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Journal articles on the topic 'Theater of Patara (Turkey)'
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1
Erdoğan, Ali, Mehmet Öz, Yakup Kaska, Serdar Düşen, Aziz Aslan, Mustafa Yavuz, M. Rızvan Tunç, and Hakan Sert. "Marine turtle nesting at Patara, Turkey, in 2000." Zoology in the Middle East 24, no. 1 (January 2001): 31–34. http://dx.doi.org/10.1080/09397140.2001.10637883.
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Tanaka, Eisuke. "ARCHAEOLOGY HAS TRANSFORMED “STONES” INTO “HERITAGE”: THE PRODUCTION OF A HERITAGE SITE THROUGH INTERACTIONS AMONG ARCHAEOLOGY, TOURISM, AND LOCAL COMMUNITIES IN TURKEY." História: Questões & Debates 66, no. 1 (January 12, 2018): 71. http://dx.doi.org/10.5380/his.v66i1.57404.
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Este texto investiga a maneira como a arqueologia modifica as relações entre vários grupos de interesses e vestígios do passado no contexto de escavações arqueológicas e de desenvolvimento turístico. Para isso, ele estuda o caso de Patara, pequena aldeia resort no Sul da Turquia, para entender o papel de sítios históricos qualificados como “patrimônio” no contexto de escavações arqueológicas e de desenvolvimento turístico. Mais especificamente, este texto investiga como as relações entre os atores locais, os arqueólogos, os turistas e os vestígios da antiga cidade de Patara progressivamente mudaram enquanto se foram realizando as escavações arqueológicas e, em seguida, a gestão do patrimônio. Por meio da análise do processo de escavações e do desenvolvimento turístico em Patara, sugere-se que o sítio escavado mesmo é um ator das transformações das relações entre os diferentes grupos que se interessaram pelo sitio.
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Taşkın, Nazan, and İbrahim Baran. "Reproductive ecology of the Loggerhead Turtle,Caretta caretta,at Patara, Turkey." Zoology in the Middle East 24, no. 1 (January 2001): 91–100. http://dx.doi.org/10.1080/09397140.2001.10637887.
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Harrison, S. J., and P. Morrison. "Temperatures in a Sandy Beach Under Strong Solar Heating: Patara Beach, Turkey." Estuarine, Coastal and Shelf Science 37, no. 1 (July 1993): 89–97. http://dx.doi.org/10.1006/ecss.1993.1043.
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Öz, M., A. Erdoğan, Y. Kaska, S. Düşen, A. Aslan, H. Sert, M. Yavuz, and M. R. Tunç. "Nest temperatures and sex-ratio estimates of loggerhead turtles at Patara beach on the southwestern coast of Turkey." Canadian Journal of Zoology 82, no. 1 (January 1, 2004): 94–101. http://dx.doi.org/10.1139/z03-200.
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During the nesting period in 2000 and 2001 on Patara beach, total emergence and non-nesting emergence of loggerhead turtles (Caretta caretta), nest distribution, and nest distance from the sea were recorded . The main nesting seasons for sea turtles (family Cheloniidae) were during June and July. Loggerhead turtles comprised the majority of sea turtle emergence records; only two green turtle (Chelonia mydas) emergences were recorded. The small nesting population (52 and 53 nests in 2000 and 2001, respectively) of sea turtles on Patara beach was due to low hatching success resulting from a rise in seawater levels, owing to beach erosion, and the subsequent inundation of most nests. The temperatures of four nests and sand at different distances from the sea were measured with electronic temperature loggers, which recorded mean nest temperatures of 28.8–30.7 °C, with the mean temperature in the middle third of the incubation period from 28.5 to 31.0 °C. The mean temperatures, incubation periods, temperature during the middle third of the incubation period, and percentage of hatchling sexes were evaluated with respect to sand and nest temperatures. The results showed a female-dominated sex ratio, which was probably the result of predation of nests far from the sea and the seawater inundation of nests close to the sea, as the sand temperature was different at sites close and far from the sea.
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Aghayeva, Narmina. "Theater relationships between Azerbaijan and Turkey." Problems of Arts and Culture, no. 04 (2023): 37. http://dx.doi.org/10.59849/2310-5399.2023.4.37.
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Yalciner, Ahmet Cevdet, Ceren Ozer, Hulya Karakus, Andrey Zaytsev, and Isikhan Guler. "EVALUATION OF COASTAL RISK AT SELECTED SITES AGAINST EASTERN MEDITERRANEAN TSUNAMIS." Coastal Engineering Proceedings 1, no. 32 (January 29, 2011): 10. http://dx.doi.org/10.9753/icce.v32.management.10.
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Mediterranean, the center of civilizations since antiquity, experienced numerous earthquakes and triggered tsunamis. Historical information and distribution of fault zones, volcanoes and other probable tsunamigenic sea bottom deformations show that, there are source areas which may be considered as responsible for tsunamis in Eastern Mediterranean, Aegean, Marmara and Black sea region. These events affected the coastal structures that led to the loss of the economic power and social life of civilizations since antiquity. One of the probable examples of the earthquake or tsunami effects on the Fethiye town may be the eruption of Thera (also referred to as the Thera eruption or Santorini eruption). Another example of the earthquake or tsunami effects on the historical structures may be the destruction of lighthouse of Patara (Lykian City) harbor at the South of Turkey. The numerical modeling is one of the efficient tools for understanding the tsunami behaviors in the past. In this study, the historical data of earthquakes and tsunamis are evaluated together with the instrumental data of seismicity in order to select the tsunami source for modeling efforts. In modeling application, the most effective tsunami source among the others in Eastern Mediterranean is selected and simulated in order to better understand its possible effects on Fethiye town and the Patara (Lykian City). In this study, the simulation results are presented and dicussed for these selected regions.
