Relevant bibliographies by topics / Theater and society Indonesia

Academic literature on the topic 'Theater and society Indonesia'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Theater and society Indonesia"

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Zaelani, Mohamad. "INDONESIAN THEATER 1985-1995: A PERSPECTIVE OF DESCRIPTION PROCESSES SOCIAL CHANGE AND VALUE." BAHTERA : Jurnal Pendidikan Bahasa dan Sastra 17, no. 1 (January 31, 2018): 123–36. http://dx.doi.org/10.21009/bahtera.171.10.

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AbstractThis research seeks to depict the history of Indonesian theater development from 1985 to 1995. This period is deliberately chosen because at that time it is seen that New Order power reached the top of its consolidation. Is there correlation between theater as a part of the reflection of society's expression and the repressive-authoritarian situation of the New Order government? With the approach of sociology of art, during that period, theater in Indonesia reflectedthe changes in society socially and in terms of values. One of these changes was the collapse of the conception of human wholeness (in terms of flesh and blood) in theater in Indonesia, because humans weremerely the object of the state power that tended to be authoritarian.Keywords: Indonesian theater 1985-1995, social changes and values, silent theater, theater ideas.
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Sadono, Bambang, and Fendy E. Wahyudi. "Theater of Macro: Trap of 'Macroism' in Indonesian Inequality." E3S Web of Conferences 73 (2018): 10018. http://dx.doi.org/10.1051/e3sconf/20187310018.

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The debate on economic prosperity can be drawn into issue of the best indicators that able to portray the real picture of one country's economy. In this article I try to elaborate that focusing only on Macro economic indicator is misplaced for describing the real image of economic situation of a country. By focusing on inequality index this paper explained the Indonesia Economic situation post Suharto era. The recent Indonesian experience clearly demonstrate the way in which inequality still becomes the peril in Indonesian society.
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Danastri, Dhiaz, Putri Dwirizky, and Tonie Kurniawan. "KOMA THEATER’S MARKETING THROUGH SOCIAL MEDIA CASE STUDY: 'GEMINTANG' SHOW." Dinasti International Journal of Digital Business Management 2, no. 1 (December 10, 2020): 44–54. http://dx.doi.org/10.31933/dijdbm.v2i1.635.

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For around 41 years, Theater Koma did not stop working. Continued to produce until its name is increasingly known, then holds a special place in the hearts of its fans. It's not an easy thing to maintain a theater community which in Indonesia is not yet popular. As the times changed, slowly but surely, Theater Koma's audience entered a period of regeneration. Performing arts production requires proper marketing techniques so the show could be accepted by the target community. Social media is a massive growth area for online marketers and one of which has potential to offer highly targeted advertising to specialized social groups. The transition of Theater Koma's marketing technique from offline to the digital world by utilizing social media needs to be developed because it is important in effort to regenerate the audience. This scientific was made written by conducting field observations during production process of the “Gemintang” show from mid-April 2018 to July 15 2018. This research aims to let us know the marketing techniques which have been applied to production of “Gemintang” show. This research concludes that awareness of the need for the existence of an art group is not only proven by work productivity itself, but how the work could be recognized and accepted by various segments of society which current entered the digital era.
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Arvianita, Ihza, and Yuli Eko Basuki. "Pertunjukan Amal: Dana Awal Perjuangan Rakyat di Yogyakarta 1945-1947." Lembaran Sejarah 18, no. 1 (January 10, 2023): 25. http://dx.doi.org/10.22146/lembaran-sejarah.80450.

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This research discusses the existence of charity shows in Yogyakarta as one of the people’s efforts to support the financial needs of independence struggle bodies. As the capital of the revolution, Yogyakarta’s atmosphere was filled with patriotic spirit to defend independence, and its society supported the birth of struggle organizations. To finance their activities, people conducted fundraising activities, such as by organizing charity shows. This method was chosen because of its effectiveness in mobilizing charity-fund from society, since at the same time they also enjoyed entertainment. The shows were presented in the form of theater and cinema. From these charity shows, the collected funds were distributed to various independence struggle bodies such as People’s Militia, Independence Funds Agency, and the Indonesian Red Cross (PMI).
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Rengganis, Ririe. "SASTRA IDEALIS VERSUS INDUSTRI KREATIF: STUDI KASUS FILM NAY SEBAGAI BENTUK FILMISASI NOVEL NAYLA KARYA DJENAR MAESA AYU." Jurnal Pena Indonesia 3, no. 1 (May 19, 2017): 40. http://dx.doi.org/10.26740/jpi.v3n1.p40-58.

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Idealism in literary studies often confronted with other interests embedded within the study. In addition to beautiful, literature must have utility for the people who enjoy it in the form of works, among which is a form of (prose) and the film (screenplay and theater). Either in the form of a novel (prose) or in the form of a film, idealism is not to be found entirely because there are some considerations due to the interests attached to them. These considerations include, first, the sensor associated with the norms that exist in people's lives in Indonesia, and secondly, related to the interests of owners of capital to finance the cost of production of the idealistic work to be conveyed to the public audience. Censorship in the film and the work done through the use of language of the author. This is done because the language in the works are an expression of the author as Lacan statement in the theory of subjectivity. In this paper, idealism within Djenar Maesa Ayu (DMA) as the author of the novel Nayla as well as a screenwriter and film director Nay is also expressed through the language of metaphor and metonymy are loaded in order to avoid censorship. The use of metaphor and metonymy that do DMA also consider the norms as reflected in Indonesian society.
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Juned, Sulaiman. "Penciptaan Teater “Hikayat Cantoi”: Adaptasi dari Konsep Teater Tutur Aceh Adnan PM TOH." Dance and Theatre Review 3, no. 1 (October 19, 2020): 26. http://dx.doi.org/10.24821/dtr.v3i1.4412.

