind: Chancen für Begabung und Kreativität im Zeitalter der Neuen Medien. Laaber: Laaber Verlag, 2003.

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29

Kilian, Engels, Sucher C. Bernd, and Radikal Jung (Festival) (2006 : Munich, Germany), eds. Absolut Gegenwart: Regisseure von morgen. Leipzig: Henschel, 2006.

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30

Don, Drapeau, ed. Hi concept-lo tech: Theatre for everyone in any place. Portsmouth, NH: Heinemann, 1996.

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31

Andrea Breth: Theaterkunst als kreative Interpretation. Frankfurt am Main: Lang, 1990.

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32

Die Mühen der Ebenen: Brecht und die DDR. Berlin: Aufbau, 2013.

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33

Die Räuber von Friedrich Schiller: Brüderbande und Räuberchor in Nicolas Stemanns Inszenierung am Thalia Theater Hamburg. Würzburg: Königshausen & Neumann, 2009.

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34

Collins, Jane, Heiner Goebbels, and Nicole Gronemeyer. Aesthetics of Absence: Texts on Theatre. Taylor & Francis Group, 2015.

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35

Collins, Jane, Heiner Goebbels, and Nicole Gronemeyer. Aesthetics of Absence: Texts on Theatre. Taylor & Francis Group, 2015.

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36

Collins, Jane, Heiner Goebbels, and Nicole Gronemeyer. Aesthetics of Absence: Texts on Theatre. Taylor & Francis Group, 2015.

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37

Staatsschauspiel Dresden: 100 Jahre Schauspielhaus. Berlin: Theater der Zeit, 2012.

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38

Der zerbrochene Krug: Von Heinrich von Kleist. Königshausen & Neumann, 2015.

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39

Collins, Jane, Heiner Goebbels, and Nicole Gronemeyer. Aesthetics of Absence: Texts on Theatre. Taylor & Francis Group, 2015.

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40

Aesthetics of Absence. Routledge, 2015.

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41

Collins, Jane, Heiner Goebbels, and Nicole Gronemeyer. Aesthetics of Absence. Taylor & Francis Group, 2015.

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42

Theater proben: Das Körber Studio Junge Regie ; eine Kooperation von Universität Hamburg, Thalia Theater Hamburg, Deutschem Bühnenverein und Körber-Stiftung. Hamburg: Edition Körber-Stiftung, 2006.

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43

Theatrale R aume: theater asthetische Entw urfe in St ucken von Werner Schwab, Elfriede Jelinek und Peter Handke. Berlin: Lit Verlag, 2007.

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44

Eddershaw, Margaret. Performing Brecht. Taylor & Francis Group, 2002.

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45

Eddershaw, Margaret. Performing Brecht. Taylor & Francis Group, 2002.

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46

Eddershaw, Margaret. Performing Brecht. Taylor & Francis Group, 2002.

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47

Performing Brecht. Routledge, 2002.

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48

Eddershaw, Margaret. Performing Brecht. Taylor & Francis Group, 2002.

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49

Performing Brecht: Forty years of British performances. London: Routledge, 1996.

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50

Dramenpoetik 2007: Einblicke in die Herstellung des Theatertextes. Hildesheim ; New York: Olms, 2009.

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