Relevant bibliographies by topics / Thai mandolin

Academic literature on the topic 'Thai mandolin'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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Journal articles on the topic "Thai mandolin"

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Bashmakova, N. V., and K. V. Kravchenko. "CAPRICCIOʼS GENRE IN MANDOLIN MUSIC AT THE END OF THE 19th – THE EARLY OF THE 20th CENTURIES (for example of the concert pieces by С. Munier)." Музикознавча думка Дніпропетровщини, no. 14 (January 21, 2019): 60–71. http://dx.doi.org/10.15421/221822.

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The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.
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Lepore, J., and L. Mydlarski. "Finite-Péclet-number effects on the scaling exponents of high-order passive scalar structure functions." Journal of Fluid Mechanics 713 (October 26, 2012): 453–81. http://dx.doi.org/10.1017/jfm.2012.469.

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AbstractThe effect of scalar-field (temperature) boundary conditions on the inertial-convective-range scaling exponents of the high-order passive scalar structure functions is studied in the turbulent, heated wake downstream of a circular cylinder. The temperature field is generated two ways: using (i) a heating element embedded within the cylinder that generates the hydrodynamic wake (thus creating a heated cylinder) and (ii) a mandoline (an array of fine, heated wires) installed downstream of the cylinder. The hydrodynamic field is independent of the scalar-field boundary conditions/injection methods, and the same in both flows. Using the two heat injection mechanisms outlined above, the inertial-convective-range scaling exponents of the high-order passive scalar structure functions were measured. It is observed that the different scalar-field boundary conditions yield significantly different scaling exponents (with the magnitude of the difference increasing with structure function order). Moreover, the exponents obtained from the mandoline experiment are smaller than the analogous exponents from the heated cylinder experiment (both of which exhibit a significant departure from the Kolmogorov prediction). Since the observed deviation from the Kolmogorov $n/ 3$ prediction arises due to the effects of internal intermittency, the typical interpretation of this result would be that the scalar field downstream of the mandoline is more internally intermittent than that generated by the heated cylinder. However, additional measures of internal intermittency (namely the inertial-convective-range scaling exponents of the mixed, sixth-order, velocity–temperature structure functions and the non-centred autocorrelations of the dissipation rate of scalar variance) suggest that both scalar fields possess similar levels of internal intermittency – a distinctly different conclusion. Examination of the normalized high-order moments reveals that the smaller scaling exponents (of the high-order passive scalar structure functions) obtained for the mandoline experiment arise due to the smaller thermal integral length scale of the flow (i.e. the narrower inertial-convective subrange) and are not solely the result of a more intermittent scalar field. The difference in the passive scalar structure function scaling exponents can therefore be interpreted as an artifact of the different, finite Péclet numbers of the flows under consideration – an effect that is notably less prominent in the other measures of internal intermittency.
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Duarte Ferreira, Diana. "Recitações: Bandolim de Adília Lopes." Journal of Lusophone Studies 5, no. 2 (December 19, 2020): 75–92. http://dx.doi.org/10.21471/jls.v5i2.359.

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Borrowing the notion of “projet d’ensemble” from Roland Barthes’s Critique et verité, this essay proposes a critical analysis of Adília Lopes’s Bandolim (2016). Two of the procedures that configure the book’s interior are outlined on the cover: text as sound and text as image. The metaphor of the mandolin and its performative demands relates to Eliot’s ideas about tradition and individuality and describes Lopes’s approach to poetry. Through a close reading of poems in the collection, I argue that Bandolim performs on the infinity of unity while representing the unity of infinity.
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Karim, Abdul. "Endemic Rice Pulu' Mandoti Supports the Economy and Food Security at Salukanan Community During Covid-19 Global Pandemic Crisis." Volume 5 - 2020, Issue 9 - September 5, no. 9 (October 1, 2020): 793–96. http://dx.doi.org/10.38124/ijisrt20sep485.

