Relevant bibliographies by topics / Television broadcasting Social aspects Australia

Academic literature on the topic 'Television broadcasting Social aspects Australia'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Television broadcasting Social aspects Australia"

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Debrett, Mary. "Representing climate change on public service television: A case study." Public Understanding of Science 26, no. 4 (August 11, 2015): 452–66. http://dx.doi.org/10.1177/0963662515597187.

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Publicly funded broadcasters with a track record in science programming would appear ideally placed to represent climate change to the lay public. Free from the constraints of vested interests and the economic imperative, public service providers are better equipped to represent the scientific, social and economic aspects of climate change than commercial media, where ownership conglomeration, corporate lobbyists and online competition have driven increasingly tabloid coverage with an emphasis on controversy. This prime-time snapshot of the Australian Broadcasting Corporation’s main television channel explores how the structural/rhetorical conventions of three established public service genres – a science programme, a documentary and a live public affairs talk show – impact on the representation of anthropogenic climate change. The study findings note implications for public trust, and discuss possibilities for innovation in the interests of better public understanding of climate change.
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Yessenbekova, U., and D. Dospan. "BROADCASTING IN KAZAKHSTAN IN CONDITIONS INFORMATION SOCIETY. LEGAL ASPECTS." BULLETIN Series of Philological Sciences 72, no. 2 (June 30, 2020): 652–60. http://dx.doi.org/10.51889/2020-2.1728-7804.105.

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The article discusses the development problems and legal aspects of television broadcasting in Kazakhstan in the information society. The mechanisms of monitoring and forecasting the activities of socially responsible television, its role in the democratic modernization of society are proposed. The authors comprehensively analyzes the legal aspects of broadcasting in the information society, studies the role of television in the new social conditions. In the article, the authors highlight new constructions of modern media relations and forms of content management, which leads to increased civic activism and an increase in the political consciousness of society. And this becomes an effective way to change the social segment and influence on it. The transition of passive audience groups to the position of an active participant in the communication process poses completely new challenges for the state and society. The article contains predictive models of relations between television and political institutions and the principles of the formation of mechanisms for controlling society over the activities of television in the information society.
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Thomas, Julian. "The Old New Television and the New: Digital Transitions at Home." Media International Australia 129, no. 1 (November 2008): 91–103. http://dx.doi.org/10.1177/1329878x0812900110.

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Over the past decade, a major policy and regulatory problem for governments in Australia and elsewhere has been the implementation of strategies to switch from analogue to digital television broadcasting systems. Despite extensive debate, the transition to digital broadcasting remains fraught. What seems to be a technical matter conceals a range of intractable social, economic and cultural policy decisions. This article explores some of the challenges of digital television through the prism of an earlier, and often overlooked, transformation of television, namely the consumer-driven uptake of what can be called the ‘new television technologies’ of the 1970s and 1980s. These earlier forms of new television help to highlight several arguments: that television was not a stable object prior to digital broadcasting; that the connections between television and broadcasting have been contingent and provisional; and that a remarkable degree of innovation, disruption and adaptation has occurred at the fringes of the broadcasting system, leading to the creation of new audiovisual economies on the boundaries of the household and the market. The article then considers some examples of the ways in which this ‘household sector’ is developing as a new policy problem.
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Yatchuk, Olha. "Live-TV and interactive broadcasting: genre features." Obraz 3, no. 32 (2019): 126–35. http://dx.doi.org/10.21272/obraz.2019.3(32)-126-135.

