Relevant bibliographies by topics / The Qin dynasty

Academic literature on the topic 'The Qin dynasty'

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Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "The Qin dynasty"

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Pingsheng, Hu. "Some Notes on the Organization of the Han Dynasty Bamboo “Annals” Found at Fuyang." Early China 14 (1989): 1–25. http://dx.doi.org/10.1017/s0362502800002571.

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The Fuyang bamboo-strip “Annals” was compiled prior to 165 B.C., at least sixty or seventy years earlier than Sima Qian edited the various chronological tables in the Shiji. The “Annals,” which begins about the time of the Gong He interregnum of the Western Zhou and continues through the time of Qin Shi huangdi, seems to be incompatible with the “Qin Records” and was perhaps compiled using the “Historical Records” of some state other than Qin. It possibly includes two different types of tables: one in which years denominate the vertical columns and statenames the horizontal rows, with events recorded therein horizontally; and one that records the number of years that the feudal lords reigned. Although extensive damage makes it impossible to reconstitute the “Annals,” it can still provide useful information regarding some historical questions, such as the Warring States-period states of “East Zhou” and “West Zhou,” the appellations “Current King” and “Current Duke,” etc.
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Zhang, Zhen. "Summary of Tactical Military Commissioner and Related Problems of Qin Feng lu in Song Dynasty." International Journal of Education and Humanities 5, no. 3 (November 16, 2022): 215–17. http://dx.doi.org/10.54097/ijeh.v5i3.2807.

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Qin Feng lu in the Song Dynasty is one of the four lus in Shaanxi lu. The tactical military commissioner was set up because of the outbreak of the Song and Western Xia wars, and Tactical military commissioner was an important embodiment of using literati officials in the Song Dynasty to restrict military generals. In the past, the research of tactical military specialists focused on the whole Shaanxi region, and rarely paid close attention to the tactical military specialists of Qin Feng lu alone. The Qin Feng lu tactical military specialists played an important role in resisting the Western Xia and maintaining the stability of the border area, so it is necessary to further study.
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Parveen, Khalida, and Huma Akram. "Insight of Chinese culture by viewing historical picture of Qin Dynasty." Journal of Social Sciences Advancement 2, no. 1 (March 20, 2021): 17–24. http://dx.doi.org/10.52223/jssa21-020103-08.

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Over the centuries, China still respectfully treasures rich Asian cultures, traditions, and customs. China is now famous all over the world for its mysterious wonders and cultural & natural heritages such as the Great Wall, the Forbidden City, the Terracotta Army, etc. The Chinese history is full with the exposition of outstanding features of Chinese culture such as great thoughts of Confucius, religious beliefs, traditional festivals and customs e.g., Chinese new year, language and calligraphy e.g., Shu Fa, four great inventions of ancient China e.g., papermaking, printing, gunpowder and the compass, traditional architecture and sculpture, traditional art forms, etc. The era of history of China before the time in power of Qin dynasty is known by name as the period of Warring States. This period started from 475 BC and ends at 221 BC. Seven Warring States were included in it i.e. Qin, Wei, Han, Yan, Chu, Zhao, and Qi. Zheng was the King of Qin, who started his journey to triumph over 6 states in the period of 230 BC. Qin was the 1st emperor of this unified state of China. Thus he was known by the name of “First Emperor of Qin” or “Qin Shi Huang”. This study provides a deep insight of Chinese history and it is illustrated that major achievements in Chinese culture and history are contributed in the era of Qin dynasty.
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Tianyu, Feng. "Society of Imperial Power: Reinterpreting China’s “Feudal Society”." Journal of Chinese Humanities 1, no. 1 (April 24, 2014): 25–50. http://dx.doi.org/10.1163/23521341-01010003.

