Log in

Relevant bibliographies by topics / Text setting / Books

To see the other types of publications on this topic, follow the link: Text setting.

Books on the topic 'Text setting'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 books for your research on the topic 'Text setting.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse books on a wide variety of disciplines and organise your bibliography correctly.

1

Saldaña, Cesar G. Financial management in the Philippine setting: Text and cases. Quezon City: AFA Publications, 1985.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

2

Dwelling in the text: Houses in American fiction. Berkeley: University of California Press, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

3

Text und Vorstellung: Eine erzähltheoretische Untersuchung des epischen Raumes am Beispiel des Dorfes. Frankfurt am Main: P. Lang, 1990.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

4

Patterns in play: A model for text setting in the early French songs of Guillaume Dufay. Lincoln: University of Nebraska Press, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

5

The completely illustrated course for developing the techniques of master stonesetting: A comprehensive picture/text guide on diamond and colored stone setting-- prongs-- beads-- bezels-- with special emphasis on pave and cluster setting. Washington, D.C: Adamas, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

6

Ben, Jonson. Mercury vindicated, a masque at Whitehall, 1616: A text, with commentary & notes including stage, costume, & mask designs after Inigo Jones. [Stanford, Calif.]: Stanford University, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

7

Fritz, Rebekka. Text and music in German operas of the 1920s: A study of the relationship between compositional style and text-setting in Richard Strauss' Die ägyptische Helena, Alban Berg's Wozzeck, and Arnold Schoenberg's Von heute auf morgen. Frankfurt am Main: Peter Lang, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

8

Smith, Alan. Esther, empress of Persia: The book of Esther in a Persian setting : complete with full Hebrew text, translation and notes, with accent on the Persian background. Eli, Israel: Elibooks, 2011.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

9

Souksengphet-Dachlauer, Anna, and Anna Souksengphet-Dachlauer. Text als Klangmaterial: Heiner Müllers Texte in Heiner Goebbels' Hörstücken. Bielefeld: Transcript, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

10

Text als Klangmaterial: Heiner Müllers Texte in Heiner Goebbels' Hörstücken. Bielefeld: Transcript, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

11

Ronsard, Pierre de. Les amours, leurs Commentaires: Texte de 1553. Paris: Didier érudition, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

12

Waldfogel, Joel. A Market test for race discrimination in bail setting. [Toronto, Ont.]: Law and Economics Programme, Faculty of Law, University of Toronto, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

13

Masumoto, Kikuko. Four songs from the text "Makura no sōshi". [Tokyo]: Academia Music, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

14

Dovaras, John. Choral settings of the Scriptures with English texts. Dayton, Ohio (501 E. 3rd St., P.O. Box 802, Dayton 45401-0802): R. Dean Pub. Co., 1988.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

15

Abbott, Lawrence E. N.C. Museum of History Project: Test excavations in an urban setting. [Raleigh, N.C.]: Office of State Archaeology, 1989.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

16

Mullainathan, Sendhil. Is there discretion in wage setting?: A test using takeover legislation. Cambridge, Mass: Massachusetts Institute of Technology, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

17

Bertrand, Marianne. Is there discretion in wage setting?: A test using takeover legislation. [Princeton, N.J: Industrial Relations Section, Princeton University, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

18

Bertrand, Marianne. Is there discretion in wage setting?: A test using takeover legislation. Cambridge, MA: National Bureau of Economic Research, 1998.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

19

B, Fennell Eileen, and Voeller Kytja K. S, eds. Pediatric neuropsychology in the medical setting. New York: Oxford University Press, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

20

Gekijō, Kokuritsu. Shin koengeki jisshu no uchi Migawari zazen: Tokiwazu renjū, nagauta hayashi renjū. [Tokyo]: Kokuritsu Gekijō, 2010.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

21

Shakespeare, William. Shakespeare song album: 23 songs to texts by William Shakespeare. London: Boosey & Hawkes, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

22

Schäfer, Albert. Historisches und systematisches Verzeichnis sämtlicher Tonwerke zu den Dramen Schillers, Goethes, Shakespeares, Kleists und Körners: Nebst einleitendem Text und erläuterungen ... unter besonderer Berücksichtigung der Zwischenaktsmusik. Leipzig: K. Merseburger, 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

23

Kreiling, Jean Louise. The songs of Samuel Barber: A study in literacy taste and text- settings. Ann Arbor: UMI, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

