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Journal articles on the topic 'Textile conservation'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Finch, Karen. "How It All Began: A Life in Textile Conservation." Costume 45, no. 1 (March 1, 2011): 101–10. http://dx.doi.org/10.1179/174963011x12978768537690.

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In this paper Karen Finch describes her early life in Denmark and how she became interested in textile conservation. Her career as a textile conservator and teacher culminated in the foundation of the Textile Conservation Centre at Hampton Court Palace in 1975.

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2

Rose, Peter. "The Textile Conservation Centre." Museum International 45, no. 3 (September 1993): 38–43. http://dx.doi.org/10.1111/j.1468-0033.1993.tb01121.x.

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3

Sehoebel, Ana. "Textile conservation in Spain." Studies in Conservation 37, no. 1 (January 1992): 145–47. http://dx.doi.org/10.1179/sic.1992.37.1.145.

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Sehoebel, Ana. "TEXTILE CONSERVATION IN SPAIN." Studies in Conservation 37, sup1 (September 1992): 145–47. http://dx.doi.org/10.1179/sic.1992.37.s1.031.

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5

Kolovi, S., E. Tsompopoulou, K. Mergia, and I. E. Stamatelatos. "Assessing chelators’ efficiency in removing iron stains from textiles using X-ray fluorescence: Preliminary results." HNPS Proceedings 24 (April 1, 2019): 231. http://dx.doi.org/10.12681/hnps.1871.

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The removal of iron corrosion products is considered necessary in textile conservation and it is usually undertaken by the application of chelating agents. The efficacy of the various chelating agents is not always known and therefore, non-destructive analytical methods are often used to assess their performance. In the present work, Energy Dispersive X-ray fluorescence (EDXRF) spectroscopy was used to determine iron in textile samples before and after cleaning. It was shown that EDXRF provides a simple, rapid, non-destructive technique to determine the efficiency of iron removal after conservation treatment in textiles.

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6

Eastop, Dinah. "Material culture in action: conserving garments deliberately concealed within buildings." Anais do Museu Paulista: História e Cultura Material 15, no. 1 (June 2007): 187–204. http://dx.doi.org/10.1590/s0101-47142007000100004.

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The study of material culture encompasses the material and the symbolic properties of things. Approaches based on an understanding of material culture can help with the conservation of textiles because they encourage considerations regarding changes in their properties, both material and symbolic, over time. Examples of textile conservation illustrate material culture in action to the extent that they analyze the challenges posed by garments deliberately concealed within buildings to conservation. The significance attributed to such textiles varies: some are valued as rare samples of clothing; others are appreciated for their protective function; while others are viewed as rubbish. The conservation strategies are indicated by the significance attributed to these textiles.

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7

Bede, Deborah, Timar-Balazsy Agnes, and Dinah Eastop. "International Perspectives on Textile Conservation." Journal of the American Institute for Conservation 40, no. 1 (2001): 69. http://dx.doi.org/10.2307/3180014.

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8

Ballard, Mary, Ágnes Tímár-Balázsy, Dinah Eastop, and Agnes Timar-Balazsy. "Chemical Principles of Textile Conservation." Studies in Conservation 45, no. 3 (2000): 215. http://dx.doi.org/10.2307/1506769.

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9

ABDEL-KAREEM, OMAR. "Evaluating the Combined Efficacy of Polymers with Fungicides for Protection of Museum Textiles against Fungal Deterioration in Egypt." Polish Journal of Microbiology 59, no. 4 (2010): 271–80. http://dx.doi.org/10.33073/pjm-2010-041.

