Relevant bibliographies by topics / The Half of It Movie

Academic literature on the topic 'The Half of It Movie'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "The Half of It Movie"

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Amoah, Charles Agyei, and Emmanuel Ampong. "Effects of Aggressive Movies on Children’s Aggressive Behaviour." International Journal of Scientific Research and Management 8, no. 08 (August 4, 2020): 1590–610. http://dx.doi.org/10.18535/ijsrm/v8i08.el02.

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This study was about effects of aggressive movies on children’s aggressive behaviour. Forty (40) pupils were randomly selected from Korle Abansoro Primary School, Koforidua, Eastern Ghana, to participate in the study. An adapted version of peer nomination instrument for aggression designed by Crick & Grotpeter in 1995 was used to acquire the data. Half the participants watched an aggressive movie while the other half watched non-aggressive movie for thirty minutes each after which the participants were assessed using the aggressive behavioral checklist or scale. The independent ‘t’ test was used to analyze the results. Two of the hypotheses were confirmed while the other two were rejected. This indicated that children who watched an aggressive movie exhibited more aggressive behavior than children who watched non-aggressive movie and males were not more aggressive than females. Two of the findings were consistent with previous findings. The implication of these results was discussed.
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Ullah, Kifayat, Anwar Rashad, Muzammil Khan, Yazeed Ghadi, Hanan Aljuaid, and Zubair Nawaz. "A Deep Neural Network-Based Approach for Sentiment Analysis of Movie Reviews." Complexity 2022 (June 29, 2022): 1–9. http://dx.doi.org/10.1155/2022/5217491.

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The number of comments/reviews for movies is enormous and cannot be processed manually. Therefore, machine learning techniques are used to efficiently process the user’s opinion. This research work proposes a deep neural network with seven layers for movie reviews’ sentiment analysis. The model consists of an input layer called the embedding layer, which represents the dataset as a sequence of numbers called vectors, and two consecutive layers of 1D-CNN (one-dimensional convolutional neural network) for extracting features. A global max-pooling layer is used to reduce dimensions. A dense layer for classification and a dropout layer are also used to reduce overfitting and improve generalization error in the neural network. A fully connected layer is the last layer to predict between two classes. Two movie review datasets are used and widely accepted by the research community. The first dataset contains 25,000 samples, half positive and half negative, whereas the second dataset contains 50,000 specimens of movie reviews. Our neural network model performs sentiment classification among positive and negative movie reviews called binary classification. The model achieves 92% accuracy on both datasets, which is more efficient than traditional machine learning models.
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Krivulya, Natalia G. "Development of the Animated Poster in the First Half of the XX century." Journal of Flm Arts and Film Studies 8, no. 3 (September 15, 2016): 19–33. http://dx.doi.org/10.17816/vgik8319-33.

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The genre of animated posters emerged at the dawn of animation. In 1899, A. Cooper an English director created one of the first movie-posters in the history of world animation. The need for movie-posters with propaganda characteristics arose during the period of the WW1. During that time, the genre of the animated poster had been developed and had even become a stimulus to the development of the animation and film industry. It had achieved its greatest success in the UK due to the advanced level of printed graphics, as well as the fact that the British pioneered the development of systematic promotion approaches. German animators also worked in the genre of animated posters, but they filmed mostly instructional movies which presented technical or military information in a clear and simple form. By the end of the WW1 the structure of movie posters had evolved from transparent to narrative. During the war the genre of the animated poster was not developed in Russia. After the war, propaganda film-posters disappeared from the screens. Their place was taken by mostly political, educational and promotional posters. The time of experimentation with figurative language, technology, and structure of the animated poster was in 1920-1930s. Themes, targets and the form of presentation had changed, but the function remained the same - informational and visual propaganda. As the commercial poster had developed predominantly in European and American animation, the release of political posters initiated the development of Soviet animation. Sentiment changes in global politics and the situation in Europe during the late 1930s which evolved into the WW2, once again stimulated the entertainers interest for the genres of political-propaganda, patriotic, and instructive posters. During the war the production of animated posters formed a considerable portion of all the animation filmed in Soviet as well as American studios. With the cessation of hostilities films in the poster animation genre almost disappeared from the screens.
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Gustary, Devian Try. "Speech Act Analysis In Zootopia Movie." Jurnal Pendidikan Bahasa 11, no. 1 (July 31, 2022): 153–66. http://dx.doi.org/10.31571/bahasa.v11i1.4176.

