Dissertations / Theses on the topic 'Television broadcasting policy Australia'
To see the other types of publications on this topic, follow the link: Television broadcasting policy Australia.
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 dissertations / theses for your research on the topic 'Television broadcasting policy Australia.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
1
Lane, Karen Lesley. "Broadcasting, democracy and localism : a study of broadcasting policy in Australia from the 1920s to the 1980s." Title page, table of contents and abstract only, 1987. http://web4.library.adelaide.edu.au/theses/09PH/09phl2651.pdf.
Full text
2
Schaap, Rob, and n/a. "Pay television : overseas experiences and Australian options." University of Canberra. Communication, 1991. http://erl.canberra.edu.au./public/adt-AUC20061107.171016.
Full textAbstract:
The issue of pay television has generated a plethora of reports and
submissions from politicians, bureaucrats and industrialists for a decade.
That the issue is not yet resolved is the result of many factors, all of which
serve to highlight the structural complexities of the Australian electronic
media system. At the political level, social policy is in a state of transition
and broadcasting policy has reflected this. The Australian Broadcasting
Corporation (ABC) and the Special Broadcasting Service (SBS) have been
forced to reappraise their roles as public broadcasters. The commercial
networks have seen their reserves and their profitability deteriorate
drastically in an environment of poor management, fluctuating government
policy and a depressed national economy. The Australian Broadcasting
Tribunal (ABT), the federal regulator of commercial broadcasting, is
struggling to adapt to these new circumstances, and is confronted by new
challenges to its powers and responsibilities.
Ideally, a discussion on the introduction of pay television would be conducted
within the context of a comprehensive and established federal broadcasting
policy. Basic to this thesis is the perception that no such policy exists. It is
left to the analyst to speculate as to the intentions evident in Government
initiatives, suggest the potential impact of pay television in that light, and
offer constructive criticism accordingly.
This thesis recognises that pay television seems inevitable as both major
political parties are committed, in principle at least, to its introduction. This
thesis sets itself the following objectives: to identify the salient components
that serve to define pay television; to develop and employ a methodology to
extract lessons from the experiences of others with pay television, whilst
remaining sensitive to historical and structural context; to apply those
lessons to the Australia condition; and to make recommendations on the
introduction of pay television, based on both the definitional and comparative
work of this thesis, within the context of contemporary Government
deliberations, as evident in the Report from the House of Representatives
Standing Committee on Transport, Communications and Infrastructure of
November 1989.
3
Keys, Wendy, and n/a. "Grown-Ups In a Grown-Up Business: Children's Television Industry Development Australia." Griffith University. School of Arts, Media and Culture, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060928.135325.
Full textAbstract:
This dissertation profiles the children's television industry in Australia; examines the relationship between government cultural policy objectives and television industry production practices; and explores the complexities of regulating and producing cultural content for child audiences. The research conducted between 1997 and 2002 confirms that children's television is a highly competitive business dependent on government regulatory mechanisms and support for its existence. For example, the Australian Broadcasting Authority's retaining of mandatory program standards for children's programs to date, is evidence of the government's continued recognition of the conflict between broadcasters' commercial imperatives and the public-interest. As a consequence, the industry is on the one hand insistent on the government continuing to play a role in ensuring and sustaining CTV - however, on the other hand, CTV producers resent the restrictions on creativity and innovation they believe result from the use of regulatory instruments such as the Children's Television Standards (CTS). In fact, as this dissertation details, the ABA's intended policy outcomes are inevitably coupled with unintended outcomes and little new or innovative policy development has occurred. The dissertation begins with an investigation into the social, cultural and ideological construction of childhood within an historical and institutional context. I do this in order to explore how children have been defined, constructed and managed as a cultural group and television audience. From this investigation, I then map the development of children television policy and provide examples of how 'the child' is a consistent and controversial site of tension within policy debate. I then introduce and analyse a selection of established, establishing and aspiring CTV production companies and producers. Drawing on interviews conducted, production companies profiled and policy documents analysed, I conclude by identit~'ing ten key issues that have impacted, and continue to impact, on the production of children's television programming in Australia. In addressing issues of industry development, the question this dissertation confronts is not whether to continue to regulate or not, but rather, how best to regulate. That is, it explores the complexities of supporting, sustaining and developing the CTV industry in ways which also allows innovative and creative programming. This exploration is done within the context of a broadcasting industry currently in transition from analogue to digital. As communications and broadcasting technologies converge, instruments of regulation - such as quotas designed around the characteristics of analogue systems of broadcasting - are being compromised. The ways in which children use television, and the ways in which the CTV producers create content, are being transformed. The ten key issues identified in this dissertation, I propose, are crucial to industry development and policy debate about the future of children's television in Australia. In integrating the study of policy with the study of production, I have given prominence to the opinions and experiences of those working in the industry. In doing so, this dissertation contributes to the growing body of work in Australia which incorporates industry with cultural analysis, and which includes the voices of the content providers.
4
Radcliffe, Jeanette, and n/a. "The Australian Broadcasting Tribunal's Australian Content Inquiry 1983 - 1990: a case study in The dynamics of a public policy debate." University of Canberra. Communication, Media & Tourism, 1994. http://erl.canberra.edu.au./public/adt-AUC20061207.162525.
Full textAbstract:
Since their inception in the early 1960s, Australian content requirements for commercial television have been subjected to
considerable scrutiny through a series of formal inquiries. Over
the last ten years this process has intensified. In recent years
there have been a number of academic criticisms regarding the
state of debate about the regulation of Australian content on
commercial television and the capacity of the debate to generate
genuine criticism and embrace change.
This thesis examines the dynamics of debate about Australian
content. It focuses on the ABT's Inquiry into Australian Content
on Commercial Television (ACI) which ran from 1983 to 1989.
