Journal articles on the topic 'The sea in painting'
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Oleynik, Maria. "Visual Representation of the Marine Theme in the Artistic Culture of Russia (XVIII–XX Centuries)." Ideas and Ideals 14, no. 2-2 (June 27, 2022): 350–62. http://dx.doi.org/10.17212/2075-0862-2022-14.2.2-350-362.
Full textSong, Hyosup. "Three Korean literati paintings of an orchid in the deconstructive process." Semiotica 2016, no. 208 (January 1, 2016): 223–36. http://dx.doi.org/10.1515/sem-2015-0116.
Full textSuparma Netra, I. Made, and Nyoman Wardi. "Konservasi Koleksi Lukisan Museum Le Mayeur." Humanis 23, no. 3 (September 27, 2019): 216. http://dx.doi.org/10.24843/jh.2019.v23.i03.p08.
Full textKapinus, Alexander. "On the Issue of the Painting Technique of the Marine Artist V.I. Shilyaev." Bulletin of Baikal State University 30, no. 2 (June 11, 2020): 185–94. http://dx.doi.org/10.17150/2500-2759.2020.30(2).185-194.
Full text刘, 城霞. "Study and Implementation of the Painting Communication Platform Based on .NET." Software Engineering and Applications 10, no. 04 (2021): 509–15. http://dx.doi.org/10.12677/sea.2021.104055.
Full textHinrichs, Nina. "Das Eismeer – Caspar David Friedrich and the North." Nordlit 12, no. 1 (February 1, 2008): 131. http://dx.doi.org/10.7557/13.1194.
Full textRampazzi, Laura, Cristina Corti, Ludovico Geminiani, and Sandro Recchia. "Unexpected Findings in 16th Century Wall Paintings: Identification of Aragonite and Unusual Pigments." Heritage 4, no. 3 (September 15, 2021): 2431–48. http://dx.doi.org/10.3390/heritage4030137.
Full textWillaert, Klaas. "Protest at Sea against Deep Sea Mining: Lawfulness, Limits and Remedies." International Journal of Marine and Coastal Law 36, no. 4 (October 27, 2021): 672–83. http://dx.doi.org/10.1163/15718085-bja10077.
Full textBehrisch, Tanya J. "Painting Deep Time: Encountering Landforms’ Alterity and Phusis Through Phenomenology and Oil Painting." Phenomenology & Practice 16, no. 1 (November 18, 2021): 90–107. http://dx.doi.org/10.29173/pandpr29503.
Full textMoore, Mary B., Gudrun Ahlberg-Cornell, and Carina Weiss. "Herakles and the Sea-Monster in Attic Black-Figure Vase-Painting." American Journal of Archaeology 90, no. 1 (January 1986): 108. http://dx.doi.org/10.2307/505998.
Full textCadée, Gerhard C. "Sea heart and nickar nuts in a Flemish painting of 1617." Archives of Natural History 38, no. 2 (October 2011): 353–56. http://dx.doi.org/10.3366/anh.2011.0041.
Full textImbert, Claude, and Kristin Koster. "The Blue of the Sea: Merleau-Ponty, Malraux, and Modern Painting." MLN 115, no. 4 (2000): 600–618. http://dx.doi.org/10.1353/mln.2000.0050.
Full textTollance, Pascale. "Painting the Cardboard House Red: Rewriting Colour in Wide Sargasso Sea." Women: A Cultural Review 31, no. 2 (April 2, 2020): 224–37. http://dx.doi.org/10.1080/09574042.2020.1767837.
Full textŽanja Vrbica, Sanja. "Hrvatska slikarska dionica ruskog marinista Alekseja Hanzena." Ars Adriatica 8, no. 1 (December 28, 2018): 163–78. http://dx.doi.org/10.15291/ars.2760.
Full textHung, Chang-Tai. "Oil Paintings and Politics: Weaving a Heroic Tale of the Chinese Communist Revolution." Comparative Studies in Society and History 49, no. 4 (October 2007): 783–814. http://dx.doi.org/10.1017/s001041750700076x.
Full textTrowbridge, Serena. "‘The very sky and sea-line of her soul’: Nature, Destruction, and Desire in Dante Gabriel Rossetti's Poems." Victoriographies 10, no. 1 (March 2020): 71–89. http://dx.doi.org/10.3366/vic.2020.0367.
Full textĻaviņa, Dace. "Symbiosis of Modernisation and National Identity in the Legacy of the “Baltars” (Baltic Art) Porcelain Painting Workshop, 1924–1930." Art History & Criticism 15, no. 1 (December 1, 2019): 37–55. http://dx.doi.org/10.2478/mik-2019-0003.
Full textWilson, Kabe. "Reading the Past and the Present, Painting the Sea and the Sky." Wasafiri 36, no. 3 (July 3, 2021): 10–13. http://dx.doi.org/10.1080/02690055.2021.1918416.