24

Hensel, Fanny Mendelssohn. Two duets on texts by Heinrich Heine: For soprano and alto voices unaccompanied. [S.l.]: Arts Venture, 1993.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

25

Seetharam, Geetha. Nāda nuḍi saurabha: Viduṣi Ḍā. Gītā Sītārāṃ ravara nūrondu racanegaḷa saṅkalana = Nada nudi sourabha / written by Dr. Geetha Seetharam. Beṅgaḷūru: Karnāṭaka Saṅgīta Nr̥tya Akāḍemi, 2015.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

26

Hensel, Fanny Mendelssohn. Three songs on texts by Jean Pierre Claris de Florian: Voice and piano. [United States]: Arts Venture, 1995.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

27

Ferretti: L'arte della scenografia : testi e bozzetti originali di Dante Ferretti = the art of production design : texts and sketches by Dante Ferretti. Milano: Electa, 2004.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

28

Hensel, Fanny Mendelssohn. Three duets on texts by Johann Wolfgang von Goethe: For soprano and alto voices with piano accompaniment. [United States]: Arts Venture, 1994.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

29

Eisler, Hanns. Lieder nach Texten von Kurt Tucholsky: Für Singstimme und Klavier = Songs based on texts by Kurt Tucholsky : for voice and piano. Leipzig: Deutscher Verlag für Musik, 1997.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

30

Looking Into the Abyss: Essays on Scenography (Theater: Theory/Text/Performance). University of Michigan Press, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

31

Looking Into the Abyss: Essays on Scenography (Theater: Theory/Text/Performance). University of Michigan Press, 2005.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

32

The Stage Life of Props (Theater: Theory/Text/Performance). University of Michigan Press, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

33

The Stage Life of Props (Theater: Theory/Text/Performance). University of Michigan Press, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

34

Koven, Steven G. Public Budgeting in the United States: The Cultural and Ideological Setting (Text and Teaching). Georgetown University Press, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

35

Koven, Steven G. Public Budgeting in the United States: The Cultural and Ideological Setting (Text and Teaching). Georgetown University Press, 1999.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

36

O'Keefe, Marian Bodnar. A background study and analysis of text-setting techniques used in Samuel Barber's "Knoxville:Summer of 1915". 1991.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

37

Theatre-Making: Interplay Between Text and Performance in the 21st Century. Palgrave Macmillan, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

38

Theatre-Making: Interplay Between Text and Performance in the 21st Century. Brand: Palgrave Macmillan, 2013.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

39

Bellis, Teri James. Assessment & Management of Central Auditory Processing Disorders in the Educational Setting: From Science to Practice 2nd Edition(Singular Audiology Text). 2nd ed. Singular, 2002.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

40

Butterworths orange Finance Act handbook: Setting out the text of the Finance Act...relating to inheritance tax, stamp duty, value added tax. London: Butterworths., 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

41

Talle, Andrew. Bach, Graupner, and the Rest of Their Contented Contemporaries. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038136.003.0003.

Full text

Abstract:

Music scholars have long recognized the value of comparing settings of the same cantata texts by Bach and his German contemporaries. Examining the ways in which multiple musical minds chose to set the same words can throw the styles of each into sharp relief. This chapter presents a second pair of settings by Bach and Graupner that has received only occasional mention in the literature: Vergnügte Ruh, beliebte Seelenlust (BWV 170 and GWV 1147/11). The premieres of the two settings took place fifteen years apart; Graupner's setting was first heard on July 12, 1711, in Darmstadt, and Bach's on July 28, 1726, in Leipzig. The chapter discusses the two settings of each of Vergnügte Ruh's five movements in turn. In every case, it presents the text in three versions: (1) the original German, following the orthography and punctuation of Lehms' 1711 text; (2) the author's English, word-for-word translation; and (3) the author's English translation, which mimics the poetic structure and rhyme of Lehms' original.

APA, Harvard, Vancouver, ISO, and other styles

42

Britain, Great, ed. Butterworths yellow Finance Act 1987 handbook: Setting out the text of the finance act 1987 relating to income tax, corporation tax, capital gains tax. London: Butterworths, 1987.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

43

Butterworths orange tax handbook: Setting out the amended text of the legislation relating to the inheritance tax, National insurance contributions, stamp duties, value added tax. London: Butterworth, 1992.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

44

Moiz, Sadikali, ed. Butterworths yellow tax handbook: Setting out the amended text of theTaxes Acts relating to income tax, corporation tax and capital gains tax as operative for 1986-87. 2nd ed. London: Butterworths, 1986.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

45

Abbott, Helen. Baudelaire in Song. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198794691.001.0001.