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Introduction. Research on live broadcasting television and interactive projects is an important contribution not only to the history and theory of social communications, but also a promising field for further research of this type of broadcasting that can be also applied to the investigation of the Internet. Generalization and distinguishing features of this type of broadcasting are less common in the scientific community. During the research the following methods were used: historical and historical-comparative to analyze and organize data concerning ways of live broadcasting and interactive programs formation; systematization, classification, and clustering methods were used to get generalizations. A comparative method was implemented to distinguish common and diverse features of different types of broadcasting which are used in broadcast journalism. The content analysis method was applied for the organization of data concerning the development of programs, which use the interaction with the viewer as a certain communicative technology. The purpose of our study is to formulate a certain concept of genre features that are typical for interactive and live television broadcasting. We set out the following tasks: to distinguish the features of interactive and live broadcasting; outline their particularities in the different types of broadcasting and offer promising directions for using that type of broadcasting. This allowed us to distinguish the difference between live and interactive broadcasting, to focus on time and duration of interaction, to trace the use of different genres in these types of programs, to distinguish their specific features, to generalize and classify them, to identify promising directions of research. Results and conclusions. Live interactive television is characterized by a genre-themed variety. Language-communication and an improvisational script are mainly used in live broadcasting that motivates the audience to engage, provides lasting interest, trust, and positive changes in the image of the channel. News uses live broadcasting as the main way of organization of information (using «live» or stream of momentous events broadcasting), the use of interactivity in this type of broadcasting is indirect and is more oriented to further communication using individual touchpoints. Analytical programs are represented by various conversations in-studio and telemarathon. Viewer interaction is limited to the «viewer as one of the audience» type. Entertainment broadcasting is presented in such formats as Life-Show, Reality-Show (one of its varieties is Talent-Show), and Intelligence-Show, where interaction with the viewer is one of the formative factors. We see the benefits of this type of television among other forms of broadcasting in economic, dramatic, ideological, and communication aspects. Keywords: interactive television, communication, media audience, live television, television content.
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Hulbert, Adam. "Without Latency." Archaeologies of Tele-Visions and -Realities 4, no. 7 (September 9, 2015): 120. http://dx.doi.org/10.18146/2213-0969.2015.jethc086.

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This paper discusses a three-year radio project Cathode Immersions, which was aired on 2SER in Sydney Australia. The audio that accompanied free-to-air television was remixed and rebroadcast in real time without latency. It explores the human and non-human aspects of the convergence of these two media, introducing ideas of xenocasting and media adjacency. The weekly xenocast of Cathode Immersions afforded unique translations of cultural narratives, from commentary on the Gulf War to machinic perspectives on the desires that surround commercial broadcasting.
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Bennett, Tony, Modesto Gayo, and David Rowe. "Television in Australia: capitals, tastes, practices and platforms." Media International Australia 167, no. 1 (April 13, 2018): 126–45. http://dx.doi.org/10.1177/1329878x18766788.

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This article discusses the findings of a national survey of the social organisation of television viewing practices in contemporary Australia. These questions are addressed through multiple correspondence analyses of the aspects of television practices and tastes covered in the survey. These go beyond channel and genre preferences to include a sample of Australian and overseas produced television programmes and of 10 Australian TV personalities. The differential distribution of tastes across Australian and overseas programmes also throws significant light on different investments in the national culture across different social groups. The survey data also includes evidence regarding viewing platform and device preferences. In concluding, the article reviews the evidence of a cluster analysis, registering the effects of major changes within the television field in Australia, including the decline of free-to-air and ‘linear’ viewing, the rise of streaming services and the erosion of brand loyalty as it relates to television channels.
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Riyanto, Mochamad. "LEGAL RECONSTRUCTION OF PUBLIC HEALTH SERVICE PROGRAMS ON TELEVISION BROADCASTING INSTITUTIONS." UNTAG Law Review 3, no. 1 (May 30, 2019): 11. http://dx.doi.org/10.36356/ulrev.v3i1.1061.

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<span>&lt;div style=’text-align:</span><span>center</span><span>;’&gt;</span>The writing of this paper analyzes the legal position contained in the Law relating to public health broadcast programs. Further review of the legal aspects of public health broadcast programs that researchers do are not limited to understanding the legal construction that applies in the positivism perspective, but researchers conduct legal reconstruction of public health broadcast programs on television broadcasting institutions with a post-positivism perspective approach namely conceptualizing the law as a set of rules of enactment are influenced by economic, political and social cultural factors. Then there is a need for regulative efforts in the context of the spectrum of balancing laws relating to market regulation and state regulation. The results of the discussion found the following conclusions: First, there was no harmonization in the legal spectrum relating to public health service broadcast programs on television which were dominated in the form of promotions, commercial advertisements, and publications relating to drugs. Second, the laws and regulations governing public health service broadcast programs in broadcasting institutions have not encouraged strong public awareness about the highest degree of health. Third, the public health service broadcast program has a social impact on the interests of the community that is in the form of community self-awareness but also has an economic impact especially for the drug industry and hospitals. However in regulative, it has not provided a framework for social and economic impacts. <span>&lt;/div&gt;</span>
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Carlos, Mariana, and Telmo Silva. "Seniors, iTV and content about Social Services: Clarifying the relationship." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 10, no. 1 (March 24, 2017): 64–75. http://dx.doi.org/10.31165/nk.2017.101.497.