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This study aims to investigate the use of speech act and its possible purpose performed by two main characters, Judy Hopps and Nick Wilde in the Zootopia movie. Qualitative method was utilized to explain the function of speech act performed by the characters. Searle’s theory is used as the main theory to answer the two problems formulation regarding speech act classifications and their purposes of using speech act. The research result showed that all of the speech acts was used by Hopps. On the other hand, Wilde used just half of the speech act classification, namely directive, expressive, and commissive. Meanwhile, her purposes of using speech acts are to tell what she believed (assertives), to ask someone to do (directives), to express the feeling (expressive), to promise (commissives), and to bring a change (declarations).
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Nduru, Siti Ayu Mardiah. "AN ANALYSIS OF MAGIC SPELLS IN HARRY POTTER AND THE HALF-BLOOD PRINCE." LINGUA LITERA : journal of english linguistics and literature 6, no. 1 (June 30, 2021): 1–9. http://dx.doi.org/10.55345/stba1.v6i1.96.

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Abstract This research aims to analyze the magic spells uttered by the characters in Harry Potter and The Half-Blood Prince movie and identify the meaning and functionsof the magic spells in the movie. To come to the analysis, the writer applied literal meaning and non-literal meaning based on Griffiths’s theory. Meanwhile, thefunction of magic spells analyzes based on Searle's theory. This research employed qualitative research and descriptive method. The data were collected by the nonparticipant method and taking notes, selecting dialogues containing magic spells while watching the video. The result finally found the functions of each spell and its meaning, whether it has literal or non-literal meaning.
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Kadek Gita Arya Cahyaningrum, Gede Primahadi Wijaya Rajeg, and I Nyoman Tri Ediwan. "Face Threatening Acts of the Main Character in “The Half of it” Movie." RETORIKA: Jurnal Ilmu Bahasa 8, no. 2 (October 24, 2022): 144–50. http://dx.doi.org/10.55637/jr.8.2.5052.144-150.

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This study analyzed face threatening acts (FTAs) used by the main character in the movie titled The Half of It, focusing on (i) the types of the FTAs and (ii) how the FTAs are used by the main character. The data came from all utterances (words, phrases, clauses, sentences) produced by the main character. A pragmatic theory of FTAs from Brown and Levinson was applied to analyze the data qualitatively. Four types of FTAs are found in this study. The first type is “threatening the hearer’s negative face”, which was embedded in specific acts used by the main character, namely Suggestion, Threat, Reminding, Order, Warning, and Compliment. The second type is, “threatening the speaker’s negative face”, which is followed by such acts as Response to the hearer’s faux pas, Excuses, and Acceptance of offers. The third type is, “threatening the hearer’s positive face” with the acts of Criticism, Insults, Disagreement, Ridicule, Reprimand, Disapproval, Irreverence, Complaints, and Accusations. The last type of the FTAs is “threatening the speaker’s positive face” by using Confession, Emotion leakage, Physical control over the body, Apology, and Acting stupid. Finally, the FTAs enacted in the utterances of the main character are minimized by means of applying the politeness strategies. It has been discovered that the main character used the four types of politeness strategy that were positive politeness, negative politeness, bald on-record, and off-record strategy.
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Nisa, Intan Khairu, and Adi Sutrisno. "Apology Strategies in Harry Potter Movie Series." English Language Teaching Educational Journal 1, no. 1 (November 15, 2018): 1. http://dx.doi.org/10.12928/eltej.v1i1.230.

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Apology is an inevitable part of human communication as an act of face-saving strategy. It is necessarily uttered if an offense is made. This research is an attempt to reveal the apology strategies used as well as to analyze the influence of social distance and relative power to the realization of apology strategies, as seen in Harry Potter and the Order of the Phoenix, Harry Potter and the Half Blood Prince, and Harry Potter and the Deathly Hallows Part 1 and 2. In total, there are 125 data found and those are classified according the apology strategy employed. The result shows that the majority of the speakers employ indirect apology strategy ‘Explanation or Account of Cause’ to apologize. Furthermore, this research also found that social distance and relative power are taken into account during the apology process and they affect the linguistic realization of apology strategies in the movies.
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Bekalu, Mesfin Awoke, and K. Viswanath. "Smoking portrayal in Ethiopian movies: a theory-based content analysis." Health Promotion International 34, no. 4 (April 17, 2018): 687–96. http://dx.doi.org/10.1093/heapro/day013.