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AbstractCreating the monologue theater is based on Teater Tutur Aceh, PM TOH. The author did not start from the saga script but wrote a monologue script entitled “Hikayat Cantoi” and was performed in Indonesian. The show combined the modern convention, especially in movement and blocking of actors on stage, setting (decoration), props, make-up, and clothing by using the wealth of the body as music (body percussion music), such as: pat the chest, thighs, stomach, and fingertips in the Seudati, Didong, and Guel dance. This work presents a character who has historical and psychological complexities. Cantoi, an Acehnese man who works as a teacher, is forced by the situation to become “Pak Turut” to save his soul. The author chose this imaginary character because in Aceh, the term for someone who is smart but looks stupid, and is called Cantoi. Between 1996-2003, Acehnese society experienced a cultural shift or change. It happens because of social interaction through the pressures that are experienced at any time. Changes in social behavior lead to the birth of ideology and the restructuring of people’s behavior.Keywords: creative process; monologue; speech theater; Adnan PM TOH; Acehnese locality
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Witjitra Wening, Warih. "Theather As an Awakening Vaccine (Brechtian Concept)." Terob : Jurnal Pengkajian dan Penciptaan Seni 12, no. 1 (October 1, 2021): 40–48. http://dx.doi.org/10.20111/terob.v12i1.28.

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As soon as this article discusses the theateropportunity as anawakening vaccine in Indonesian society during the Covid 19pandemic. Art has become the most powerful medium to reach thepublic area in the middle of a fairly tension and uncertain nationalsituation. This discussion will present Bertolt Brecht concept ofthinking in a different form of thought, but the author believes that inthe social condition that occurs in the middle of Indonesian peoplewho are panicking, theater is the right solution. Brechtian concept hasthe idea that allapparatus of performance, including audiences arerequired to stay apart nowadays, this is a reality that examines artistsand audiences due to physical distancing from the actual theater.Nobody realizes that the concept of verfremdungsefekt which isdefined as isolation, distance, or alienation is now becoming morepowerful in the middle of the pandemic. The basic thinking makes thewriter believe that to create a healthy physical condition, theatervaccineis the answer as awareness both conceptually in performanceand in presentational performance fragment, the author thinks that it isa strategy in the social condition nowadays
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Wongso, Risabella, Wegig Murwonugroho, and Agung Eko Budi Waspada. "ANALISA PERANCANGAN PUSAT PERFILMAN H. USMAR ISMAIL TERHADAP KEPUASAN PENGUNJUNG." Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain 3, no. 2 (June 9, 2021): 189. http://dx.doi.org/10.25105/jsrr.v3i2.9433.

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<p>Abstract<br />The increasing number of activities a person will cause stress which certainly can affect the intensity of<br />someone in carrying out the routine. Everyone is looking for various ways to deal with stress that can<br />affect a person’s appearance to be less attractive. Modern society tends to deal with stress by enjoying<br />entertainment, such as watching movies. The Haji Film Center Usmar Ismail is listed as the only film<br />center in Indonesia. However, this film center still requires more precise and attractive interior design<br />processing in the layout, interior elements, furniture, lighting, and signage. By seeing the importance of<br />the influence of interior design on the film center, the Hajj Usmar Ismail Film Center was chosen to be<br />designed with the aim of increasing comfort and convenience for its users. In this design, data collection<br />is done through field surveys and literature studies.<br /><strong>Keywords: interior design, theater center, film center, archive, Indonesian films.</strong></p><p><br />Abstrak<br />Semakin banyaknya aktivitas seseorang akan mengakibatkan stress yang tentunya dapat<br />mempengaruhi intensitas seseorang dalam melaksanakan rutinitas. Setiap orang mencari<br />berbagai cara untuk mengatasi stress yang dapat akan berpengaruh terhadap penampilan<br />seseorang menjadi kurang menarik. Masyarakat modern cenderung untuk menangani stress<br />tersebut dengan menikmati hiburan, seperti menonton film. Pusat Perfilman Haji Usmar<br />Ismail tercatat sebagai satu satunya pusat perfilman di Indonesia. Namun, pusat perfilman<br />ini masih memerlukan pengolahan desain interior yang lebih tepat dan menarik pada bagian<br />layout, elemen interior, furniture, pencahayaan, dan signage-nya. Dengan melihat pentingnya<br />pengaruh dari perancangan interior pada pusat perfilman, maka Pusat Perfilman Haji Usmar<br />Ismail dipilih untuk dirancang dengan tujuan agar dapat meningkatkan kenyamanan dan<br />kemudahan bagi para penggunanya. Pada perancangan ini, pengumpulan data dilakukan<br />melalui survei lapangan dan studi literatur.<br /><strong>Kata kunci: perancangan interior, interior pusat perfilman, pusat perfilman, pengarsipan, perfilman Indonesia.</strong></p>
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Meilinda, Meilinda. "Understanding Domestic Violence in Indonesia Through a Play-with-music: A Story of Wounds." k@ta 23, no. 2 (December 20, 2021): 77–85. http://dx.doi.org/10.9744/kata.23.2.77-85.