It takes as its basic point of reference Jurgen Habermas' concept
of the 'public sphere'. This concept refers to a realm of social life,
separate from the state and private spheres, in which 'public
opinion' can be formed. Habermas has argued that, with the
refeudalisation of the public sphere, the state and private
interests have increasingly collaborated to close off the public
sphere. The thesis concludes that in many respects Habermas'
concept of a refeudalised 'public sphere' is a useful explanatory
tool for understanding the dynamics of the ACI and the limited
degree of criticism generated by it. However, Habermas' model
is limited in so far as it fails to accord adequate recognition to the
complexities and significance of the mediation of the 'public
interest' by key participants in the inquiry and the strategic role
of rhetoric for these participants.
Habermas concludes that with the refeudalisation of the public
sphere and the disappearance of the historical conditions which
supported its operation, the public sphere must now be
reconstructed on a case by case basis. Attempts to achieve this,
have tended to focus on the facilitation of citizen participation in
public policy debate. However, as this analysis of the ACI
demonstrates, the dynamics of the debate itself appear to limit
I the degree to which 'public opinion' can be elevated above
'private interest'.
This thesis demonstrates that the mediation of the 'public
interest' assumed a central role in the rhetoric and strategy of
the ACI. Each of the key players represented distinct interests and were largely unaccountable to the 'public' they claimed to
serve. This thesis concludes that in order to gain a more detailed
understanding of how communication works in such a context,
and in order to conceive of alternative participatory forms, we
need to focus on those aspects of public discourse which Habermas neglects: the rhetoric and the strategic nature of public
representation. It suggests that fruitful avenues for further
study may lie with Bantz's notion of communicative structures or
Luhmann's systems approach to communication.
5
Flynn, John Michael. "Locally significant content on regional television : a case study of North Queensland commercial television before and after aggregation." Thesis, Queensland University of Technology, 2008. https://eprints.qut.edu.au/16697/1/John_Michael_Flynn_Thesis.pdf.
Full textAbstract:
This thesis is an exploration of the fate which has befallen the regional commercial television industry in North Queensland in the wake of the aggregation policy introduced by the Federal Labor Government in 1990. More specifically, it examines the effectiveness of policy outcomes which stem from the Australian Broadcasting Authority's 2001 inquiry into the adequacy of regional and rural commercial television news and information services.
The research is primarily concerned with the quality of local content provided by regional commercial broadcasters in response to the implementation of the Australian Communications and Media Authority's points system for broadcast of matters of local significance. The policy outcomes are balanced against an historical context, which traces the regional commercial television industry in North Queensland back to its very beginning.
Regulatory reform has resulted in a basic level of news content being maintained. However the significance of elements of this news content to local viewers is minimal.
The reduction in local information content, despite being identified in the earliest stages of the ABA investigation, has not been adequately addressed by the reform process.
6
Flynn, John Michael. "Locally significant content on regional television : a case study of North Queensland commercial television before and after aggregation." Queensland University of Technology, 2008. http://eprints.qut.edu.au/16697/.
Full textAbstract:
This thesis is an exploration of the fate which has befallen the regional commercial television industry in North Queensland in the wake of the aggregation policy introduced by the Federal Labor Government in 1990. More specifically, it examines the effectiveness of policy outcomes which stem from the Australian Broadcasting Authority's 2001 inquiry into the adequacy of regional and rural commercial television news and information services. The research is primarily concerned with the quality of local content provided by regional commercial broadcasters in response to the implementation of the Australian Communications and Media Authority's points system for broadcast of matters of local significance. The policy outcomes are balanced against an historical context, which traces the regional commercial television industry in North Queensland back to its very beginning. Regulatory reform has resulted in a basic level of news content being maintained. However the significance of elements of this news content to local viewers is minimal. The reduction in local information content, despite being identified in the earliest stages of the ABA investigation, has not been adequately addressed by the reform process.
7
Cheung, Wing-lim Gloria. "An analysis of the broadcasting regulatory system and programme quality in Hong Kong." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21036743.
Full text
8
Kung, Chun-fai Frederick. "Influx of Western media to Asia and response of Asian governments /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B1796314X.
Full text
9
Hall, Jane. "Television and positive ageing in Australia." Thesis, Hall, Jane (2005) Television and positive ageing in Australia. PhD thesis, Murdoch University, 2005. https://researchrepository.murdoch.edu.au/id/eprint/92/.
Full textAbstract:
As a means to engage with others, television offers the viewer a great deal. In Australia commercial TV is particularly popular, and many turn daily to this cultural arena which graphically portrays our shared concerns and values. Viewers are kept informed and entertained, advertisements display the luxuries and necessities that direct lifestyle choices,and local and global stories are presented for mutual consideration. Audiences are connected not only with products,personalities and newsmakers, but also with fellow viewers who are sharing the experience. Retired people take particular advantage of this multi-faceted link with the outside world, when additional leisure time and reduced social and physical mobility create spaces that can be filled with the narratives and 'para-social' connections of a medium that transports the world to the viewer. Yet one definitive statement that can be made about popular television is that older people are rarely acknowledged and often ridiculed. An easily accessible and valuable communications medium marginalises those most dependent upon it - for information and entertainment, but also, I would argue, dependent upon it to help facilitate key recommendations of the 'successful ageing' formula.
Authoritative prescriptions for ageing well emphasise the benefits of social engagement, with television helping to facilitate this by involving the viewer with local concerns and wider accounts of human enterprise. Yet the popular media often presume that older people are no longer viable consumers or citizens, thus alienating them from mediated stories and populations. 'Success', according to commercial media sensibilities, is equated with youthfulness and economic means - twin attributes rarely associated with retired people. As a result, advertising is directed primarily at young, middle-class audiences, and the TV programmes to hook their attention are often typecast with similarly youthful protagonists. Older viewers are taken for granted and rarely acknowledged, and more disconcertingly, stereotyped and ridiculed to empower younger viewers. This dissertation seeks to explore these issues from a sociological perspective, primarily within the Australian context. Research strategies include a detailed analysis of the role of television in older people's lives and how they are portrayed, with results aligned with 'successful ageing' guidelines. Included in this approach is a study of how older people are portrayed on commercial TV in Australia, and a discussion of findings. The final section includes a chapter which consists of an examination of negative media portrayals from a political and human rights perspective, and the final chapter which asks how the oldest and frailest may by impacted by the cultural devaluation of old age.
