Journal articles on the topic 'The Performing Arts (incl. Theatre and Dance)'
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Thompson, Jayne. "Moving Memory Dance Theatre Company." Performance Research 24, no. 3 (April 3, 2019): 115–21. http://dx.doi.org/10.1080/13528165.2019.1583983.
Full textNearman, Mark J., Monica Bethe, and Karen Brazell. "Dance in the Nō Theatre." Asian Theatre Journal 4, no. 2 (1987): 237. http://dx.doi.org/10.2307/1124197.
Full textParson, Annie-B. "David Bowie: Dance, Theatre, Other." PAJ: A Journal of Performance and Art 38, no. 2 (May 2016): 31–32. http://dx.doi.org/10.1162/pajj_a_00313.
Full textEinasto, Heili, and Evelin Lagle. "Path Dependency in Theatre Funding." Nordic Theatre Studies 30, no. 1 (August 2, 2018): 55–71. http://dx.doi.org/10.7146/nts.v30i1.106923.
Full textAcocella, Joan, and Frank W. D. Ries. "The Dance Theatre of Jean Cocteau." Dance Research Journal 19, no. 1 (1987): 44. http://dx.doi.org/10.2307/1477773.
Full textGrow, Mary L., and Mattani Mojdara Rutnin. "Dance, Drama, and Theatre in Thailand." Asian Theatre Journal 12, no. 2 (1995): 361. http://dx.doi.org/10.2307/1124117.
Full textDowling, Niamh, Miranda Tufnell, and Lucia Walker. "Shared discoveries in theatre and dance." Theatre, Dance and Performance Training 12, no. 2 (April 3, 2021): 272–84. http://dx.doi.org/10.1080/19443927.2021.1899972.
Full textDiamond, Catherine. "Being Carmen: Cutting Pathways towards Female Androgyny in Japan and India." New Theatre Quarterly 34, no. 4 (October 8, 2018): 307–25. http://dx.doi.org/10.1017/s0266464x18000398.
Full textCarroll, Noël. "Theatre, dance, and theory: A philosophical narrative." Dance Chronicle 15, no. 3 (January 1992): 317–31. http://dx.doi.org/10.1080/01472529208569103.
Full textSparshott, Francis. "Some aspects of nudity in theatre dance." Dance Chronicle 18, no. 2 (January 1995): 303–10. http://dx.doi.org/10.1080/01472529508569206.
Full textHodgson, Amanda. "Beyond the Opera House: Some Victorian Ballet Burlesques." Dance Research 38, no. 1 (May 2020): 7–24. http://dx.doi.org/10.3366/drs.2020.0288.
Full textObeng, Pashington. "Siddi Street Theatre and Dance in North Karnataka, South India." African Diaspora 4, no. 1 (2011): 1–26. http://dx.doi.org/10.1163/187254611x566080.
Full textGoodman, Karen. "Synthesis in Motion." Experiment 20, no. 1 (October 27, 2014): 86–117. http://dx.doi.org/10.1163/2211730x-12341260.
Full textLimon, Jerzy. "Waltzing in Arcadia: a Theatrical Dance in Five Dimensions." New Theatre Quarterly 24, no. 3 (August 2008): 222–28. http://dx.doi.org/10.1017/s0266464x08000286.
Full textAnderson, Margot. "Dance Overview of the Australian Performing Arts Collection." Dance Research 38, no. 2 (November 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.
Full textAwasthi, Suresh, and Jukka O. Miettinen. "Classical Dance and Theatre in South-East Asia." Asian Theatre Journal 11, no. 2 (1994): 312. http://dx.doi.org/10.2307/1124239.
Full textPrickett, Stacey. "Hip-Hop Dance Theatre in London: Legitimising an Art Form." Dance Research 31, no. 2 (November 2013): 174–90. http://dx.doi.org/10.3366/drs.2013.0075.
Full textShevtsova, Maria. "Revolutions Remembered: the Golden Mask in Moscow 2017." New Theatre Quarterly 33, no. 3 (July 10, 2017): 288–98. http://dx.doi.org/10.1017/s0266464x1700032x.