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Fungal deterioration is one of the highest risk factors for damage of historical textile objects in Egypt. This paper represents both a study case about the fungal microflora deteriorating historical textiles in the Egyptian Museum and the Coptic museum in Cairo, and evaluation of the efficacy of several combinations of polymers with fungicides for the reinforcement of textiles and their prevention against fungal deterioration. Both cotton swab technique and biodeteriorated textile part technique were used for isolation of fungi from historical textile objects. The plate method with the manual key was used for identification of fungi. The results show that the most dominant fungi isolated from the tested textile samples belong to Alternaria, Aspergillus, Chaetomium, Penicillium and Trichoderma species. Microbiological testing was used for evaluating the usefulness of the suggested conservation materials (polymers combined with fungicides) in prevention of the fungal deterioration of ancient Egyptian textiles. Textile samples were treated with 4 selected polymers combined with two selected fungicides. Untreated and treated textile samples were deteriorated by 3 selected active fungal strains isolated from ancient Egyptian textiles. This study reports that most of the tested polymers combined with the tested fungicides prevented the fungal deterioration of textiles. Treatment of ancient textiles by suggested polymers combined with the suggested fungicides not only reinforces these textiles, but also prevents fungal deterioration and increases the durability of these textiles. The tested polymers without fungicides reduce the fungal deterioration of textiles but do not prevent it completely.

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10

Eastop, D. "Conservation II the role of the Textile Conservation Centre in preserving our textile heritage." Museum Management and Curatorship 8, no. 2 (June 1989): 245–49. http://dx.doi.org/10.1016/0260-4779(89)90026-5.

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11

Enríquez Salas, Porfirio. "La alpaca suri, de la extinción a la conservación de la biodiversidad de colores y la importancia de la bioartesanía textil en el distrito de Nuñoa (Melgar-Puno)." Revista Investigaciones Altoandinas - Journal of High Andean Investigation 17, no. 3 (December 30, 2015): 291. http://dx.doi.org/10.18271/ria.2015.140.

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<p>Se reflexiona la importancia de la crianza de alpacas en la región Puno, incidiendo en el proceso de extinción de las alpacas suri de color y las acciones llevadas a cabo para la recuperación de la citada raza en el distrito de Nuñoa (Melgar-Puno), mediante la implementación del proyecto “Evaluación, recuperación y conservación del germoplasma de la alpaca raza suri de color”, con el propósito de salvar de la extinción a las alpacas suri de color, por iniciativa de los criadores de alpacas del citado distrito. Se precisa que los resultados más importantes de este proyecto, se reflejan: a) en el establecimiento de centros familiares de repoblamiento y la generación de una estrategia sustentada en el criador de alpacas-artesano textil, destinada al aprovechamiento sostenible de las alpacas suri de color y su fibra; b) el incremento de capacidades textiles de las mujeres artesanas y criadoras de alpacas suri, para la transformación la fibra mediante el hilado y tejido a mano; y c) la propuesta de la bioartesanía textil por las mujeres criadoras organizadas en la Asociación de Artesanía suri Paqucha, como un nuevo enfoque sobre el proceso de elaboración de la artesanía textil en Puno, la misma que se basa en el biocomercio, que promueve la rentabilidad económica sustentada en procesos de conservación y uso sostenible de la biodiversidad con bajos impactos ambientales.</p><p> </p><p align="center"><strong>The suri alpaca from extinction biodiversity conservation colors and the importance of bio textile crafts in the district of Nuñoa (Melgar-Puno)</strong></p><p><strong><br /></strong></p><p><strong>ABSTRACT</strong></p><p>The importance of raising alpacas in the Puno region reflects, focusing on the process of extinction of suri alpacas color and the action taken for recovery of that race in the Nunoa district (Melgar-Puno) by implementing the project "Evaluation, restoration and conservation of germplasm of race color suri alpaca", with the purpose of saving from extinction the color suri alpacas initiative of alpaca farmers of that district. It states that the most important results of this project are reflected: a) in the establishment of family centers repopulation and generating a sustained by the breeder of alpacas-artisan textiles, aimed at sustainable use of suri alpacas color strategy and fiber; b) increasing capacities textile craftswomen and brooders Suri alpacas, for processing fiber spinning and weaving by hand; c) the proposed textile bio textile crafts brooders women organized by the Association of Craft Paqucha suri as a new approach to the process of development of the textile craft in Puno, the same that is based on the bio, which promotes profitability economic processes supported by conservation and sustainable use of biodiversity with low environmental impacts.</p><p> </p>

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12

Attia, Nour, Harby Ahmed, Dina Yehia, Mohamed Hassan, and Yassin Zaddin. "Novel synthesis of nanoparticles-based back coating flame-retardant materials for historic textile fabrics conservation." Journal of Industrial Textiles 46, no. 6 (July 28, 2016): 1379–92. http://dx.doi.org/10.1177/1528083715619957.