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Abstract Considerable research from high-income countries has characterized the amount, nature and effects of movie smoking depiction. However, in low- and middle-income countries (LMICs) where tobacco use and tobacco-related diseases are growing, little research has investigated smoking imagery in movies. This study examined the extent and nature of smoking portrayal in locally produced Ethiopian movies, and estimated the number of tobacco impressions movies delivered. Sample movies were taken from YouTube. Keyword searches were conducted using ‘Ethiopian movies’ and ‘Ethiopian drama’ on 18 September 2016. In each search, the first 100 most viewed movies were examined. Excluding repeated results, a total of 123 movies were selected for content analysis. Three coders participated. Results indicated that 86 (69.9%, 95% CI 63–78%) of the 123 most viewed movies contain at least one tobacco incident (TI). The movies depict a total of 403 TIs, with an average of 4.7 (95% CI 3.7–5.6) TIs in each movie. The average length of TIs is 1 min and 11 s. On average, the movies were viewed more than half a million times by September 2016, and received more ‘likes’ than ‘dislikes’, z = −8.05, p = 0.00. They delivered over 194 million tobacco impressions via YouTube alone from July 2012 through September 2016. Most TIs portray smoking as a socially acceptable behavior with no negative health consequences. The findings suggest that as with transnational Western movies, locally produced movies in LMICs should be scrutinized for compliance with national and international regulatory efforts.
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Duong, Tan Nghia, Nguyen Nam Doan, Truong Giang Do, Manh Hoang Tran, Duc Minh Nguyen, and Quang Hieu Dang. "Utilizing Half Convolutional Autoencoder to Generate User and Item Vectors for Initialization in Matrix Factorization." Future Internet 14, no. 1 (January 4, 2022): 20. http://dx.doi.org/10.3390/fi14010020.

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Recommendation systems based on convolutional neural network (CNN) have attracted great attention due to their effectiveness in processing unstructured data such as images or audio. However, a huge amount of raw data produced by data crawling and digital transformation is structured, which makes it difficult to utilize the advantages of CNN. This paper introduces a novel autoencoder, named Half Convolutional Autoencoder, which adopts convolutional layers to discover the high-order correlation between structured features in the form of Tag Genome, the side information associated with each movie in the MovieLens 20 M dataset, in order to generate a robust feature vector. Subsequently, these new movie representations, along with the introduction of users’ characteristics generated via Tag Genome and their past transactions, are applied into well-known matrix factorization models to resolve the initialization problem and enhance the predicting results. This method not only outperforms traditional matrix factorization techniques by at least 5.35% in terms of accuracy but also stabilizes the training process and guarantees faster convergence.
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Chandra, Rifika, Yulmiati Yulmiati, and Edwar Kemal. "An Analysis of Initiation Response Feedback (IRF) Pattern in Classroom Discourse at Half Nelson Movie." Modality Journal: International Journal of Linguistics and Literature 1, no. 2 (December 31, 2021): 132. http://dx.doi.org/10.30983/mj.v1i2.4835.