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The number of domestic violence is 50% out of violence against woman cases in Indonesia. This condition is intriguing to analyse. There must be a reason behind rising number of crimes related to inequality of women position in the society. One of the ways that can be used to reflect on this subject is through theatre. It is a work of art that can be used to discuss and inspire a necessary social change or social agenda. Therefore, applying textual analysis method on A Story of Wounds, a play by Jessie Monika, I would like to find the reasons behind that inequality to find the core problem of domestic violence as portrayed in ASoW. I utilize Bourdieu’s capital, habitus and field theory to prove that inequality between the wife and the husband, the deeply rooted patriarchy values create imbalance power that open opportunity for domestic violence toward women.
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KITLV, Redactie. "Book Reviews." Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 163, no. 1 (2008): 134–220. http://dx.doi.org/10.1163/22134379-90003683.

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Michele Stephen; Desire, divine and demonic; Balinese mysticism in the paintings of I Ketut Budiana and I Gusti Nyoman Mirdiana (Andrea Acri) John Lynch (ed.); Issues in Austronesian historical phonology (Alexander Adelaar) Alfred W. McCoy; The politics of heroin; CIA complicity in the global drug trade (Greg Bankoff) Anthony Reid; An Indonesian frontier; Acehnese and other histories of Sumatra (Timothy P. Barnard) John G. Butcher; The closing of the frontier; A history of the maritime fisheries of Southeast Asia c. 1850-2000 (Peter Boomgaard) Francis Loh Kok Wah, Joakim Öjendal (eds); Southeast Asian responses to globalization; Restructuring governance and deepening democracy (Alexander Claver) I Wayan Arka; Balinese morpho-syntax: a lexical-functional approach (Adrian Clynes) Zaharani Ahmad; The phonology-morphology interface in Malay; An optimality theoretic account (Abigail C. Cohn) Michael C. Ewing; Grammar and inference in conversation; Identifying clause structure in spoken Javanese (Aone van Engelenhoven) Helen Creese; Women of the kakawin world; Marriage and sexuality in the Indic courts of Java and Bali (Amrit Gomperts) Ming Govaars; Dutch colonial education; The Chinese experience in Indonesia, 1900-1942 (Kees Groeneboer) Ernst van Veen, Leonard Blussé (eds); Rivalry and conflict; European traders and Asian trading networks in the 16th and 17th centuries (Hans Hägerdal) Holger Jebens; Pathways to heaven; Contesting mainline and fundamentalist Christianity in Papua New Guinea (Menno Hekker) Ota Atsushi; Changes of regime and social dynamics in West Java; Society, state and the outer world of Banten, 1750-1830 (Mason C. Hoadley) Richard McMillan; The British occupation of Indonesia 1945-1946; Britain, the Netherlands and the Indonesian Revolution (Russell Jones) H.Th. Bussemaker; Bersiap! Opstand in het paradijs; De Bersiapperiode op Java en Sumatra 1945-1946 (Russell Jones) Michael Heppell; Limbang anak Melaka and Enyan anak Usen, Iban art; Sexual selection and severed heads: weaving, sculpture, tattooing and other arts of the Iban of Borneo (Viktor T. King) John Roosa; Pretext for mass murder; The September 30th Movement and Suharto’s coup d’état in Indonesia (Gerry van Klinken) Vladimir Braginsky; The heritage of traditional Malay literature; A historical survey of genres, writings and literary views (Dick van der Meij) Joel Robbins, Holly Wardlow (eds); The making of global and local modernities in Melanesia; Humiliation, transformation and the nature of cultural change (Toon van Meijl) Kwee Hui Kian; The political economy of Java’s northeast coast c. 1740-1800; Elite synergy (Luc Nagtegaal) Charles A. Coppel (ed.); Violent conflicts in Indonesia; Analysis, representation, resolution (Gerben Nooteboom) Tom Therik; Wehali: the female land; Traditions of a Timorese ritual centre (Dianne van Oosterhout) Patricio N. Abinales, Donna J. Amoroso; State and society in the Philippines (Portia L. Reyes) Han ten Brummelhuis; King of the waters; Homan van der Heide and the origin of modern irrigation in Siam (Jeroen Rikkerink) Hotze Lont; Juggling money; Financial self-help organizations and social security in Yogyakarta (Dirk Steinwand) Henk Maier; We are playing relatives; A survey of Malay writing (Maya Sutedja-Liem) Hjorleifur Jonsson; Mien relations; Mountain people and state control in Thailand (Nicholas Tapp) Lee Hock Guan (ed.); Civil society in Southeast Asia (Bryan S. Turner) Jan Mrázek; Phenomenology of a puppet theatre; Contemplations on the art of Javanese wayang kulit (Sarah Weiss) Janet Steele; Wars within; The story of Tempo, an independent magazine in Soeharto’s Indonesia (Robert Wessing) REVIEW ESSAY Sean Turnell; Burma today Kyaw Yin Hlaing, Robert Taylor, Tin Maung Maung Than (eds); Myanmar; Beyond politics to societal imperatives Monique Skidmore (ed.); Burma at the turn of the 21st century Mya Than; Myanmar in ASEAN In: Bijdragen tot de Taal-, Land- en Volkenkunde no. 163 (2007) no: 1, Leiden
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Dissertations / Theses on the topic "Theater and society Indonesia"

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Bosnak, Judith Ernestine. "Shaping the Javanese play improvisation of the script in theatre performance /." [S.l. : s.n.], 2006. http://catalog.hathitrust.org/api/volumes/oclc/150381068.html.

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Turnbull, Olivia. "Bringing down the house : the inevitable crisis in England's regional theatres, 1979-1997 /." Thesis, Connect to Dissertations & Theses @ Tufts University, 2004.