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Novel flame-retardant back coating layer for historic textile fabrics was developed. Silica nanoparticles originated from agriculture waste rice husk were prepared through one pot thermal method. The morphological and structure properties of nanoparticles were studied. The silica nanoparticles were further impregnated with organic borate producing flame-retardant composite. The obtained composite incorporated with the binder by mechanical mixing providing flame-retardant coating paste. The coating paste spread on the back surface of textile fabrics. Varied compositions of nanoparticles, binder and organic borate were studied in the back coating layer. The flammability, thermal stability and mechanical properties of the blank and treated samples of linen fabrics as an inner support to the historical textiles were investigated. Flame retardancy of the back-coated linen samples has improved achieved high class of flame-retardant textile fabrics of zero rate of burning compared to 80.3 mm/min for blank. The synergistic effect of flame retardancy between nanoparticles and organic borate was investigated. The tensile strength of the flame retardant fabrics was enhanced by 27% and elongation was improved. The effect of industrial aging on the flame retardancy and mechanical properties of flame-retardant back coating textiles was studied.

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13

Djordjevic, Dragan, Miodrag Smelcerovic, Snezana Urosevic, and Suzana Djordjevic. "Textile protection through conservation and restoration." Zastita materijala 58, no. 1 (2017): 94–99. http://dx.doi.org/10.5937/zasmat1701094d.

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14

Moncrieff, Patricia. "THE TEXTILE CONSERVATION AND RESTORATION WORKSHOP." AICCM Bulletin 12, no. 1-2 (January 1986): 89–96. http://dx.doi.org/10.1179/bac.1986.12.1-2.009.

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15

Drábková, Klára, Jan Krejčí, Markéta Škrdlantová, Michal Ďurovič, and Bronislava Bacílková. "Influence of Disinfectants on Natural Textile Fibres." Restaurator. International Journal for the Preservation of Library and Archival Material 42, no. 2 (May 12, 2021): 67–86. http://dx.doi.org/10.1515/res-2021-0002.

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Abstract Textiles are frequently used in bookbinding or for attaching pendent seals and thus they are an integral part of archival and library items. Any part of these items can be contaminated by various microorganisms. Consequently, it is often necessary to include disinfection procedures in the initial stages of the conservation process. Primarily, the agents employed in conservation must not harm the treated material. This work was concerned with monitoring the effect of selected disinfectant agents (ethylene oxide, Septonex®, glutaraldehyde, Bacillol® AF, butanol vapours, Acticide® MV, silver nanoparticles, Chiroseptol®) on the properties and long-term stability of natural textile fibres (cotton and silk). The disinfected textiles were subjected to three kinds of artificial ageing (dry heat, moist heat, and light) and their properties were determined by means of the total colour difference, thread tensile strength and the limiting viscosity number.

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16

French, Ann. "TEXTILE OR ART? THE CONSERVATION, DISPLAY AND STORAGE OF MODERN TEXTILE ART." Studies in Conservation 49, sup2 (September 1, 2004): 34–38. http://dx.doi.org/10.1179/sic.2004.49.s2.008.

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17

Randolph, Julie, and Janvuori. "Tales in the Textile: The Conservation of Flags and Other Symbolic Textiles." Journal of the American Institute for Conservation 43, no. 3 (2004): 279. http://dx.doi.org/10.2307/4129642.

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18

Ye, C. C., Janice M. Dulieu-Barton, A. R. Chambers, F. J. Lennard, and D. D. Eastop. "Condition Monitoring of Textiles Using Optical Techniques." Key Engineering Materials 413-414 (June 2009): 447–54. http://dx.doi.org/10.4028/www.scientific.net/kem.413-414.447.