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Kazan, Isil. "Turkey between national and theater missile defense." Asien Afrika Latinamerika 30, no. 6 (January 2002): 645–55. http://dx.doi.org/10.1080/00323379022000060878.
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Sürmelihindi, Gül, Cees W. Passchier, Orhan N. Baykan, Christoph Spötl, and Paul Kessener. "Environmental and depositional controls on laminated freshwater carbonates: An example from the Roman aqueduct of Patara, Turkey." Palaeogeography, Palaeoclimatology, Palaeoecology 386 (September 2013): 321–35. http://dx.doi.org/10.1016/j.palaeo.2013.06.002.
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Yurtseven, Çağlar. "Enlargement and transformation of the movie theater industry in Turkey." Economics & Sociology 13, no. 2 (June 2020): 110–22. http://dx.doi.org/10.14254/2071-789x.2020/13-2/8.
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Arslan, Ozan, and Orhan Kurt. "Determination of the Geometric Form of Hierapolis Theater in Pamukkale, Turkey." Journal of Surveying Engineering 140, no. 3 (August 2014): 04014008. http://dx.doi.org/10.1061/(asce)su.1943-5428.0000129.
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Güleç Özer, Derya, Takehiko Nagakura, and Nikolaos Vlavianos. "Augmented reality (AR) of historic environments: Representation of Parion Theater, Biga, Turkey." A/Z : ITU journal of Faculty of Architecture 13, no. 2 (2016): 185–93. http://dx.doi.org/10.5505/itujfa.2016.66376.
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Aktaş, Elif. "Effect of Readers Theater on Reading Comprehension Skills and Reading Motivation among Students of Turkish as a Foreign Language." International Journal of Education and Literacy Studies 11, no. 3 (July 31, 2023): 71–83. http://dx.doi.org/10.7575/aiac.ijels.v.11n.3p.71.
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Different methods, techniques and strategies are employed in teaching to improve reading, especially comprehension skills to ensure reading motivation. The aim of this study is to determine the effect of readers theater on reading comprehension skills and reading motivation in teaching Turkish as a foreign language. In the study, in which an exploratory mixed design in which quantitative and qualitative research methods were used together was preferred, the subjects were determined by convenience sampling. Accordingly, 61 B1 level students (31 experimental, 30 control) learning Turkish as a foreign language at a state university in southern Turkey were assigned as the experimental and control groups. Reading comprehension achievement test was used to collect data in the study., reading motivation scale and semi-structured interview form were used to collect data. Dependent and independent groups t-test was used to analyze quantitative data; descriptive analysis and content analysis were used to analyze qualitative data. The results reveal that the reading theater technique had a positive effect on the reading comprehension skills and reading motivation of the students in the experimental group. In addition, it was determined that the students expressed positive opinions about the reading theater. Based on these results, it is suggested that reading theater technique should be used to increase the reading motivation of Turkish as a foreign language learner and improve their reading comprehension skills.
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OLGUN, Kurtuluş, Emin BOZKURT, Süleyman CEYLAN, Mehmet TURAL, Serdar ÖZCAN, Kazım Şahin KARASÜLEYMANOĞLU, and Yusuf GEROĞLU. "Nesting activity of sea turtles, Caretta caretta (Linnaeus, 1758) and Chelonia mydas (Linnaeus, 1758) (Reptilia, Cheloniidae), at Patara Beach (Antalya, Turkey) over four nesting seasons." TURKISH JOURNAL OF ZOOLOGY 40 (2016): 215–22. http://dx.doi.org/10.3906/zoo-1505-8.
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TEMEL,Sernaz DEMİREL TEMEL, Tan. "Modern dance in Turkey with Geyvan McMillen “Yıldız Technical University Dance Program, Cemal Reşit Rey Dance Theater Company and Istanbul Dance Theater Company”." Journal for the Interdisciplinary Art and Education 2, no. 1 (2021): 75–103. http://dx.doi.org/10.29228/jiae.16.
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Khairullin, T. R. "THE QATARI-TURKISH ALLIANCE AND SAUDI ARABIA: THE STRUGGLE OF ISLAMIST PROJECTS IN SYRIA." Islam in the modern world 14, no. 4 (January 7, 2019): 235–46. http://dx.doi.org/10.22311/2074-1529-2018-14-4-235-246.
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The article discusses Islamist projects promoted by Saudi Arabia and the Qatari-Turkish Alliance to strengthen their positions in Syria. The Saudis are focused on conservative Salafi Islamism, while Qatar and Turkey adhere to the moderate ideology of Islamism Muslim Brotherhood. Since the beginning of the crisis, the struggle between the competing forces has been unfolding within the opposition structures (the Syrian National Council, the National Coalition) and in the theater of operations, where there is a support for certain military formations loyal to ‘Pro-Saudi’ or ‘Pro-Qatari’ representatives of the opposition. The struggle of the Qatari-Turkish Alliance and Saudi Arabia has led to a signifi cant weakening of the positions of Qatar and Turkey in the negotiation process, however Doha and Ankara continue to maintain control over numerous armed groups of moderate persuasion.
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Akyol, Ender. "THEATER TRAVELS AS AN INTERNATIONAL RELATIONSHIP AND PROPAGANDA VEHICLE OF THE EARLY REPUBLICAN ERA IN TURKEY." Gaziantep University Journal of Social Sciences 18, no. 3 (July 2, 2019): 1081–100. http://dx.doi.org/10.21547/jss.497770.
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Yavuz, Serap Simsek, Yesim Bicer, Nihan Yapici, Sibel Kalaca, Osman Ozcan Aydin, Gercek Camur, Funda Kocak, and Zuhal Aykac. "Analysis of Risk Factors for Sternal Surgical Site Infection Emphasizing the Appropriate Ventilation of the Operating Theaters." Infection Control & Hospital Epidemiology 27, no. 9 (September 2006): 958–63. http://dx.doi.org/10.1086/506399.