Full text

Abstract:

Exploring the work of the major nineteenth-century French poet Charles Baudelaire (1821–67), this book examines how and why Baudelaire’s poetry has inspired so many composers to set it to music in different ways. The author proposes a new model for analysing song, through an ‘assemblage’ approach, which examines the complex relationships formed between common features of poetry and music, including metre/prosody, form/structure, sound properties/repetition, and semantics. The model also factors in the realities of song as a live performance genre, revealing which parameters of song emerge as standard for French text-setting and where composers diverge in their approach. The specific case studies that make up the second half of the book focus on Baudelaire song sets produced by European composers between 1880 and 1930, specifically Maurice Rollinat, Gustave Charpentier, Alexander Gretchaninov, Louis Vierne, and Alban Berg. Using this corpus, the assemblage model is tested to uncover new findings about what happens to Baudelaire’s poetry when it is set to music. Analysing Baudelaire’s poetry within song settings uncovers richer features of the texts that we might otherwise not see or hear. Examining each song setting in close detail confirms that there are no overt resonances between the types of poems selected for musical interpretation, just as there is no single, perfect ‘ideal’ setting of Baudelaire.

APA, Harvard, Vancouver, ISO, and other styles

46

Nicholson, Wes. The Test (Endless Quest Greyhawk Setting). Wizards of the Coast, 1996.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

47

Goal Setting Strategies. Steck-Vaughn, 2003.

Find full text

APA, Harvard, Vancouver, ISO, and other styles

48

Parsons, Laurel, and Brenda Ravenscroft. Josephine Lang, “An einer Quelle” (1840/1853) and “Am Morgen” (1840). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190237028.003.0008.

Full text

Abstract:

Among the approximately 300 songs of Josephine Lang (1815–1880), there are several instances of setting the same text to strikingly different music. This chapter discusses Lang’s contrasting settings of two poems by Reinhold Köstlin. Her three settings of “Wenn das Herz dir ist beklommen” (two composed in 1840, the third in 1853) exhibit similarities in vocal rhythm and in motivic structure, but differ in key, in accompaniment pattern, and, most obviously, in mood. The two settings of “Am Morgen” (composed three days apart in 1840) are in the same key and share certain patterns of line repetition, but diverge in tempo, accompaniment pattern, and mood. Documentary evidence provides some possible explanations for Lang’s changes in her approach to the poems.

APA, Harvard, Vancouver, ISO, and other styles

49

D’Angour, Armand. The Musical Setting of Ancient Greek Texts. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198794462.003.0003.

Full text

Abstract:

This chapter discusses the relationship between melody and language in Homer, the musical fragment of Euripides’ Orestes, and the ‘Seikilos Song’. Readings of Homeric passages draw on statistical analysis of the pitch-structures of the hexameter to show how melody may have been used to mark significant junctures, bridge syntactically conjoined verses, and demarcate the narrative. The musical scores of the two later texts demonstrate the interaction of semantic meaning with melodic and rhythmical patterns, and contextualizes these interactions against the backdrop of wider developments in Greek performance culture. The (probably) Euripidean melody on the Vienna papyrus should be seen in relation to the techniques of the ‘New Musicians’, and viewed as a move towards a more emotionally ‘programmatic’ melodization. The chapter also argues for an overall continuity of techniques for creating musical effects from ancient Greek to later traditions of Western music.

APA, Harvard, Vancouver, ISO, and other styles

50

Abbott, Helen. Alban Berg. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198794691.003.0008.

Full text

Abstract:

When Austrian composer Alban Berg was working on his opera Lulu, he wrote three Baudelaire songs as a Konzertaria entitled Der Wein. Premiered in 1930, Der Wein is a large-scale work for voice and orchestra. Berg uses a German translation by Stefan George, but the published score is in parallel texts, accommodating the French verse line. The chapter also considers a ‘hidden’ Baudelaire setting from Berg’s 1926 Lyric Suite for string quartet. The analysis covers: (a) the context of composition; (b) the connections established between selected poems; (c) the statistical data generated from the adhesion strength tests; and (d) how the data shape an evaluation of Berg’s settings of Baudelaire. Evidence suggests that Berg’s settings of Baudelaire are loosely entangled; the highly prescriptive score affects syntax, semantics, and prosody. Yet, because Der Wein has stood the test of time, the settings are deemed loosely accretive.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!