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In the paper it is proposed to use fibre Bragg grating (FBG) sensors to monitor the deformation and strain in a woven textile. Non-contact digital image correlation (DIC) is used to validate the results. The principal objective of the work in this paper is to identify a suitable adhesive for attaching the FBG sensors to tapestries and textiles. To do this, the interfacial interactions of the optical fibre, the textile material and the necessary adhesive must be considered. The performance of two types of adhesive are studied: a PVA conservation adhesive and a two-part epoxy adhesive Araldite 2015. The effect of the application of the adhesives on the mechanical response of the textile is investigated. Full-field stain maps are obtained from the DIC and are used as the basis to characterise the behaviour of the FBG sensors/adhesive system. The strain transfer coefficients and a reinforcement factor are determined under quasi-static conditions. It is shown that the local reinforcement introduced is more significant in the specimen with the FBG bonded using the Araldite adhesive than those with conservation adhesives. Nevertheless, the Araldite adhesive has a better strain transfer coefficient than the conservation adhesive, although not as high as that expect with conventional engineering materials.

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19

Chetrari, Mihaela, and Iulia Teodorescu. "Investigarea și conservarea unui fragment de textilă arheologică." Anuarul Muzeului Etnograif al Transilvaniei 31 (December 20, 2017): 261–68. http://dx.doi.org/10.47802/amet.2017.31.14.

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In the summer of 2016 during the rescue excavations made at the Cathedral of St. Mihail in Cluj-Napoca it was discovered a fragment of archaeological textiles, from the 17th century. The textile was sampled from the head area and is a piece of ribbon made of golden silver yarn and silk threads. The ribbon textures reveal a decorative motif formed by diamonds and triangles, forming a 6 mm wide repeating module. Because in the present case the degraded forms of degradation did not allow for wet cleaning, it was decided to keep it for the moment in its degraded form. Removing deposits loosely attached to the textile surface was performed by repeated aspiration using the surgical vacuum cleaner, this offering the possibility of a controlled and safe cleaning. To ensure optimal handling, storage, transport and exposure conditions, a suitable support was made for the shape and the component materials, so that the external factors interfere with the piece as little as possible.

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20

Hong, Gui-Bing, Te-Li Su, Jenq-Daw Lee, Tsung-Chi Hsu, and Hua-Wei Chen. "Energy conservation potential in Taiwanese textile industry." Energy Policy 38, no. 11 (November 2010): 7048–53. http://dx.doi.org/10.1016/j.enpol.2010.07.024.

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21

Serrano, Ana, Maria João Ferreira, Emmy C. de Groot, and António João Cruz. "Textile heritage and interdisciplinarity." Conservar Património 31 (2019): 13–15. http://dx.doi.org/10.14568/cp31fm2.

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22

Nilsson, Johanna M., and Katarina S. Blume. "The Swedish textile conservators’ transformation: From the museum curator’s assistant to a profession in its own right." Journal of Professions and Organization 8, no. 2 (July 1, 2021): 168–83. http://dx.doi.org/10.1093/jpo/joab007.

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Abstract Over recent years, in Sweden, the vocation of textile conservator has been transformed from that of being regarded simply as a museum curator's assistant to becoming a profession in its own right. The members of the textile conservators association, the Swedish Association for Textile Conservation founded in 1967, played a crucial role in this transformation with the establishment of a university-based vocational education programme in 1985. The transformation is further scrutinized by considering aspects of gender where, for example, gender bias employment strategies favoured men as painting conservators, as well as social class where demarcation of women as curators was evident. This is discussed and compared with the contemporary shift of gender distribution among the employees in the museum sector that historically was largely male dominated. Social class and the effects of a university education on occupational status are considered, and the effects that education had on elderly, experienced colleagues are another important intersectional aspect. Today’s textile conservators have reached a professional status in several aspects with university education being probably the most important contributing factor. The image of the vocation has improved from that of a seamstress who performed repairs on textiles at the direction of her superior, to an academic who, on the basis of their scientific knowledge, independently performs the many tasks included in preservation, as well as conducting research to doctorate level. Despite this, it would seem that the museum community has not yet managed to take full advantage of textile conservators’ competence as researchers.