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Abstract To call the period from Qin Dynasty to Qing Dynasty a “feudal society” is a misrepresentation of China’s historical reality. The fengjian system only occupied a secondary position in Chinese society from the time of Qin. It was the system of prefectures and counties (junxianzhi) that served as the cornerstone of the centralized power structure. This system, together with the institution of selecting officials through the imperial examination, constituted the centralized bureaucracy that intentionally crippled the hereditary tradition and the localized aristocratic powers, and hence bolstered the unity of the empire. Feudalism in medieval Western Europe shares many similarities with that of China during the Shang and Zhou dynasties, but is quite different from the monarchical centralism since the time of Qin and Han. Categorizing the social form of the period from Qin to Qing as “feudal” makes the mistake of over-generalizing and distorting this concept. It runs counter to the original Chinese meaning of fengjian, and severely deviates from the western connotation of feudalism. Moreover, the decentralized feudalism in pre-Qin dynasties and the later centralized imperial system from Qin onwards influenced the generation and evolution of Chinese culture in vastly different ways.
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Liang, Yun. "On the origin and formation of the early Qin Culture." Chinese Archaeology 18, no. 1 (November 27, 2018): 136–45. http://dx.doi.org/10.1515/char-2018-0013.

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Abstract The early Qin Culture refers to the Qin Culture from the Western Zhou Dynasty to the early Spring-and-Autumn Period. Considering its cultural composition, we will realize that it has three main sources, namely the Shang, Zhou, and Western Rong (Western Barbarian) Cultures. The elements derived from the Shang Culture comprised the furniture of waist pits and the custom of dog burial in graves, the use of human sacrifice, the interment of chariots and horses, the Shang-style pottery wares and the tradition of constructing huge-scale mausoleums. These elements reflect that the Qin people initially came from the east and had strong ties with the Shang Dynasty and were deeply influenced by the Shang Culture, and belonged to the Yin people (after the fall of the Shang Dynasty) in the broader sense. The elements absorbed from the Zhou Culture comprised the architectural types of ancestral temples and palaces, the adoption of the ritual vessels, the suspended musical instruments, the Zhou style pottery wares and the writing system. These elements indicate that the Qin people adopted the ritual and musical culture of the Western Zhou Dynasty, which had a great political significance at the early stage of Qin’s history. The factors derived from the cultures of the Western Rong ethnic group or the northern steppes included the flexed burial position, the golden body ornaments and chariots and horses, iron wares, animal motifs on utensils, recesses on the walls of the burial pits and the ditches around the graves, the use of bronze cauldrons and swords (daggers). Such elements reflect that during the development process in the Longyou region, the Qin people absorbed the cultures of the adjacent Western Rong ethnic group, the Eurasian steppes and farther beyond. The first kind of elements continued to predominate the Qin Culture down to the middle Western Zhou, then the second and the third ones arose from the late Western Zhou to the early Spring-and-Autumn Period, and simultaneously, the first were only present in the aristocratic burial activities. Based on the remnants of the Shang Culture, the early Qin Culture came into being by widely absorbing elements of the Zhou and Western Rong Cultures.
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Karki, Dhruba. "Blending Myth and Modernity in the Global Chinese Cinema: The Hong Kong Action Hero in Zhang Yimou-Directed Hero." Tribhuvan University Journal 32, no. 2 (December 31, 2018): 37–56. http://dx.doi.org/10.3126/tuj.v32i2.24702.

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Zhang Yimou’s Hero presents an action hero, yet in a slightly different cinematic mode than that of Stephen Chow-directed Shaolin Soccer to blend myth and modernity. In Yimou’s martial arts cinema, Jet Li-starred Nameless hero uses martial arts to combat the king’s adversaries, including Donnie Yen-starred Long Sky, Maggie Cheung-starred Flying Snow and Tony Leung Chiu-Wai-starred Broken Sword in the service to the Qin Dynasty (221 BC – 207 BC). The warrior hero’s indigenous body art helps the Qin Dynasty transform the smaller warring kingdoms into a powerful Chinese Empire, a strong foundation of modern China with economic and military superpower. Like their western counterparts, including T1000 and Neo, the Hong Kong action heroes, such as the warrior hero and the Qin King have been refashioned in the Hollywood controlled twentieth-century popular culture. Different from their Hollywood counterparts in actions, the Hong Kong action heroes in Hero primarily use their trained bodies and martial skills to promote the Chinese civilization, an adaptation of the Hollywood tradition of technologized machine body. Reworking of myth and archetype in Nameless’s service to the Qin Dynasty and the emperor’s mission to incept the Chinese Empire, the Hong Kong action heroes appear on screen, a blend of tradition and modernity. The film industry’s projection of the Chinese history with the legendary action heroes, including Nameless soldier and the Qin King globalizes the indigenous Chinese culture by using modern electronic digital technology, a resonance of the western technological advancement.
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Wang, Yingying, Dazhuan Ge, Tongyan Zhang, and Yingjie Wang. "The Sustainable Development of Choronymic Cultural Landscapes in China Based on Geo-Informatic Tupu." Sustainability 11, no. 16 (August 9, 2019): 4302. http://dx.doi.org/10.3390/su11164302.