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<p class="abstrak" align="center"><strong><em>Abstrak</em></strong><strong> </strong></p><p class="abstrak"><em>Latar belakang penelitian berdasarkan observasi peneliti dalam film Half Nelson yang menunjukkan bahwa terdapat pola IRF yang digunakan selama interaksi antara guru dan siswa di dalam kelas. Tujuan dari penelitian ini adalah untuk mengetahui bagaimana pola IRF terjadi di dalam kelas, bagaimana guru berinisiatif, bagaimana respon siswa, dan bagaimana umpan baliknya. Penelitian ini dilakukan dengan menggunakan penelitian kualitatif dengan menggunakan pendekatan analisis wacana dalam linguistik terapan dan menggunakan metode deskriptif. Data dalam penelitian ini adalah interaksi yang terjadi ketika guru dan siswa saling berinteraksi dalam naskah film Half Nelson. Penelitian ini menggunakan purposive sampling sebagai teknik pengumpulan data. Hasil penelitian ini menunjukkan bahwa ada enam jenis inisiasi yang digunakan, yaitu teacher elicit, teacher direct, teacher inform, teacher listing, re-inisiation (i), re-initiation (ii). Respon tersebut adalah respon siswa spesifik, silent, silent-av, bingung berorientasi kerja, tertawa, respon siswa open-ended, dan nonverbal. Jenis-jenis umpan balik adalah mengulang, mengakui jawaban yang benar, memperluas atau memodifikasi, menunjukkan jawaban yang salah, meringkas, memuji. Berdasarkan hasil analisis data, dapat disimpulkan bahwa guru menggunakan berbagai jenis inisiasi dalam situasi yang berbeda.</em></p><p class="abstrak"><strong><em>Kata Kunci: </em></strong><em>Pola IRF, Film Half Nelson, Interaksi</em><em></em></p><p class="abstrak" align="center"><strong>Abstract</strong></p><p class="abstrak">The background of the research based on the researcher observation in <em>Half Nelson</em> movie which indicated that there was an IRF pattern used during interactions between teachers and students in the classroom. The purpose of this study is to find out how the IRF pattern occurs in the classroom, how the teacher initiates, how students respond, and how the feedback. This research was conducted using qualitative research by using a discourse analysis approach in applied linguistics and using descriptive methods. The data in this study is the interaction that occurs when teachers and students interact with each other in the Half Nelson movie script. This study uses purposive sampling as a technique in data collection. The results of this study indicate that there are six types of initiation used, <em>namely teacher elicit, teacher direct, teacher inform, teacher listing, re-initiation (i), re-initiation (ii)</em>. The responses are <em>students’ response specific, silent, silent-av, confused work-oriented, laughter, students’ response open-ended, and nonverbal</em>. The types of feedback are <em>repeating, acknowledging a correct answer, expanding or modifying, indicating an incorrect answer, summarizing, praising</em>. Based on the results of data analysis, it can be concluded that the teacher used various types of initiation in different situation.</p><p class="abstrak"><strong>Keywords:</strong> IRF Pattern, Half Nelson Movie, Interaction</p><p class="abstrak" align="left"> </p>
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Dissertations / Theses on the topic "The Half of It Movie"

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McGinley, Susan. "Half Full or Half Empty?" College of Agriculture, University of Arizona (Tucson, AZ), 1993. http://hdl.handle.net/10150/295739.

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Gonring, Gabriel Menotti M. P. "Movie/cinema : rearrangements of the apparatus in contemporary movie circulation." Thesis, Goldsmiths College (University of London), 2011. http://research.gold.ac.uk/6604/.

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This thesis investigates how cinema’s specificities are defined in relation to technological developments. I propose that the most appropriate way to do this is by taking the whole cinematographic circuit into account – that is, the complete set of socio-technical operations that are involved in the medium, as remote as they might seem to be from actual cinematographic practices. I depart from the definition of circulation as a socio-technical continuum of the production, distribution, exhibition and evaluation of movies, explaining how these activities might be enacted in three different technological regimes: film, video and digital computation. Then, following an account of the early history of the pirate film society Cine Falcatrua (2003-2005), I show how the specificity of the medium is constituted and preserved throughout its technical progress. Acknowledging the limits of traditional film and screen studies to deal with these questions, I attempt to find an alternative research approach by engaging in practice-based investigation using curatorial strategies. By bringing together and analysing different film and art pieces in an exhibition entitled Denied Distances (2009), I propose a framework that allows an understanding of how media technology are defined in relation to one another, exposing how seemingly expanded practices such as installations and performances might be contained within conventional cinematographic apparatus. I conclude by suggesting that, in order to keep up with the ever-changing nature of the medium, the study of cinema would profit from engaging the extremes of scientific criticism and art practice.
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Kalantari, Amir. "Making the movie." Thesis, University of Skövde, School of Humanities and Informatics, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:his:diva-3868.

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Grell, Laura Lynn. "EZ-Viz movie /." Online version of thesis, 2007. http://hdl.handle.net/1850/5701.

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Halliday, Laura Jo. "Such is Furphy : half bushman, half bookworm /." Available to subscribers only, 2005. http://proquest.umi.com/pqdweb?did=1068242541&sid=21&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Cakiroglu, Seda. "Suggest Me A Movie: A Multi-client Movie Recommendation Application On Facebook." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12612084/index.pdf.

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In this study, an online movie recommendation engine that serves on Facebook is developed in order to evaluate social circle eects on user preferences in a trust-based environment. Instead of using single-user profiles in the social environment identification process, virtual group profiles that present common tastes of the social environments, are formed to achieve a successful social circle analysis and innovative suggestions. Recommendations are generated based on similar social circles and based on social circles of similar users separately and their results are evaluated. Pure collaborative filtering is applied to emphasize the influence of social environment characteristics.
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Pollack, Alexander Gregory. "Half-virgin." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5010.