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23

Mitran, Elena Cornelia, Irina Mariana Sandulache, Lucia Oana Secareanu, Mihaela Cristina Lite, Ovidiu George Iordache, Elena Perdum, and Gabriel Lucian Radu. "Assessing the presence of pesticides in modern and contemporary textile artifacts using advanced analysis techniques." Industria Textila 72, no. 02 (April 22, 2021): 138–43. http://dx.doi.org/10.35530/it.072.02.1828.

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The examination of contemporary textiles continuously offers amazing perspectives of the past for anyone who explores them. The ethnographic textile pieces are complex, both from the perspective of the component materials and regarding the techniques used for their manufacture. The action of conserving the cultural and artistic patrimony is firstly a matter of scientific research and then of technical execution. However, the possible health effects on the personnel, which are directly involved in the actions of sampling, conservation or restoration of the textile art objects, must always be taken into consideration. Textile objects can be contaminated with various toxic residues (e.g., pesticides). When investigating archaeological, modern and contemporary textiles it is very important to maintain the integrity of the artifacts, as they cannot be replaced, and the consumption or damage of even a small part of them for analytical purposes should be undertaken only if the data cannot be obtained differently. For determining the presence of pesticides in the samples they must be subjected to processes such as: extraction, enrichment of samples, isolation, identification, and quantification. Given the above, the most common methods of extraction and determination of pesticides present in textile artifacts were briefly discussed. Punctually, the analytical techniques used in the case of three selected pesticides (malathion, methoxychlor and permethrin) were evaluated

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24

Ngo, Vuong M., Thuy-Van T. Duong, Tat-Bao-Thien Nguyen, Phuong T. Nguyen, and Owen Conlan. "An Efficient Classification Algorithm for Traditional Textile Patterns from Different Cultures Based on Structures." Journal on Computing and Cultural Heritage 14, no. 4 (December 31, 2021): 1–22. http://dx.doi.org/10.1145/3465381.

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Textiles have an important role in many cultures and have been digitised. They are three-dimensional objects and have complex structures, especially archaeological fabric specimens and artifact textiles created manually by traditional craftsmen. In this article, we propose a novel algorithm for textile classification based on their structures. First, a hypergraph is used to represent the textile structure. Second, multisets of k -neighbourhoods are extracted from the hypergraph and converted to one feature vector for representation of each textile. Then, the k -neighbourhood vectors are classified using seven most popular supervised learning methods. Finally, we evaluate experimentally the different variants of our approach on a data set of 1,600 textile samples with the 4-fold cross-validation technique. The experimental results indicate that comparing the variants, the best classification accuracies are 0.999 with LR, 0.994 with LDA, 0.996 with KNN, 0.994 with CART, 0.998 with NB, 0.974 with SVM, and 0.999 with NNM.

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25

Manhita, Ana, Cristina Costa, Teresa Ferreira, José Mirão, Helena Vargas, Isabel Ribeiro, Isabel Seruya, Teresa Pacheco, Luís Alves, and António Candeias. "Rediscovering the materials of Arraiolos tapestries: fibre and mordant analysis by SEM-EDS and μ-PIXE." Microscopy and Microanalysis 14, S3 (September 2008): 91–94. http://dx.doi.org/10.1017/s1431927608089484.

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Arraiolos tapestries are probably one of the richest artistic Portuguese expressions in terms of textile heritage. It is difficult to date the beginning of the production of rugs in Arraiolos (Southern Portugal), but they were already produced in the late 1600's as they are listed in the inventories of Portuguese aristocratic households in the beginning of the 18th century. Sensitive detection techniques play an increasing role in the chemical investigation of historical objects since the knowledge derived from the chemical composition of materials is of upmost importance for textile conservation and restoration purposes. Textiles deteriorate due to natural causes like heat, radiation, mechanical stress, moisture, microbiological and enzymatic attack. Deterioration of materials causes breakdown of the molecular structure and results in a loss of strength, extensibility and durability, discoloration and fading which affects the appearance of the textiles.

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26

Carr, Debra, Natasha Cruthers, Catherine Smith, and Tom Myers. "Identification of selected vegetable textile fibres." Studies in Conservation 53, sup2 (June 2008): 75–87. http://dx.doi.org/10.1179/sic.2008.53.supplement-2.75.