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alukanan Village is one of the villages in the Enrekang Regency, precisely in the Baraka District. The area of Salukanan Village has an area of ± 1716 KM4 and is inhabited by 1,232 people. Its population depends on the agricultural sector. A well-known agricultural product from Salukanan Village is Pulu' Mandoti (glutinous rice). Various studies have been conducted by several researchers and the conclusion is that Pulu 'Mandoti can only grow with a distinctive aroma in the rice fields of Salukanan Village. Currently, Pulu' Mandoti glutinous rice is the most expensive rice in Indonesia because the price reaches IDR. 55,000 kilograms.
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Latif, Jumarni, Nurbaya Busthanul, and A. Amrullah. "MOTIVASI PETANI DALAM BUDIDAYA PADI PULU MANDOTI." Jurnal Sosial Ekonomi Pertanian 16, no. 1 (May 29, 2020): 49. http://dx.doi.org/10.20956/jsep.v16i1.8353.

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Farmer motivation is defined as a condition that drives a person to carry out an action in order to achieve his goals. Pulu Mandoti is one of the rarest types of fragrant glutinous rice. Pulu Mandoti can only grow in mountainous areas with an altitude of 700 meters above sea level. One of the villages that meets these criteria is Salukanan Village, Baraka sub-District, Enrekang District. This study aims to describe the system of Mandoti Pulu rice cultivation and to determine the motivation of farmers in the cultivation of Mandoti Pulu rice. This research was conducted in Salukanan Village, Baraka Subdistrict, Enrekang District in July 2019 using a descriptive qualitative method, by collecting information through interviews and questionnaires, then the information was processed using a Likert scale, and analyzed descriptively qualitatively. In conclusion, the cultivation conditions of the mandoti rice plant varieties used are local seeds, the process of land management is done by spraying herbicides, planting by way of transplanting with planting spacing, ie spacing of 25x25 cm tiles, fertilizing is done on average 5 times in one run planting season, i.e. before planting, 7 days after planting, 3rd week, 6th week, and 12th week, irrigation using water coming from the mountains using semi-technical irrigation, controlling pests and diseases by spraying appropriate pesticides such as supremo, regent, dangke and rat poison, harvest after rice aged 6-7 months ie in September to November is carried out using a technology that is still simple, ani-ani, post-harvest activities carried out namely drying and threshing. While the motivation of farmers in the cultivation of Pulu Mandoti rice from the aspect of the economic environment is at a moderate level, aspects of the social environment are at a high level, and aspects of the natural environment are at a high level.
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Irmayani, Dr Irmayani, Omar Khayam Khayam, and Amaluddin Amaluddin. "Agribusiness Development of Flavor Rice “Mandoti” in Enrekang Districts." Agrikan: Jurnal Agribisnis Perikanan 13, no. 2 (December 3, 2020): 238. http://dx.doi.org/10.29239/j.agrikan.13.2.238-247.

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Enrekang Regency is one of the areas in South Sulawesi with a topography of producing vegetable commodities, but apart from that this area also produces superior commodities that are only produced in Salukanan Village, Baraka District, namely local rice flavored rice known as "Pulu Mandoti". This study aims to analyze external factors (strengths and weaknesses) and internal factors (opportunities and threats) to formulate a development strategy for agribusiness development of "Pulu Mandoti" flavored rice. This research was carried out in Enrekang Regency, by determining several respondents who involved the head of the agriculture department, epala Bappeda, the head of Gapoktan. The analysis used is process hierarchical analysis, which shows that the strategy to develop flavored rice known as "Pulu Mandoti" starts from technical aspects, policy aspects and economic aspects.
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Hooks, Triston, Ling Sun, Yun Kong, Joseph Masabni, and Genhua Niu. "Effect of Nutrient Solution Cooling in Summer and Heating in Winter on the Performance of Baby Leafy Vegetables in Deep-Water Hydroponic Systems." Horticulturae 8, no. 8 (August 18, 2022): 749. http://dx.doi.org/10.3390/horticulturae8080749.