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Half-Virgin is a cross-genre collection of essays, short stories, and poems about the humor, pain, and occasional glory of journeying into adulthood but not quite getting there. The works in this collection seek to create a definition of a term, "half-virgin," that I coined in the process of writing this thesis. Among the possibilities explored are: an individual who embarks upon sexual activity for the first time and does not achieve orgasm; an individual who has reached orgasm through consensual sexual activity, but has remained uncertain about what he or she is doing; and the curious sensation of being half-child, half-adult. Ultimately, I believe, a "half-virgin" possesses all of these traits. One of the goals of the collection is to scramble the prototypical coming-of-age story into bits and parts and halves. Among the approaches included are earnest memoir (the real and metaphorical costumes a young couple wears on Halloween), character-driven fiction (the life story of Marlow, a college track star who ends up the unwitting inspiration for Super Mario Brothers), and narrative experiments (a tongue-in-cheek creative writing syllabus and a bullet pointed resume of sexual conquests). By exploring the untidy fragments in love, lust, and human connection in these works, Half-Virgin aspires to find wholeness through the jagged adventures of growing up.
ID: 029809539; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Includes reading list (p. 156-159).; Thesis (M.F.A.)--University of Central Florida, 2011.
M.F.A.
Masters
English
Arts and Humanities
Creative Writing
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Arikatla, Govardhan, and Bhargav Chinnapottu. "Movie prediction based on movie scriptsusing Natural Language Processing and Machine Learning Algorithms." Thesis, Blekinge Tekniska Högskola, Institutionen för datavetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-21761.

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Hansson, Henri. "3D modelling of a Laser Welding Cell for movie presentation : making of the movie." Thesis, University West, Department of Engineering Science, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:hv:diva-721.

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This report describes a Bachelor thesis work in which a robotised laser welding cell has been modelled and simulated for the purpose of making a presentation movie. The report shows that the work has been concentrated on making the movie from the modelling phase through the recording of the movie and ending up with the editing of the final presentation movie. A pre-study was made prior the Bachelor thesis work. In the pre-study a literature study was conducted about measurement and calibration of a welding cell. Measurement of almost all equipment in the entire cell was also conducted in the pre-study. The main result of this pre-study is a thorough investigation of what objects and functions that needs to be modelled in order to explain the functions in the specific laser welding cell The purpose for this Bachelor thesis work is to give an efficient and alternative way to present a laser welding cell that resides in Production Technology Centre (PTC) at Innovatum, Trollhättan Sweden. The movie can be used outside PTC or if the laser welding cell is occupied with work, since it is not allowed to be inside the cell when in progress. The result of this work is a nearly 12 minute long presentation movie which shows all predefined elements of the cell together with a real welding sequence with metal deposition (MD).

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Ivarsson, Jakob, and Mathias Lindgren. "Movie recommendations using matrix factorization." Thesis, KTH, Skolan för datavetenskap och kommunikation (CSC), 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-186400.

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A recommender system is a tool for recommending personalized content for users based on previous behaviour. This thesis examines the impact of considering item and user bias in matrix factorization for implementing recommender systems. Previous work have shown that user bias have an impact on the predicting power of a recommender system. In this study two different implementations of matrix factorization using stochastic gradient descent are applied to the MovieLens 10M dataset to extract latent features, one of which takes movie and user bias into consideration. The algorithms performed similarly when looking at the prediction capabilities. When examining the features extracted from the two algorithms there was a strong correlation between extracted features and movie genres. We show that each feature form a distinct category of movies where each movie is represented as a combination of the categories. We also show how features can be used to recommend similar movies.
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Books on the topic "The Half of It Movie"

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Scholastic Inc. Harry Potter and the Half-Blood Prince: Movie Poster Book. New York, USA: Scholastic, 2008.

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Leslie, Halliwell. Seats in all parts: Half a lifetime at the movies. London: Granada, 1985.

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Seats in all parts: Half a lifetime at the movies. London: Grafton, 1986.

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Seats in all parts: Half a lifetime at the movies. New York: Scribner, 1985.

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Baistrocchi, Massimo. Half & half. [Hong Kong?]: [Magnum Co. Ltd?], 1990.

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Half and half. New York: Delacorte Press, 2003.

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Evans, Sue. Half and half. Toronto: Thomson Nelson, 2004.

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Kim, Kenneth H. Half and half. Costa Mesa, CA: Saddleback, 1993.

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Bagshawe, Louise. Movie. London: Orion, 1996.

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Movie. New York: Mysterious Press, 1995.