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27

Eastaugh, Nicholas, Howard L. Needles, S. Haig Zeronian, S. Haig Zeronian, and Howard L. Needles. "Historic Textile and Paper Materials: Conservation and Characterization." Studies in Conservation 35, no. 4 (November 1990): 231. http://dx.doi.org/10.2307/1506414.

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28

LITTLE, A. H. "Use and Conservation of Water in Textile Processing." Journal of the Society of Dyers and Colourists 87, no. 5 (October 22, 2008): 137–45. http://dx.doi.org/10.1111/j.1478-4408.1971.tb03013.x.

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29

Moncrieff, Patricia, and Deborah McCarthy. "THE TEXTILE CONSERVATION AND RESTORATION WORKSHOP, FREMANTLE, W.A." AICCM Bulletin 15, no. 1-2 (January 1989): 28. http://dx.doi.org/10.1179/bac.1989.15.1-2.008.

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30

Dhayaneswaran, Y., and L. Ashokkumar. "A Study on Energy Conservation in Textile Industry." Journal of The Institution of Engineers (India): Series B 94, no. 1 (March 2013): 53–60. http://dx.doi.org/10.1007/s40031-013-0040-5.

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31

Macken, Aisling, and Margaret J. Smith. "Solvent Vapour Use – The Unintended Consequences in Textile Conservation." Studies in Conservation 64, no. 6 (November 22, 2018): 352–62. http://dx.doi.org/10.1080/00393630.2018.1544347.

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32

Grimm, Martha Winslow, Rachel Paar, and Kathleen Kiefer. "The Directory of Hand Stitches Used in Textile Conservation." Journal of the American Institute for Conservation 39, no. 3 (2000): 396. http://dx.doi.org/10.2307/3179984.

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33

Hong, Gui Bing, Chih Ming Ma, Kai Jen Chuang, and Chang Tang Chang. "Current Situation of Energy Conservation in Taiwanese Textile Industry." Advanced Materials Research 433-440 (January 2012): 968–74. http://dx.doi.org/10.4028/www.scientific.net/amr.433-440.968.

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Since Taiwan lacks self-produced energy, and is 98 percent reliant on imports for its primary energy. Increasing energy efficiency and energy savings are an essential part of Taiwan’s energy policy. This work summarized the energy saving potential of the Taiwanese textile industry from the on-line Energy Declare System in 2008. It was found that the total potential energy savings was thus 64,034 KL of crude oil equivalent (KLOE). The energy saving potential identified was 94,614MWh of electricity, 24,536 kiloliters of fuel oil, and 23,722 tons of fuel coal. It represented a reduction of 192,353 tons in carbon dioxide emissions.

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34

Palanichamy, C., and N. Sundar Babu. "Second stage energy conservation experience with a textile industry." Energy Policy 33, no. 5 (March 2005): 603–9. http://dx.doi.org/10.1016/j.enpol.2003.09.004.

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35

Bruijne, Marijke de, and Paula Monteiro. "Têxtil arqueológico do Mosteiro de Pombeiro: entre a conservação e a perceção." Conservar Património 31 (2019): 203–14. http://dx.doi.org/10.14568/cp2018018.

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36

De Stefani, Caroline, Cordelia Rogerson, and Arthur Green. "Evaluating cross-disciplinary working: the application of textile conservation adhesive techniques to book conservation." Journal of the Institute of Conservation 34, no. 1 (March 2011): 90–103. http://dx.doi.org/10.1080/19455224.2011.577727.

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37

Jemo, Danijela, and Djurdjica Parac-Osterman. "Revealing the Origin: The Secrets of Textile Fragments Hidden Inside the 19th Century Chasuble from Dubrovnik." Materials 14, no. 16 (August 18, 2021): 4650. http://dx.doi.org/10.3390/ma14164650.