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Over the years, television has been seen as a means of enriching human development. The technological evolution of this means of communication has led broadcasters to deliver more attractive and diversified contents. Hence, traditional broadcasting has evolved from the traditional passivity to the granting of a participatory role for viewers, creating a new paradigm – Interactive Television. Senior citizen viewers are great consumers of television and represent a considerable portion of people, who can take advantage of the interactivity potentialities. Most of the time, changes in social services take too long to reach senior citizens due to their technological, sensory or cognitive limitations, which tend to occur with the aging process. In this exploratory study, the research team aims to find principles for the development of content about social services, considering iTV potential and the limitations of senior citizens’ viewers. To accomplish this goal, the research team developed audiovisual content, videos regarding social services with different approaches on technological aspects. The evaluation of its effectiveness was by means of inquiry with direct questions on the material that was showcased.
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Gaber, Ivor, and Rodney Tiffen. "Politics and the media in Australia and the United Kingdom: parallels and contrasts." Media International Australia 167, no. 1 (April 10, 2018): 27–40. http://dx.doi.org/10.1177/1329878x18766721.

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Australia and Britain share many common aspects in their democratic political and media systems, but there are also important differences. Perhaps the single most important media difference is that television has been a much more important element in the UK political communication system than it has been in Australia. The British Broadcasting Corporation is a much bigger and more central institution than the Australian Broadcasting Corporation, and commercial TV in Britain has a much stronger public service mandate. The British press has a national structure which can give it a substantive collective role, although its right-wing dominance means it has been a less-than-benign influence on public life. Both countries are facing rapid changes, with partisan political divisions in flux and the digital environment disrupting traditional media models. In this article, we seek to interrogate the commonalities and differences between the media and political systems operating in Australia and the United Kingdom. After tracing some important differences in their institutional structures, the dominant theme of our later analysis is that in both systems, and in both countries, the overarching narrative is one of disruption. And we pose the question – Will the current disruptions widen or narrow these differences?
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Doliwa, Urszula. "Transformacja systemu radiofonii w Polsce w kontekście zmian w Europie Wschodniej. Analiza pierwszego procesu koncesyjnego." Przegląd Wschodnioeuropejski 12, no. 1 (June 30, 2021): 399–413. http://dx.doi.org/10.31648/pw.6484.

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This article analyses the first licensing process carried out after the adoption of the Broadcasting Act in Poland in 1992. Great excitement surrounded the award of the first television licenses – especially nationwide licenses. However, this article focuses on an analysis of this process in the case of radio broadcasting. It is based on documents gathered in the Archives of the National Broadcasting Council, particularly on reports of meetings with the candidates for radio broadcasting. The analysis also includes articles published in newspapers. A personal interview with the Vice-Chair of the National Broadcasting Council was also used. The study aimed to determine the shape of the Polish radio market desired by the National Broadcasting Council and the focus of this institution during the first licensing process. The author noted that the Council concentrated on the financial aspects of the submitted applications. This thesis corresponds well with the trend observed by media experts in the transformation of media systems in Eastern Europe in the early 1990s and how market logic prevailed when shaping the new media system.
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Dissertations / Theses on the topic "Television broadcasting Social aspects Australia"

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Attallah, Paul Michael 1954. "TV before TV : the emergence of American network broadcast television and its implications for audiences, content, and study." Thesis, McGill University, 1985. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=73970.

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Rapp-Jaletzke, Sybille M. "The Canadian experience : broadcasting in Canada and its influence on the Canadian identity." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61110.

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This thesis examines the role of broadcasting in Canada with regard to developing and maintaining a national identity in the face of United States influence via the media. The subject is examined within the theoretical framework provided by the science of cybernetics and the Laws of Thermodynamics. A historical overview of Canadian broadcasting policy and institutions is provided. The work of the various royal commissions and other investigatory bodies is analyzed. The most important contemporary institutions, the CRTC, the CBC and the federal Department of Communications, are situated within the context. The effects of the most recent technologies, cable television, satellites, Pay-TV and VCRs are examined. Canadian broadcasting is also viewed in the context of the 1989 Canada-United States Free Trade Agreement and the New World Information and Communication Order. Our conclusion suggests that the future of Canada's identity depends primarily on the quality of domestic broadcasting. Finally, we suggest that Canadians and Europeans, who are facing some comparable problems in a united Europe, can learn from each others's experiences.
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Woodward, Robert. "Teaching television literacy in South African secondary schools." Master's thesis, University of Cape Town, 1992. http://hdl.handle.net/11427/18321.