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Book chapters on the topic "The Half of It Movie"

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Fewsmith, Joseph, and Nancy Hearst. "Adopting the Operational Principle of Half Annihilating and Half Routing While on the Move." In Mao's Road to Power, 60. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781315719436-31.

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Wirtz, Bernd W. "Movie management." In Media and Internet Management, 197–243. Wiesbaden: Gabler, 2011. http://dx.doi.org/10.1007/978-3-8349-6843-2_4.

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Hennig-Thurau, Thorsten, and Torsten Heitjans. "Movie Branding." In Erfolgreiche Führung von Medienmarken, 63–86. Wiesbaden: Gabler Verlag, 2004. http://dx.doi.org/10.1007/978-3-663-08025-1_4.

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Dowdy, Joanne Kilgour. "Movie Scripts." In Teaching Drama in the Classroom, 113–18. Rotterdam: SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-537-6_24.

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Hirsch, Martin. "Movie (Quicktime)." In Das Buch zu Word für den Macintosh, 310–12. Wiesbaden: Vieweg+Teubner Verlag, 1993. http://dx.doi.org/10.1007/978-3-322-89438-0_40.

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Hutchins, Tiffany, Giacomo Vivanti, Natasa Mateljevic, Roger J. Jou, Frederick Shic, Lauren Cornew, Timothy P. L. Roberts, et al. "Movie Talk." In Encyclopedia of Autism Spectrum Disorders, 1939–40. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4419-1698-3_977.

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Stiglegger, Marcus. "B-Movie." In Handbuch Popkultur, 147–52. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-05601-6_28.

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Gupta, Suman. "Movie Magic." In Re-Reading Harry Potter, 141–50. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230279711_19.

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Rowley, Stephen. "Movie Towns." In Movie Towns and Sitcom Suburbs, 19–49. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137493286_2.

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Gupta, Suman. "Movie Magic." In Re-Reading Harry Potter, 141–50. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9781403918390_19.

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Conference papers on the topic "The Half of It Movie"

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Lasser, Gregor, Maxim Ignatenko, and Dejan Filipovic. "Tuning an electrically small on-the-move HF half-loop antenna." In 2016 10th European Conference on Antennas and Propagation (EuCAP). IEEE, 2016. http://dx.doi.org/10.1109/eucap.2016.7481182.

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Ignatenko, Maxim, and Dejan S. Filipovic. "Electrically small half-loop for wideband HF on-the-move operation." In 2016 IEEE/ACES International Conference on Wireless Information Technology and Systems (ICWITS) and Applied Computational Electromagnetics (ACES). IEEE, 2016. http://dx.doi.org/10.1109/ropaces.2016.7465357.

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Ormanlı, Okan. "Relationship Between Movie Theaters and Audience During the Pandemic: “Beyoğlu 1989 E-Bulletin” as an Example." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.028.

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Covid-19, a disease that transformed into a pandemic at the beginning of 2020, caused catastrophic results in the world and Turkey. There have been some restrictions on trade, education, tourism, and art. Daily life was not interrupted but some services and events that they have not primary functions (for some people) like “art” were on the verge of stopping and carried to the digital platforms. In this context, some corporations opened their archives and sometimes actual events to the public free of charge or for a certain amount of money. Art, which has always had “healing”, “mediating” and “unifying” effects, was consumed by the billions of people through digital devices. Considering art is both a sector and an industry, the unexpected phenomenon of Covid-19, which is a kind of crisis that occurs one in a hundred years and takes longer than expected, led to the temporary or permanent closure of some art and culture institutions. Due to these results, some supportive programs have been organized by official or non-official institutions to solve financial problems. In Turkey, all the movie theaters closed down on the 16th of March 2020 by the Ministry of Internal Affairs. Some halls opened in July and August, however, because of lack of audience and of the increasing number of patients they have closed down again in November. 2019 was a bad year for the sector yet 2020 was even worse with the decline of the audience by the ratio of %90. Before the pandemic, there were some problems in terms of halls. In this context, some movie theaters tried to find solutions not to lose the audience and find financial support. Beyoğlu Movie Theater that began operating in 1989, had some financial problems before the pandemic. The managers of the hall created a project called “Beyoğlu 1989”, which was a kind of electronic bulletin, and started sending e-mails to the subscribers. This project, which was implemented for the first time in Turkey, has reached the 57th issue and 800 subscribers today and has turned into a kind of weekly electronic-digital cinema newspaper that is also promoted on the Instagram account of the Beyoğlu cinema with 45 thousand followers. The broadcast also follows the cinema agenda and undertakes the task of a written-visual archive. In conclusion, a movie theater that started operating in the analog age, today use all the possibilities and utilities of the digital age and also with the help of its owners and followers, creates a communication ecology to prevent the shutdown. The aim of this article is to examine an electronic bulletin (also a film magazine) “1989”, which is first in Turkey, with the qualitative method.
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Yoshikawa, Masashi, Hiroyuki Toyoda, and Hisashi Daisaka. "Development of High-Efficiency Half-Ducted Propeller Fan for Air-Conditioners by Blade Tip Shape Modification." In ASME-JSME-KSME 2019 8th Joint Fluids Engineering Conference. American Society of Mechanical Engineers, 2019. http://dx.doi.org/10.1115/ajkfluids2019-4908.