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Hydroponics has become a popular production technology for leafy greens in greenhouses. However, year-round production of cool-season leafy greens remains challenging due to costly heating and cooling during winter and summer seasons, depending on location. Therefore, the objective of this study is to investigate the effect of nutrient solution cooling and heating in deep-water hydroponic systems on the performance of several leafy green vegetables. Two experiments of nutrient solution cooling during the summer season and another two experiments of nutrient solution heating during the winter season were conducted in Texas, USA in 2020–2021. Lettuce (Lactuca sativa L.) ‘Bergams Green’ and ‘Red Mist’, Pak Choi (Brassica rapa subsp. chinensis) ‘Purple Magic’ and ‘White Stem’, and spinach (Spinacia oleracea L.) ‘Mandolin’ and ‘Seaside’ were grown in the summer experiments, and only the two lettuce cultivars were grown for the winter experiments. For both cooling and heating studies, six deep-water culture systems were used with two treatments: cooling (23 °C) vs. no cooling, and heating (22 °C) vs. no heating, with three replications in each experiment. In the nutrient solution cooling study, spinach was the most heat-sensitive species, and ‘Mandolin’ was more heat-tolerant than ‘Seaside,’ as evidenced by its lower mortality rate in both experiments. Lettuce and pak choi grew well and solution cooling increased shoot fresh weight in both lettuce cultivars and in ‘White Stem’ pak choi but not in ‘Purple Magic’ pak choi. Conversely, during the winter season, solution heating increased shoot fresh weight of both lettuce cultivars; however, ‘Red Mist’ was more responsive than ‘Bergams Green’ lettuce. These results indicate the potential to increase crop yield by controlling nutrient solution temperature throughout the year, depending on the season. Also, there were genotypic differences in both cooling and heating experiments, indicating that more research is needed to determine the species-dependent and even cultivar-dependent nutrient solution temperature control strategies to achieve optimum year-round production.
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Pednekar, Suraksha M., S. G. Prabhu Matondkar, and Vijaya Kerkar. "Spatiotemporal Distribution of Harmful Algal Flora in the Tropical Estuarine Complex of Goa, India." Scientific World Journal 2012 (2012): 1–11. http://dx.doi.org/10.1100/2012/596276.

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Mandovi and Zuari estuarine complex is monsoon-influenced estuaries located along the central west coast of India. During the past few years, there has been an increase in nutrient loading specially during monsoonal runoff which is responsible for the growth of harmful algal flora. To understand occurrence and distribution of harmful algal blooms species, daily/alternate day samplings were carried out in Mandovi and Zuari estuaries during 2007-2008 and 2008-2009 periods, respectively, comprising of monsoon (June–November) and nonmonsoon (December–May). In Mandovi, total 54 HAB species with 49 in monsoon and 36 during nonmonsoon period were reported. In Zuari, total 46 HAB species with 38 in monsoon and 41 were reported during nonmonsoon period. Bray-Curtis cluster analysis based on log-transformed phytoplankton density detected seven well-defined groups revealing spatiotemporal variability. The density of the dominant harmful algal species was significantly positively correlated with nutrients, but negatively correlated with salinity. The results of the study indicate that monsoon plays an important role in occurrence and distribution of harmful algal species having direct correlation with salinity variations and nutrient loading.
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Koch, Christoph T., Wilfried Sigle, Rainer Höschen, Manfred Rühle, Erik Essers, Gerd Benner, and Marko Matijevic. "SESAM: Exploring the Frontiers of Electron Microscopy." Microscopy and Microanalysis 12, no. 6 (October 11, 2006): 506–14. http://dx.doi.org/10.1017/s1431927606060624.

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We report on the sub-electron-volt-sub-angstrom microscope (SESAM), a high-resolution 200-kV FEG-TEM equipped with a monochromator and an in-column MANDOLINE filter. We report on recent results obtained with this instrument, demonstrating its performance (e.g., 87-meV energy resolution at 10-s exposure time, or a transmissivity of the energy filter of T1 eV = 11,000 nm2). New opportunities to do unique experiments that may advance the frontiers of microscopy in areas such as energy-filtered TEM, spectroscopy, energy-filtered electron diffraction and spectroscopic profiling are also discussed.
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Sreekanth, G. B., P. Rivonkar, T. S. Mayekar, A. Giriyan, F. D'souza, S. Dourado, B. Ingole, and E. B. Chakurkar. "Inventory of fishery resources using participatory research approach in Mandovi Estuary in Central western coast of India." Journal of Environmental Biology 42, no. 5 (September 27, 2021): 1257–63. http://dx.doi.org/10.22438/jeb/42/5/mrn-1646.