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Bibliography: pages 190-196.
This dissertation develops a syllabus for the study of television literacy in South African secondary schools. There are two natural divisions in the development of the thesis; the section which explores epistemological issues and the section which describes the strategic issues. The first section examines the nature of print literacy. This consists of four elements: mastering the basic language of the medium; being able to decode this language; using the medium for personal creative ends; and having the capacity for critical reflection. It is possible to talk in terms of a language of television and so this definition of literacy can be extended to television as well. There are three main areas for the study of television literacy. These are: the production techniques and effects of television; the conventional forms of the medium; and the nature of television as a mass medium. Once this has been established the dissertation explores the strategic issues of a methodology and areas of knowledge for teaching television literacy. Although there are many methodologies for the study of the mass media, the British Cultural Studies approach, together with Hall's three moments of encoding and decoding, seems to offer the methodology most suitable for teaching critical literacy. Within this theoretical framework it is possible to describe a syllabus for teaching television literacy. This syllabus involves studying the encoding and decoding of television messages within the context of the technical infrastructure of television; the internal and external relations of production, and the frameworks of knowledge which determine the form and content of television.
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Goldman, Marni Lisa. ""Oh say can you see, eh?" : the Canadian identity debate and its relation to television." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26118.

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There exists an embedded assumption that broadcasting must be employed to strengthen the Canadian national identity. Despite efforts to Canadianize our broadcasting system, however, Canadians are watching more and more American television and have more choice of American programming. This has led to a fear of American television as a threat to Canada's continuance as a separate and independent country. By studying the contemporary Canadian context with respect to Canadian drama, the following questions will be addressed: Are Canadian interests dependent on communication policy? Is Canadian dramatic programming essential to the maintenance and enhancement of national identity and cultural sovereignty? Can the illusive quality "Canadian" be defined? Do television dramas made in Canada have distinctively Canadian characteristics and if so, how are these characteristics perceived by audiences? What are the options and alternatives that Canadian policy makers and programmers must face in the midst of the massive internationalization of culture and the onset of the 500 channel universe? In answering these questions, this study sets out to demonstrate how Canadian dramatic programming can be distinctive and unique in a way which still maintains an audience loyalty and a relevance to the Canadian way of life.
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Lee, Amy, and 李凱華. "Translocal readings: Hong Kong television serials in US Chinatowns." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B37339436.

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Lee, Kwai-hang Teresa, and 李桂姮. "Constructing hegemony by the making of news: case studies on television and the press in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2001. http://hub.hku.hk/bib/B31224647.

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Howard, Susan M., of Western Sydney Hawkesbury University, and of Health Humanities and Social Ecology Faculty. "An Investigation into children's perceptions of the reality of television." THESIS_FHHSE_xxx_Howard_S.xml, 1997. http://handle.uws.edu.au:8081/1959.7/60.

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This thesis occupies an uneasy space: not within or even at the leading edge of any one tradition, but in the anomalous and almost unoccupied space in which three traditions fail to connect. In keeping with this standpoint, it employs a range of approaches from a cross-paradigm perspective. It draws the main hypothesis that it tests from the cognitive developmental paradigm and develops its main methodological tools from methods of discourse analysis, supplemented by a variety of other instruments, quantitative as well as qualitative. This thesis makes five main claims: (1). Modality judgements, issues and perceptions in relation to television programme content are significant elements in a complex, active and creative process of learning for children in the contemporary world. (2). Children's modality judgements and processes of understanding are significantly different from those of adults in important respects. (3). A further significant developmentally-related phenomenon that emerges from the data is the importance of moments of rupture in developing modality schema and strategies. (4). Children's programme preferences, as refracted through modality structures and strategies typical of different ages, reflect a coherent learning context in which children tackle modality experiences, problems and dilemmas that are well suited to their needs at that point in their development. (5). Children's talk about issues of modality is also a species of social action, in and through which children position and reposition themselves in a variety of social contexts, constructing not only maps and versions of the world, but versions of their selves and tactics to maintain their specific interests. Many of the generalisations in this thesis are still tentative, in need of further development. Some of them, however, are more solidly grounded and would be able to contribute to current debates in education and public life on the role and functions of television in the lives of children.
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Shelton, Stephen Arthur. "Bias in the network nightly news coverage of the 2004 presidential election." CSUSB ScholarWorks, 2006. https://scholarworks.lib.csusb.edu/etd-project/3037.

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Examines the issue of media bias in favor of the Democratic Party during the 2004 Presidential Election. To examine the most far reaching form of media in the United States, this study consisted of the three major television networks (ABC, CBS, NBC) and their weekday nightly newscasts during the entire month of October 2004. Emerging themes and strategies were compared to a study conducted at Sonoma State University of the year's most underreported yet newsworthy events. Results of the study indicate that no evidence exists to support the notion of media bias in favor of the Democratic Party in the media coverage leading up to the 2004 Presidential Election.
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Leroy, Pascale. "Evolution de l'offre, de la disponibilité et de la réception de programmes télévisuels, en Belgique francophone, de 1980 à 1992." Doctoral thesis, Universite Libre de Bruxelles, 1995. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212495.

