Books: 'Temporal media'

1

Yin, Hongzhi, and Bin Cui. Spatio-Temporal Recommendation in Social Media. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0748-4.

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2

Homøe, Preben. Pneumatization of the temporal bones and otitis media in ancient and modern Greenlanders. Copenhagen: Kommission for Videnskabelige Undersøgelser i Grønland, 1997.

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3

Volmar, Axel, and Kyle Stine, eds. Media Infrastructures and the Politics of Digital Time. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463727426.

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In a crucial sense, all machines are time machines. The essays in Media Infrastructures and the Politics of Digital Time develop the central concept of hardwired temporalities to consider how technical networks hardwire and rewire patterns of time. Digital media introduce new temporal patterns in their features of instant communication, synchronous collaboration, intricate time management, and continually improved speed. They construct temporal infrastructures that affect the rhythms of lived experience and shape social relations and practices of cooperation. Interdisciplinary in method and international in scope, the volume draws together insights from media and communication studies, cultural studies, and science and technology studies while staging an important encounter between two distinct approaches to the temporal patterning of media infrastructures, a North American strain emphasizing the social and cultural experiences of lived time and a European tradition, prominent especially in Germany, focusing on technological time and time-critical processes.

4

Nogueira, Luis Castro. La risa del espacio: El imaginario espacio-temporal en la cultura contemporánea : una reflexión sociológica. Madrid: Tecnos, 1997.

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5

Renella, R. R. Microsurgery of the temporo-medial region. Wien: Springer-Verlag, 1989.

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6

Swartz, Joel D. Imaging of the temporal bone. New York: Thieme, 1986.

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7

Swartz, Joel D. Imaging of the temporal bone. 3rd ed. New York: Thieme, 1998.

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8

Gildersleeve, Jessica, and Kate Cantrell. Screening the Gothic in Australia and New Zealand. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463721141.

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The persistent popularity of the detective narrative, new obsessions with psychological and supernatural disturbances, as well as the resurgence of older narratives of mystery or the Gothic all constitute a vast proportion of contemporary film and television productions. New ways of watching film and television have also seen a reinvigoration of this ‘most domestic of media’. But what does this ‘domesticity’ of genre and media look like ‘Down Under’ in the twenty.first century? This collection traces representations of the Gothic on both the small and large screens in Australia and New Zealand in the twenty.first century. It attends to the development and mutation of the Gothic in these post. or neo.colonial contexts, concentrating on the generic innovations of this temporal and geographical focus.

9

Riechmann, Jorge. Tiempo para la vida: La crisis ecológica en su dimensión temporal. Málaga: Ediciones del Genal, 2003.

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10

Ferreri, Mara. The Permanence of Temporary Urbanism. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789462984912.

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Temporary urbanism has become a distinctive feature of urban life after the 2008 global financial crisis. This book offers a critical exploration of its emergence and establishment as a seductive discourse and as an entangled field of practice encompassing architecture, visual and performative arts, urban regeneration policies and planning. Drawing on seven years of semi-ethnographic research, it explores the politics of temporariness from a situated analysis of neighbourhood transformation, media representations and wider political and cultural shifts in austerity London. Through a longitudinal engagement with projects and practitioners, the book tests the power of aesthetic and cultural interventions and highlights tensions between the promise of vacant space re-appropriation and its commodification. Against the normalisation of ephemerality, it presents a critique of the permanence of temporary urbanism as a glamorisation of the anticipatory politics of precarity which are transforming cities, subjectivities and imaginaries of urban action.

11

S, Graham Kim, Gaffan David, and Experimental Psychology Society, eds. The role of the medial temporal lobe in memory and perception: Evidence from rats, nonhuman primates and humans. East Sussex, UK: Psychology Press, 2005.

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12

Öhlschläger, Claudia, Lucia Perrone Capano, and Leonie Süwolto. Figurationen des Temporalen: Poetische, philosophische und mediale Reflexionen über Zeit. Göttingen: V&R unipress, 2013.

