Relevant bibliographies by topics / The Floating World

Academic literature on the topic 'The Floating World'

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Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "The Floating World"

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Baxter, Rachel. "Floating world." New Scientist 235, no. 3139 (August 2017): 26–27. http://dx.doi.org/10.1016/s0262-4079(17)31620-2.

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Hazleton, Lesley. "Floating World." Women's Review of Books 12, no. 10/11 (July 1995): 5. http://dx.doi.org/10.2307/4022155.

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Perlberg, Mark. "The Floating World." Hudson Review 42, no. 1 (1989): 93. http://dx.doi.org/10.2307/3851164.

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Eisen, Erica X. "The Floating World." Pleiades: Literature in Context 37, no. 1 (2017): 134–39. http://dx.doi.org/10.1353/plc.2017.0042.

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Marceau, Lawrence E., Donald Jenkis, Lynn Jacobsen-Katsumoto, Haruko Iwasaki, Tadashi Kobayashi, Laurence Kominz, and Henry D. Smith II. "The Floating World Revisited." Eighteenth-Century Studies 28, no. 2 (1994): 260. http://dx.doi.org/10.2307/2739204.

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Sarvan, Charles. "Floating Signifiers and An Artist of the Floating World." Journal of Commonwealth Literature 32, no. 1 (March 1997): 93–101. http://dx.doi.org/10.1177/002198949703200108.

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Jian, Ma. "Citizen of the floating world." Index on Censorship 26, no. 1 (January 1997): 192. http://dx.doi.org/10.1177/030642209702600143.

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Sloan, Marisa. "Donors of the Floating World." Digital Literature Review 6 (January 15, 2019): 130–46. http://dx.doi.org/10.33043/dlr.6.0.130-146.

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The text Never Let Me Go envisions dystopianism through the eyes of a group that is simultaneouslysubjugated and compensated by class structures. Due to the synchronous glorifcation andeuphemization of their oppression, the fate of these characters ties historical threads to thelivelihoods of Yoshiwara courtesans in Edo Japan. These parallels are drawn from historicaland sociological lenses, inspired by scholars Cecilia Segawa Seigle and Kelly Rich on courtesanlife and environmental infuence.This dichotomy between perception and reality is born from thesubjective nature of what it means to be educated and cultured. The relativity of privilege is thenis weaponized by those in power, who ensure that both marginalized groups internalize their classand grow complicit in their own exploitation. In light of these parallels, the fuidity between utopianand dystopian livelihoods manifests, and therein seeps beyond the literary realm.
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Gardner, Frank. "Floating exchange rates and world inflation." International Affairs 61, no. 2 (April 1985): 301. http://dx.doi.org/10.2307/2617502.

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Shone, Ronald, and Jaleel Ahmad. "Floating Exchange Rates and World Inflation." Economic Journal 95, no. 378 (June 1985): 516. http://dx.doi.org/10.2307/2233242.

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Dissertations / Theses on the topic "The Floating World"

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Hopkins, John. "The Floating World." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302255.

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Best, Karen. "A FLOATING WORLD: STORIES." Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2070.

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A Floating World is a collection of short stories inspired by fairy tales. Often set in worlds where the mundane and the fantastic come together, these stories explore moments of strangeness that slip beyond the bounds of realist fiction. Fantastical events intrude into mundane reality as characters attempt to reconcile the known with the unknowable.
M.F.A.
Department of English
Arts and Humanities
Creative Writing MFA
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Nelson-McDermott, Catherine A. "Pictures of a floating world, relocating Bloomsbury." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21611.pdf.

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Dicken, Mary. "George Rochberg’s Ukiyo-e (Pictures of the Floating World)." Miami University Honors Theses / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1146856287.

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Rippey, John. "Woodblock Sonnets and Floating World : reflections on writing 'Woodblock Sonnets'." Thesis, Lancaster University, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.656335.