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This paper presents the analysis carried out during the textile conservation–restoration process with the goal to reveal the secrets of textile fragments hidden inside the 19th century chasuble from Dubrovnik. The discovered textile fragments were investigated by modern instrumental methods and compared with the original textile from the 19th century set of liturgical vestments, which the chasuble belongs to. In addition, all other old repairs and treatments on the chasuble that had significant impact on the historic textile over time were investigated and assessed. The polymer type of the fibres was established by microscopic examination and infrared (ATR FT-IR) spectroscopy. A comparison of type of fibres and textile construction parameters, both from fragments and from the original textile, was carried out in order to determine their possible associations. Based on UV-Vis and HPLC identification of chemical composition of dyes in extracts from textile fibres, both from textile fragments, old repairs and authentic historic textile, it was possible to designate some common characteristics of dyes as important factors in determining its authenticity.

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38

Brooks, Mary M., and Dinah Eastop. "Matter Out of Place:Paradigms for Analyzing Textile Cleaning." Journal of the American Institute for Conservation 45, no. 3 (January 2006): 171–81. http://dx.doi.org/10.1179/019713606806112478.

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39

Rodríguez Peinado, Laura. "Oriental patterns in Andalusi textile ornamentation. 13th-15th centuries." Conservar Património 31 (2019): 67–78. http://dx.doi.org/10.14568/cp2018026.

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40

Palanichamy, C., C. Nadarajan, R. Naveen, N. Sundar Babu, and Dhanalakshmi. "Budget constrained energy conservation-an experience with a textile industry." IEEE Transactions on Energy Conversion 16, no. 4 (2001): 340–45. http://dx.doi.org/10.1109/60.969473.

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41

Jayasinghe, IH, BFA Basnayake, KSP Amarathunga, and PBR Dissanayake. "Environmental Conservation Efforts in Developing Textile Waste Incorporated Cement Blocks." Tropical Agricultural Research 21, no. 2 (December 20, 2010): 126. http://dx.doi.org/10.4038/tar.v21i2.2594.

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42

Palanichamy, C., C. Nadarajan, P. Naveen, N. S. Babu, and Dhanalakshmi. "Budget Constrained Energy Conservation-An Experience with a Textile Industry." IEEE Power Engineering Review 21, no. 10 (October 2001): 58. http://dx.doi.org/10.1109/mper.2001.4311079.

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43

HARKER, R. P., and B. M. ROCK. "Water Conservation and Effluent Disposal in the Wool Textile Industry." Journal of the Society of Dyers and Colourists 87, no. 12 (October 22, 2008): 481–84. http://dx.doi.org/10.1111/j.1478-4408.1971.tb02992.x.

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Elnagar, Khaled, Sameh M. Reda, Harby E. Ahmed, and Shady Kamal. "Studying irradiation homogeneity in light aging for historical textile conservation." Fibers and Polymers 14, no. 9 (September 2013): 1581–85. http://dx.doi.org/10.1007/s12221-013-1581-6.

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Misseri, Giulia, Gianfranco Stipo, Stefano Galassi, and Luisa Rovero. "Experimental Investigation on the Bond Behaviour of Basalt TRM Systems - Influence of Textile Configuration and Multi-Layer Application." Key Engineering Materials 817 (August 2019): 134–40. http://dx.doi.org/10.4028/www.scientific.net/kem.817.134.

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Textile Reinforced Mortars (TRM) include a series of innovative strengthening systems suitable for conservation interventions since inorganic matrixes, instead of polymeric resins, are employed. Recent research supported the definition of guidelines on testing methods for TRM systems applied to masonry, but further investigation is needed to clear out the role played by the numerous factors affecting the strengthening capacity. In this study, an experimental campaign on basalt-fibre TRM systems was carried out. A series of tensile and single-shear bond tests are compared. Samples differ for fibre reinforcement ratio, textile layout and the number of textile layers, while the lime-based mortar matrix is the same for all specimens. For tensile tests, results show that, after a mortar-cracking phase, a third, substantially linear phase, during which the textile response is dominant, occurred for specimens failed both for textile tensile rupture and textile slippage. For shear bond tests, results showed that increasing the reinforcement ratio tightening textile mesh is not as beneficial as increasing textile layers, i.e. active bond surfaces.

