Journal articles on the topic 'Televisioni musicali'
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Brown, Julie. "Ally McBeal's Postmodern Soundtrack." Journal of the Royal Musical Association 126, no. 2 (2001): 275–303. http://dx.doi.org/10.1093/jrma/126.2.275.
Full textOcaña-Fernández, Almudena, and María-Luisa Reyes-López. "The sonic imagination of children in Andalusia: A musical analysis of the TV programme «The Band»." Comunicar 18, no. 35 (October 1, 2010): 193–200. http://dx.doi.org/10.3916/c35-2010-03-13.
Full textGuerrero Pérez, Enrique, and Patricia Diego. "La producción de programas musicales en la televisión pública española (1990-2010)." Estudios sobre el Mensaje Periodístico 26, no. 2 (April 4, 2020): 597–609. http://dx.doi.org/10.5209/esmp.67935.
Full textLorenzo-Quiles, Oswaldo, and Lucía Herrera. "Análisis educativo-musical del medio televisión." Comunicar 8, no. 15 (October 1, 2000): 169–74. http://dx.doi.org/10.3916/c15-2000-26.
Full textKnapp, Raymond, and Zelda Knapp. "Musicals and the envoicing of mental illness and madness: From Lady in the Dark to Man of La Mancha (and beyond)." Journal of Interdisciplinary Voice Studies 4, no. 2 (October 1, 2019): 209–23. http://dx.doi.org/10.1386/jivs_00006_1.
Full textPorta-Navarro, Amparo. "The Musical Offers of Children’s Programming on «Televisión Española» as its Hearing Universe." Comunicar 19, no. 37 (October 1, 2011): 177–85. http://dx.doi.org/10.3916/c37-2011-03-10.
Full textOcasio-Russe, Lizbette. "Purpose and Innovation in Family Guy’s Musical Numbers." English Language Teaching and Linguistics Studies 1, no. 1 (May 3, 2019): 30. http://dx.doi.org/10.22158/eltls.v1n1p30.
Full textFandos-Igado, Manuel. "El vídeo-clip musical." Comunicar 1, no. 1 (October 1, 1993): 96–99. http://dx.doi.org/10.3916/c01-1993-13.
Full textFrith, Simon. "Look! Hear! The uneasy relationship of music and television." Popular Music 21, no. 3 (October 2002): 277–90. http://dx.doi.org/10.1017/s0261143002002180.
Full textRodman. "Television Genre / Musical Genre / Expressive Genre." American Music 37, no. 4 (2019): 435. http://dx.doi.org/10.5406/americanmusic.37.4.0435.
Full textAllan, Blaine. "Musical Cinema, Music Video, Music Television." Film Quarterly 43, no. 3 (1990): 2–14. http://dx.doi.org/10.2307/1212631.
Full textAllan, Blaine. "Musical Cinema, Music Video, Music Television." Film Quarterly 43, no. 3 (April 1990): 2–14. http://dx.doi.org/10.1525/fq.1990.43.3.04a00020.
Full textLoktіonova-Oitsius, Oleksandra. "POPULAR MUSICAL TELEVISION PROJECTS OF THE LATE XX – EARLY XXI CENTURIES." EUREKA: Social and Humanities, no. 5 (September 30, 2020): 3–8. http://dx.doi.org/10.21303/2504-5571.2020.001425.
Full textBlanco Maldonado, Alfonso. "La evolución histórica de los programas musicales en la televisión española: De los programas de divulgación musical a los talent shows." Ámbitos. Revista Internacional de Comunicación, no. 35 (2017): 1–14. http://dx.doi.org/10.12795/ambitos.2016.i35.01.
Full textMassone, Manuel, and Mariano De Filippis. "“Las palmas de todos los negros arriba…” Origen, influencias y análisis musical de la cumbia villera." Revista Latinoamericana de Estudios del Discurso 6, no. 2 (July 13, 2016): 21. http://dx.doi.org/10.35956/v.6.n2.2006.p.21-44.
Full textSuárez Marrero, Pablo Alejandro, Alfonso Pérez Sánchez, and Juan Hugo Barreiro Lastra. "Momentos sociológicos en el performance musical “El humor en estos tiempos da cólera” (ca. 1986) de Alejandro García Villalón "Virulo"." De Raíz Diversa. Revista Especializada en Estudios Latinoamericanos 6, no. 11 (January 1, 2019): 79. http://dx.doi.org/10.22201/ppela.24487988e.2019.11.69842.