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13

Schwarzberg, Friederike. Arbeitnehmerähnliche Beschäftigung als "dritter Weg" ein Berufsleben lang: Die Bedeutung der Tarifverträge für arbeitnehmerähnliche Personen des öffentlich-rechtlichen Rundfunks für die Statusfeststellung. Frankfurt am Main: Lang, 2008.

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14

Guerra, Evaristo. Evaristo Guerra: Medio siglo con el arte : del 26 de febrero al 25 de abril de 2010, Museo del Patrimonio Municipal de Málaga, Sala de exposiciones temporales. Málaga: Ayuntamiento de Málaga, Área de Cultura, 2010.

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15

Tanner, Norman P. The church and the world: Gaudium et spes, Inter mirifica. Mahwah, NJ: Paulist Press, 2005.

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16

Yu, Im-ha. Hanʼguk sosŏl ŭi pundan iyagi. 8th ed. Sŏul-si: Chʻaek Sesang, 2006.

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17

Cui, Bin, and Hongzhi Yin. Spatio-Temporal Recommendation in Social Media. Springer, 2016.

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18

Cui, Bin, and Hongzhi Yin. Spatio-Temporal Recommendation in Social Media. Springer London, Limited, 2016.

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19

Ernst, Wolfgang, and Anthony Enns. Chronopoetics: The Temporal Being and Operativity of Technological Media. Rowman & Littlefield Publishers, Incorporated, 2016.

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20

Ernst, Wolfgang, and Anthony Enns. Chronopoetics: The Temporal Being and Operativity of Technological Media. Rowman & Littlefield Publishers, Incorporated, 2016.

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21

Ernst, Wolfgang, and Anthony Enns. Chronopoetics: The Temporal Being and Operativity of Technological Media. Rowman & Littlefield Publishers, Incorporated, 2016.

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22

Oughstun, Kurt E. Electromagnetic and Optical Pulse Propagation 2: Temporal Pulse Dynamics in Dispersive, Attenuative Media. Springer London, Limited, 2010.

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23

Oughstun, Kurt E. Electromagnetic and Optical Pulse Propagation 2: Temporal Pulse Dynamics in Dispersive, Attenuative Media. Springer, 2018.

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24

Oughstun, Kurt E. Electromagnetic and Optical Pulse Propagation 2: Temporal Pulse Dynamics in Dispersive, Attenuative Media. Springer, 2009.

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25

Oughstun, Kurt E. Electromagnetic and Optical Pulse Propagation 2: Temporal Pulse Dynamics in Dispersive, Attenuative Media. Springer, 2016.

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26

Oughstun, Kurt E. Electromagnetic and Optical Pulse Propagation : Volume 2: Temporal Pulse Dynamics in Dispersive Attenuative Media. Springer International Publishing AG, 2020.

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27

Oughstun, Kurt E. Electromagnetic and Optical Pulse Propagation : Volume 2: Temporal Pulse Dynamics in Dispersive Attenuative Media. Springer, 2019.

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28

Rabinovich, M. I., Gaponov-Grekhov, and A. V. Gaponov-Grekhov. Structures and Spatial-Temporal Chaos in Non-equilibrium Media (Soviet Scientific Reviews Series, Section A). Routledge, 1989.

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29

Vernallis, Carol, Amy Herzog, and John Richardson, eds. The Oxford Handbook of Sound and Image in Digital Media. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199757640.001.0001.

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This collection of essays explores the relations between sound and image in a rapidly shifting landscape of audiovisual media in the digital age. Featuring contributions from scholars who bring with them an impressive array of disciplinary expertise, from film studies and philosophy to musicology, pornography, digital gaming, and media studies, the book charts new territory by analyzing what it calls the “media swirl” and the “audiovisual turn.” It draws on a range of media texts including blockbuster cinema, video art, music videos, video games, amateur video compilations, visualization technologies, documentaries, and immersive theater to address myriad subjects such as the transition of cinematic discourses to digital production and distribution, the relations between screens and public space, and the shifting nature of noise within digital ecosystems. It also examines noise, droning, and silence as recurring themes in New Extremist films of Europe, along with temporal and generic anomalies by citing examples such as the Silent Hill videogame series, the performance/installation Sleep No More, and the poetics of David Lynch’s Inland Empire. In addition, the book discusses the translation of information into digital media, how music has both shaped and become embedded within the aesthetic culture of political conflict, the nature of “realism” in relation to new audiovisual media networks, and the accelerated aesthetics of networked mediascape and the ways in which they may be connected to contemporary labor and global capitalism.