Full textGreig, David. "‘I Let the Language Lead the Dance’: Politics, Musicality, and Voyeurism." New Theatre Quarterly 27, no. 1 (February 2011): 3–13. http://dx.doi.org/10.1017/s0266464x11000017.
Full textPopalisky, David J., and Marie G. Herbert. "“Defining the Performing Artist”: How a Health Psychology Course Integrates into University Performing Arts Training." Medical Problems of Performing Artists 15, no. 4 (December 1, 2000): 148–54. http://dx.doi.org/10.21091/mppa.2000.4029.
Full textGeorge, David E. R. "Quantum Theatre – Potential Theatre: a New Paradigm?" New Theatre Quarterly 5, no. 18 (May 1989): 171–79. http://dx.doi.org/10.1017/s0266464x00003067.
Full textFENG, WEI. "Performing Comic Failure inWaiting for GodotwithJingjuActors." Theatre Research International 42, no. 2 (July 2017): 119–31. http://dx.doi.org/10.1017/s0307883317000256.
Full textShevtsova, Maria. "Performance, Embodiment, Voice: the Theatre/Dance Cross-overs of Dodin, Bausch, and Forsythe." New Theatre Quarterly 19, no. 1 (January 10, 2003): 3–17. http://dx.doi.org/10.1017/s0266464x02000015.
Full textLansdale, Janet. "Ancestral and Authorial Voices in Lloyd Newson and DV8's ‘Strange Fish’." New Theatre Quarterly 20, no. 2 (April 21, 2004): 117–26. http://dx.doi.org/10.1017/s0266464x04000028.
Full textGargano, Cara. "Bodies, Rest, and Motion: from Cosmic Dance to Biodance." New Theatre Quarterly 16, no. 3 (August 2000): 211–18. http://dx.doi.org/10.1017/s0266464x00013841.
Full textGambogi, Tiago. "Dance, theatre and artivism on a planet in transformation." Journal of Dance & Somatic Practices 13, no. 1 (December 1, 2021): 179–88. http://dx.doi.org/10.1386/jdsp_00056_1.
Full textAstier, Régine. "Dance and the Jesuit Theatre of the Ancien Régime." Dance Chronicle 21, no. 2 (January 1998): 299–301. http://dx.doi.org/10.1080/01472529808569313.
Full textReinelt, Janelle. "POWER WORKING THROUGH/ON BODIES IN THE UNITED KINGDOM." Theatre Survey 52, no. 1 (May 2011): 153–58. http://dx.doi.org/10.1017/s0040557411000123.
Full textCasson, Tim. "JV2: Dance-theatre training and the importance of versatility." Theatre, Dance and Performance Training 7, no. 1 (January 2, 2016): 126–30. http://dx.doi.org/10.1080/19443927.2016.1148932.
Full textParker-Starbuck, Jennifer. "The Body Electric: Cathy Weis at Dance Theatre Workshop." PAJ: A Journal of Performance and Art 25, no. 2 (May 2003): 93–98. http://dx.doi.org/10.1162/152028103321781619.
Full textSmith, Mary Lynn. "Moving Self: The thread which bridges dance and theatre." Research in Dance Education 3, no. 2 (December 2002): 123–41. http://dx.doi.org/10.1080/1464789022000034695.
Full textLey, Graham. "Sacred ‘Idiocy’ the Avant-Garde as Alternative Establishment." New Theatre Quarterly 7, no. 28 (November 1991): 348–52. http://dx.doi.org/10.1017/s0266464x00006047.
Full textLannen, Maud. "Touching across: Performing new dance ecologies through dialogical choreographies." Journal of Dance & Somatic Practices 14, no. 2 (December 1, 2022): 165–82. http://dx.doi.org/10.1386/jdsp_00085_1.
Full textBanks, Ojeya Cruz. "Yvette Hutchison and Chukwuma Okoye (eds), African Theatre: Contemporary Dance." Dance Research 38, no. 1 (May 2020): 124–26. http://dx.doi.org/10.3366/drs.2020.0295.
Full textRichmond, Farley, and Nirmala Paniker. "Nangiar Koothu: The Classical Dance-Theatre of the Nangiar-s." Asian Theatre Journal 12, no. 1 (1995): 206. http://dx.doi.org/10.2307/1124481.