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Aim: The fisheries resources of Mandovi Estuary, along the central west coast of India were analysed for taxonomic, functional, feeding and population aspects and also to record and prepare an inventory on fish and shellfish species. Methodology: Finfish and shellfish taxa were monitored for four years (2016 to 2020) through surveys in small and regional markets, fishermen surveys, fishing gear samplings, telephonic interviews and photographs. Results: A total of 318 taxa are counted comprising of 169 (53.1%) demersal, 71 (22.3%) pelagic fish, 37 (11.6%), molluscan and 41 (12.9%) crustacean species. The community was dominated by marine immigrants and the freshwater types contributed least to the composition. In the inventory, majority of the resources were of commercial value and this category contributed 70% of total documented species. Even though detailed analyses were required, nearly 2% of the fauna appeared to be endemic to the region. Further, more than 30% species listed were data deficient. Out of 318 species, 10% were unknown in the Mandovi estuary. Interpretation: This data set comprehensively documents the finfish and shellfish diversity of Mandovi estuary from 2016 to 2020. The type of fish assemblage is briefly discussed focusing on the management of these resources in the estuary.
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Dissertations / Theses on the topic "Thai mandolin"

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Farstad, Per Kjetil. "German galant lute music in the 18th century : a study of the period, the style, central lutenists, ornaments, idiomatic, and problems that arise when adapting lute music from this period to the modern eight-stringed classical guitar /." Göteborg : University, 2000. http://catalogue.bnf.fr/ark:/12148/cb37121471s.

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Akademisk avhandling--Philosophie--Göteborg, 2000.
Notices biogr. sur les luthistes et les compositeurs pour luth en Allemagne au 18e siècle p. 297-360. Liste des oeuvres pour luth composées en Allemagne au 18e siècle avec localisations p. 385-474. Bibliogr. p. 484-513.
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Books on the topic "Thai mandolin"

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Kaufman, Steve. Bluegrass Mandolin Solos That Every Parking Lot Picker Should Know. Homespun, 2001.

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Kaufman, Steve. Bluegrass Mandolin Solos That Every Parking Lot Picker Should Know 2. Homespun, 2006.

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Applebaum, Bob, and Fred Sokolow. Fretboard Roadmaps - Mandolin: The Essential Patterns That All the Pros Know and Use. Hal Leonard Corporation, 2002.

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Book chapters on the topic "Thai mandolin"

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Bolick, Harry, Tony Russell, T. DeWayne Moore, Joyce A. Cauthen, David Evans, Harry Bolick, Tony Russell, T. DeWayne Moore, Joyce A. Cauthen, and David Evans. "Jerry Prescott." In Fiddle Tunes from Mississippi, 512–23. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496835796.003.0038.

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Jerry Prescott (6/17/1931–3/25/2017) expertly played mandolin and guitar, and composed a lovely handful of tunes. Although he described himself as a bluegrass musician, his playing harkened back to old time music, in that he favored an elegant melody over improvisation. His repertoire was split between bluegrass and old-time tunes.
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Menconi, David. "Y’alternative." In Step It Up and Go, 200–215. University of North Carolina Press, 2020. http://dx.doi.org/10.5149/northcarolina/9781469659350.003.0013.

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In the shadow of alternative rock, another generation went back to country music with a punk edge. In the 1990s it was called alternative country, and North Carolina had the highest and best concentration of such bands in America -- from old-timers like Red Clay Ramblers and Southern Culture on the Skids to newcomers like Backsliders and 6 String Drag. That has persisted into the present-day Americana age with bands including Hiss Golden Messenger, American Aquarium and Mandolin Orange.
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Bolick, Harry, Tony Russell, T. DeWayne Moore, Joyce A. Cauthen, and David Evans. "The Newton County Hill Billies/Alvis Massengale." In Fiddle Tunes from Mississippi, 477–85. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496835796.003.0034.