30

Bertram, Edward H. Temporal Lobe Epilepsy. Oxford University Press, 2017. http://dx.doi.org/10.1093/med/9780199937837.003.0038.

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Temporal lobe epilepsy, as discussed in this chapter, is a focal epilepsy that involves primarily the limbic structures of the medial temporal lobe (amygdala, hippocampus, and entorhinal cortex). In recent years animal models have been developed that mirror the pathology and pathophysiology of this disease. This chapter reviews the human condition, the structural and physiological changes that support the development of seizures. The neural circuitry of seizure initiation will be reviewed with a goal of creating a framework for developing more effective treatments for this disease.

31

Aevum, Medium. Medii Ævi Bibliotheca Patristica Seu Ejusdem Temporis Patrologia Ab Anno Mccxvi Usque Ad Concilii Tridentini Tempora. Ser. 1, Recogn. Horoy. Creative Media Partners, LLC, 2018.

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32

Aevum, Medium. Medii Ævi Bibliotheca Patristica Seu Ejusdem Temporis Patrologia AB Anno MCCXVI Usque Ad Concilii Tridentini Tempora. Ser.1, Recogn. Horoy. Franklin Classics Trade Press, 2018.

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33

Aevum, Medium. Medii Ævi Bibliotheca Patristica Seu Ejusdem Temporis Patrologia Ab Anno Mccxvi Usque Ad Concilii Tridentini Tempora. Ser. 1, Recogn. Horoy. Creative Media Partners, LLC, 2018.

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34

Cox, Geoff, and Morton Riis. (Micro)Politics of Algorithmic Music. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.22.

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The chapter explores a shift of emphasis from the macro to micro scale of algorithmic music, by making reference to Deleuze and Guattari’s notion of micropolitics, microtemporality in the work of Wolfgang Ernst, and Shintaro Miyazaki’s concept of algorhythmics. By drawing together tactical media and media archaeology to address the politics of algorithmic music, an argument is developed that ‘tactical media archaeology’ offers an analytical method for developing alternative compositions. By emphasizing more speculative approaches and broader ecologies of practice exemplified by the critical engineering of Martin Howse, the chapter claims that algorithms need to understood as part of temporal, relational, and contingent operations that are sensitive to their conditions and future trajectories.

35

Germana, Michael. “Modulate, Daddy, Modulate!”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190682088.003.0005.

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Chapter 4 examines Ellison’s use of rhythm—specifically his incorporation of polyrhythms and his application of an advanced rhythmic concept called metric modulation—to express his beliefs about virtual temporalities and social change. The chapter illustrates how Ellison often places temporal constructs, including the static time of official history and the dynamic time of duration, into polyrhythmic relation in order to challenge an entrenched ideology of historical determinism. This process, and the critique that emerges from it, depend upon a related rhythmic concept, metric modulation, which creates metronomic instability within a musical composition and, in so doing, produces nodes of temporal bifurcation. Ellison’s use of polyrhythms and metric modulation are, like his ekphrastic references to the visual media examined in Chapters 2 and 3, expressions of his commitment to dynamic time and to the promotion of social changes that the actualization of hitherto virtual temporalities makes possible.

36

Barnhurst, Kevin G. News Online Reentered Modern Time. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040184.003.0015.

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This chapter considers changing perspectives of modern time. It argues that newspapers are stuck in late-nineteenth-century modern time, raising complaints and objections to the new time regime. In contrast, television news is mired in mid-twentieth-century modern time, and the web editions of legacy media, after a moment of turbulence, returned to reflect the modernist time of an institutional memory they share. New interactive and mobile technologies create for news media a space of temporal discomfort. The modern sense of time empowered practitioners, giving them clear tools for selection and sequence, the discipline of deadlines, and the competition of the scoop and the exclusive, with the underlying assumption that time is money. The new sense of time removes their illusion of some control in a political life formerly attuned to their own news cycles.