10
Hall, Jane. "Television and positive ageing in Australia." Hall, Jane (2005) Television and positive ageing in Australia. PhD thesis, Murdoch University, 2005. http://researchrepository.murdoch.edu.au/92/.
Full textAbstract:
As a means to engage with others, television offers the viewer a great deal. In Australia commercial TV is particularly popular, and many turn daily to this cultural arena which graphically portrays our shared concerns and values. Viewers are kept informed and entertained, advertisements display the luxuries and necessities that direct lifestyle choices,and local and global stories are presented for mutual consideration. Audiences are connected not only with products,personalities and newsmakers, but also with fellow viewers who are sharing the experience. Retired people take particular advantage of this multi-faceted link with the outside world, when additional leisure time and reduced social and physical mobility create spaces that can be filled with the narratives and 'para-social' connections of a medium that transports the world to the viewer. Yet one definitive statement that can be made about popular television is that older people are rarely acknowledged and often ridiculed. An easily accessible and valuable communications medium marginalises those most dependent upon it - for information and entertainment, but also, I would argue, dependent upon it to help facilitate key recommendations of the 'successful ageing' formula.
Authoritative prescriptions for ageing well emphasise the benefits of social engagement, with television helping to facilitate this by involving the viewer with local concerns and wider accounts of human enterprise. Yet the popular media often presume that older people are no longer viable consumers or citizens, thus alienating them from mediated stories and populations. 'Success', according to commercial media sensibilities, is equated with youthfulness and economic means - twin attributes rarely associated with retired people. As a result, advertising is directed primarily at young, middle-class audiences, and the TV programmes to hook their attention are often typecast with similarly youthful protagonists. Older viewers are taken for granted and rarely acknowledged, and more disconcertingly, stereotyped and ridiculed to empower younger viewers. This dissertation seeks to explore these issues from a sociological perspective, primarily within the Australian context. Research strategies include a detailed analysis of the role of television in older people's lives and how they are portrayed, with results aligned with 'successful ageing' guidelines. Included in this approach is a study of how older people are portrayed on commercial TV in Australia, and a discussion of findings. The final section includes a chapter which consists of an examination of negative media portrayals from a political and human rights perspective, and the final chapter which asks how the oldest and frailest may by impacted by the cultural devaluation of old age.
11
Edwards, Natalie. "Queer British television : policy and practice, 1997-2007." Thesis, University of Nottingham, 2010. http://eprints.nottingham.ac.uk/11113/.
Full textAbstract:
Representations of gay, lesbian, queer and other non-heterosexualities on British terrestrial television have increased exponentially since the mid 1990s. Lesbian, gay, bisexual, transgender and queer characters now routinely populate mainstream series, while programmes like Queer as Folk (1999-2000), Tipping the Velvet (2002), Torchwood (2006-) and Bad Girls (1999-2006) have foregrounded specifically gay and lesbian themes. This increase correlates to a number of gay-friendly changes in UK social policy pertaining to sexual behaviour and identity, changes precipitated by the election of Tony Blair’s Labour government in 1997. Focusing primarily on the decade following Blair’s installation as Prime Minister, this project examines a variety of gay, lesbian and queer-themed British television programmes in the context of their political, cultural and industrial determinants, with the goal of bridging the gap between the cultural product and the institutional factors which precipitated its creation. Ultimately, it aims to establish how and why this increase in LGBT and queer programming occurred when it did by relating it to the broader, government-sanctioned integration of gays, lesbians and queers into the imagined cultural mainstream of the UK. Unlike previous studies of lesbian, gay and queer film and television, which have tended to draw conclusions about cultural trends purely through textual analysis, this project uses government and broadcasting industry policy documents as well as detailed examination of specific television programmes to substantiate links between the cultural product and the wider world. The main body of the thesis comprises five chapters, including three industrial case studies examining the four main terrestrial broadcasters- Channel 4, Channel 5, ITV and the BBC- and their gay, lesbian and queer output between 1997 and 2007. Again by analysing policy documents and the distinct public service obligations of each broadcaster, these case studies link the brand identities and imagined audiences of each with the range and volume of LGBT and queer programming they produced within the ten year period studied. In doing so, they also consider the effect of digitisation and the multi-channel environment on the specific types of queer and LGBT programming provided by each broadcaster, and the impact of niche-market broadcasting on the presentation of sexual difference within the contemporary UK context.
12
龔振輝 and Chun-fai Frederick Kung. "Influx of Western media to Asia and response of Asian governments." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31267191.
Full text
13
Havard, Sophie. "La construction d'une Europe audiovisuelle : l'adequation des politiques menées." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56812.
Full textAbstract:
In the 80's, European broadcasting changed dramatically. The rising of new technologies resulted into a growing number of TV programmes' demand while the amount of supply stays unchange.There are two European strategies: (1) A regulation policy, with the European directive "Television without frontiers"; (2) A promotion of European programmes industry, with MEDIA and EUREKA.
The challenge is beyond the means implemented until now. The building of European audiovisual industry is a slow process, since cultural union and economic union are linked.
14
Thomas, Suzanne Lynne. "Heroes, assassins, mobsters, and murders martial arts TV and the popular Chinese imagination in the PRC /." online access from Digital Dissertation Consortium access full-text, 2004. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3112189.
Full text
15
Smaill, Belinda 1972. "Amidst a nation's cultures : documentary and Australia's Special Broadcasting Service Television." Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8644.
Full text
16
Sakr, Naomi. "The making and implementation of Egyptian policy towards satellite television broadcasting." Thesis, University of Westminster, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.323130.
Full text
17
Jääsaari, Johanna. "Consistency and change in Finnish broadcasting policy : the implementation of digital television and lessons from the Canadian experience /." Åbo : Åbo Akademis Förlag, 2007. http://www.loc.gov/catdir/toc/fy0804/2007462323.html.