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Objective.To determine the incidence of and identify risk factors for sternal surgical site infection (SSI).Design.Prospective cohort study. Data on potential risk factors, including the type of operating theater and infection data, were collected prospectively and analyzed by multivariate analysis.Setting.Siyami Ersek Thoracic and Cardiovascular Surgery Hospital, a 700-bed teaching hospital and the largest center for cardiac surgery in Turkey. The cardiothoracic unit performs approximately 3,000 cardiac operations per year.Patients.All adult patients who underwent cardiac surgery with sternotomy between January 14, 2002, and July 1, 2002, and who survived at least 4 days after surgery were included in the study.Results.Potential risk factor data were complete for 991 patients. There was sternal SSI in 41 patients (4.1%). Female sex, diabetes mellitus, operation performed in the older operating theaters, and duration of procedure exceeding 5 hours were identified as independent risk factors for sternal SSI.Conclusions.Female and diabetic patients are at higher risk for sternal SSI and should be followed up carefully after cardiac surgery to prevent the development of sternal SSI. Reducing the duration of surgery could reduce the rate of postoperative sternal SSI. The operating theater environment may have an important role in the pathogenesis of sternal SSI, and appropriate ventilation of the operating theaters would be critical in the prevention of sternal SSI.
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De Rosa, Sinibaldo. "Samah—Kardeşlik Töreni: A Dynamic Bodily Archive for the Alevi Semah." Congress on Research in Dance Conference Proceedings 2014 (2014): 70–74. http://dx.doi.org/10.1017/cor.2014.8.
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In this paper, the current practices and discourses surrounding the Alevisemahare analysed in a peculiar reflexive and embodied manner. The semah is comprehended here as a “dynamic structured body system,” which is differently recognized asibadet(devotional practice),dans(dance), ormeditasyon(meditation), and whose practice is alleged to support ideals of inter-religious peace and gender equity. Its analysis resorts to data collected during an intensive fieldwork that was carried out between 2008 and 2011 by following the experimental theater piece with the titleSamah—Kardeşlik Töreni(Samah—the Ritual of Brotherhood) of the Ankara Deneme Sahnesi amateur group based in Ankara (Turkey). This play is the result of a re-elaboration of ethnographic data that were collected throughout the Anatolian peninsula since the early 1980s by a team of students and researchers affiliated with the Theatre Department of Ankara University. In this process of re-adaptation for the stage, the semah was singled out of its religious source (theAyin-i Cemritual) for which it started to display a mirror image offering a condensed exposition of the Alevi rituals to an audience. This paper contextualizes these formal adaptations on the stage into the frame of the abrupt history of migration and urbanization in late twentieth century Turkey. Such historical processes played a major role in the current circulation of the semah in Turkey as well as abroad, resulting also in its perspective inscription as world intangible heritage.
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Verstraete, Pieter. "Exiled lives on the stage: Support networks and programs for artists at risk from Turkey in Germany." Open Research Europe 3 (July 6, 2023): 109. http://dx.doi.org/10.12688/openreseurope.15726.1.
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This article analyses the support and self-care strategies of artists from Turkey who have left their country from considerable risk regarding their country’s political and economic instability since 2013 and have relocated to Germany. It maps the support networks, programs and institutions as well as consider questions of sustainability and risk (self-) assessment. The study is based on interviews with Turkish and Kurdish artists in Germany and an analysis of the activities by the Maxim Gorki Theater, Apartment Projekt, bi’bak, Hafiza Merkezi Berlin, as well as support systems like artistic research fellowships, art residencies, artist networks and supportive theatres. The guiding questions of this study examine the longer-term orientation of the support of artists at risk. The findings show three deficiencies. Despite the variety of available support systems, artists who left Turkey experience difficulties integrating in the artistic labour market. The output-oriented, meritocratic basis on which programs select candidates often fail to help artists in a holistic way. The intergenerational disparity in the migrant communities create the infrastructures, solidarity discourses and networks for newly arriving artists, but also creates ideological tensions which limits inter-communitarian solidarity. Specific self-organized programs extend the solidarity to artists from other affected regions, which limits chances to support artists at risk from Turkey. There are generational disadvantages of newcomers in an overburdened, professionalized independent art scene that has struggled to break free from the social work and socio-cultural stigmas. The latter masks artists with a non-German background from positive discrimination initiatives. The study proposes improvement in support systems through a coordinated effort, encourages to relieve programs from a need for identity representation as an expectation or requirement, and advises a shift in support systems from output orientation towards enhancement of individuals through self-care, for greater autonomy and self-development in their art practices and new life.
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Horb, Yevhen. "Military cartography of Serbian lands during the last Austro-Turkish war (1788–1791)." Balcanica Posnaniensia. Acta et studia 30 (December 1, 2023): 121–35. http://dx.doi.org/10.14746/bp.2023.30.8.
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The Austro-Turkish War of 1788–1791 has not yet been properly reflected in scientific literature despite the fact that in a certain way this last conflict between the Ottomans and the Holy Roman Empire „awakened the Balkans” and became a catalyst for the national liberation movement of the Serbs, which gained strength at the beginning of the 19th century. The territory of modern Serbia became a central theater of military actions in this difficult positional war, and those were the Serbs who ensured the success of many military operations of the Austrian troops. The war of 1788–1791 belonged to those conflicts, the history of which was written, so to speak, „in real time”, and this in many ways created certain stereotypes in the reproduction of the pattern of military actions. The one-sidedness and stereotyped nature of the narrative sources can be compensated by using large cartographic material – both published and stored in the archives of Austria, Hungary, Turkey, Ukraine, Russia, etc. Serbia as a theater of military actions is depicted on most of these maps and military topographical plans developed in the last quarter of the 18th century, but, with the exception of the Josephinian Land Survey, none of them have become the object of even cataloging and classification, not to mention its careful studying. Therefore, the00 proposed article is the first comprehensive attempt to summarize the information about cartographic sources regarding Serbian lands during the Austro-Turkish War of 1788–1791. As additional sources, to verify historical and geographical information, military topographical descriptions of Serbian lands compiled by the Austrian administration and periodicals of the war period were used.