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As a part of cultural landscapes, toponyms with abundant cultural connotations and a long history are valuable cultural heritage assets. Choronyms not only reflect natural and social phenomena but also help with relevant management and naming work. In order to explore the historical development sequence of choronymic cultural landscape evolution, we analyze the spatial–temporal pattern evolution, spatial–temporal variation, spatial association, and semantic evolution of choronymic cultural landscapes since the Qin dynasty. We adopt the sequent snapshot model and an event-based state amendment model to establish a spatio-temporal database. That can provide decision supports and theoretical reference for the sustainable development of toponymic landscapes. Results indicate the following: (1) Spatial distribution of toponym density has been different since the Qin dynasty. The cores of toponym density spread from the middle-lower reaches of the Yellow River to Yangtze Plain, Chengdu Plain, Pearl River Delta Plain. (2) Spatial distribution of choronyms is agglomerative since the Qin dynasty and uneven at national and provincial scales since the Yuan dynasty. Temporal distribution of toponyms at different levels is centralized. (3) Spatial agglomeration phenomena of toponyms are positively clustered in nine periods. The Ming dynasty presents the largest degree of spatial aggregation. (4) Words relevant to blessings, orientation, and hydrological features have high proportions in the top 20 words. (5) Spatial distribution of county-level choronyms named over the last 1000 years and “Millennium Ancient Counties” are unbalanced at national and provincial scales.
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Deng, Feng. "Endogenous evolution of patriarchal clan system in ancient China." International Journal of Social Economics 44, no. 10 (October 9, 2017): 1322–34. http://dx.doi.org/10.1108/ijse-12-2015-0330.

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Purpose The purpose of this paper is to analyze long-term institutional causes and consequences of preference falsification by studying the evolution of China’s patriarchal clan system. Design/methodology/approach The historic study shows that although the clan system was abolished in the Qin dynasty, it re-emerged among high-standing families in the Han dynasty and spread to common people after the Tang dynasty. Findings The author submits that the clan system was an institutional response to the preference falsification problem that arose due to the dictatorial political institutions first established in the Qin dynasty. It helped people to take collective action by themselves and also opened a back door to influence government decisions. A piece of clear evidence is the co-evolution of the clan system and government personnel system. Social implications In this sense, the clan system probably also helped to prolong the political institutions for 2,000 years. Originality/value This is the first institutional study on the clan system in China.
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Mubing, Qiu. "Statues of Warriors and War Horses of the Han Dynasty." Scientific and analytical journal Burganov House. The space of culture 15, no. 4 (December 10, 2019): 63–81. http://dx.doi.org/10.36340/2071-6818-2019-15-4-63-81.

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Terracotta statues of warriors and war horses represent a type of sculpture from ancient burials. They are an important part of the system of objects buried together with the deceased during the Han dynasty (the so-called Mintsi). Yun, the most characteristic funeral figurines which archaeologists find especially in the region of the Chu kingdom of the pre-Qin period, began to appear during the Chunqiu and the Warring States periods. The burial of statues of soldiers together with the deceased carried an authentic meaning connected with the burial of living warriors during the Shang dynasty. Terracotta statues of warriors and war horses in the tomb of Qin Shi Huang were completed in a very short time and mainly reproduced the figures of people and soldiers on high alert before the start of a military campaign. Despite the fact that the Han Dynasty succeeded the Qin Dynasty in the administrative system, it also drew some lessons, to varying degrees, regarding martial arts, as evidenced by the location combinations of the terracotta statues and horses. In 1965, a large burial place of the ancestor of Liu Bang, the first emperor of the Han dynasty, was discovered in the Shaanxi province north of Xianyang in Yangjiawan village. In history, it was known as Zhoushitsuy or Mound of Zhou Ancestors. The size and Ill. 1. National architectural monument. Han Dynasty. Mausoleum Han Yang Ling. Ill. 2. Grave pits in the Hanyangling Museum depth of the pits are not the same, the number of ceramic statues found is also various and of different shapes and sizes; however, most of the statues have a bright colour and a perfectly regular shape. These excavations of the Han terracotta statues have historical significance due to the fact that this is the first finding of terracotta statues of the Han period since the founding of New China.
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Bishop, M. C. "The articulated cuirass in Qin dynasty China." Antiquity 63, no. 241 (December 1989): 697–705. http://dx.doi.org/10.1017/s0003598x00076833.