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This essay explores the writing of "Woodblock Sonnets," a poem composed of fifty-six sonnet stanzas. The essay represents a sustained enquiry into this poem's development, from its first inchoate sources and urges, to realization through shape, structure, and artifice. The development of the poem is tracked in five central writing concerns: content, language, form, time, and universality. In each concern, "Woodblock Sonnets" is observed to evolve, over the course of the writing, from more latent and intuitive versions into more manifest and deliberated ones. The poem emerges as creation of inspiration and labor, as both a spontaneously occurring phenomenon and a crafted object. In order to explore the reason of poetry, the accounts of this evolving search for significances are extended into consideration of the advantages which specific poetic practices - image, ekphrasis, rhyme, the sonnet form, and so on - provide a poem. "Woodblock Sonnets" possesses a cross-cultural nature, and the essay explores the poem's unusual fusing of Eastern and Western idioms and sensibilities, as well. "Woodblock Sonnets," the conclusion suggests, takes up the intrinsic interconnectedness of lives - natural and human, past and present, and especially our own lives and those of others, in dimensions that range from the personal to the cultural. The poem demonstrates a primary interest in revealing and interpreting relationships. Poetry, in general, is conceived as an opportunity for fusing the figurative and literal.
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Callan, Tim. "International transmission of economic disturbances : modelling small countries in a floating rate world." Thesis, University of Oxford, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305669.

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Rosenow, Cecilia L. "Pictures of the floating world : American modernist poetry and cultural translations of Japan /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3055709.

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Thesis (Ph. D.)--University of Oregon, 2002.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 176-199). Also available for download via the World Wide Web; free to University of Oregon users.
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Sugiyama, Rose Yukiko. "Espacialidades narrativas: uma leitura de An Artist of the Floating World de Kazuo Ishiguro." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-18112009-163255/.

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Nesta dissertação, o exame de An Artist of the Floating World, de Kazuo Ishiguro, adota a espacialidade como vetor interpretativo do romance. Ao considerarmos o espaço como um dado estruturante sobre o qual outros elementos narrativos se apóiam e se desenvolvem, apontamos alguns modos de tratamento do espaço na literatura para verificar as formas de sua consecução na obra. Embora o processo de rememoração do narrador protagonista envolva diferentes camadas temporais e espaciais, observamos a existência de um espaço primordial, a partir do qual todos os demais espaços são desdobrados, atuando como uma fonte de sentidos para as experiências vividas pelo protagonista. Pautada por sobreposições espaciais cujas camadas estabelecem relações de complementaridade, a narrativa cria um adensamento na significação dos eventos, dos conflitos e dos papéis vividos pelos personagens. Por meio de tais relações e na perspectiva das considerações críticas de Luis A. Brandão, Georges Poulet e Michel Foucault, buscamos analisar o espaço que rege este romance em suas funções e características heterotópicas.
This dissertation examines An Artist of the Floating World by Kazuo Ishiguro through the category of space. Spatiality is considered a structuring element over which other narrative aspects develop. Some literary ways of space treatment are pointed out in order to verify how they function in this novel. The existence of a primordial space, through which all the other narrative spaces are unfolded, is observed as a source of meanings for the protagonists experiences, even though his process of remembrance implies different levels of time and space. Oriented by spatial superposition, whose levels establish complementary relations, the narrative creates a density of meanings, conflicts, and characters roles. Scrutinizing these relations and considering the critical approaches presented by Luis A. Brandão, Georges Poulet, and Michel Foucault, this dissertation analyses the space that rules this novel in its role and heterotopic features.
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Maggs, David. "Artists of the floating world : rethinking art/sustainability relations in the late days of modernity." Thesis, University of British Columbia, 2014. http://hdl.handle.net/2429/46995.