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Rəfail qızı Ağayeva, Məlahət. "The theme of patriotism and heroism in Namig Kamal’s works." SCIENTIFIC WORK 75, no. 2 (February 18, 2022): 50–55. http://dx.doi.org/10.36719/2663-4619/75/50-55.
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Məqalədə, “Yeni Osmanlı Cəmiyyəti”nin yaradıcılarından olan Namiq Kamalın “Vətən, yaxud Silistrə” (1873), “Akif bəy” (1874), “Cəlaləddin, Xarəzim şahı” (1885), “Qara bəla” (1885) əsərlərinə müraciət edilir. Türkdilli ölkələrin ədəbiyyatına vətən, azadlıq, mübarizə, inqilab mövzusunun gətirilməsi ilk dəfə N.Kamalın adı ilə bağlı olmuşdu. Bu mövzuda yazdığı əsərlərlə bağlı olaraq dəfələrlə sürgünə məruz qalan müəllif, öz ideyasından dönməmiş, sürgündə olarkəndə belə yeni-yeni əsərlər yazıb. Özünün rejissorluğu ilə hazırlanan 1 aprel 1873-cü ildə Gedikpaşa teatrında tamaşaçılara göstərilən “Vətən, yaxud Silistrə” əsəri güclü əks-səda oyadaraq, Vətənə məhəbbət hissi ilə dolu olan bu əsərin tamaşasından sonra tamaşaçılar “Yaşasın Vətən” sözlərini ucadan deyə-deyə küçələrdən keçirdilər. Eyni zamanda, “Vətən, yaxud Silistrə” əsərinin Azərbaycandakı tamaşası da güclü ək-səda doğurub. Xalqımızın milli azadlıq hərakatının güclənməsinə, oyanışına böyük təkan verib. Açar sözlər: Azərbaycan, Türkiyə, Namiq Kamal, dramaturgiya, səhnə, teatr, pyes, rejissor, bəstəkar, rəssam, aktyor Malahat Rafail Aghayeva The theme of patriotism and heroism in Namig Kamal’s works Summary The article deals with the works such as “Homeland or Silistra” (1873), “Akif Bey” (1874), “Jalaleddin, Kharazim Shah” (1885), “Black Plague” (1885) by Namig Kamal, who was one of the founders of “New Ottoman Society”. The introduction of the theme of homeland, freedom, struggle and revolution in the literature of Turkic-speaking countries was first associated with the name of N.Kamal. The author, who was repeatedly exiled due to his works on this topic, did not change his mind and wrote new works even when he was in exile. The play “Homeland or Silistra”, directed by him and staged on April 1, 1873 at the Gedikpasha Theater, caused a strong reaction, the audience passed through the streets shouting the words “Long live the homeland”after the staging this play,which is full of love for the homeland. At the same time, the performance of “Homeland or Silistra” in Azerbaijan caused a strong reaction. It gave a great impetus to the strengthening and awakening of the national liberation movement of our people. Key words: Azerbaijan, Turkey, Namig Kamal, dramaturgy, stage, theater, play, director, composer, artist, actor
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Hinzen, Klaus-G., Stephan Schreiber, and Sebastian Rosellen. "A high resolution laser scanning model of the Roman theater in Pinara, Turkey – comparison to previous measurements and search for the causes of damage." Journal of Cultural Heritage 14, no. 5 (September 2013): 424–30. http://dx.doi.org/10.1016/j.culher.2012.10.017.
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MARJANISHVILI, Mariam. "The World of Games and Georgian Theatre in Baku." Journal in Humanities 9, no. 2 (February 18, 2021): 76–80. http://dx.doi.org/10.31578/hum.v9i2.422.
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The concept of Azerbaijan appeared in the Georgians’ mind with the folk song “Urmuli”, as in the first line of the song “I’ll go to Aghzevan for salt”, the word “Aghzevan” means Azerbaijan.The friendship and cultural relations between Georgian and Azerbaijan peoples have a long history. The best children of these two nations have always tried to develop and strengthen this friendship.It is important to study and research every form and field of these relations, including traditional theatric-cultural one between the two peoples.At the end of the 1870s, Baku, which was weakened by Turkey and Iran, turned into a large oil capitalist industry, business society and credit banks. Very soon, Baku turned into a multinational city. Alongside Russians, Armenians, Polish, Ukrainians, Jews, there were more and more Georgians.How was the city infrastructure affected by the rivalry of different material opportunities?!The growth of the population caused the growth of the city itself, but this growth was not homogenous, “whichever aspect of people’s life we take, - said newspaper “Kaspi” – there are intense contradictions everywhere: on the one hand, rich buildings with parquet floors, mirrors and electric lights, on the other – street huts with smoking oil-lamps” (Newspaper “Kaspi”, 1893).Keywords: World of Games, Baku Theater, Art, National Sign, Eternal Torch
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Bogomolov, Igor K. "A “sick man” on a sinking ship: The image of Turkey in the Russian press during the First World War." Imagologiya i komparativistika, no. 18 (2022): 323–45. http://dx.doi.org/10.17223/24099554/18/16.