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The discovery of the Qin dynasty terracotta army at Mount Li near Xianyang has provided an interesting insight into the equipment of 3rd-century BC Chinese soldiers, and also opens up a number of issues of interest to students of armour from other regions and periods in the ancient world, particularly concerning the use of evidence.
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Dissertations / Theses on the topic "The Qin dynasty"

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Fu, Ho-yi Crystal, and 傅皓皚. "Government document systems in Qin dynasty evident in Qin bamboo slips = Cong Qin jian kan Qin dai gong wen zhi du." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/192996.

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It is a wonder to discover the remarkable progress the Qin Dynasty made two thousand years ago concerning its documentation systems. Ever since the excavation of the Shuihudi (in Chinese 睡虎地), we now know in Qin, there was the Rule Book of Implementation 《行書》律(about the laws on documentation systems). Unfortunately, there was no correspondence for cross examination. Not until the excavation of the Liye (里耶) site in 2002 were we able to identify the format of the correspondence between the central government, provinces and towns. From the 37000 bamboo slips of Qin which are rich in contents, we can see they covered every aspect. As well, the 2008 Yuelu (嶽麓)bamboo slips appeared to fill the gaps left by Shuihudi. They provide clues, allowing the author to reconstruct the profile of Qin’s documentation systems. Scholars working on the documentation systems of Qin through the bamboo slips appear to base their findings on only isolated excavations, such as the discussion of either Shuihudi or Liye. But when they researched on the postal system which was central to the wider documentation systems, they had to rely on the clues provided by the Warring States Period, or on the bamboo slips of the Han Dynasty. There are thus limitations. For example, we cannot assume that Han must have inherited its systems from Qin. This thesis looks at the many unearthed bamboo slips having to do with Qin’s documentation systems, revisits and organizes current researches and attempts to reconstruct the state of documentation in Qin. 有誰想過二千年前的秦朝，其公文制度已發展至一定程度？1975年睡虎地秦簡出土後，讓我們知道秦代已有《行書》律(與公文制度有關的法律)。可惜的是，睡虎地秦簡中並沒有往來文書。直至2002年里耶秦簡出土後，大量的簡牘出土，使我們有機會看到秦代中央政府、郡、縣三層行政機構的往來文書，也讓我們了解秦代的公文已具備一定格式。37000枚的里耶秦簡，內容相當豐富，涉及當時各個層面。而2008年入藏的嶽麓秦簡，更補充了睡虎地秦簡《行書》律的不足。雖然嶽麓秦簡《行書律》簡文並非完整版本，但卻提供線索，讓本文能從中整合出秦代文書制度的面貌。 過往有關秦代公文制度的研究，學者傾向將研究範圍限定於某一出土簡牘中，如集中討論睡虎地秦簡或里耶秦簡中所見的公文制度。而當研究與秦代公文制度息息相關的郵傳制度時，往往要依靠戰國留下來的線索來推測秦代郵傳的情況，又或借助漢代的簡牘來逆推秦代的面貌，這種研究方法無疑是有局限的。我們不能單憑‘漢承秦制’而認定秦代制度與漢代一樣。本文希望透過集中研究各種出土秦簡，從中找出與秦代公文制度有關的資料，並將諸家研究進行整理，重塑當時公文制度的概況。
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Chinese Language and Literature
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Carlson, Jack. "Images, objects and imperial power in the Roman and Qin-Han empires." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:61edd022-db89-4af6-bd21-3da3a593c390.