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Hang, Yin. "The Conservation Methods of Ancient Lu Embroidery Fabric." Advanced Materials Research 472-475 (February 2012): 3343–46. http://dx.doi.org/10.4028/www.scientific.net/amr.472-475.3343.

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As a kind of silk, Lu Embroider is an valuable cultural heritage. This textile adequately approves the advancement of Chinese civilization. At the same time, Lu Embroider is easy decayed. We lack the consciousness of protecting the cultural heritage. In this paper, the reasons and significance of conservation ancient Lu Embroider fabric are introduced. The correspond conservation methods also is presented at the same time.

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CARPUS, EFTALEA, ANGELA DOROGAN, MIHAI-GABRIEL MATACHE, VALENTIN VLADUT, and ADRIANA MUSCALU. "Creativity, innovation and future ‒ the key points regarding the “architecture” for the production of agro-textiles." Industria Textila 70, no. 06 (December 12, 2019): 547–51. http://dx.doi.org/10.35530/it.070.06.1624.

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The twenty-first century represents the period of the most remarkable discoveries and transformations of the human civilization, but also the period of the most important changes regarding the evolution of the environment. At the present stage of the evolution of the society, the knowledge of the behaviour of the world economy cannot be conceived outside the environmental approach, as a system, structure and dynamics, its connections and implications on life on earth. Agriculture is an important source of emission of two greenhouse gases with a significant share in the influence of the global warming process. The key to protecting the environment from the harmful effects of widespread and unsafe farming practices is through implementing sustainable practices. Sustainable agriculture incorporates both the conservation of available resources and the use of agricultural practices aimed at protecting the environment. Given the increasing awareness of the environment and the specific knowledge of the various interdisciplinary technologies, special attention has been paid to unconventional technical applications, such as the use of textile structures in the agriculture and horticulture sectors to increase the quality and efficiency of agro-food products in terms of ensuring a healthy environment, social economic equity and a profitable economy. In this context, the textile sector and the field of technical textiles, through the potential of functionalities, can make a special contribution to achieving a level of coherence between agriculture, environment and rural development through the intelligent and sustainable capitalization of agricultural lands and labour force. For agro-textiles ‒ weight domain for the technical textile sector ‒ design is a problem-solving approach, based on common human technical/scientific skills or knowledge, which starts from understanding and observing the phenomena of the field in which these textile elements/products will be used. In this sense, the paper presents the logical matrix regarding the interactions between the problems that need to be solved, the elements that can influence the studied phenomenon the functions that the designed product has to fulfill and the effects produced by its use under real conditions of use.

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Schoenholzer-Nichols, Thessy. "CONSERVATION OF THE TEXTILE FRAMES OF THETHAN-KASFROM THE TUCCI COLLECTION, ROME." Studies in Conservation 33, sup1 (January 1988): 83–86. http://dx.doi.org/10.1179/sic.1988.33.s1.019.

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Gadhi, Tanveer Ahmed, Imran Ali, Rasool Bux Mahar, Hubdar Ali Maitlo, and Najeebullah Channa. "Waste Heat and Wastewater Recovery in Textile Processing Industry: A Case Study of Adopted Practices." July 2021 40, no. 3 (July 1, 2021): 606–16. http://dx.doi.org/10.22581/muet1982.2103.14.

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Textile wet processes dispose of huge amounts of water and energy in the form of hot wastewater and exhaust gas emissions. A significant amount of water and energy can be conserved by adopting various waste heat and water recovery methods, such as the use of heat exchanger, recycling hot wastewater, steam condensate, and cooling water recovery and reuse. In this study, various waste energy and water conservation methods are summarized to highlight their importance for water and energy conservation. For practical consideration, a detailed assessment of such practiced methods was done in one textile processing industry. The obtained results revealed that a high amount of energy and water could be conserved by adopting various waste heat and water recovery methods, with the advantage of reducing environmental pollution while minimizing the consumption of energy and water.

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Kerr, Nancy, Linda Capjack, and Robert Fedosejevs. "Ability of Textile Covers to Protect Artifacts from Ultraviolet Radiation." Journal of the American Institute for Conservation 39, no. 3 (January 2000): 345–53. http://dx.doi.org/10.1179/019713600806113220.

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