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The article examines the development of the image of Turkey in the Russian press in 1914-1918. Perceiving the Ottoman Empire as a minor power with a weak army, Russian newspapers and magazines took into account the great strategic and political significance of the new Russian-Turkish war in solving Russia’s “historical tasks” in the Black and Mediterranean Seas. Periodicals of different orientations assessed the significance of the new Russian-Turkish war in different ways. For the conservative press, this was primarily the return of the “cross to St. Sophia”, the return of the Orthodox tsar to Constantinople. The liberal press paid more attention to the economic opportunities from the capture of the Straits. However, for both of them, the victory in the war was perceived as a natural result of the Russian-Turkish confrontation and symbolized the final “expulsion” of Turkey from Europe. In a broader sense, this meant the expulsion of Aziatchina [Asianism] from the “civilization” area. This reasoning was facilitated by major victories on the Caucasian Front (as opposed to the main front in Europe) and regular reports from official sources (Petrograd Telegraph Agency, General Staff) about the socio-economic and political crisis in the Ottoman Empire. The condescending attitude, the underestimation of the combat capability of the Turkish army and Turkey’s resistance to a protracted war prevailed. In many ways, therefore, the Caucasian Front remained secondary, although victory in this theater made it possible to open the Straits and receive large consignments of weapons and ammunition from the Western allies. In 1917, the “dream of Tsargrad,” tacitly proclaimed as the main goal of Russia in the world war, became one of the key factors in the political crisis. In the socialist press, Constantinople and the Straits became the personification of Russian imperialism and the cause of the deaths of millions of soldiers, the impoverishment of the people, and the depletion of the economy. Against this background, the image of Turkey underwent tangible changes. The conservative press developed the image of Turkey as an “Eastern despotism,” a historically doomed autocracy. In fact, it became a new ideological frame for the old military goals of Russia in the world war. The social democratic press turned more to the suffering of ordinary Turks, who were forced to shed blood for goals they did not know. The commonality of the fate of the Turkish and Russian peoples in their long and difficult struggle with the autocracy for the establishment of democracy was emphasized. The economic and political crisis in Russia actually led the second point of view to victory, which influenced the general course of the Russian Revolution. The author declares no conflicts of interests.
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Vogel, A. "Russian–Iranian–Turkish trilateral relations in the Syrian civil war." Pathways to Peace and Security, no. 1 (2023): 76–110. http://dx.doi.org/10.20542/2307-1494-2023-1-76-110.
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The Syrian uprisings in 2011 transformed into a fragmented, internationalized, and highly intensive civil war. The confrontation in Syria involved numerous local forces, regional stakeholders and outside powers. Among those various actors, Türkiye, Russia, and Iran played the key role in shaping the outcome of the conflict. Despite support by Russia/Iran and Turkey to the opposite sides in a civil war, the three powers successfully delineated their respective spheres of influence and established a modus vivendi to coexist and co-manage the conflict in Syria. The trio has worked as equals, checking and balancing each other in their actions in the Syrian Arab Republic. As the crisis in Ukraine escalated, a new geopolitical reality emerged, affecting the Syrian theater and the related balance between three leading external actors. Russia’s decreased focus on Syria led to an expanding Iran, disturbing the balance of power and pushing Israel to intervene more assertively. Erupting competition between Ankara and Tehran could also lead to escalation. This article attempts to provide a picture of the complex triangular interplay between the Islamic Republic of Iran, Russia, and Türkiye in Syria. It outlines the divergent and converging interests of the three as well as their actions and policies vis-à-vis Syria. The work explores whether antagonistic aspirations are bridged or not and investigates where the potential for escalation lies.
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Belyakov, V. V. "The Don Cadet Corps in Egypt." Journal of the Institute of Oriental Studies RAS, no. 1 (11) (2020): 93–99. http://dx.doi.org/10.31696/2618-7302-2020-1-93-99.
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The article covers the stay of the Don Cadet Corps in Egypt in 1920–1922, when its personnel was transferred from Novorossiysk to Alexandria and first placed in the Tell el-Kebir refugee camp, and then, at the insistence of the corps director, the cadets were transferred to the vicinity of Ismailia. There the cadets spent more than two years, after which they were transported to Turkey and Bulgaria. The author clarifies the circumstances of the cadets’ everyday life, showing on the basis of archival materials that they lived in tents, received adult allowance and wore the English military uniform. Based on archival materials and eyewitness accounts, the author traces changes in the physical form of young people who quickly gained strength in a warm climate and even received permission to swim in the Suez Canal twice a day. On Sundays, young men swam to the other side of the canal, where they collected cartridges and coins left from the First World War. Sources confirm that the cadets were fond of sports, especially football. At the end of 1921, the best cadets visited Cairo, looked at the pyramids, visited the Egyptian Museum, the opera house, and another group of cadets went to Palestine, where their choir performed in the local church. Don Cadets had their own orchestra, theater troupe, published a magazine. Upon analyzing the sources, the author came to the conclusion that for the most part the cadets were very much satisfied with their stay in Egypt and perceived the need to leave this country with sincere sadness.
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Duran, Erol, and Bahattin Hamarat. "Festival attendees’ motivations: the case of International Troia Festival." International Journal of Event and Festival Management 5, no. 2 (June 10, 2014): 146–63. http://dx.doi.org/10.1108/ijefm-07-2012-0020.
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Purpose – The purpose of this paper is to investigate underlying motivational dimensions of visitors attending the International Troia Festival (ITF), Çanakkale, Turkey. Design/methodology/approach – Surveys with 26 items on six motivational dimensions were empirically tested. Data were collected by a self-administered survey. The study sample comprised attendees of particular festival events which were suitable for survey practice in the ITF lasting for five days. The participants of the survey were the attendees of two theater shows, two conferences, and two folk dance shows. A total of 473 usable forms were obtained from the visitors and processed in the analysis. Findings – Significant differences and relations in motivational dimensions were found on the basis of visitors’ socio-demographic origins. Female visitors are more likely to attend festival events with high motivation of family togetherness and cultural exploration. Also male visitors are more likely to attend the events with more motivation of event attraction and escape and excitement than family togetherness. Motivation of cultural exploration is also high for all socio-demographic groups of festival visitors. Thereby, cultural exploration and family togetherness are also highly important for attendees. The basic theme of the ITF was identified as a cultural festival which essentially motivates visitors to attend particularly for cultural exploration. Research limitations/implications – The findings of this paper solely reflect the motivational dimensions identified during a Turkish festival with a cultural lifestyle. Practical implications – The field research of the study demonstrates the application of methodology by event managers to gain better understanding into visitor motivation, satisfaction, behavioral intention, event organization, and event theme. Originality/value – The important theoretical contribution of the study is in the area of establishing a meaningful and empirical relation between motivation of festivals and cultural structure of community as part of the perceived socio-cultural impacts of festivals. This implies and empirically substantiates the common belief that festivals and events can be instrumental in enriching cultural life.