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This research is an attempt to reroute art-sustainability relations through the metaphysical juncture of Modernism’s fading dichotomies, i.e. fact-value, subject-object, culture-nature. For many this relationship has fallen short, particularly in the form of infocentric, instrumental engagements aimed at behaviour change. But if we read sustainability as a problem of worldview and artistic agency as ontological in nature, might something more promising emerge? To explore this, four artists were commissioned to produce work in response to an analysis of sustainability built around Bruno Latour’s ‘Modern Constitution’. The interests were twofold, to investigate the challenge of engaging art’s ‘ontological agency’ in light of prior art-sustainability frustrations; and to explore practical and ontological dimensions of operating ‘beyond’ the dichotomies of Modernity. The first interest concerns the prescriptive challenge of artistic agency—how do we ‘use’ art? Outcomes include the following explorations: A distinction between art’s behavioral and ontological agencies; a proposed category of ‘artistic ontologists’ to house scholarship aligning ontological agency with aesthetic, expressive, and imaginative priorities; a view of art as ‘double agent’, necessarily ‘of’ and ‘against’ encompassing rationalities; and the argument that a healthy view of art is fundamentally epistemological, a means to learn not teach. Regarding a ‘post’ Modern or ‘post-normal’ world, this research proposes to shift sustainability from the well-worn challenge to prove the world real to the more perplexing challenge to prove the world imaginary. This entails a shift from ‘substantive’ approaches to sustainability (facts drive values) to ‘procedural’ approaches, where sustainability emerges from the interactions of immanent human and non-human agencies. Practical concerns include structuring emergent dynamics within collective processes and shifting expertise accordingly. Ontological dimensions explore particular ‘qualities of immanence’ that might shape our imaginings in fruitful ways, while pursuing a genuine exit from Modernity nonetheless. Building on Mike Hulme’s arguments, I suggest sustainability in an imaginary world involves ‘flipping the sustainability predicate’, turning a problem we are trying to solve into one that solves us. This engages John Robinson’s work on ‘regenerative sustainability’ by arguing that regenerative approaches may not only be more compelling, but increasingly in line with emerging logics of a post-normal world.
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Park, Chung Hoon. "Ode to the Temple of Sound, Floating World-Ukiyo and Meditation on Zeami: An Analysis of Three Works by Alan Hovhaness." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/98.

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This essay, through a thorough examination of primary and secondary sources, presents analyses of three orchestral works from Hovhaness' "fourth-period," a period of time spanning approximately ten years, from 1960 to 1970. This essay focuses on three works from this period: Meditation on Zeami, Floating World, and Ode to the Temple of Sound, written in 1963, 1964 and 1965, respectively. This essay gathers information from various primary and secondary sources in order to provide performers who are preparing works from this period with a single source of information, bringing clarity to theoretical and musicological problems. Analyses of this sort are made all the more necessary by the fact that there are currently no extant recordings of any of the works being studied here, and that two of the works, Meditation on Zeami and Floating World, have never been commercially recorded. Without an aural precedent and guide to follow, analyses of these musics will be a welcome resource for the conductor preparing a performance.
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Books on the topic "The Floating World"

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Gralla, Cynthia. The floating world. New York: Ballantine Books, 2003.

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The floating world. New York, N.Y: Viking, 1989.

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The floating world. New York: Ballantine Books, 2003.

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Kadohata, Cynthia. The floating world. New York: Ballantine Books, 1991.

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Lynn, Jacobsen-Katsumoto, Portland Art Museum (Or.), and Cleveland Museum of Art, eds. The Floating World revisited. Portland, Or: Portland Art Museum, 1993.

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Ebbesmeyer, Curtis C. Flotsametrics and the Floating World. New York: HarperCollins, 2009.

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Bantock, Gavin. Floating world: A Japanese collection. Bradford: Redbeck Press, 2002.

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Ishiguro, Kazuo. An artist of the floating world. Bath, England: Chivers Press, 2001.

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Ishiguro, Kazuo. An artist of the floating world. New York: Vintage Books, 1989.

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Ishiguro, Kazuo. An artist of the floating world. New York: Putnam's, 1986.

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Book chapters on the topic "The Floating World"

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Novielli, Maria Roberta. "A New World." In Floating Worlds, 47–72. Boca Raton : Taylor & Francis, 2018.: CRC Press, 2018. http://dx.doi.org/10.1201/b22500-3.

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Renwick, Neil. "Floating in Hyper-Reality: The Global Republic Imagined." In America's World Identity, 201–28. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230597945_6.

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Maack, Annegret. "Ishiguro, Kazuo: An Artist of the Floating World." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8805-1.