Full text
18
Cheung, Wing-lim Gloria, and 張詠廉. "An analysis of the broadcasting regulatory system and programme quality in Hong Kong." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31965763.
Full text
19
Wilding, Derek. "AIDS and pro-social television : industry, policy and Australian television drama." Thesis, Queensland University of Technology, 1998. https://eprints.qut.edu.au/36314/6/36314_Digitised%20Thesis.pdf.
Full textAbstract:
This thesis examines the intersection of popular cultural representations of HIV and
AIDS and the discourses of public health campaigns. Part Two provides a
comprehensive record of all HIV related storylines in Australian television drama
from the first AIDS episode of The Flying Doctors in 1986 to the ongoing narrative
of Pacific Drive, with its core HIV character, in 1996. Textual representations are
examined alongside the agency of "cultural technicians" working within the
television industry. The framework for this analysis is established in Part One of
the thesis, which examines the discursive contexts for speaking about HIV and AIDS
established through national health policy and the regulatory and industry
framework for broadcasting in Australia. The thesis examines the dominant liberal
democratic framework for representation of HIV I AIDS and adopts a Foucauldian
understanding of the processes of governmentality to argue that during the period of
the 1980s and 1990s a strand of social democratic discourse combined with
practices of self management and the management of the Australian population. The
actions of committed agents within both domains of popular culture and health
education ensured that more challenging expressions of HIV found their way into
public culture.
20
Onwochei, Gil. "U.S. television coverage of Africa : geopolitical, economic, and strategic policy implications /." Full-text version available from OU Domain via ProQuest Digital Dissertations, 1987.
Find full text
21
Al-Garni, Ali Dhafer A. "Broadcasting in Saudi Arabia in the era of globalization : a study of local constraints on television development." Thesis, University of Stirling, 2000. http://hdl.handle.net/1893/2276.
Full textAbstract:
This study examines the reasons for the Saudi media mdustry's dependence on imported foreign productions. In a departure from traditional dependency theory, which emphasises the role of external factors in the context of the world system, this study explains the state of dependency and underdevelopment in a more locally grounded analysis which evaluates the role of Saudi media policies and regulatory functions in perpetuatmg this dependency status. Two methodologies were applied, firstly, content analyses of a two-week period of Saudi television programming on Channel 1 were earned out to examine the quantity and quality of both local and imported television fare in terms of genre and format, Secondly, mterviews were conducted with Saudi media officials, media pohcy makers, and mdependent local producers to ascertain, from their perspective, what exactly constrains the Saudi media industry and limits its potential, and why the Saudi media is dependent on imported television fare. The results of the content analyses and interviews showed that political, professional and economic constraints handicap STV's performance. This has led to output which is considered to be irrelevant to the needs and mterests of the Saudi viewing population. It has also led to an increase in imported foreign programming and DBS populanty, thus creating a cause of concern among culturalists and Islamists who object to content which, they argue, conflicts with the basic principles of the Islamic faith. Recommendations are proposed to Saudi media policy makers in order to counteract the foreign competition and enhance mdigenous, self-reliant development.
22
Amin, Hussein Yousry. "An Egypt-based model for the use of television in national development." Connect to resource, 1986. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1279569182.
Full text
23
Wagman, Ira. "From spiritual matters to economic facts : recounting problems of knowledge in the history of Canadian audiovisual policy, 1928-61." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102229.
Full textAbstract:
Using a theoretical model incorporating recent work in the field of historical epistemology and Michel Foucault's concept of governmentality this dissertation reconsiders key moments in the history of Canadian audiovisual policy as sites for examining the production of knowledge about national cultural activity. Drawing upon archival records, interdisciplinary research and a discursive analysis of policy documents, I argue that the resolution of questions regarding the nature of cultural expertise and the evidentiary value of different forms of knowledge accompanied changing state rationale towards film and broadcasting and foreshadowed the refashioning of Canada's audiovisual sector.To illustrate, I focus on a period between the establishment of the first Royal Commission on Radio Broadcasting in 1928 and the institution of Canadian content regulations for television in 1960. During this period there are important shifts in the ways the federal government conceived of and administered the audiovisual sector. In the 1920s and 30s, broadcasting and film production were nationalized and placed within publicly funded institutions such as the CBC and NFB. However, less than twenty-five years later, policy rationale towards the audiovisual sector had shifted, with measures put in place to support the development of the cultural industries. The CBC's dominance over broadcasting and regulation had been replaced by a new structural arrangement involving both public and private broadcasters regulated by independent agencies using content quotas to ensure Canadian programming on the airwaves. In Canada's film sector, the NFB's expansion into feature film and television production was halted through policy shifts encouraging the development of the independent film production sector.
Using case studies that explore the historical context behind the emergence of key administrative techniques I document the declining influence of cultural nationalists and humanistic approaches to cultural issues and the rising influence of accountants, statisticians, and scholars from the nascent field of communication studies in the policy process. These developments run concurrently to shifting government rationale towards the audiovisual sector away from developing "national consciousness" towards the creation of a "national economy" for broadcasting and film drawing on previous industrial development models borrowed from the automotive sector and 19th century National Policy.
Although scholarly attention in the field of cultural policy studies has generally focused upon understanding why these shifts occurred, this thesis is devoted primarily towards understanding how such shifts took place. Attention to these questions moves the field of study away from the pragmatic issues of policymaking and towards larger questions surrounding the triangulation between knowledge, state, and cultural production.
24
Sirakan, Sikares. "Digital television in Thailand (2006-2007)." Phd thesis, Australia : Macquarie University, 2008. http://hdl.handle.net/1959.14/22214.
Full textAbstract:
Thesis (PhD)--Macquarie University, Division of Society, Culture, Media and Philosophy, Dept. of International Communication, 2008.Bibliography: p. 348-366.