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How and why was imperial power made visually and physically manifest in two similar, contemporaneous megastates - the Roman Principate and Qin-Han China? Framing the Chinese and Roman material within such a question breaks it free from the web of expectations and assumptions in which conventional scholarship almost always situates it. It also builds upon the limited but promising work recently undertaken to study these two empires together in a comparative context. The purpose of this thesis is not to discover similarities and differences for their own sake; but, by discovering similarities and differences, to learn about the nature of imperial authority and prestige in each state. The comparative method compels us to appreciate the contingent - and sometimes frankly curious - nature of visual and artefactual phenomena that have traditionally been taken for granted; and both challenges and empowers us to access higher tier explanations and narratives. Roman expressions of power in visual terms are more public, more historical- biographical, and more political, while Qin-Han images and objects related to imperial authority are generally more private, generic and ritual in their nature. The Roman material emphasizes the notional complicity of large groups of people - the imperial subjects who viewed, crafted and often commissioned these works - in maintaining and defining the emperor's power. If the Han emperor's power was the product of complicity, it was the complicity of a small group of family members and courtiers - and of Heaven. These contrasting sets of power relationships connect to a concerted thematic focus, in the case of Rome, on the individual of the princeps; that is, the individual personage and particular achievements - especially military achievements - of the emperor. This focus is almost always taken for granted in Roman studies, but contrasts profoundly with the thematic disposition of Han artefacts of power: these reflect a concentrated disinterest in imperial personality altogether, emphasizing instead the imperial position; that is, both the office of emperor and a cosmic centrality. While this thesis reveals some arresting contrasts, it also harnesses the dichotomous orientations of Roman and Chinese archaeology to reveal that the conventional understanding of much of this material can be misleading or problematic. Many of the differences in the ways such images are usually interpreted have as much to do with the idiosyncrasies and path dependency of two fields - in short as much to do with the modern viewer - as they do with the images themselves and the traditions that produced them.
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Tsai, Hui-lung, and 蔡輝龍. "A study of the Fu on hunting in the Han Dynasty (206BC-220AD)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31241074.

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You, Li-Yu. "Facture et jeu de la cithare chinoise qin sous la dynastie des Tang." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040220.

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Au croisement de la sinologie, de la philologie, de l’histoire, de la musicologie, de l’organologie et de la pratique instrumentale, cette recherche se donne pour objet d’approfondir notre connaissance de la facture et des techniques de jeu de la cithare chinoise qin sous la dynastie des Tang (618-907) en traduisant et analysant des sources peu exploitées de cette période, à savoir le traité Tang Chen Zhuo zhifa 唐陳拙指法 (Techniques de jeu [du qin] par Chen Zhuo des Tang) et 1468 poèmes évoquant cet instrument. En complément d’autres sources anciennes, l’étude du corpus des poèmes précise notamment l’origine des matériaux utilisés pour le qin, l’usage d’accessoires, l’identification de luthiers amateurs et professionnels, la constitution du répertoire, l’emploi et l’évolution des partitions.La traduction et édition critique du Tang Chen Zhuo zhifa sert de support à un travail d’inventaire et d’analyse typologique des gestes décrits dans ce traité. Les techniques de jeu de l’époque s’y révèlent dans leur étendue et leur diversité.Afin d’en faciliter leur compréhension, plusieurs doigtés font l’objet des reconstitutions filmées, conservées sur le DVD en annexe. Des analyses d’acoustique musicale effectuées sur une sélection de techniques se sont également avérées riches d’enseignements en révélant les fondements concrets et subtils sous-jacents au jeu du qin à l’époque des Tang
At the intersection of sinology, philology, history, musicology, organology and instrument playing, this research aims at broadening our knowledge of how the qin Chinese zither was made and played throughout the Tang dynasty (618-907). The research draws on often overlooked or untapped sources of information from this period such as the Tang Chen Zhuo zhifa 唐陳拙指法 treatise (Qin Playing techniques by Chen Zhuo) and 1468 poems in which the instrument is referred to.Study of the body of poems and ancient texts sheds light on the origin of the materials used to make the instrument and how accessories were used, drawing a distinction between amateur and professional instrument makers and explaining how a repertoire is built and how sheet music was read and evolved over time.The translation and critical edition of Tang Chen Zhuo zhifa serve as a basis for an inventory and typological analysis of the techniques described in the treatise, which illustrates the wide range and different styles of playing. Some of the fingerings were filmed and recorded on a DVD included here in appendix. Analyses of the musical acoustics of a selection of techniques provide valuable insights into both the groundings and the subtlety of qin playing during the Tang period
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鍾妙昏 and Miu-fun Anita Chung. "Jiehua of the Qing Dynasty (1644-1911)." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31238373.