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Abstract We developed a high-efficiency half-ducted propeller fan to reduce the electric power consumption of the outdoor unit of air conditioner by using computational fluid dynamics (CFD). Total pressure loss coefficient on the cylindrical surface of blade tip started increasing at the middle of the blade, and the region of high total pressure loss coefficient was formed after trailing edge. Therefore, we assumed that decreasing this region helped increasing static pressure efficiency. Limiting stream lines on the pressure surface showed that the flow from leading edge leaked at the middle of the blade tip, so it was assumed that the region of the high total pressure loss coefficient arose from the leakage at the middle of the blade tip. We confirmed that static pressure at the middle of blade tip, which was the leakage point, was low. We assumed that low inward force to the flow caused the leakage. On the other hand, static pressure at trailing edge of the blade tip was high. Therefore, it was found that the inward force could be increased by making the static pressure higher at the meddle of the blade tip. In order to make the static pressure higher at the middle of the blade tip, we attempted to move the maximum camber position of the blade tip from trailing edge side to leading edge side. Calculation results showed leakage at the blade tip decreased and the static pressure efficiency increased by 0.5%. Experimental results showed that the static pressure efficiency increased by 1.7 % and sound pressure level was almost the same. For the above reasons, we found leakage of flow from leading edge could be decreased by adjusting the maximum camber position of the blade tip. Decreasing leakage contributed to increasing static pressure efficiency and decreasing electric power consumption.
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Roidl, Benedikt, and Wahid Ghaly. "Redesign of a Two and a Half Stage Subsonic Turbine Using a New Viscous Inverse Design Method." In ASME 2008 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2008. http://dx.doi.org/10.1115/detc2008-49547.

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The midspan section of a multi-stage subsonic turbine that is built and tested at the University of Hannover is redesigned using a new inverse blade design method where the blade walls move with a virtual velocity distribution derived from the difference between the current and the target pressure loading on the blade surfaces. The prescribed design variables are the blade loading and thickness distribution. This new inverse method is fully consistent with the viscous flow assumption and is implemented into the time accurate solution of the Reynolds-Averaged Navier-Stokes equations that are expressed in an arbitrary Lagrangian-Eulerian (ALE) form to account for mesh movement. A cell-vertex finite volume method of the Jameson type is used to discretize the equations in space; time accurate integration is obtained using dual time stepping. An algebraic Baldwin-Lomax turbulence model is used for turbulence closure. The mixing plane approach is used to couple the blade row regions of the multistage. The CFD analysis formulation is first assessed against the multi-stage turbine experimental data. The method is then used to redesign the second and third stators of the 2.5 stage turbine so as to reduce the blade suction side diffusion. The results show that by carefully tailoring the target pressure loading, some improvement can be achieved in the turbine performance.
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Sugimura, J., S. Gondo, and Y. Yamamoto. "Dependence of Gas Transportation in Radial Lip Seals on Oil and Gas." In World Tribology Congress III. ASMEDC, 2005. http://dx.doi.org/10.1115/wtc2005-64048.

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Experimental studies are made on transportation of gas across radial shaft seals. Gas flow rates are determined with gas chromatography. Gas is pumped in, while gas also leaks at about half of the pump rate. The flow rates increase with shaft speed and oil viscosity, though paraffinic mineral oils allow more gas to move than polyalphaolefin of the same viscosity. The rate also depends on gas. These suggest that gas is conveyed by hydrodynamic flow of oil at the seal lip.
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Subramaniam, Rajan, Roger Lee, and Tokuro Matsuo. "Movie Master: Hybrid Movie Recommendation." In 2017 International Conference on Computational Science and Computational Intelligence (CSCI). IEEE, 2017. http://dx.doi.org/10.1109/csci.2017.56.