37

Oughstun, Kurt E. Electromagnetic and Optical Pulse Propagation 1: Spectral Representations in Temporally Dispersive Media. Springer, 2007.

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38

Electromagnetic And Optical Pulse Propagation 1 Spectral Representations In Temporally Dispersive Media. Springer, 2010.

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39

Barham, Jeremy. Mahler and the Game of History. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199316090.003.0017.

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For obvious reasons, the understanding and writing of music history have favoured a linear model founded in causality and chronology. Like many disciplines, however, historiographical studies have been subjected to critiques of various theoretical and imaginative types, particularly, but not exclusively, in recent times. These critiques are outlined here, and three historiographical models critically applied to the understanding of Mahler’s music: historicism, historical materialism (after Walter Benjamin), and a more radical rhizomatic model (after Deleuze). Posited, put into operation and questioned, these models cast multi-perspectival and multi-temporal light on how Mahler’s music continues to participate in contexts of contemporary mass-media and public consciousness.

40

Bergwik, Staffan. Times of History, Times of Nature: Temporalization and the Limits of Modern Knowledge. Edited by Anders Ekström. Berghahn Books, 2022. http://dx.doi.org/10.3167/9781800733237.

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As climate change becomes an increasingly important part of public discourse, the relationship between time in nature and history is changing. Nature can no longer be considered a slow and immobile background to human history, and the future can no longer be viewed as open and detached from the past. Times of History, Times of Nature engages with this historical shift in temporal sensibilities through a combination of detailed case studies and synthesizing efforts. Focusing on the history of knowledge, media theory, and environmental humanities, this volume explores the rich and nuanced notions of time and temporality that have emerged in response to climate change.

41

Ferreri, Mara. The Permanence of Temporary Urbanism. Amsterdam University Press B.V., 2020. http://dx.doi.org/10.5040/9789048561759.

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Temporary urbanism has become a distinctive feature of urban life after the 2008 global financial crisis. This book offers a critical exploration of its emergence and establishment as a seductive discourse and as an entangled field of practice encompassing architecture, visual and performative arts, urban regeneration policies and planning. Drawing on seven years of semiethnographic research, it explores the politics of temporariness from a situated analysis of neighbourhood transformation, media representations and wider political and cultural shifts in austerity London. Through a longitudinal engagement with projects and practitioners, the book tests the power of aesthetic and cultural interventions and highlights tensions between the promise of vacant space re-appropriation and its commodification. Against the normalisation of ephemerality, it presents a critique of the permanence of temporary urbanism as a glamorisation of the anticipatory politics of precarity which are transforming cities, subjectivities and imaginaries of urban action.

42

Temporally-graded retrograde memory loss in semantic dementia, medial temporal lobe amnesia and Alzheimer's dementia: Reconciling the hippocampal consolidation and multiple trace theories of long-term memory storage. Ottawa: National Library of Canada, 1999.

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43

Oughstun, Kurt E. Electromagnetic and Optical Pulse Propagation : Volume 1: Spectral Representations in Temporally Dispersive Media. Springer International Publishing AG, 2020.

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44

Oughstun, Kurt E. Electromagnetic and Optical Pulse Propagation : Volume 1: Spectral Representations in Temporally Dispersive Media. Springer, 2019.

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45

Rose, Gillian, Sam Hind, Scott Rodgers, Monica Degen, Isobel Ward, Zlatan Krajina, Giorgia Aiello, Joel McKim, Ayona Datta, and Asli Duru. Seeing the City Digitally. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789463727037.

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This book explores what’s happening to ways of seeing urban spaces in the contemporary moment, when so many of the technologies through which cities are visualised are digital. Cities have always been pictured, in many media and for many different purposes. This edited collection explores how that picturing is changing in an era of digital visual culture. Analogue visual technologies like film cameras were understood as creating some sort of a trace of the real city. Digital visual technologies, in contrast, harvest and process digital data to create images that are constantly refreshed, modified and circulated. Each of the chapters in this volume examines a different example of how this processual visuality is reconfiguring the spatial and temporal organisation of urban life.