Introduction -- Globalisation and network society -- Digital television -- Communication policy and development of Thai TV -- Research design -- Results : DTV: Thailand at the crossroads -- Results: National DTV policy and trends -- Results: Thai TV stations in technological transition (part 1) -- Results: Thai TV stations in technological transition (part 2) -- Discussion and conclusion.
The evolution of television and broadcasting technology from analogue to digital brings about changes in the global television industry. This technological transition is related to a political push which is highly concerned with national public interest in relation to socio-economic forces. Thailand's TV industry has also adopted and used digital television (DTV) technologies since the late 1990s in its TV production and broadcasting. The Thai government broadcasting regulators are expected to play a key role in launching and issuing national DTV policy. However, they seem to be involved in a conflict of interest which has negatively impacted Thailand's DTV transition. --This study selects Thailand's TV industry as a case study of a developing country in response to global technological transition. The thesis aims to explore major drives influencing Thai broadcasting in the shift from analogue to digital. It provides recommendations vis-à-vis the establishment of national DTV policy, and the current use of DTV technologies by Thai TV stations. The research project was conducted in Bangkok, Thailand, between October 2006 and October 2007, after the September coup in 2006. Two research methodologies employed in the study are (1) in-depth interviews with 26 experts (TV station administrators and mass communication scholars), and (2) observations of the nine TV stations. --Theoretical concepts in globalisation of communication echnologies and communication policy are reviewed. The research reveals two major pushes significantly forcing Thailand's TV industry into a newly administrative sphere. These are: (1) global push, and (2) domestic push; both are extensively addressed in this thesis.
Mode of access: World Wide Web.
xv, 366 p. ill. (some col.)
25
Reid, Donald, and n/a. "Cultural citizenship and the TVNZ charter : the possibility for multicultural representation in the commercial television environment." University of Otago. Department of Communication Studies, 2006. http://adt.otago.ac.nz./public/adt-NZDU20070627.112747.
Full textAbstract:
Summary: Implemented in 2003, the TVNZ Charter is a one-page document that outlines the broadcaster�s objectives to deliver programming that represents New Zealand�s ethnically and socially diverse population. This thesis will examine issues surrounding the representation of diversity especially in the context of the state-commercial television network. Using the notion of �cultural citizenship�, or the demand from minority groups within a society to be represented and included in the institutions of the state, I will examine how TVNZ is attempting to meaningfully represent New Zealand as a bicultural society and a multicultural society, while remaining commercially focused. This thesis argues that institutions of the state, of which the media is the most visible and, possibly, the most pervasive, always function as a tool of society�s dominant culture, therefore any bicultural or multicultural inclusion represented on TVNZ will always be controlled, and be at the discretion, of that singular dominant cultural force.
26
Zaid, Bouziane. "Public service television policy and national development in Morocco." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003019.
Full text
27
Hall, Richard 1957. "The CRTC as a policy-maker, 1968-1982 /." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74264.
Full textAbstract:
The Canadian Radio-television and Telecommission Commission (CRTC) is the body which regulates communications activity in Canada. It has become almost a cliche to say that in addition to simply formulating regulations, the Commission has also been the dominant policy-maker in the communications field. The allegation has been made that the CRTC is "out of control", usurping a policy-making role more properly exercised by elected government officials, while also defying their attempts to constrain its behaviour. It has further been argued that this Commission usurpation and defiance has meant that both the minister and Parliament have little or no influence to direct the agency.The study demonstrates that the Commission has often acted as a policy-maker but that this role has been in response to the existence of a policy vacuum and lack of leadership from elected government. Furthermore, the agency has assumed a policy-making role not through an act of usurpation but with the tacit consent of elected officials. For these officials, the CRTC performs a useful function "insulating" them from the need to make a decision (and accept responsibility) on policy issues which often involve difficult political choices. The study also shows that the agency's "political masters", Cabinet and Parliament, possess a variety of both formal and informal control mechanisms which effectively prevent the CRTC from maintaining a policy position independent from government.
28
Rennie, Elinor Mary. "The future of community broadcasting : civil society and communications policy." Thesis, Queensland University of Technology, 2003. https://eprints.qut.edu.au/15829/1/Elinor_Rennie_Thesis.pdf.
Full textAbstract:
Will community television one day be lamented in the same way as the Glenn Valley Bridge Club in Pennsylvania, where no one remains 'who can tell us precisely when or why the group broke up' (Putnam, 2000: 15)? Robert Putnam's bestseller Bowling Alone proposed that people 'need to reconnect with one another' and rebuild their communities for the good of society. Although he may not have succeeded in instigating a revival of lawn bowls and bridge, Putnam did spark a debate about the meaning of "community" today and its role in bringing about positive social change. At a time when the communications landscape is set to transform with the introduction of digital broadcasting technology, this thesis looks at the status of community broadcasting and its role within civil society. Taking Australia's community television sector as its starting point, it aims to define the pressures, public philosophies and policy decisions that make community broadcasting what it is. This thesis is structured thematically and geographically. The introductory chapters establish the research question in relation to Australia's community broadcasting sector. As well as tracing the intellectual path of community media studies, it sets out to locate community broadcasting within broader intellectual debates around notions of community, governance and the media. These are brought back to the "on-the-ground" reality throughout the thesis by means of policy analysis, interviews and anecdotal evidence. Chapters Three to Five map out the themes of access, the public interest and development by reference to community broadcasting in different regions. In North America I explore notions of free speech and first-come-first served models of access. In Europe, notions of "quality", public service broadcasting and the difficult relationship that community broadcasting has with public interest values. Through the Third World and the Third Way I examine how community broadcasting is implicated within development discourse and ideas of social change. The final chapter of the thesis moves into the virtual region of the Internet, looking at changing notions of access and the relevance of new communications rationales to the community broadcasting project. At the intersection of the various themes and models discussed throughout the thesis exists a strong rationale for the future of community broadcasting. Although new technologies may be interpreted as the beginning of the end of community broadcasting, I have argued that in fact it is an idea whose time has come.