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TÜRKMENOĞLU, Ömer, and Zümra AZİZOĞLU. "THE FIRST OPERA OF THE TURKISH WORLD "LEYLI AND MAJNUN’’." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 2 (August 15, 2021): 305–20. http://dx.doi.org/10.46291/zfwt/130216.
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The Turkish world's opera history gave its first example in 1908 with the opera "Leyli and Majnun" by Azerbaijani composer Üzeyir Hacıbeyli. According to many sources, "Leyli and Majnun" is described as the first opera of the Turkish world and the Islamic world, and the east. The most important feature of this opera is the masterful synthesis of classical western music and folk music. The opera, which was composed for the first time in this way, influenced the east with its staging and ensured that the art of opera was adopted by the public. The great composer Uzeyir Hajibeyli was born in the city of Shusha in Azerbaijan, which was developed in the field of literature and music and called the "natural conservatory." He developed his existing talent here and built it on solid foundations. He was interested in music and literature, wrote many books, articles, and was a writer for newspapers. The subject of the opera Leyli and Majnun is taken from Fuzuli's "Leyli and Majnun" poetry of the same name. At the age of 13, the composer decided to write this opera, influenced by the theater show "At the tomb of Majnun Leyli'' which he watched in Shusha, his home city. He started working on opera in 1907 when he was only 22 years old. By bringing a different perspective to opera, he used the tonal structure of western music with 'mugham,' also known as Azerbaijani folk music. This type of opera is also called "Mugam Opera.'' The opera, which was composed and performed despite the conditions of the period, preserved its originality by combining two cultures and was performed many times in other countries. Operas from the Turkish world are rarely staged in our country, and there is a need for such an article because the opera "Leyli and Majnun" has not been staged much in Turkey and there are very few theses, articles, and books about it. In this study; Different titles have been created such as the history of Azerbaijan opera, the life of Uzeyir Hajibeyli, the composer's process of creating the opera, and the content of the opera Leyli and Majnun. Keywords: Leyli and Majnun, Uzeyir Hajibeyli, Turkish World, Opera
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İlçe, Arzu, and Ganime Esra Yüzden. "Hemşirelik eğitiminde sanat ve sporArts and sports in nursing education." International Journal of Human Sciences 12, no. 2 (November 4, 2015): 990. http://dx.doi.org/10.14687/ijhs.v12i2.3247.
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<p><strong>Aim:</strong> The purpose of this research is to identify courses related to arts and sports in nursing curricula which is identified a discipline including the responsibility to promote and preserve community health care and planning improvement of healthcare systems.</p><p><strong>Methods:</strong> This descriptive research was carried out in March 2014. There are 114 nursing schools in 179 universities in Turkey. 105 Nursing education curricula were attained from The Council of Higher Education Web Site. The diversity of courses related to arts and sport were evaluated. The data were evaluated with SPSS. This includes numbers, percent methods and Chi-square analysis.</p><p><strong>Results:</strong> There were 179 universities including 108 state and 71 private universities in Turkey. The data were attained from The Council of Higher Education Web Site. 88 state and 26 private universities, a total of 114 nursing department were determined. 114 nursing schools (consist of 70 health high school, 31 Faculty of Health Sciences and 4 Faculty of Nursing)’ educational curricula had been obtained from web site. Accordingly, 34.3% of the nursing department had the courses related to arts and 28.6% of them related to sports was observed. In the courses related to the arts, music 24%, painting 18.3%, creative drama, theater, cinema 14.1%, fine arts 12.7%, folk dances 9.9%, dance, rhythm 5.6%, photography 5.6%, crafts, decorations 4.2%, ceramics 2.8%, elocution 2.8% and one quarter of art courses were taught in the first grade. In the courses related to the sports, physical education lesson 28.6%, chess 1% and 24.8% of them were taught in the first grade.</p><p><strong>Conclusion: </strong>The assay was found that one-third of nursing schools had the courses related to arts and sports. The courses related to arts and sports should take place in nursing education curricula because of the nursing profession consists of science and arts and fatigue is the most common illness in this stressful job.</p><p> </p><p><strong>Özet</strong></p><p><strong>Amaç:</strong> Bu çalışma; bireyin, ailenin, toplumun sağlığını korumak ve geliştirmek, hastalık halinde iyileştirme amacına yönelik hizmetlerin; planlanması, örgütlenmesi, uygulanması, değerlendirilmesinden sorumlu, bilim ve sanattan oluşan hemşirelik mesleğinin eğitiminde sanat ve sporla ilgili derslerin varlığı ve çeşitliğini saptamak üzere gerçekleştirildi.<br /> <strong>Yöntem:</strong> Tanımlayıcı tipte planlanan çalışma Mart 2014 tarihinde gerçekleştirildi. Yükseköğretim Kurumu internet sayfasından Ülkemizde bulunan 179 üniversiteden, 114 hemşirelik bölümünün 105’inin öğretim planına ulaşıldı. Hemşirelik bölümü öğretim programlarında sanat ve sporla ilgili dersler ve çeşitliliği değerlendirildi. Veriler SPSS paket programında kodlanarak, sayı, yüzde ve Ki- kare analizleri ile değerlendirildi. <br /> <strong>Bulgular:</strong> Yükseköğretim Kurumu internet sayfasından ülkemizde 108’i devlet, 71’i özel/ vakıf üniversitesi olmak üzere 179 üniversite olduğu görüldü. Üniversiteler içerisinde 88’i devlet, 26’sı özel/vakıf olmak üzere toplamda 114 hemşirelik bölümü olduğu ve bazı üniversitelerde birden fazla hemşirelik bölümü bulunduğu saptandı. 