Full textKardhares, Dhionysios, and Elias S. Demas. "Dance, Music, and Song in Heptanese Folk Theatre: The ZakynthianHomilia." Dance Chronicle 26, no. 3 (January 10, 2003): 311–31. http://dx.doi.org/10.1081/dnc-120025268.
Full textShan Chou, Eva, and Lee G. K. Singh. "Archives of the Dance (27), The Establishment of Beijing Dance School in the First-Hand Report of Soviet Specialist O. A. Il'ina: Introduction, Translation, Notes." Dance Research 40, no. 1 (May 2022): 11–40. http://dx.doi.org/10.3366/drs.2022.0356.
Full textBannerman, Henrietta. "Is Dance a Language? Movement, Meaning and Communication." Dance Research 32, no. 1 (May 2014): 65–80. http://dx.doi.org/10.3366/drs.2014.0087.
Full textMitra, Royona. "Talking Politics of Contact Improvisation with Steve Paxton." Dance Research Journal 50, no. 3 (December 2018): 6–18. http://dx.doi.org/10.1017/s0149767718000335.
Full textRogers, Amanda. "Advancing the geographies of the performing arts." Progress in Human Geography 42, no. 4 (February 9, 2017): 549–68. http://dx.doi.org/10.1177/0309132517692056.
Full textSchneider, Robert, and Nathan Schneider. "A Dive and a Dance with Kabuki Vaudeville: Taishū Engeki Comes Back!" New Theatre Quarterly 36, no. 3 (August 2020): 256–71. http://dx.doi.org/10.1017/s0266464x20000470.
Full textLunberry, Clark. "Dance of Light and Loss." PAJ: A Journal of Performance and Art 38, no. 2 (May 2016): 56–62. http://dx.doi.org/10.1162/pajj_a_00317.
Full textThomas, Karen Kartomi. "Dimensions of Dance with Reference to Song Lyrics: Improvisatory Processes and Practices in Indonesian Malay Mendu Theatre Performance." Dance Research 36, no. 2 (November 2018): 253–68. http://dx.doi.org/10.3366/drs.2018.0240.
Full textSarlós, Robert K. "“Write a Dance”: Lazarus Laughed as O'Neill's Dithyramb of the Western Hemisphere." Theatre Survey 29, no. 1 (May 1988): 37–49. http://dx.doi.org/10.1017/s004055740000908x.
Full textFensham, Rachel. "Trajectories of the ‘Dead Heart’: Performing the Poetics of (Australian) Space." New Theatre Quarterly 24, no. 1 (January 30, 2008): 3–13. http://dx.doi.org/10.1017/s0266464x08000018.
Full textAMES, MARGARET, DAVE CALVERT, VIBEKE GLØRSTAD, KATE MAGUIRE-ROSIER, TONY MCCAFFREY, and YVONNE SCHMIDT. "Responding to Per.Art'sDis_Sylphide: Six Voices from IFTR's Performance and Disability Working Group." Theatre Research International 44, no. 1 (March 2019): 82–101. http://dx.doi.org/10.1017/s0307883318000846.
Full textAdam, Julie. "The Dance of Images: Vladimir Mirzoev and Toronto's Horizontal Eight." New Theatre Quarterly 10, no. 39 (August 1994): 281–89. http://dx.doi.org/10.1017/s0266464x00000580.
Full textSörgel, Sabine. "Poppies, Ropes, and Shadow Play: Transcultural Memories of the First World War during Brexit." New Theatre Quarterly 37, no. 2 (April 29, 2021): 174–89. http://dx.doi.org/10.1017/s0266464x21000051.
Full textPetts, Louisa. "Dance Research Matters, Belgrade Theatre, Coventry, 27 May 2021." Journal of Dance & Somatic Practices 14, no. 1 (July 1, 2022): 141–46. http://dx.doi.org/10.1386/jdsp_00075_5.
Full textSponsler, Claire. "Writing the Unwritten: Morris Dance and the Study of Medieval Theatre." Theatre Survey 38, no. 1 (May 1997): 73–95. http://dx.doi.org/10.1017/s0040557400001848.
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