Full textHajdú, Attila. "A szofista Kallistratos képei az Athamas-leírásban (Callistr. Stat. 14)." Antikvitás & Reneszánsz, no. 4 (December 1, 2019): 37–59. http://dx.doi.org/10.14232/antikren.2019.4.37-59.
Full textPlaskeeva, Ekaterina, and Valery Trusov. "Inhibited composition for work in marine conditions." E3S Web of Conferences 121 (2019): 02011. http://dx.doi.org/10.1051/e3sconf/201912102011.
Full textBasseva, Silvy. "The Plein Air “Artists, Balchik, Love – A Meeting of European Seas“: Twenty Years of Presence on the Map of Contemporary Bulgarian Art." Visual Studies 6, no. 2 (December 12, 2022): 178–84. http://dx.doi.org/10.54664/asop9456.
Full textKapinus, Alexander Yu. "The Genre of Marine Painting and its Varieties in the Works of the Artists of the Primorsky Region." ICONI, no. 4 (2020): 63–72. http://dx.doi.org/10.33779/2658-4824.2020.4.063-072.
Full textDuan, Lian. "The Peircean order of signification and its encoding system in Chinese landscape painting." Semiotica 2018, no. 221 (March 26, 2018): 199–218. http://dx.doi.org/10.1515/sem-2015-0032.
Full textMeijer, Bert W. "Over Jan van Scorel in Venetië en het vroege werk van Lambert Sustris." Oud Holland - Quarterly for Dutch Art History 106, no. 1 (1992): 1–19. http://dx.doi.org/10.1163/187501792x00127.
Full textLUNYOVA, T. "EKPHRASIS AND META-EKPHRASIS IN JULIAN BARNES’S ESSAY “GÉRICAULT: CATASTROPHE INTO ART”: A COGNITIVE POETIC ANALYSIS." Philological Studies, no. 33 (April 19, 2021): 75–82. http://dx.doi.org/10.33989/2524-2490.2020.33.228247.
Full textStoker, Wessel. "De Rothko kapel schilderijen en de ‘urgentie van de transcendente ervaring’." NTT Journal for Theology and the Study of Religion 62, no. 2 (May 18, 2008): 89–105. http://dx.doi.org/10.5117/ntt2008.62.089.stok.
Full textOnnekink, David. "The Language of the Sea: Flags and Identities in Early Modern Dutch Marine Painting." Early Modern Low Countries 4, no. 1 (June 14, 2020): 1. http://dx.doi.org/10.18352/emlc.126.
Full textBangs, Jeremy D., and M. Russell. "Visions of the Sea, Hendrick C. Vroom and the Origins of Dutch Marine Painting." Sixteenth Century Journal 16, no. 3 (1985): 390. http://dx.doi.org/10.2307/2540230.
Full textPäll, Janika. "Meremotiiv üleva pildikeeles: paari näitega eesti luulest." Baltic Journal of Art History 11 (November 30, 2016): 37. http://dx.doi.org/10.12697/bjah.2016.11.03.
Full textLifshitz, Lev Yuryevich, and Daria Vladimirovna Fomicheva. "Stained Glass Painting Technique in the 19th Century. The Review of Henry James Snell's "Practical Instructions in Enamel Painting on Glass, China, Tiles, etc." (London, 1874). Part I." Secreta Artis 4, no. 4 (May 11, 2022): 30–41. http://dx.doi.org/10.51236/2618-7140-2021-4-4-30-41.
Full textGoodarzparvari, Parnaz, Francisco Carlos Bueno Camejo, and Miguel Molina Alarcon. "From the Caspian sea to Alboran sea; an overview of the personality similarities between Bahman Mohasses and Pablo Picasso." Revista Sonda: Investigación y Docencia en Artes y Letras 10 (December 31, 2021): 187–202. http://dx.doi.org/10.4995/sonda.2021.17828.
Full textCox, Matt. "The Painting of Prostitutes in Indonesian Modern Art." Southeast of Now: Directions in Contemporary and Modern Art in Asia 1, no. 2 (2017): 41–63. http://dx.doi.org/10.1353/sen.2017.0013.
Full textKim, Seong Jong, Min Su Han, and Seung Jun Lee. "Effect of Zn Primer Coating on Electrochemical Properties in Seawater." Advanced Materials Research 811 (September 2013): 46–53. http://dx.doi.org/10.4028/www.scientific.net/amr.811.46.
Full textNekrasov, Dmitry Yurievich. "Fractal graphic as digital objectless art." Journal of Flm Arts and Film Studies 6, no. 1 (March 15, 2014): 68–76. http://dx.doi.org/10.17816/vgik6168-76.