29
Rennie, Elinor Mary. "The Future of Community Broadcasting: Civil Society and Communications Policy." Queensland University of Technology, 2003. http://eprints.qut.edu.au/15829/.
Full textAbstract:
Will community television one day be lamented in the same way as the Glenn Valley Bridge Club in Pennsylvania, where no one remains 'who can tell us precisely when or why the group broke up' (Putnam, 2000: 15)? Robert Putnam's bestseller Bowling Alone proposed that people 'need to reconnect with one another' and rebuild their communities for the good of society. Although he may not have succeeded in instigating a revival of lawn bowls and bridge, Putnam did spark a debate about the meaning of "community" today and its role in bringing about positive social change. At a time when the communications landscape is set to transform with the introduction of digital broadcasting technology, this thesis looks at the status of community broadcasting and its role within civil society. Taking Australia's community television sector as its starting point, it aims to define the pressures, public philosophies and policy decisions that make community broadcasting what it is. This thesis is structured thematically and geographically. The introductory chapters establish the research question in relation to Australia's community broadcasting sector. As well as tracing the intellectual path of community media studies, it sets out to locate community broadcasting within broader intellectual debates around notions of community, governance and the media. These are brought back to the "on-the-ground" reality throughout the thesis by means of policy analysis, interviews and anecdotal evidence. Chapters Three to Five map out the themes of access, the public interest and development by reference to community broadcasting in different regions. In North America I explore notions of free speech and first-come-first served models of access. In Europe, notions of "quality", public service broadcasting and the difficult relationship that community broadcasting has with public interest values. Through the Third World and the Third Way I examine how community broadcasting is implicated within development discourse and ideas of social change. The final chapter of the thesis moves into the virtual region of the Internet, looking at changing notions of access and the relevance of new communications rationales to the community broadcasting project. At the intersection of the various themes and models discussed throughout the thesis exists a strong rationale for the future of community broadcasting. Although new technologies may be interpreted as the beginning of the end of community broadcasting, I have argued that in fact it is an idea whose time has come.
30
Diao, Ming Ming. "Research into Chinese television development television industrialisation in China /." Phd thesis, Australia : Macquarie University, 2009. http://hdl.handle.net/1959.14/42473.
Full textAbstract:
Thesis (PhD)--Macquarie University, Division of Society, Culture, Media and Philosophy, Department of International Communication, 2009.Bibliography: p. 431-447.
Introduction -- Literature review -- Methodology -- The development and the actual situation of television industry in China -- Commercial television in the U.S. and public television in the U.K. -- Results and discussion -- Conclusions and recommendations -- Bibliography.
Over the past five decades, China's television industry has gone through various historical periods, which have seen marked changes in China's political and economic spheres, indeed in Chinese society overall. Over the last thirty years, since the reform and opening up of China in 1978, transformation of the original television systems, structure and industrial market chain has been attempted concomitant with the gradual relaxation of the restrictions applicable to China's television industry. Within these circumstances, the Chinese government, media practitioners, and scholars are actively exploring long-term, feasible and sustainable approaches to the further development of the television industry in China. The research examines China's approaches to the development of its television industry, using McQuail's political, economic and social framework, the relevant political economy traditions involving the neoclassic paradigm and the heterodox approach, and the principles of media economics and the 'market chain' theory of the television industry. This thesis first presents a concise review of how television developed in China: it then seeks to map perceived changes and to ascertain the problems throughout the process. Research methods employed are secondary data analysis, in-depth interview and focus group. Chinese scholars, officials and media practitioners are the participants of interviews and focus groups. The discussion draws on previous analyses and discussions, to assess the overall picture of television industrialisation reformation in China, additionally drawing on discourses surrounding commercial television in the United States and public television in the United Kingdom for valuable reference material that will support China's television development. The significance of this research lies in its providing an insight into China's television reformation and adding, to the field of communication and development, the Chinese experience. The research expects to propose a television development pathway with Chinese characteristics, drawing on Chinese as well as Western theories.
Mode of access: World Wide Web.
xix, 461 p. ill
31
May, Harvey Brian. "Australian Multicultural Policy and Television Drama in Comparative Contexts." Thesis, Queensland University of Technology, 2004. https://eprints.qut.edu.au/15835/1/Harvey_May_Thesis.pdf.
Full textAbstract:
This thesis examines changes which have occurred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia's multicultural population. The way in which these actors are portrayed on-screen has also shifted from one of a 'performed' ethnicity, to an 'everyday' portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming.
32
May, Harvey Brian. "Australian Multicultural Policy and Television Drama in Comparative Contexts." Queensland University of Technology, 2004. http://eprints.qut.edu.au/15835/.
Full textAbstract:
This thesis examines changes which have occurred since the late 1980s and early 1990s with respect to the representation of cultural diversity on Australian popular drama programming. The thesis finds that a significant number of actors of diverse cultural and linguistic background have negotiated the television industry employment process to obtain acting roles in a lead capacity. The majority of these actors are from the second generation of immigrants, who increasingly make up a significant component of Australia's multicultural population. The way in which these actors are portrayed on-screen has also shifted from one of a 'performed' ethnicity, to an 'everyday' portrayal. The thesis develops an analysis which connects the development and broad political support for multicultural policy as expressed in the National Agenda for a Multicultural Australia to the changes in both employment and representation practices in popular television programming in the late 1990s and early 2000s. The thesis addresses multicultural debates by arguing for a mainstreaming position. The thesis makes detailed comparison of cultural diversity and television in the jurisdictions of the United States, the United Kingdom and New Zealand to support the broad argument that cultural diversity policy measures produce observable outcomes in television programming.
33
Couture, André Michel. "Elements for a social history of television : Radio-Canada and Quebec Society 1952-1960." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61992.
Full text
34
Guo, Miao. "The Impact of Ownership, Regulation Issues and Technology Adoption on the Introduction of Digital Terrestrial Television: A Comparison of the United States and Mainland China." Thesis, University of North Texas, 2007. https://digital.library.unt.edu/ark:/67531/metadc3968/.