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Thesis (Ph.D.)--Tufts University, 2004.
Adviser: Barbara Grossman. Submitted to the Dept. of Drama. Includes bibliographical references (leaves 385-393). Access restricted to members of the Tufts University community. Also available via the World Wide Web;
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Nugroho, Yanuar. "Does the Internet transform civil society? : the case of Civil Society Organisations in Indonesia." Thesis, University of Manchester, 2007. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:58115.

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The use of Information and Communication Technology (ICT), particularly the Internet, has attracted huge attention. Despite the attention paid to research into Internet use in homes, government agencies and business firms, little attention has been paid to other types of organisations such as civil society organisations (CSOs).
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Deal, Claire Elizabeth. "Collaborative theater of testimony performance as critical performance pedagogy implications for theater artists, community members, audiences, and performance studies scholars /." Fairfax, VA : George Mason University, 2008. http://hdl.handle.net/1920/3356.

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Thesis (Ph.D.)--George Mason University, 2008.
Vita: p. 244. Thesis director: Lorraine A. Brown. Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Cultural Studies. Title from PDF t.p. (viewed Jan. 11, 2009). Includes bibliographical references (p. 228-243). Also issued in print.
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Wijaya, Muhammad Ery. "Electricity Saving Policy for Household in a Multicultural Society-Indonesia." Kyoto University, 2013. http://hdl.handle.net/2433/180444.

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Kohno, Takeshi. "Emergence of human rights activities in authoritarian Indonesia : the rise of civil society /." The Ohio State University, 2003. http://bibpurl.oclc.org/web/21105.

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Song, Seung-Won. "Back To Basics In Indonesia? Reassessing The Pancasila And Pancasila State And Society, 1945-2007." View abstract, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3306531.

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Taub, Lora E. "Enterprising drama : the rise of commercial theater in early modern London /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9835408.

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Graham, Catherine (Catherine Elizabeth). "Dramaturgy and community-building in Canadian popular theatre : English Canadian, Québécois, and native approaches." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=42044.

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The Canadian popular theatre movement's refusal to accept one of the key binary oppositions that organizes Euroamerican theatre practice, the split between community-based and professional theatre, makes it a particularly interesting subject of inquiry for theatre scholars. This dissertation develops a methodology for analyzing this movement by approaching theatre, not as a unified institution or a series of texts, but as a mode of cognition that can overcome another of the basic binary oppositions of modern Euroamerican thought, the opposition between mind and body. Following an introductory chapter that situates the Canadian popular theatre movement in the context of recent Canadian theatre history and of other popular theatre movements around the world, a theoretical chapter lays the foundation for this methodology by exploring such key terms as "community," "professional," and "theatrical." It suggests that theatre is a particularly appropriate cognitive tool for building participatory community in heterogeneous social milieus. Chapters 3, 4, and 5 analyze three stages in the popular theatre process in these terms. Chapter 3 looks at how methods of organizing community workshops put in place particular forms of community. Chapter 4 explores the ways in which the dramaturgic structures of plays created by Headlines Theatre, the Theatre Parminou, and Red Roots Community Theatre are formed both by their creation processes and by their analyses of the problems in the dominant public spheres of the larger society. Chapter 5 looks at the specific contribution professional theatre workers make in focusing audience attention on key elements in community participants' stories. The dissertation concludes by suggesting that popular theatre events can be most fairly evaluated by looking at their contribution to the creation of new categories of thought through which we might publicly discuss and enact truly participatory communities.
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Melo, Carla Beatriz. "Squatting dystopia performative invasions of real and imagined spaces in contemporary Brazil /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467889861&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Books on the topic "Theater and society Indonesia"

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Indonesian postcolonial theatre: Spectral genealogies and absent faces. New York: Palgrave Macmillan, 2010.

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Javanese performances on an Indonesian stage: Celebrating culture, embracing change. Honolulu: Asian Studies Association of Australia in association with University of Hawaii Press, 2008.

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Komedie Stamboel: Popular theater in colonial Indonesia, 1891-1903. Athens, Ohio: Ohio University Center for International Studies, 2006.

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Indonesia, society and politics. Delhi: Shipra Publications, 2003.

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1962-, Lindsey Timothy, ed. Indonesia, law and society. 2nd ed. Leichhardt, N.S.W., Australia: Federation Press, 2008.

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Dahana, Radhar Panca. Ideologi politik dan teater modern Indonesia. Magelang, Indonesia: Yayasan Indonesiatera, 2001.

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Achmad, A. Kasim. Mengenal teater tradisional di Indonesia. Jakarta: Dewan Kesenian Jakarta, 2006.

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M, Saini K. Teater modern Indonesia, dan beberapa masalahnya. Bandung: Binacipta, 1988.

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Rahman, Yusuf. Islam and society in contemporary Indonesia. [Jakarta]: Interdisciplinary Islamic Studies Program, Faculty of Graduate Studies, Syarif Hidayatullah State Islamic University Jakarta, 2006.

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Yusuf, Rahman. Islam, society, and politics in Indonesia. Jakarta: Interdisciplinary Islamic Studies Program, Faculty of Graduate Studies, Syarif Hidayatullah State Islamic University, 2006.

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Book chapters on the topic "Theater and society Indonesia"

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Farhadian, Charles E. "Secularizing society." In Christianity, Islam and Nationalism in Indonesia, 72–105. London: Routledge, 2005. http://dx.doi.org/10.4324/9780203007556-4.