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Bentley, Jon Alexander. "A Question of Queerness: Case Studies of Contemporary American Television." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4900/.

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This project utilizes a case study approach to explore the various ways in which the portrayals of gay people have changed on American television. Three contemporary programs - Will & Grace, Queer Eye for the Straight Guy and The L Word - are examined as examples of how far American television has progressed in terms of treating gay people with respect. Whether those shows move beyond merely presenting gay characters and into a level of actively challenging mainstream views on gay people is also examined. Findings suggest different factors affect the ability of the individual programs to test said views - including the genres to which each belongs, and their presence on network television (Will & Grace), basic cable (Queer Eye for the Straight Guy) or premium cable (The L Word). While all three programs show some tendencies toward queerness, they also take steps toward negotiating with mainstream culture, indicating that complete queerness may be an unattainable goal on American television.
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Books on the topic "Television broadcasting Social aspects Australia"

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Australian television culture. St. Leonards, NSW, Australia: Allen & Unwin, 1993.

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Hartley, John. Television truths. Malden, MA: Blackwell, Pub., 2008.

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C, Ehrenberg A. S., ed. Television and its audience. London: Sage Publications, 1988.

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Barwise, T. P. Television and its audience. London: Sage, 1988.

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Barrie, Gunter, ed. Television and social control. New York: St. Martin's Press, 1988.

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Barrie, Gunter, ed. Television and social control. Aldershot: Gower, 1988.

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The age of television. New Brunswick, N.J: Transaction, 2002.

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Christine, Geraghty, and Lusted David, eds. The television studies book. London: Arnold, 1998.

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Wober, J. M. Television and social control. Aldershot, Hants, England: Brookfield, [Vt.] USA, 1988.

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Television form and public address. London: Edward Arnold, 1995.

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Book chapters on the topic "Television broadcasting Social aspects Australia"

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Sari, Gülşah. "Social Media and TV Watching Metrics." In Advances in Human and Social Aspects of Technology, 96–103. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-4047-2.ch006.

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In this chapter, in order to measure the relation between social media and television, the inside sequence published in Turkish television series during the broadcasting period of 2016-2017 was examined. The reason for the selection of this directory is that 39 episodes are broadcast throughout the episode, and the high interest in social media is a high percentage of TV ratings. The study looked at the follow-up measures in social media that were used to help measure social media in-line monitoring. The Kimola firm is one of the companies that conducts research on this subject. In the study, Kimola presented its published series of 39 episodes published in the series. As a result of this study, it shows that social media have an increasing role in the effect of watching television.
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Solo, Ashu M. G., and Jonathan Bishop. "Conceptualizing Network Politics following the Arab Spring." In Advances in Human and Social Aspects of Technology, 231–39. IGI Global, 2014. http://dx.doi.org/10.4018/978-1-4666-6066-3.ch014.

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This chapter defines a new field called network politics. Network politics refers to politics and networks. These networks include the Internet, private networks, cellular networks, telephone networks, radio networks, television networks, etc. Network politics includes the applications of networks to enable one or more individuals or organizations to engage in political communication. Furthermore, network politics includes government regulation of networks. Finally, network politics includes the accompanying issues that arise when networks are used for political communication or when there is government regulation of networks. The domain of network politics includes, but is not limited to, e-politics (social networking for driving revolutions and organizing protests, online petitions, political blogs and vlogs, whistleblower Websites, online campaigning, e-participation, virtual town halls, e-voting, Internet freedom, access to information, net neutrality, etc.) and applications of other networks in politics (robocalling, text messaging, TV broadcasting, etc.). The definition of this field should significantly increase the pace of research and development in this important field.
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Silva Pinto, Manuel Joaquim. "Investigating Information in the Multi-screen Society." In Digital Literacy, 207–16. IGI Global, 2008. http://dx.doi.org/10.4018/978-1-59904-798-0.ch011.

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This chapter presents some new aspects to think about public service broadcasting, emphasizing the role of emotion and entertainment to the understanding of the television experience. Television is discussed in the context of the multiscreen society and technological devices, from an ecological point of view. This means to consider it in the context of the transformations produced by new media and their social distribution. These changes deeply impact on the consumption activity forcing it to assume new characters and modalities. According to this point, it becomes possible to discuss some aspects dealing with digital literacy.
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