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Burnham, Peter. "Emergency Action and the Route to Floating Rate Convertibility." In Remaking the Postwar World Economy, 20–40. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230375239_2.

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Ahmad, J. "Inflationary Expectations and Price Interdependence under Floating Exchange Rates." In Structural Change, Economic Interdependence and World Development, 395–404. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-09117-1_25.

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Ueda, S. "Mooring Systems of the World Largest Floating Oil Storage Base." In Advances in Berthing and Mooring of Ships and Offshore Structures, 461–73. Dordrecht: Springer Netherlands, 1988. http://dx.doi.org/10.1007/978-94-009-1407-0_32.

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Abbasi, Rosa, Jonas Schiffl, Eva Darulova, Mattias Ulbrich, and Wolfgang Ahrendt. "Deductive Verification of Floating-Point Java Programs in KeY." In Tools and Algorithms for the Construction and Analysis of Systems, 242–61. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72013-1_13.

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AbstractDeductive verification has been successful in verifying interesting properties of real-world programs. One notable gap is the limited support for floating-point reasoning. This is unfortunate, as floating-point arithmetic is particularly unintuitive to reason about due to rounding as well as the presence of the special values infinity and ‘Not a Number’ (NaN). In this paper, we present the first floating-point support in a deductive verification tool for the Java programming language. Our support in the KeY verifier handles arithmetic via floating-point decision procedures inside SMT solvers and transcendental functions via axiomatization. We evaluate this integration on new benchmarks, and show that this approach is powerful enough to prove the absence of floating-point special values—often a prerequisite for further reasoning about numerical computations—as well as certain functional properties for realistic benchmarks.
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Papageorgiou, Christos. "Floating Solar Chimney Technology: A Solar Proposal for China." In Proceedings of ISES World Congress 2007 (Vol. I – Vol. V), 172–76. Berlin, Heidelberg: Springer Berlin Heidelberg, 2008. http://dx.doi.org/10.1007/978-3-540-75997-3_26.

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Purton, Valerie. "The Reader in a Floating World: The Novels of Kazuo Ishiguro." In The Literature of Place, 170–79. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-11505-1_12.

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Beedham, Matthew. "A Troubled Artist’s Art: An Artist of the Floating World (1987)." In The Novels of Kazuo Ishiguro, 25–42. London: Macmillan Education UK, 2010. http://dx.doi.org/10.1007/978-1-137-08062-2_3.

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Conference papers on the topic "The Floating World"

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Cerro, C. "Floating architecture in the developing world." In SUSTAINABLE CITY 2016. Southampton UK: WIT Press, 2016. http://dx.doi.org/10.2495/sc160551.

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Heger, R. E. "World's First Convertible Floating Dry Dock." In Offshore Technology Conference. Offshore Technology Conference, 1988. http://dx.doi.org/10.4043/5823-ms.

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Di´az, S. E., and R. Castro. "Non-Linear Description of Floating Ring Bearings Rotordynamics." In World Tribology Congress III. ASMEDC, 2005. http://dx.doi.org/10.1115/wtc2005-63799.

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Floating ring bearings are commonly used in automotive turbochargers for their low manufacturing costs. However, the strong non-linearity of this configuration prevents the use of traditional rotordynamic techniques to describe their behaivior, thus relegating its design process to a costly trial and error process. A numerical characterization of this non-linearity is hereby presented for a flexible rotor supported on two FRBs. Non-linear techniques such as Poincare´ and Bifurcation maps, along with traditional rotordynamic techniques, show ranges of periodic, quasiperiodic, and chaotic motion, being the most stable ones related to high unbalance and/or low speeds, though in some cases the periodicity of the motion is reestablished at higher speeds. In all cases chaos is reached through a period doubling route. Shaft flexibility is shown to retard the occurrence of chaos, while excitation of conical motion seems to favor it.
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HUANG, WEI, LUNWU TAN, MAGGIE CREED, WENGANG DUAN, and MINGHAI HUANG. "PILOT STUDY ON FLOW STRUCTURE AROUND FLOATING DIKES." In 38th IAHR World Congress. The International Association for Hydro-Environment Engineering and Research (IAHR), 2019. http://dx.doi.org/10.3850/38wc092019-0167.