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Adams, George G. "The Sliding of an Elastic Half-Space Against a Rigid Surface With Friction Reduction due to Incident Dilatational Waves." In ASME 1999 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1999. http://dx.doi.org/10.1115/detc99/vib-8138.

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Abstract The steady sliding of a flat homogeneous and isotropic elastic half-space against a flat rigid surface, under the influence of incident plane dilatational waves, is investigated. The interfacial coefficient of friction is constant with no distinction between static and kinetic friction. It is shown here that the reflection of a harmonic wave under steady sliding consists of a pair of body waves (a plane dilatational wave and a plane shear wave) radiated from the sliding interface. Each wave propagates at a different angle such that the trace velocities along the interface are equal and supersonic. The angles of wave propagation are determined by the angle of the incident wave, by the Poisson’s ratio, and by the coefficient of friction. The amplitude of the incident waves is subject only to the restriction that the perturbations in interface contact pressure and tangential velocity satisfy the inequality constraints for unilateral sliding contact. It is also found that an incident rectangular wave can allow for relative sliding motion of the two bodies with a ratio of remote shear to normal stress which is less than the coefficient of friction. Thus the apparent coefficient of friction is less than the interface coefficient of friction. This reduction in friction is due to periodic stick zones which propagate supersonically along the interface. Under appropriate conditions, the bodies can move tangentially with respect to each other in the absence of an applied shear stress. The influences of the angle, amplitude, and shape of the incident rectangular wave, the interfacial friction coefficient, the sliding speed, and of the remotely applied normal stress, on friction reduction are determined.
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Multisilta, Jari, and Marko Suominen. "MoViE." In the 13th International MindTrek Conference: Everyday Life in the Ubiquitous Era. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1621841.1621870.

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Kuhn, Virginia, Michael Simeone, Luigi Marini, Dave Bock, Alan B. Craig, Liana Diesendruck, and Sandeep Puthanveetil Satheesan. "MOVIE." In the 2014 Annual Conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2616498.2616529.

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Reports on the topic "The Half of It Movie"

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Sargent, Christopher L. Applying Knowledge Engine Technology in The Military, or How HAL the Computer from the Movie '2001: A Space Odyssey' May Manifest Itself in the Military. Fort Belvoir, VA: Defense Technical Information Center, April 1997. http://dx.doi.org/10.21236/ada326356.

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Dahl, Gordon, and Stefano DellaVigna. Does Movie Violence Increase Violent Crime? Cambridge, MA: National Bureau of Economic Research, January 2008. http://dx.doi.org/10.3386/w13718.

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Jorgensen, Jennifer. Seniors' Analysis of Movie Characters as Consumers. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1359.

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Golbeck, Jennifer. Generating Predictive Movie Recommendations from Trust in Social Networks. Fort Belvoir, VA: Defense Technical Information Center, January 2006. http://dx.doi.org/10.21236/ada447900.

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Steeves, Brye. Oppenheimer biographer tours Lab while movie is filmed locally. Office of Scientific and Technical Information (OSTI), March 2022. http://dx.doi.org/10.2172/1859862.

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Moretti, Enrico. Social Learning and Peer Effects in Consumption: Evidence from Movie Sales. Cambridge, MA: National Bureau of Economic Research, March 2008. http://dx.doi.org/10.3386/w13832.

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Osborne, Bob. Propaganda Tool: The Hollywood War Movie and Its Usurpation by TV. Fort Belvoir, VA: Defense Technical Information Center, February 1990. http://dx.doi.org/10.21236/ada222524.

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Lehrer, Steven, and Tian Xie. The Bigger Picture: Combining Econometrics with Analytics Improve Forecasts of Movie Success. Cambridge, MA: National Bureau of Economic Research, June 2018. http://dx.doi.org/10.3386/w24755.

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DellaVigna, Stefano, and Johannes Hermle. Does Conflict of Interest Lead to Biased Coverage? Evidence from Movie Reviews. Cambridge, MA: National Bureau of Economic Research, November 2014. http://dx.doi.org/10.3386/w20661.

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Campbell, Geoffrey, and Daniel Masiel. Imaging Materials Using Movie Mode Dynamic Transmission Electron Microscopes, CRADA No. TC02184.0. Office of Scientific and Technical Information (OSTI), March 2015. http://dx.doi.org/10.2172/1185253.

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