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Lev, Daniel S. "BETWEEN STATE AND SOCIETY: PROFESSIONAL LAWYERS AND REFORM IN INDONESIA." In Making Indonesia, edited by Daniel S. Lev and Ruth T. McVey, 144–63. Ithaca, NY: Cornell University Press, 2018. http://dx.doi.org/10.7591/9781501719370-009.

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Setiawan, Ken M. P., and Dirk Tomsa. "Civil Society and the Media." In Politics in Contemporary Indonesia, 102–18. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429459511-7.

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Antlöv, Hans. "Civil Society Capacity Building in Indonesia." In Encyclopedia of Quality of Life and Well-Being Research, 937–41. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-0753-5_4161.

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Klinken, Gerry van, and Joshua Barker. "Introduction: State in Society in Indonesia." In State of Authority, edited by Gerry Van Klinken and Joshua Barker, 1–16. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501719448-001.

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Sunderlin, William D. "Development of the Forest Sector in Indonesia." In World Forests, Society and Environment, 214–21. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-011-4746-0_22.

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Holzhacker, Ronald L., Rafael Wittek, and Johan Woltjer. "Decentralization and Governance for Sustainable Society in Indonesia." In Decentralization and Governance in Indonesia, 3–29. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-22434-3_1.

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Hackel, Astrid. "Disco und Diskurs: Die performing society als Denkfigur zwischen Kapitalismuskritik und Performancekunst (Boyan Manchev & Willy Prager)." In Theorie und Theater, 37–51. Wiesbaden: Springer Fachmedien Wiesbaden, 2014. http://dx.doi.org/10.1007/978-3-658-08353-3_3.

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Li-ling, Hsiao. "Theater and society in the Ming world." In The Ming World, 185–200. Abingdon, Oxon; New York, NY: Routledge, 2019. | Series: The Routledge worlds: Routledge, 2019. http://dx.doi.org/10.4324/9780429318719-12.

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Cahyaningsih and T. Anisaharani. "Sustainability report disclosure in Indonesia." In Acceleration of Digital Innovation & Technology towards Society 5.0, 473–77. London: Routledge, 2022. http://dx.doi.org/10.1201/9781003222927-70.

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Conference papers on the topic "Theater and society Indonesia"

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Spanoudakis, N. S., A. Vafidis, A. Paganis, N. Andronikidis, N. Hatzidakis, and V. Niniou-Kindeli. "Geophysical Survey at the Area of the Ancient Theater of Aptera." In 8th Congress of the Balkan Geophysical Society. Netherlands: EAGE Publications BV, 2015. http://dx.doi.org/10.3997/2214-4609.201414164.

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Iannace, Gino, and Umberto Berardi. "Acoustic virtual reconstruction of the Roman theater of Posillipo, Naples." In 173rd Meeting of Acoustical Society of America and 8th Forum Acusticum. Acoustical Society of America, 2017. http://dx.doi.org/10.1121/2.0000607.

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Postma, Barteld N. J., and Brian F. G. Katz. "Influence of visual rendering on the acoustic judgements of a theater auralization." In 173rd Meeting of Acoustical Society of America and 8th Forum Acusticum. Acoustical Society of America, 2017. http://dx.doi.org/10.1121/2.0000575.

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Wirawan, Gunta, Herman Waluyo, Sarwiji Suwandi, and Sahid Widodo. "Mendu, Whose has it? (The Miserable Fate ofthe Traditional Theater Mendu West Kalimantan)." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294775.

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Komarov, A. V. "THE EXPERIENCE OF E-LEARNING OF ACTING SKILLS DURING GUARANTINE ON THE EXAMPLE OF THE THEATER-STUDIO «GLAGOL»." In Digital society: problems and prospects of development. Voronezh State University of Forestry and Technologies named after G.F. Morozov, Voronezh, Russia, 2021. http://dx.doi.org/10.34220/dsppd2021_84-88.

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This article continues the analysis of distance learning in the teenage association "GLAGOL". Currently, there is an increased interest in the field of e-learning, especially during the quarantine period. The article describes the experience of using social networks Vkontakte, Zoom, Discord for organizing online educational process, video and photo hosting Youtube, Instagram, Tik Tok for publishing reporting materials by students in the period from March 2020 to January 2021. A number of problems were identified during the experimental online work and effective recommendations for their elimination were developed.
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Fajarini, Ulfah. "Understanding Female Religiousity in Indonesia." In International Conference on Education in Muslim Society (ICEMS 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icems-17.2018.7.

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Ayala, Susana. "Becoming the Puppeteer: Reflections on Global Language and Culture by Puppetry Students in Yogyakarta, Indonesia." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.4-6.

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Puppet theater on the island of Java is an ancient art which has maintained some of its characteristics considered traditional, but has also been transforming innovations such as the wayang with hip-hop music among other popular expressions. The art of puppetry has also been institutionalized and is itself a degree program at the National Institute of Arts of Indonesia. In this paper, I show the outcomes of my research among students and shadow puppet art teachers in Java, Indonesia. There are two special characteristics in training puppeteers: The main use of Jawanese language and the development of communities of practice as ways of working in the teaching and learning process. As such, these contexts motivate students to be constantly reflecting on the Javanese language and culture. I note the process and the reflections of the participants on the Javanese language shift, and the uses of language in puppet performances which consider the reception of young Javanese. To analyze the data, I draw from fieldwork and interviews, I use the theoretical concepts of discursive genres and dialogism proposed by Bakhtin and I propose that the art of puppetry is a social field that encourages vitality and linguistic diversity on the island of Java.
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Zabelina, Daria. "THE REVIVAL OF THE PHILIPPINE NATIONAL THEATER — KOMEDYA." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.39.