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Chung, Miu-fun Anita. "Jiehua of the Qing Dynasty (1644-1911) /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21254205.

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Zhang, Kehong, and 張克宏. "Responding to the modernization of late Qing Dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B31245080.

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Guan, Shanming, and 關善明. "The imperial porcelain wares of the late Qing dynasty." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1989. http://hub.hku.hk/bib/B31231561.

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Ming, Yau-yau, and 明柔佑. "Qing poetry on Ming." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44204723.

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曹家偉 and Ka-wai Cho. "A study of the Ci poetry of Yunjian San Zi." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31222419.

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Books on the topic "The Qin dynasty"

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Zhongguo wen xue shi: Xian Qin Qin Han juan. Changchun: Changchun chu ban she, 2013.

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Ren, Changhong. Rise and fall of Qin dynasty. Singapore: Asiapac Books, 2000.

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Xian Qin Qin Han shi qi ling nan she hui yu wen hua kao suo: Yi kao gu xue wei shi jiao. Guangzhou: Ji nan da xue chu ban she, 2014.

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Qian, Sima. Records of the grand historian: Qin dynasty. New York: Columbia University Press, 1993.

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Qin dai zheng qu di li: Administrative geography in Qin dynasty. Beijing Shi: She hui ke xue wen xian chu ban she, 2009.

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Qin dai zheng qu di li: Administrative geography in Qin dynasty. Beijing Shi: She hui ke xue wen xian chu ban she, 2009.

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Zhongguo da yi tong: Qin huang Han wu de fen dou. Beijing Shi: Zhonghua shu ju, 2010.

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Li shi te bu kao pu er: Shang gu - Qin. Beijing: Zhongguo hua bao chu ban she, 2011.

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Xiaodong, Liu, ed. Yi shi. Jinan: Qi lu shu she, 2001.

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Yi shi. Yangzhou Shi: Jiangsu Guangling gu ji ke yin she, 1990.

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Book chapters on the topic "The Qin dynasty"

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Sanft, Charles. "The Qin Dynasty (221–206 BCE)." In Routledge Handbook of Imperial Chinese History, 12–24. London; New York: Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315726878-3.

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Shao, Qi, Xiaojing Wen, and Paul White. "Design Ideas Before the Qin Dynasty." In A Brief History of Chinese Design Thought, 9–51. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-9408-0_2.

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Zhang, Jinfan. "The Legal System of Qin Dynasty with “Laws Made in Every Field”." In The History of Chinese Legal Civilization, 157–247. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-10-1029-3_4.

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Ch’ien, Mu. "The Qing Dynasty." In Merits and Demerits of Political Systems in Dynastic China, 113–35. Berlin, Heidelberg: Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-58514-6_5.

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Zheng, Yangwen. "The Qing dynasty (pre-1800)." In Routledge Handbook of Imperial Chinese History, 285–300. London; New York: Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315726878-25.

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Park, Nancy. "The Qing dynasty (post-1800)." In Routledge Handbook of Imperial Chinese History, 301–15. London; New York: Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315726878-26.

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Zheng, Zhenduo. "Folk Songs in the Qing Dynasty." In History of Chinese Folk Literature, 563–603. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-5445-9_14.

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Fan, C. Simon. "Why Did the Qing Dynasty Collapse?" In The Socioeconomics of Nationalism in China, 120–31. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003186267-12.

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Shao, Qi, Xiaojing Wen, and Paul White. "Design Thinking Under the Qing Dynasty." In A Brief History of Chinese Design Thought, 225–72. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-16-9408-0_8.

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Lu, Rey-ching. "The Qing Dynasty in Crisis (1839–1911)." In Chinese Democracy and Elite Thinking, 29–35. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230117617_2.

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Conference papers on the topic "The Qin dynasty"

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Li, Zhongyuan. "Connotations and cultural significance of taking jade in Chu Dynasty before Qin Dynasty." In 2017 World Conference on Management Science and Human Social Development (MSHSD 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/mshsd-17.2018.65.