114 hemşirelik bölümünün internet ortamında 105 (70 Sağlık Yüksekokulu, 31 Sağlık Bilimleri Fakültesi, 4 Hemşirelik Fakültesi)’inin öğretim programına ulaşıldı. Buna göre hemşirelik bölümlerinin sadece % 34.3’ ünde sanatla; % 28.6 ’sında sporla ilgili dersin olduğu görüldü. Sanatla ilgili derslerin % 24.0 müzik, % 18.3 resim, % 14.1 yaratıcı drama, tiyatro, sinema, % 12.7 güzel sanatlar, % 9.9 halk oyunları, % 5.6 dans, ritim, % 5.6 fotoğrafçılık, % 4.2 el sanatları, süsleme, % 2.8 seramik, % 2.8 diksiyon olduğu ve bu derslerin % 75.0 oranında birinci sınıfta yer aldığı belirlendi. Sporla ilgili dersler % 28.6 beden eğitimi % 1.0 satranç olduğu ve bu derslerin % 24.8 oranında birinci sınıfta yer aldığı belirlendi.<br /> <strong>Sonuç: </strong>Ülkemizdeki hemşirelik bölümlerinin yaklaşık olarak üçte birinde sanat ve sporla ilgili dersin olduğu saptandı. Bilim ve sanattan oluşan bir meslek olması ve tükenmişliğin sık yaşandığı stresli bir meslek olması nedeniyle hemşirelik mesleğinin eğitiminde sanat ve sporla ilgili derslerin yer alması önerilir.</p>
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Mustățea, Mihaela. "Italy, the second Libyan war, and the Frontex Irini Operation." Euro-Atlantic Studies, no. 5 (2022): 119–40. http://dx.doi.org/10.31178/eas.2022.5.5.
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In 2011, Libya plunged into a civil war after the outbreak of the Arab Spring, a revolutionary movement characterized by massive civil protests which tried to build democratic societies in the Middle East and North Africa and put to an end the old repressive political regimes. After several months of civil war and bombings over Libya, longtime Muamar Ghaddafi’s dictatorial regime fell. Although the U.S. did not directly intervene in Libya, it supported the overthrow of Ghadafi through the intervention of NATO, providing aerial support and airstrikes for the opposition force (it also established a no-fly zone over Libya, authorized by the United Nations). In 2014, contested parliamentary elections led to the formation of two rival political power centers — one in the east, based in Tobruk and backed by military commander Khalifa Haftar, and another in the west of the country, an UN-supported administration in the capital of Tripoli. Each side was supported by a variety of militias and foreign powers, who competed for influence and oil resources, raising fears that oil-rich Libya could become the theater of a regional conflict. In April 2019, Haftar and his forces, backed by Russia (the Russian military contractors of the Wagner Group), Egypt, Saudi Arabia, Jordan, and the United Arab Emirates launched an offensive to capture the capital. His campaign collapsed after Turkey and Qatar offered their military support to the Tripoli government with hundreds of Turkish troops and thousands of Syrian mercenaries, belonging to the Free Syrian Army. The outbreak of violence in Libya in April 2019 severely affected the institutional reunification and stability of the country. Warning that the situation in Libya could become "a second Syria", with a new large wave of refugees directed towards the EU, Germany offered to call a peace conference for the conflicting sides, held on 19th January 2020 under the auspices of the United Nations. The aim was to stop the military support for the civil war parties and uphold an existing UN arms embargo, re-launching the peace process for a political settlement, after nine months of fighting over the capital. Operation EUNAVFOR MED IRINI was launched by the European Union on 31 March 2020, as part of the European Union's contribution to the Berlin conference. The core task of the Operation is the implementation of the UN arms embargo on Libya through aerial, satellite, and maritime assets, an embargo that had been decided in 2016 by the United Nations Security Council Resolution. This ongoing mission replaced the Sophia Operation, which had been in place for five years, combating the organized crime and trafficking of migrants in the Mediterranean Sea. In June 2016, the European Council decided to extend Sophia’s mandate until July 2017, adding two supporting tasks: training the Libyan coastguards and contributing to the implementation of the UN arms embargo on the high seas off the coast of Libya. This paper attempts to analyze the response of the European Union to the Libyan crisis by launching the Irini operation, a military-naval Joint force, setting out to secure the Berlin Conference’s commitments. Finally, we try to explain if Italy which seems to have preferred to stay on the sidelines, succeeded in reinserting itself into the Libyan equation, a significant diplomatic area for the Chigi Palace.
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Passchier, Cornelis, Gül Sürmelihindi, and Christoph Spötl. "A high-resolution palaeoenvironmental record from carbonate deposits in the Roman aqueduct of Patara, SW Turkey, from the time of Nero." Scientific Reports 6, no. 1 (June 30, 2016). http://dx.doi.org/10.1038/srep28704.
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Esigul, Zuleyha. "UNDER THE CASTLE AS AN EXAMPLE TO PHYSICAL THEATER RESEARCHES IN TURKEY." Ulakbilge Dergisi 6, no. 27 (August 31, 2018). http://dx.doi.org/10.7816/ulakbilge-06-27-03.
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Arslan, Ozan, and Orhan Kurt. "The determination of the true geometrical form of Great Ephesus theater, Turkey by using field surveys." Survey Review, November 8, 2019, 1–10. http://dx.doi.org/10.1080/00396265.2019.1687224.