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Komedya, or moro-moro, is a genre of the Philippine national theater that was flourishing from the second half of the 17th century until the second half of the 19th century. The genre formation was a part of catholic missioners propaganda activities. In time, komedya became the most popular dramatic genre in colonial Philippines. The common features of komedya are: 1) the central theme of komedya is fight between Christians and Muslims, where Christians always win; 2) actions described in komedya never take place in the Philippines, but in an exotic country, for instance in Turkey or in Armenia; 3) Spanish missioners played an important role in the formation of the genre; 4) komedya is the national theater; 5) komedya is a secular genre as adventures dominate over the religious motives. In the middle of the 19th century komedya was criticized by the most progressive Filipinos for being extravagant, lacking logic and not touching upon current Philippine problems. By the beginning of the 20th century komedya was not staged anymore almost everywhere in the Philippines. Its place was taken by the other genres. A number of actions to bring komedya back to its former popularity have been undertaken from the 1970s with the great support of the cultural center of the Philippines and University of the Philippines. It is important to mention that the genre is being changed in order to correspond the needs of the modern Philippine society. For example, the Muslim conflict is not the main topic of the modern Philippine national play as it contradicts the national policy of the Philippines.
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Melnikov, Anton, Marcus Maeder, Monika Gatt, Michael Scheffler, and Steffen Marburg. "Development of a novel sound pressure level requirement for characterizing noise disturbances from theater and opera stages." In 173rd Meeting of Acoustical Society of America and 8th Forum Acusticum. Acoustical Society of America, 2017. http://dx.doi.org/10.1121/2.0000638.

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Nasution, Sri Lestari Ramadhani. "Relationship Between Compliance to Surgery Safety Checklist and Incidents Among Anesthesiology Nurses in Operation Theater, Royal Prima Hospital, Medan, North Sumatera." In The 7th International Conference on Public Health 2020. Masters Program in Public Health, Universitas Sebelas Maret, 2020. http://dx.doi.org/10.26911/the7thicph.05.32.

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ABSTRACT Background: Patient safety issues became a global health concern, especially the occurrence of avoidable complications from surgical procedures. In 2008, World Health Organization launched the Safe Surgery Saves Lives program to improve patient safety. This study aimed to investigate the relationship between compliance to surgery safety checklist and incidents among anesthesiology nurses in operation theater at Royal Prima General Hospital, Medan, North Sumatera. Subjects and Method: This study was a cross-sectional study conducted at Royal Prima General Hospital, Medan, North Sumatera, in August 2019. A sample of 25 anesthesiology nurses was selected by the total sampling. The dependent variable was incidents in the operating room. The independent variable was the compliance of anesthesiology nurses on performing surgical safety checklist. The data of nurse compliance were measured by the completeness of filling sign in, time out, and sign out surgical safety checklists. The data were analyzed by chi-square. Results: The incidents in the operating room reduced with compliance in surgical safety checklist filling, but it was not statistically significant (OR= 0.12; 95% CI= 0.01 to 1.95; p= 0.218). Conclusion: The incidents in the operating room reduce with compliance in surgical safety checklist filling, but statistically non-significant. Keywords: surgical safety checklist, incidents, operating room Correspondence: Wienaldi. Department of Public Health, Faculty of Medicine, Universitas Prima Indonesia, Medan, Indonesia. Email: dr.wienaldi@gmail.com. Mobile: +6285270130535. DOI: https://doi.org/10.26911/the7thicph.05.32
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Reports on the topic "Theater and society Indonesia"

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A., Chakib. Civil society organizations' roles in land-use planning and community land rights issues in Kapuas Hulu regency, West Kalimantan, Indonesia. Center for International Forestry Research (CIFOR), 2014. http://dx.doi.org/10.17528/cifor/005426.

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Kelly, Luke. Evidence on the Role of Civil Society in Security and Justice Reform. Institute of Development Studies (IDS), December 2020. http://dx.doi.org/10.19088/k4d.2022.031.

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This rapid review focuses on the role of civil society in SSR in several contexts. It finds that donor driven SSR is seen to have failed to include civil society, and that such efforts have been focused on training and equipping security forces. However, in some contexts, donors have been able to successfully develop civil society capacity or engage civil society groups in reforms, as in Sierra Leone. There are also several examples of security and justice reforms undertaken by local popular movements as part of regime change, namely Ethiopia and South Africa. In other contexts, such as Indonesia, the role of civil society has led to partial successes from which lessons can be drawn. The theoretical and empirical literature attributes several potential roles to civil society in SSR. These include making security and justice institutions accountable, mobilising a range of social groups for reform, publicising abuses and advocating for reform, offering technical expertise, and improving security-citizen relations. The literature also points to the inherent difficulties in implementing SSR, namely the entrenched nature of most security systems. The literature emphasises that security sector reform is a political process, as authoritarian or predatory security systems are usually backed by powerful, skilled and tenacious vested interests. Dislodging them from power therefore requires significant political will – civil society can be one part of this. The evidence base for the topic is relatively thin. While there is much literature on the theory of SSR from a donor perspective, there are fewer empirical studies. Moreover, scholars have identified relatively few successful examples of SSR. The role of civil society is found to be greater in more economically developed countries, meaning there is less discussion of the role of civil society in many African SSR contexts, for example (except to note its absence). In addition, most research discusses the role of civil society alongside that of other actors such as donors, security services or political elites, limiting analysis of the specific role of civil society.
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Yilmaz, Ihsan, Raja M. Ali Saleem, Mahmoud Pargoo, Syaza Shukri, Idznursham Ismail, and Kainat Shakil. Religious Populism, Cyberspace and Digital Authoritarianism in Asia: India, Indonesia, Malaysia, Pakistan, and Turkey. European Center for Populism Studies, January 2022. http://dx.doi.org/10.55271/5jchdy.