46

Murphy, Kaitlin M. Mapping Memory. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823282548.001.0001.

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In Mapping Memory: Visuality, Affect, and Embodied Politics in the Americas, Kaitlin M. Murphy analyzes a range of visual memory practices that have emerged in opposition to political discourses and visual economies that suppress certain subjects and overlook past and present human rights abuses. From the Southern Cone to Central America and the US-Mexico borderlands, and across documentary film, photography, performance, memory sites, and new media, she compares how these visual texts use memory as a form of contemporary intervention. Interweaving visual and performance theory with memory and affect, Murphy develops new frameworks for analyzing how visual culture performs as an embodied agent of memory and witnessing. She argues that visuality is inherently performative; and analyzing the performative elements, or strategies, of visual texts—such as embodiment, reperformance, reenactment, haunting, and the performance of material objects and places—elucidates how memory is both anchored into and extracted from specific bodies, objects, and places. Murphy progressively develops the theory of memory mapping, defined as the visual process of representing the affective, sensorial, polyvocal, and temporally layered relationship between past and present, anchored within the specificities of place. Ultimately, by exploring how memory is “mapped” across a range of sites and mediums, Murphy argues that memory mapping is a visual strategy for producing new temporal and spatial arrangements of knowledge and memory that function as counter-practices to official narratives that often neglect or designate as transgressive certain memories or experiences.

47

Collé-Bak, Nathalie. Wayfaring Images. Edited by Michael Davies and W. R. Owens. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199581306.013.33.

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The Pilgrim’s Progress (1678; 1684) has been illustrated in many different forms and media, from its early days on the book market up until today. For over the last three centuries, John Bunyan’s allegory has inspired illustrators in numerous and varied ways, the images born of the text having materialized on book pages as well as on individual sheets, but also on canvas, photographic film, glass panes, and walls. Two-dimensional creations have also led the way to three-dimensional images, exhibited or performed in a variety of places and for a whole range of publics. This chapter contends that these sundry ‘illustrations’, by professional as well as amateur artists, have secured the diffusion and the popularity of the text through its temporal and geographical journeys, and across cultural boundaries.

48

Bianconi, Ginestra. Epidemic Spreading. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198753919.003.0013.

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Epidemic processes are relevant to studying the propagation of infectious diseases, but their current use extends also to the study of propagation of ideas in the society or memes and news in online social media. In most of the relevant applications epidemic spreading does not actually take place on a single network but propagates in a multilayer network where different types of interaction play different roles. This chapter provides a comprehensive view of the effect that multilayer network structures have on epidemic processes. The Susceptible–Infected–Susceptible (SIS) Model and the Susceptible–Infected–Removed (SIR) Model are characterized on multilayer networks. Additionally, it is shown that the multilayer networks framework can also allow us to study interacting Awareness and epidemic spreading, competing networks and epidemics in temporal networks.

49

The effects of aging on temporal processing in the rat medial geniculate nucleus: Frequency-modulated sweeps. Ottawa: National Library of Canada, 2002.

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50

Caselli, Tommaso, Eduard Hovy, Martha Palmer, and Piek Vossen, eds. Computational Analysis of Storylines. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108854221.

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Event structures are central in Linguistics and Artificial Intelligence research: people can easily refer to changes in the world, identify their participants, distinguish relevant information, and have expectations of what can happen next. Part of this process is based on mechanisms similar to narratives, which are at the heart of information sharing. But it remains difficult to automatically detect events or automatically construct stories from such event representations. This book explores how to handle today's massive news streams and provides multidimensional, multimodal, and distributed approaches, like automated deep learning, to capture events and narrative structures involved in a 'story'. This overview of the current state-of-the-art on event extraction, temporal and casual relations, and storyline extraction aims to establish a new multidisciplinary research community with a common terminology and research agenda. Graduate students and researchers in natural language processing, computational linguistics, and media studies will benefit from this book.

Books on the topic 'Temporal media'

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