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Baykan Calafato, Özge Baykan. "Inventing a Selfie Studio." Middle East Journal of Culture and Communication, November 1, 2023, 1–33. http://dx.doi.org/10.1163/18739865-01603004.
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Abstract Through a case study of Istanbul’s Foto Görçek, playfully dubbed ‘the world’s first selfie studio’, this article focuses on the changing photographic practices from the mid-1940s–1960s in modern Turkey, which experienced a dramatic political transition during the 1950s with the introduction of the multi-party regime following three decades of strictly secular Kemalist rule. This study explores how Foto Görçek challenged and transformed studio practices in Turkey, particularly during its increasing popularity in the 1950s–1960s, by allowing people to take up Elizabeth Edwards’ notion of the ‘theater of the self’, or when the self also takes on the role of the photographer. Accordingly, the article looks at the affordances of the photo studio as a space where citizens reimagined their desired selves and when new ways of imagining the self were made available to them. Moreover, this study investigates how such new imagined selves in the aftermath of the Second World War served to renegotiate a desired modern Turkish identity resulting from the rigorous state-controlled nation-building process during the 1920s–1930s.
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Yurt, Gülay. "The Resources and Problems of Theater in Turkey: Review on the Theatre Literature During ‘Single Party’ Period." Mediterranean Journal of Social Sciences, October 1, 2013. http://dx.doi.org/10.5901/mjss.2013.v4n9p748.
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"PERFORMER’S OPINIONS ON SEXUAL HARASSMENT IN THE PERFORMING ARTS IN TURKEY." Idil Journal of Art and Language 10, no. 86 (October 30, 2021). http://dx.doi.org/10.7816/idil-10-86-03.
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This research aims to reveal the performer perception and encounters in regards to sexual harassment in the field of performing arts in Turkey. The basis of the study is to unearth the thoughts of the performers about the sexual harassment exposures and to capture when, where and by whom the unwanted situations such as sexual harassment are experienced. The phenomenology design of qualitative research method is at the center of this study since 'sexual harassment and sexist attitude' is a phenomenon which is literally experienced. Document review and in-depth interviews were employed as data collection methods. Four researchers conducted 27 interviews, capturing more than 26 hours long recording that transcripted into 637 pages of data. After analyzing the data, it was found that the performers expressed their opinions in four different categories on sexual harassment behaviors in the theatre world. The first group stated that they did not encounter such experience; the second group generalized the issue and emphasized that the sexual harassment can happen anywhere; the third group openly stated that they have been exposed to sexual harassment themselves; the fourth group stated that in comparison to other sectors they think that the situation in the theater world is better. In addition, the performers emphasized on intricate relationships caused by hierarchy, informal networking and competitiveness prepared environements for harassment. Keywords: Performing Arts, Theatre, Sexual Harassment, Gender
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TOOMAJNIA, Jamaleddin, and Zeynep KUBAN TOKGÖZ. "A Comparative Research on Two Art Associations: “Helikon Association” in Turkey And “Khorus Jangi Association” in Iran." Fırat Üniversitesi Sosyal Bilimler Dergisi, September 8, 2022. http://dx.doi.org/10.18069/firatsbed.1129881.
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In this article, the ideas and activities of the Helikon Association in Turkey and the Khorus Jangi Association in Iran, which had a strong impact on the modern art of the neighboring countries Iran and Turkey, will be compared and their impact on the tendency of Turkish and Iranian artists to avant-garde art will be discussed. These two art associations were established in the 1950s by like-minded friends from various branches of art and literature. Specialists from the plastic arts, poetry and literature, music, cinema, and theater came together in these associations to share and discuss the new movements and ideas emerging in these branches around the world. Since most of the members of the Helikon Association are musicians, this association is mostly known for music, whereas painting and poetry predominate in the Khorus Jangi Association. The aims of these associations are presented by their founders as introducing the art of the day to the public and to increase their knowledge on this subject. They were short-lived, and both were closed down by the state because of the political conditions of that time due to false reports and conflicts.
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GÖKALAN, Merve, and Orhan SEVİNDİK. "MENGÜ ERTEL’İN TASARIM ÜSLUBU (AFİŞ TASARIMLARI ÖRNEĞİ)." Meriç Uluslararası Sosyal ve Stratejik Araştırmalar Dergisi, August 9, 2022. http://dx.doi.org/10.54707/meric.1133170.
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The art of graphic design, which emerged in the establishment phase of the Republic and developed with the effective support of master artists, started to blossom through successful works. In the field of graphic design, the first unforgettable name that comes to mind as a Republican era artist is İhap Hulusi Görey. Another graphic designer, Mengü Ertel, who, like Görey, has made a name for himself in Turkey with his designs -especially theatrical poster designs-, has followed the western design language since the Academy of Fine Arts. Although he considered the original stance of Polish posters as close to his own design language, it is visible in the designs he made that he has captured a unique style in poster designs and became original over time. This research aims to analyze the Ertel-specific style in the posters designed by Mengü Ertel, taking into account the design approaches of the period. The research seeks to answer the following question: “How is the style in the poster designs of Mengü Ertel?” In this context, Ertel's poster designs were examined using the "content analysis" technique, which is based on the survey model. In the research, 103 posters designed by Mengü Ertel were analyzed. The findings show that unique patterns are at the forefront in Mengü Ertel's design style, and the typographic elements he used not only provide information, but are also actively used as design objects. It is identified that there was a color palette that was reflected in all posters, especially in selecting the colors. When the poster designs prepared by Mengü Ertel were examined, the economic desperation experienced did not prevent the artist from being successful in his designs, and he concentrated his love and curiosity for the art of theater on the axis of poster designs and created original designs. In addition, the research has set as a side goal of creating knowledge about a crucial graphic designer in Turkey by contributing to the very few academic studies about Mengü Ertel.