Full textRodríguez, Nelson Leandro. "El inicio del hip-hop en Chile (1984-1987): la recepción y el aprendizaje de una cultura musical extranjera en tiempos de dictadura." Popular Music Research Today: Revista Online de Divulgación Musicológica 2, no. 2 (November 28, 2020): 79–99. http://dx.doi.org/10.14201/pmrt.24146.
Full textRumyantseva, Alina V., and Liliana Yu Malkova. "“Rigoletto”: Variety of Screen Forms and Specifics of Staging Solutions for Classical Opera in Cinema and on Television." Vestnik of Saint Petersburg University. Arts 12, no. 2 (2022): 259–74. http://dx.doi.org/10.21638/spbu15.2022.203.
Full textKazachkova, A. Yu, and L. A. Kruglova. "Musical Reality Shows on Russian Television (2017–2018)." Izvestia Ural Federal University Journal Series 1. Issues in Education, Science and Culture 26, no. 1 (2020): 48–59. http://dx.doi.org/10.15826/izv1.2020.26.1.006.
Full textvan den Berg, Harry, and Kees van der Veer. "Musical Discourse in Television Documentaries: Structure and Functions." European Journal of Communication 5, no. 4 (December 1990): 445–62. http://dx.doi.org/10.1177/0267323190005004004.
Full textAkınerdem, Feyza. "The Musical Frames of Reality Television in Turkey." Anthropology Now 8, no. 1 (January 2, 2016): 107–16. http://dx.doi.org/10.1080/19428200.2016.1153937.
Full textLodge, Mary Jo. "Beyond Jumping the Shark: the new television musical." Studies in Musical Theatre 1, no. 3 (December 1, 2007): 293–305. http://dx.doi.org/10.1386/smt.1.3.293_1.
Full textNegus, Keith. "Musicians on Television: Visible, Audible and Ignored." Journal of the Royal Musical Association 131, no. 2 (2006): 310–30. http://dx.doi.org/10.1093/jrma/fkl005.
Full textRogers, Bradley. "Lawrence Welk." Journal of Popular Music Studies 34, no. 1 (March 1, 2022): 141–66. http://dx.doi.org/10.1525/jpms.2022.34.1.141.
Full textMonedero Morales, Carmen Del Rocío, and Alberto Rosa López. "Programas musicales en televisión: un oasis más allá de los talent shows." Teknokultura. Revista de Cultura Digital y Movimientos Sociales 19, no. 1 (December 10, 2021): 67–75. http://dx.doi.org/10.5209/tekn.74689.
Full textSanjuán Mínguez, Ramón. "La consideración artística y sociocultural de los paradigmas receptivos musicales dentro del cine contemporáneo (1975-2018)." Popular Music Research Today: Revista Online de Divulgación Musicológica 4, no. 2 (February 7, 2023): 161–84. http://dx.doi.org/10.14201/pmrt.30411.
Full textRoe, Keith, and Monica Löfgren. "Music video use and educational achievement: a Swedish study." Popular Music 7, no. 3 (October 1988): 303–14. http://dx.doi.org/10.1017/s0261143000002968.
Full textLury, Karen. "Chewing gum for the ears: children's television and popular music." Popular Music 21, no. 3 (October 2002): 291–305. http://dx.doi.org/10.1017/s0261143002002192.
Full textPérez Rufí, José Patricio, José Luis Navarrete Cardero, and Francisco Javier Gómez Pérez. "El product placement en el videoclip: análisis de contenido del emplazamiento de marca en los vídeos musicales preferidos por los usuarios de YouTube." Doxa Comunicación. Revista interdisciplinar de estudios de comunicación y ciencias sociales, no. 18 (May 21, 2014): 83–104. http://dx.doi.org/10.31921/doxacom.n18a4.
Full textSimon, Danielle. "From Radio to Radio-visione." Representations 151, no. 1 (2020): 1–25. http://dx.doi.org/10.1525/rep.2020.151.1.1.
Full textSamigullina, Rufina Ildarovna. "Features of musical enlightenment in Russia in the second half of the twentieth century." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 8 (January 11, 2018): 205–11. http://dx.doi.org/10.18844/prosoc.v4i8.3051.
Full textBaade, Christina. "Vera Lynn Sings: Domesticity, Glamour, and National Belonging on 1950s British Television." Journal of the American Musicological Society 75, no. 2 (2022): 221–71. http://dx.doi.org/10.1525/jams.2022.75.2.221.
Full textGagliardi, Jorge. "Morera y Gardel: «video clip» porteño." Culturas, no. 10 (January 1, 2017): 59–70. http://dx.doi.org/10.14409/culturas.v0i10.6135.