Full textAbstract:
This study compares the impact of media ownership, regulation and policy, and technology adoption on the introduction of digital terrestrial television in the United States and Mainland China. Through the use of a case study approach, a qualitative and quantitative examination is given. The results indicate that private group ownership throughout the U.S. digital terrestrial television industry and state ownership in China's television industry lead to the different paths to digital transition. Both governments, however, are deeply involved in respective digital initiatives and play an important role in the implementation from analog to digital. The technical standard adoption in the two countries places the underpinning for the future development of digital television (DTV), which also results in China lagging behind the United States by almost ten years. The differences of technological environments in households and income among consumers in the two countries further predict the intention to DTV adoption.
35
Podkalicka, Aneta Monika. "Lost in translation? Language policy, media and community in the EU and Australia : some lessons from the SBS." Thesis, Queensland University of Technology, 2007. https://eprints.qut.edu.au/16696/1/Aneta_Podkalicka_Thesis.pdf.
Full textAbstract:
Cultural diversity is a central issue of our times, although with different emphases in the European and Australian context. Media and communication studies have begun to draw on work in translation studies to understand how diversity is experienced across hybrid cultures. Translation is required both for multilingual (multicultural) societies such as Australia and for trans-national entities such as the European Union. Translation is also of increasing importance politically and even emotionally as individual nations and regions face the challenge of globalisation, migration, and the Americanisation of media content. The thesis draws on cultural and media policy analysis. Programming strategies are reviewed and 'conversational' interviews conducted with broadcasting managers and staff at SBS Australia and across multilingual public broadcasters in the EU (BBC WS, Deutsche Welle, ARTE, Radio Multikulti Berlin, Barcelona Televisió). These are used to investigate the issues, challenges, and uses of the multilingual broadcasting logic for Australia's and Europe's cultural realities. This thesis uses the concept of 'translation' as a key metaphor for bridging differences and establishing connections among multicultural citizens in the context of the European Union and Australia. It is proposed that of the two versions of translation - institutional in the EU and mediated in Australia respectively - the mediated version has achieved higher success in engaging ordinary citizens in more affective, informal and everyday forms of cross-cultural communication. Specifically, the experience of the Special Broadcasting Service (Australia's multilingual and multicultural public broadcaster) serves as a model to illuminate the cultural consequences of the failure of the EU to develop translation practices beyond the level of official, institutional and political communication. The main finding is the identification of a need for more mediated interlingual exchange; that is a translation of language policy in Europe into media experience for ordinary citizen-consumers, at both institutional and textual levels.
36
Podkalicka, Aneta Monika. "Lost in translation? Language policy, media and community in the EU and Australia : some lessons from the SBS." Queensland University of Technology, 2007. http://eprints.qut.edu.au/16696/.
Full textAbstract:
Cultural diversity is a central issue of our times, although with different emphases in the European and Australian context. Media and communication studies have begun to draw on work in translation studies to understand how diversity is experienced across hybrid cultures. Translation is required both for multilingual (multicultural) societies such as Australia and for trans-national entities such as the European Union. Translation is also of increasing importance politically and even emotionally as individual nations and regions face the challenge of globalisation, migration, and the Americanisation of media content. The thesis draws on cultural and media policy analysis. Programming strategies are reviewed and 'conversational' interviews conducted with broadcasting managers and staff at SBS Australia and across multilingual public broadcasters in the EU (BBC WS, Deutsche Welle, ARTE, Radio Multikulti Berlin, Barcelona Televisió). These are used to investigate the issues, challenges, and uses of the multilingual broadcasting logic for Australia's and Europe's cultural realities. This thesis uses the concept of 'translation' as a key metaphor for bridging differences and establishing connections among multicultural citizens in the context of the European Union and Australia. It is proposed that of the two versions of translation - institutional in the EU and mediated in Australia respectively - the mediated version has achieved higher success in engaging ordinary citizens in more affective, informal and everyday forms of cross-cultural communication. Specifically, the experience of the Special Broadcasting Service (Australia's multilingual and multicultural public broadcaster) serves as a model to illuminate the cultural consequences of the failure of the EU to develop translation practices beyond the level of official, institutional and political communication. The main finding is the identification of a need for more mediated interlingual exchange; that is a translation of language policy in Europe into media experience for ordinary citizen-consumers, at both institutional and textual levels.
37
Robinson, F. J. "The feasibility of regional television (RTV) in South Africa : a study of the official process towards the issuing of licenses for RTV and subsequent developments." Thesis, Stellenbosch : Stellenbosch University, 2007. http://hdl.handle.net/10019.1/19648.