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Turkey, Pakistan, India, Malaysia, and Indonesia span one of the longest continuously inhabited regions of the world. Centuries of cultural infusion have ensured these societies are highly heterogeneous. As plural polities, they are ripe for the kind of freedoms that liberal democracy can guarantee. However, despite having multi-party electoral systems, these countries have recently moved toward populist authoritarianism. Populism —once considered a distinctively Latin American problem that only seldom reared its head in other parts of the world— has now found a home in almost every corner of the planet. Moreover, it has latched on to religion, which, as history reminds us, has an unparalleled power to mobilize crowds. This report explores the unique nexus between faith and populism in our era and offers an insight into how cyberspace and offline politics have become highly intertwined to create a hyper-reality in which socio-political events are taking place. The report focuses, in particular, on the role of religious populism in digital space as a catalyst for undemocratic politics in the five Asian countries we have selected as our case studies. The focus on the West Asian and South Asian cases is an opportunity to examine authoritarian religious populists in power, whereas the East Asian countries showcase powerful authoritarian religious populist forces outside parliament. This report compares internet governance in each of these countries under three categories: obstacles to access, limits on content, and violations of user rights. These are the digital toolkits that authorities use to govern digital space. Our case selection and research focus have allowed us to undertake a comparative analysis of different types of online restrictions in these countries that constrain space foropposition and democratic voices while simultaneously making room for authoritarian religious populist narratives to arise and flourish. The report finds that surveillance, censorship, disinformation campaigns, internet shutdowns, and cyber-attacks—along with targeted arrests and violence spreading from digital space—are common features of digital authoritarianism. In each case, it is also found that religious populist forces co-opt political actors in their control of cyberspace. The situational analysis from five countries indicates that religion’s role in digital authoritarianism is quite evident, adding to the layer of nationalism. Most of the leaders in power use religious justifications for curbs on the internet. Religious leaders support these laws as a means to restrict “moral ills” such as blasphemy, pornography, and the like. This evident “religious populism” seems to be a major driver of policy changes that are limiting civil liberties in the name of “the people.” In the end, the reasons for restricting digital space are not purely religious but draw on religious themes with populist language in a mixed and hybrid fashion. Some common themes found in all the case studies shed light on the role of digital space in shaping politics and society offline and vice versa. The key findings of our survey are as follows: The future of (especially) fragile democracies is highly intertwined with digital space. There is an undeniable nexus between faith and populism which offers an insight into how cyberspace and politics offline have become highly intertwined. Religion and politics have merged in these five countries to shape cyber governance. The cyber governance policies of populist rulers mirror their undemocratic, repressive, populist, and authoritarian policies offline. As a result, populist authoritarianism in the non-digital world has increasingly come to colonize cyberspace, and events online are more and more playing a role in shaping politics offline. “Morality” is a common theme used to justify the need for increasingly draconian digital laws and the active monopolization of cyberspace by government actors. Islamist and Hindutva trolls feel an unprecedented sense of cyber empowerment, hurling abuse without physically seeing the consequences or experiencing the emotional and psychological damage inflicted on their victims.
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Yilmaz, Ihsan, Raja M. Ali Saleem, Mahmoud Pargoo, Syaza Shukri, Idznursham Ismail, and Kainat Shakil. Religious Populism, Cyberspace and Digital Authoritarianism in Asia: India, Indonesia, Malaysia, Pakistan, and Turkey. European Center for Populism Studies (ECPS), January 2022. http://dx.doi.org/10.55271/rp0001.