Full textBabich, Babette. "Günther Anders’s Epitaph for Aikichi Kuboyama." Journal of Continental Philosophy 2, no. 1 (2021): 141–57. http://dx.doi.org/10.5840/jcp2021102120.
Full textWilliamson, John. "The kilt is my delight? Popular music on early television from Scotland." Journal of Popular Television 9, no. 1 (March 1, 2021): 105–22. http://dx.doi.org/10.1386/jptv_00044_1.
Full textGalloway, Kate. "Rewind, revisit, relisten: Transport, spatial displacement and mixtape environments in Small Radios Big Televisions." Soundtrack 11, no. 1 (August 1, 2020): 99–118. http://dx.doi.org/10.1386/ts_00007_1.
Full textHussin, Siti Nur Shahirah, and Tazul Izan Tajuddin. "Gambus Johor Sustainability: Issues and Challenges." Idealogy Journal 7, no. 2 (September 1, 2022): 131–38. http://dx.doi.org/10.24191/idealogy.v7i2.345.
Full textMilanovic, Biljana, and Marija Maglov. "Mokranjac on repeat: Reaffirming musical canon through sound recordings (PGP-RTB/RTS discography)." Muzikologija, no. 27 (2019): 221–50. http://dx.doi.org/10.2298/muz1927221m.
Full textVanCour, Shawn, and Chloe Patton. "From Songfilms to Telecomics: Vallée Video and the New Market for Postwar Animation." Animation 15, no. 3 (November 2020): 207–28. http://dx.doi.org/10.1177/1746847720964886.
Full textMagis, Christophe. "‘Do mess with Mister In-Between!’." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 3, no. 1-2 (December 1, 2013): 96–111. http://dx.doi.org/10.7146/se.v3i1-2.15643.
Full textMishina, Anastasia V., Zilia M. Yavgildina, Rufina Ildarovna Samigullina, and Tamara Yu Melnik. "Comparative analysis of musical-enlightenment concepts of L. Bernstein and D. Kabalevsky in Russian music education." Cypriot Journal of Educational Sciences 13, no. 4 (December 26, 2018): 625–30. http://dx.doi.org/10.18844/cjes.v13i4.3894.
Full textCollins, Nick. "A Funny Thing Happened on the Way to the Formula: Algorithmic Composition for Musical Theater." Computer Music Journal 40, no. 3 (September 2016): 41–57. http://dx.doi.org/10.1162/comj_a_00373.
Full textIWAMIYA, Shin'ichiro. "The relationship between musical and visual expressions represented in television commercials." Japanese journal of ergonomics 31, no. 5 (1995): 337–45. http://dx.doi.org/10.5100/jje.31.337.
Full textPlasketes, George. "The Cicely, Alaska Soundtrack: Northern Exposure's Enduring Musical Mark on Television." Journal of Popular Film and Television 43, no. 2 (April 3, 2015): 54–62. http://dx.doi.org/10.1080/01956051.2014.997659.
Full textHorowitz, Mark Eden. "The Oxford Companion to the American Musical: Theatre, Film, and Television." American Music 27, no. 3 (October 1, 2009): 378–80. http://dx.doi.org/10.2307/25602284.
Full textMoreno-Elizondo, José Rodrigo. "Crisis contracultural y rock en la Ciudad de México: relaciones de producción, reproducción viva y sociabilidad. 1972-1977." Historia y sociedad, no. 38 (January 1, 2020): 205–28. http://dx.doi.org/10.15446/hys.n38.79865.
Full textGarcía Celdrán, María, and Enrique Encabo. "Triunfo, fama y talento. Audiencias juveniles y educación musical a través de los mass media." EU-topías. Revista de interculturalidad, comunicación y estudios europeos 18 (January 17, 2020): 145. http://dx.doi.org/10.7203/eutopias.18.16848.
Full textMontoya-Rubio, Juan Carlos. "Significados musicales en ‘Breaking Bad’: acercamiento didáctico sonoro y visual." Comunicación Revista Internacional de Comunicación Audiovisual Publicidad y Literatura 2, no. 20 (2022): 45–61. http://dx.doi.org/10.12795/comunicacion.2022.v20.i02.03.
Full textThapa, Gopal. "Media and Advertising Preferences of Nepalese Audiences." Journal of Advanced Academic Research 2, no. 1 (February 11, 2017): 83–91. http://dx.doi.org/10.3126/jaar.v2i1.16599.
Full textForman, Murray. "‘One night on TV is worth weeks at the Paramount’: musicians and opportunity in early television, 1948–55." Popular Music 21, no. 3 (October 2002): 249–76. http://dx.doi.org/10.1017/s0261143002002179.
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