Full textStankiewicz, Aleksander. "„Bitwa pod Lepanto” Tomasza Dolabelli z Kaplicy Różańcowej przy kościele podominikańskim w Poznaniu." Seminare. Poszukiwania naukowe 2020(41), no. 3 (September 30, 2020): 141–58. http://dx.doi.org/10.21852/sem.2020.3.10.
Full textNiegowski, Krzysztof. "XXXI Międzynarodowy Festiwal Muzyki Religijnej im. ks. Stanisława Ormińskiego w Rumi (Rumia, 24-26.10.2019)." Seminare. Poszukiwania naukowe 2020(41), no. 3 (September 30, 2020): 141–58. http://dx.doi.org/10.21852/sem.2020.3.11.
Full textHeckenberg, Kerry. "Out of the Frying Pan: Voyaging to Queensland in 1863 on Board the Fiery Star." Queensland Review 17, no. 2 (July 2010): 37–52. http://dx.doi.org/10.1017/s1321816600005407.
Full textCandelaria, Lorenzo. "Hercules and Albrecht Dürer’s Das Meerwunder in a Chantbook from Renaissance Spain *." Renaissance Quarterly 58, no. 01 (2005): 1–44. http://dx.doi.org/10.1353/ren.2008.0579.
Full textDinnis, Rob. "The archaeology of Britain&s first modern humans." Antiquity 86, no. 333 (September 2012): 627–41. http://dx.doi.org/10.1017/s0003598x00047815.
Full textChen, Gu Xiang. "Rational Spirit for Painting Theory of the Song Dynasty." STUDY OF THE EASTERN CLASSIC 59 (June 30, 2015): 405–28. http://dx.doi.org/10.16880/sec.2015.59.15.405.
Full textBormpoudaki, Maria. "Figures of mounted warrior saints in medieval Crete. The representation of the equestrian Saint George “Thalassoperatis” at Diavaide in Heraklion." Zograf, no. 41 (2017): 143–56. http://dx.doi.org/10.2298/zog1741143b.
Full textDickey, Paul. "Her Grief, and: Mother Sits in Front of Her Friend's Painting of the Sea of Galilee." Prairie Schooner 94, no. 2 (2020): 53–55. http://dx.doi.org/10.1353/psg.2020.0042.
Full textMani, B. Venkat. "Rights, Permissions, Claims: World Literature and the Borders of Reading." PMLA/Publications of the Modern Language Association of America 134, no. 1 (January 2019): 144–49. http://dx.doi.org/10.1632/pmla.2019.134.1.144.
Full textKunitsin, G. A., А. А. Pridein, O. V. Samokhina, D. V. Nizhel’skii, and E. M. Gitman. "Elaboration of weatherproof steel 06гн3мд for structures of bridges exploited in coastal zone." Ferrous Metallurgy. Bulletin of Scientific , Technical and Economic Information 77, no. 7 (August 1, 2021): 811–19. http://dx.doi.org/10.32339/0135-5910-2021-7-811-819.
Full textKleutghen, Kristina. "Staging Europe: Theatricality and Painting at the Chinese Imperial Court." Studies in Eighteenth Century Culture 42, no. 1 (2013): 81–102. http://dx.doi.org/10.1353/sec.2013.0000.
Full textJiang, Chengzhi, and Chunshen Zhu. "Bilingual and intersemiotic representation of distance(s) in Chinese landscape painting: from yi (‘meaning’) to yi (‘freedom’)." Semiotica 2018, no. 225 (November 6, 2018): 293–311. http://dx.doi.org/10.1515/sem-2016-0226.
Full textKang, Jianjun, Zhili Luan, and Chunping Li. "Map representation: all the land and sea which is written." Advances in Education, Humanities and Social Science Research 1, no. 1 (May 9, 2022): 28. http://dx.doi.org/10.56028/aehssr.1.1.28.
Full textKoprowski, Piotr. "Malarstwo ikonowe tradycji bizantyjskiej." Studia Europaea Gnesnensia, no. 12 (December 15, 2015): 85–98. http://dx.doi.org/10.14746/seg.2015.12.4.
Full textDrakopoulou, Eugenia. ""Pittura Romeica" in Italy: Artistic transfers across the Adriatic sea (18th - 19th centuries)." Historical Review/La Revue Historique 13 (February 24, 2017): 7. http://dx.doi.org/10.12681/hr.11553.
Full textBoksa, Michał. "Listy Feliksa Nowowiejskiego (1877-1946) do Adama (1875-1965) i Marii (1877-1952) Wrzosków z 1936 r. (ze spuścizny Adama Wrzoska w Polskiej Akademii Nauk Archiwum w Warszawie Oddział w Poznaniu)." Przegląd Archiwalno-Historyczny 3 (2016): 213–24. http://dx.doi.org/10.4467/2391-890xpah.16.011.14899.
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