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Turkey, Pakistan, India, Malaysia, and Indonesia span one of the longest continuously inhabited regions of the world. Centuries of cultural infusion have ensured these societies are highly heterogeneous. As plural polities, they are ripe for the kind of freedoms that liberal democracy can guarantee. However, despite having multi-party electoral systems, these countries have recently moved toward populist authoritarianism. Populism —once considered a distinctively Latin American problem that only seldom reared its head in other parts of the world— has now found a home in almost every corner of the planet. Moreover, it has latched on to religion, which, as history reminds us, has an unparalleled power to mobilize crowds. This report explores the unique nexus between faith and populism in our era and offers an insight into how cyberspace and offline politics have become highly intertwined to create a hyper-reality in which socio-political events are taking place. The report focuses, in particular, on the role of religious populism in digital space as a catalyst for undemocratic politics in the five Asian countries we have selected as our case studies. The focus on the West Asian and South Asian cases is an opportunity to examine authoritarian religious populists in power, whereas the East Asian countries showcase powerful authoritarian religious populist forces outside parliament. This report compares internet governance in each of these countries under three categories: obstacles to access, limits on content, and violations of user rights. These are the digital toolkits that authorities use to govern digital space. Our case selection and research focus have allowed us to undertake a comparative analysis of different types of online restrictions in these countries that constrain space foropposition and democratic voices while simultaneously making room for authoritarian religious populist narratives to arise and flourish. The report finds that surveillance, censorship, disinformation campaigns, internet shutdowns, and cyber-attacks—along with targeted arrests and violence spreading from digital space—are common features of digital authoritarianism. In each case, it is also found that religious populist forces co-opt political actors in their control of cyberspace. The situational analysis from five countries indicates that religion’s role in digital authoritarianism is quite evident, adding to the layer of nationalism. Most of the leaders in power use religious justifications for curbs on the internet. Religious leaders support these laws as a means to restrict “moral ills” such as blasphemy, pornography, and the like. This evident “religious populism” seems to be a major driver of policy changes that are limiting civil liberties in the name of “the people.” In the end, the reasons for restricting digital space are not purely religious but draw on religious themes with populist language in a mixed and hybrid fashion. Some common themes found in all the case studies shed light on the role of digital space in shaping politics and society offline and vice versa. The key findings of our survey are as follows: The future of (especially) fragile democracies is highly intertwined with digital space. There is an undeniable nexus between faith and populism which offers an insight into how cyberspace and politics offline have become highly intertwined. Religion and politics have merged in these five countries to shape cyber governance. The cyber governance policies of populist rulers mirror their undemocratic, repressive, populist, and authoritarian policies offline. As a result, populist authoritarianism in the non-digital world has increasingly come to colonize cyberspace, and events online are more and more playing a role in shaping politics offline. “Morality” is a common theme used to justify the need for increasingly draconian digital laws and the active monopolization of cyberspace by government actors. Islamist and Hindutva trolls feel an unprecedented sense of cyber empowerment, hurling abuse without physically seeing the consequences or experiencing the emotional and psychological damage inflicted on their victims.
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Sumpter, Cameron, and Yuslikha K. Wardhani. Hopes and Hurdles for Indonesia’s National Action Plan to Prevent Violent Extremism. RESOLVE Network, March 2022. http://dx.doi.org/10.37805/pn2022.2.sea.

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This policy note outlines the key details of Indonesia’s National Action Plan for P/CVE before discussing the evident challenges and opportunities moving forward. The ambitious strategy (known by its Indonesian acronym, RAN PE) could decentralize P/CVE programming in Indonesia, facilitate the formalization of working relationships between civil society organizations and local government authorities, mainstream gender perspectives, and streamline activities to improve targeting and avoid overlap. But constructive outcomes will depend on overcoming thorny obstacles, such as coordinating the varied interests, motivations, and capacities of the many stakeholders involved, and allaying concerns over applicable definitions that some perceive as overly broad and possibly divisive.
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Hertz, Jana C., Derick W. Brinkerhoff, Robin Bush, and Petrarca Karetji. Knowledge Systems: Evidence to Policy Concepts in Practice. RTI Press, June 2020. http://dx.doi.org/10.3768/rtipress.2020.pb.0024.2006.

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This policy brief reviews the evolution of knowledge-to-policy studies and the emergence of systems perspectives. We explore the less well understood issue of how to grow and reinforce knowledge systems in settings where they are weak and underdeveloped. We offer a knowledge systems model that encapsulates current thinking and present an example of an effort to strengthen a knowledge system, drawn from a project managed by RTI in Indonesia. We conclude with some recommendations for strengthening knowledge systems including promoting debate among a diversity of voices within the knowledge system, providing sustained stakeholder commitment to the systems approach, investing in the components of the knowledge system as well as the interaction between components, fostering a balance between government mechanisms and space for civil society perspectives, and exploring how knowledge systems can engage the private sector. We conclude with suggestions for applying the knowledge systems model in new country contexts including use of a political economy analysis as well as gauging readiness of government actors, research institutes, and media to engage.
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Iffat, Idris. Trends in Conflict and Stability in the Indo-Pacific. Institute of Development Studies (IDS), February 2021. http://dx.doi.org/10.19088/k4d.2021.009.

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This report looks at trends in conflict and instability in the Indo-Pacific region, focusing on climate change effects and a number of civil liberties. The Indo-Pacific region is both highly vulnerable to the effects of climate change and already facing significant security risks and challenges, many of which will be exacerbated by the impact of climate change. There are notable increases in resource-based conflicts, migration-induced violence, and armed insurgencies. The countries reviewed all show worrying trends in terms of erosion of freedom of expression, media freedom, freedom of belief, and civil society freedom. The situation in Bangladesh and India is particularly serious and is already fuelling violence and conflict. The two themes on which the Emerging Issues Report (EIR) focuses are (i) climate change and (ii) guarding civil space and including all voices. The EIR examines these two themes in five Indo-Pacific countries: Bangladesh, India, Indonesia, the Philippines, and Thailand. These were chosen to give a broad range of situations and challenges/risks from the region. Note that this EIR is confined to an assessment of conflict risks and does not examine measures being taken by the government or others to address these.
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Needs and risks facing the Indonesian youth population. Population Council, 1998. http://dx.doi.org/10.31899/rh1998.1049.

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Youth are the leaders of tomorrow, but right now they face a formidable collection of problems that will determine the quality of their future lives and the lives of us all. Education, jobs, substance abuse, violence, sexuality, and marriage are examples of adolescent issues that demand special attention from researchers, youth activists and advocates, parents, and policymakers. In attempting to address these complex issues, we must be willing to confront ignorance, controversy, and cultural obstacles. Clear and focused policy and strategies must play a basic role in tackling these issues facing Indonesian adolescents. This paper provides a concise situation analysis of youth in Indonesia, focusing mainly on issues of sexuality and reproductive health, and describes current and future planned efforts by various governmental departments to deal with these issues. The paper also includes a set of recommendations for the priorities and focus of future initiatives to effectively reduce the risks faced by youth and to increase their chances of becoming educated, productive, healthy, and fulfilled members of society.
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