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The Newton County Hill Billies recorded six tunes for Okeh Records in Jackson, Mississippi, on December 16, 1930. Alvis Massengale (08/05/1897–10/13/1993) played fiddle, Marcus Harrison mandolin, and Andrew Harrison guitar. Massengale started playing the fiddle around the age of ten, learning from his father and grandfather, who were both fiddlers, and by listening to the radio and records. He claimed that at one point his repertoire reached one hundred and fifty tunes, seventy-five of which he still remembered in 1980 at the age of eighty-three. He was a highly skilled fiddler playing carefully phrased and ornamented tunes.
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Jakubczyk-ŚlĘczka, Sylwia. "Jewish Music Organizations in Interwar Galicia." In Polin: Studies in Polish Jewry Volume 32, 343–70. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781906764739.003.0019.

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This chapter provides a comprehensive account of Jewish musical organizations in interwar Galicia. It investigates the various types of Jewish musical organizations and how they implemented their cultural policies. It also shows the wealth and variety of the musical life of the Jewish communities from the four south-eastern provinces of the Second Polish Republic: Lwów, Kraków, Stanisławów, and Tarnopol. The chapter looks into the goal of the Jewish Music Society in Lwów in order to unite the local Jewish musical community and represent the Jewish community in the city's musical life. It analyzes different musical interests and visions of society's cultural role that explain the different activities of symphony orchestra, choir, mandolin orchestra, and chamber orchestra.
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Bolick, Harry, Tony Russell, T. DeWayne Moore, Joyce A. Cauthen, David Evans, Harry Bolick, Tony Russell, T. DeWayne Moore, Joyce A. Cauthen, and David Evans. "Grover Clater O’Briant." In Fiddle Tunes from Mississippi, 486–99. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496835796.003.0035.

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Grover O’Briant (11/16/1912–05/07/1995) played fiddle, guitar, banjo, harmonica, piano, and mandolin, and sang very well. Although he never recorded commercially, family recordings show that he was quite accomplished on guitar and fiddle. He acquired a reel-to-reel recorder in the 1960s and his son Jerry kept the recordings. O’Briant remembered attending the Kosciusko fiddle contest in 1920, as a child of nine or ten. He somewhat unsuccessfully tried to revive it in the 1970s and then succeeded in getting it going again in 1984. He emceed and played in the contest. The Grand Champion Trophy for the Natchez Trace Festival was named for him. Homer Grice was a friend and lived nearby. From the 1940s through the 1970s Grover and Homer visited and played often. Grice also competed in Kosciusko contests and was quite intent on winning.
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Milward, John. "The “Birth” of Americana." In Americanaland, 210–27. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043918.003.0016.

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This chapter looks at Alison Krauss, who began playing classical violin at the age of five years and turned to bluegrass after winning her first fiddle contest aged eight. Krauss won her first Grammy Award for the title song of her 1990 album I've Got That Old Feeling. By 2019, she had won twenty-seven Grammys, fourteen of them with Union Station. Krauss's success was an anomaly in the relatively cloistered world of bluegrass, where the big time meant a contract with an independent label such as Rounder or Sugar Hill and gigs at the Telluride Bluegrass Festival and Merlefest, an annual roots music event in North Carolina. Festival attendees often bring their own instruments for campground jam sessions, while the pros network backstage. That was how Krauss became acquainted with Nickel Creek, a young bluegrass trio consisting of Chris Thile (mandolin) and siblings Sara Watkins (fiddle) and Sean Watkins (guitar). Krauss produced the trio's self-titled 2000 album, an influential success that, though grounded in bluegrass, also incorporated elements of jazz, classical, folk, and rock. Americana lived in this music, and the young players would become stars of the new genre.
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