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Yang, Zhenming. "Study of Female Images in Pre-Qin and Han Dynasty Literature." In 2017 2nd International Conference on Education, Sports, Arts and Management Engineering (ICESAME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icesame-17.2017.18.

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Huang, Jing. "Research on the Causes of the Destruction of the Qin Dynasty." In 2017 3rd International Conference on Economics, Social Science, Arts, Education and Management Engineering (ESSAEME 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/essaeme-17.2017.204.

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Peng, Weiming, Yanmei Zhang, and Yixin Hu. "Reviews of the Study of the Language in Unearthed Warring States and Qin Dynasty Literature." In 4th International Conference on Education, Language, Art and Intercultural Communication (ICELAIC 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-17.2017.94.

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Yuanyuan Xu and Zheng Yang. "The research on cooking utensils design of Qin and Han Dynasty and the influence on modern design." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730792.

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Wu, Yida. "Discussion on the Fashion of Literati and Officialdoms Painted in “Listening to the Qin” in Song Dynasty." In 2021 Conference on Art and Design: Inheritance and Innovation (ADII 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220205.012.

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Xueping Wu. "Notice of Retraction: Science and technology and China ancient art design—The Qin and Han Dynasty and beforehand time." In 2010 IEEE 11th International Conference on Computer-Aided Industrial Design & Conceptual Design (CAIDCD 2010). IEEE, 2010. http://dx.doi.org/10.1109/caidcd.2010.5681834.

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Zhang, Yanmei, and Han Ding. "Pronouns Study in China. Taking a Research on Pronouns in Excavated Materials of Pre-Qin Dynasty as an Example." In 2016 3rd International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/icelaic-16.2017.86.

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Cherevko, Marina. "ETHNOGRAPHIC ALBUM OF QING DYNASTY HUANG QING ZHI GONG TU (IMAGES OF TRIBUTARIES OF THE RULING QING DYNASTY) AS A VALUABLE SOURCE OF INFORMATION ON TAIWANESE INDIGENOUS PEOPLES." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.19.

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Abstract:
In the third volume (卷, juan) of an 18th-century woodblock publication Images of Tributaries of the Ruling Qing Dynasty (Huang Qing zhi gong tu, 皇清职贡图), among others non-Han ethnic groups, there are thirteen illustrations of Taiwan’s indigenous peoples, including a brief description of their costumes, disposition, and customs. This volume contains illustrations of various types of Taiwanese “barbaric” natives that reveal a great deal about Qing imaginative conception of savagery. They are classified both by administrative divisions and by categories of civilized (熟番) and uncivilized (生番) depending on their adoption of Chinese culture. The entries begin with the civilized savages of Taiwan county, then south to Fengshan county, and then north to Zhuluo county, Zhanghua county, and finally Danshui sub prefecture. The submitted uncivilized savages follow again in sequence from south to north. Last are the uncivilized savages of the inner mountains. The illustrations thus proceed from the most civilized one through increasing degrees of savagery. In each of the thirteen pictures, the differences between the savage figures and civilized figures are emphasized. The depictions of the physical appearances of the civilized and uncivilized savages can demonstrate their relative levels of civilization. The Qing Dynasty’s ethnographical description, which recorded the social culture of the historical tribes, now became particularly valuable because of the lack of a great amount of information on the indigenous tribes of Taiwan. It is quite necessary to study the society, traditions and cultural features of Taiwanese indigenous people in different periods, especially after their integration into the Qing Empire. Huang Qing zhi gong tu is regarded as a very important source for a detailed investigation of different ethnical types of peoples who inhabited the island of Taiwan. We have to analyze the history of aboriginal culture alongside Chinese culture to gain a more rounded insight into the culture and history of Taiwan.
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TZENG, Chi-Shyong, Yu-Fu CHEN, and Shyh-Bao CHIANG. "Embroidery patterns of the Qing Dynasty robes." In 10th International Conference on Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2016. http://dx.doi.org/10.5151/despro-icdhs2016-01_011.

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Reports on the topic "The Qin dynasty"

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Lin, Shu-Hwa, and Rayneld Johnson. Design Exchange of Chinese Qing Dynasty Dragon Robes and Western Fashions: Toward a Theory of Design. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-1784.

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