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KJÆRÅS, HALVOR, LEIF LIA, NILS REIDAR OLSEN, and KNUT ALFREDSEN. "DESIGN OF FLOATING FISH GUIDANCE SYSTEMS USING CFD MODELLING." In 38th IAHR World Congress. The International Association for Hydro-Environment Engineering and Research (IAHR), 2019. http://dx.doi.org/10.3850/38wc092019-0747.

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KLAR, ROBERT, MATTHIAS TONNEL, BERND STEIDL, and MARKUS AUFLEGER. "BEQS - Marine Pumped-Storage Concepts for Floating City Extensions." In 38th IAHR World Congress. The International Association for Hydro-Environment Engineering and Research (IAHR), 2019. http://dx.doi.org/10.3850/38wc092019-1823.

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Shi, Fanghui, and Dingfeng Deng. "An Analysis for Floating Bearings in a Turbocharger." In SAE 2011 World Congress & Exhibition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2011. http://dx.doi.org/10.4271/2011-01-0375.

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Kondo, Takashi, and Hisayuki Ohbayashi. "Study of Piston Pin Noise of Semi-Floating System." In SAE 2012 World Congress & Exhibition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2012. http://dx.doi.org/10.4271/2012-01-0889.

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Stanica, Razvan, Marco Fiore, and Francesco Malandrino. "Offloading Floating Car Data." In 2013 IEEE 14th International Symposium on "A World of Wireless, Mobile and Multimedia Networks" (WoWMoM). IEEE, 2013. http://dx.doi.org/10.1109/wowmom.2013.6583391.

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Borne, K., and E. Fassman. "Floating Vegetated Island Retrofit to Treat Stormwater Runoff." In World Environmental and Water Resources Congress 2011. Reston, VA: American Society of Civil Engineers, 2011. http://dx.doi.org/10.1061/41173(414)78.

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Reports on the topic "The Floating World"

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Saillant, Eric, Jason Lemus, and James Franks. Culture of Lobotes surinamensis (Tripletail). Mississippi Department of Marine Resources, January 2014. http://dx.doi.org/10.18785/ose.001.

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The Tripletail, Lobotes surinamensis, is a pelagic fish found in tropical and sub-tropical waters of all oceans. Tripletails are often associated with floating debris and make frequent incursions in bays and estuaries where they are targeted by recreational fishermen. In Mississippi waters the species is typically present during the late spring and summer season that also correspond to the period of sexual maturation and spawning (Brown-Peterson and Franks 2001). Tripletail is appreciated as a gamefish but is also prized for its flesh of superior quality. The fast growth rate of juveniles in captivity documented by Franks et al. (2001) and the excellent quality of Tripletail flesh both contribute to the potential of this species for marine aquaculture. In addition, the production of cultured juveniles would be precious to develop a better understanding of the biology, early life history and habitat use of Tripletail larvae and juveniles, a topic largely undocumented to date, through experimental releases and controlled studies. The culture of tripletail thus supports the Tidelands Trust Fund Program through improved conservation of natural resources, potential enhancement of fisheries productivity and potential development of a new economic activity on the Gulf coast producing tripletail via aquaculture. The Objective of this project was to initiate development of methods and techniques needed to spawn captive held tripletail broodfish and raise their offspring to evaluate their growth and development in captivity. In this report we will present the results of studies aiming to develop methods and protocols for captive spawning of tripletail and the first data obtained on the early development of tripletail larvae. A major issue that was encountered with tripletail broodstock development during the project lied in the difficulties associated with identifying the sex of adults caught in the wild and candidates for being incorporated in mating sets for spawning. This issue was addressed during the course of the project by examining the potential of a non-lethal method of hormonal sexing. The results of these preliminary investigations are presented in the third part of this report. All protocols used in the project were determined with the guidance of the Institutional Animal Care and Use Committee (IACUC) of the University of Southern Mississippi (USM IACUC protocol number 10100108).
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