Full textAbstract:
Thesis (MPhil)--University of Stellenbosch, 2007.ENGLISH ABSTRACT: This is a qualitative study on the question whether regional television can be feasible in South Africa with particular reference to the official process to introduce regional television (RTV), the various reports and opinions on the subject, new technological developments and the exploration of alternatives. It is an effort to make a contribution towards the debate about how the public broadcaster can deliver better dedicated services to the diverse language groups of the country wherever they live, while also keeping pace with the challenges of an ever changing global digital world. The study indicated that various public broadcasters internationally struggled to find a financially viable model for regional television to serve diverse communities. The general option was the use of “windows” – specific limited time allocated on national networks for regional break-aways. Yet, increasingly technology provided answers but still at a relative expensive fee for the average citizen. In South Africa the windows model was implemented for a limited period between 1996 and 2003. It was discontinued because of lack of financial support from the state. The researcher indicates how the process to implement regional television already started with transformation envisaged in the Independent Broadcasting Authority Act of 1993 through to the Broadcast Amendment Act of 2003 instructing the SABC to apply within nine months to the Independent Broadcasting Authority of South Africa (ICASA) for regional licenses that “should reflect the diversity of all sections of the population and represent the plurality of views and opinions of the audience” (ICASA, 2003a:11). ICASA published its Discussion Paper on Regional Television in September 2003 inviting comments while emphasizing the importance of serving the various language groups and providing local content. It recognised the problems concerning funding. Its Position Paper was released in November 2003. ICASA clearly took the view that the introduction of regional services in the various (especially marginalised) languages were imperative and that it had to be offered to the exclusion of English. The state had to fund the services while advertising would not be permitted. The study was approached within the framework of normative mass media theories, and in particular the developmental theory. Through content analysis the ICASA documents and the SABC’s application for RTV in December 2003 was assessed and the stark points of difference indicated, such as the use of English, local content (especially drama) and advertising income. By using the methodology of in-depth interviews and a social survey based on a structured questionnaire more information and perspective was gained. In its application for regional television the SABC suggested two channels for 10 indigenous languages in the nine provinces delivered through the outdated but cheaper analogue technology. Throughout 2004 ICASA and the SABC communicated in letters and at hearings to resolve differences without much success. The SABC’s main concerns remained funding and the lack of capacity and skills to offer the services required. ICASA decided in June 2005 to grant the SABC two regional licenses without issuing it until the funding issue could be resolved with the state. It relented to allow some advertising but remained opposed to the use of English. Towards the end of the study the researcher gives an overview of the fast developing international trends in digital broadcasting. Various options to serve regional communities are offered. News reports on international trends and the opinions of experts are then related to the situation in South Africa. One conclusion is that the state and the country would have to weigh up the cost of subsidising regional television to other pressing social needs of citizens. It appeared that the cost would be too high in the short term. Preparations for the staging of the 2010 Soccer World Cup in South Africa might lay the foundation for more sophisticated and affordable services later.
AFRIKAANSE OPSOMMING: Hierdie is ʼn kwalitatiewe studie van die proses om streekstelevisie in Suid-Afrika in te stel, ʼn bespreking van die verskillende verslae en menings oor die onderwerp, nuwe tegnologiese ontwikkelings en die oorweging van alternatiewe. Dit is ʼn poging om ʼn bydrae te maak tot die debat oor hoe die openbare uitsaaier beter en meer toegewyde dienste kan lewer aan die verskillende taalgroepe in die land, waar hulle woon. Terselfdertyd moet ook tred gehou word met die uitdagings van ʼn steeds veranderende internasionale digitale wêreld. Die studie dui aan dat openbare uitsaaiers wêreldwyd sukkel om ʼn lewensvatbare finansiële model vir die lewering van streekstelevisie aan verskillende gemeenskappe te vind. Die algemene keuse was die gebruik van “vensters” – dit is die toekenning van beperkte spesifieke tydsgleuwe op nasionale netwerke vir streekuitsendings. Tog begin tegnologie al hoe meer antwoorde verskaf, maar nog steeds teen redelike duur tariewe vir die deursnee-burger. Die venster-model van streekstelevisie is vir ʼn beperkte tyd van 1996 tot 2003 in Suid-Afrika toegepas. Dit is gestaak weens gebrek aan geldelike ondersteuning van die staat. Die navorser dui aan hoe die proses om streekstelevisie in te stel reeds begin het met die transformasie wat in die vooruitsig gestel is in die Wet op die Onafhanklike Uitsaai-Owerheid van 1993. Dit het later gelei tot die Uitsaai-Wysigingswetsonwerp van 2003. Daarin is die SAUK beveel om binne nege maande by die Onafhanklike Kommunikasie-Owerheid van Suid- Afrika (algemeen bekend as ICASA) om lisensies aansoek te doen vir streekstelevisie wat “die diversitieit van alle seksies van die samelewing sal reflekteer en die verskillende sienings en menings van die gehoor verteenwoordig” (ICASA, 2003a:11). ICASA het sy Besprekingsdokument oor Streekstelevisie in September 2003 gepubliseer. Daarin is klem gelê op die belangrikheid van dienslewering aan die verskillende taalgroepe en die lewering van plaaslike inhoud. Die kommentaar van belanghebbendes is gevra. In die dokument het ICASA erkenning gegee aan die struikelblokke rakende befondsing. ICASA se Standpuntdokument is in November 2003 vrygestel. ICASA het onomwonde verklaar dat die lewering van dienste aan die verskillende (maar veral aan die gemarginaliseerde) taalgemeenskappe voorkeur moes geniet en dat Engels uitgesluit moes word. Die staat sou die dienste moes finansier terwyl advertensies nie toegelaat sou word nie. Die ondersoek is benader binne die raamwerk van die normatiewe teorieë van massamedia kommunikasie en veral die ontwikkelingsteorie. Deur inhouds-analise het die navorser ʼn omvattende ontleding gedoen van die ICASA dokumente en van die SAUK se aansoek vir streekstelevisie. Die aansoek is in Desember 2003 by ICASA ingedien. Die skerp verskille met ICASA is uitgewys, naamlik die gebruik van Engels in die dienste, die lewering van plaaslike inhoud (veral drama) en oor advertensie-inkomste. Die navorser het die metode van diepteonderhoude en ʼn openbare menings-ondersoek, gegrond op ʼn gestruktureerde vraelys, gebruik om meer inligting en perspektiewe te bekom. Die SAUK het twee kanale vir streekstelevisie voorgestel vir die tien inheemse tale in die nege provinsies. Dit sou gelewer word met die goedkoper, maar uitgediende analoog-tegnologie. In 2004 het ICASA en die SAUK deurlopend gekommunikeer in briewe en by openbare verhore in ʼn poging om verskille te oorbrug, maar sonder veel sukses. Deurgaans was die SAUK bekommerd oor die kwessie van befondsing en die beskikbaarheid van bronne en vaardighede om sulke dienste aan te bied. ICASA het in Junie 2005 besluit om twee lisensies vir streekstelevisie aan die SAUK toe te ken, maar dit is nie uitgereik nie, hangende duidelikheid oor finansiering van die staat. Die owerheid het skiet gegee oor die geskil rondom advertensies, maar voet by stuk gehou dat Engelse uitsendings nie toegelaat sou word nie. Aan die einde van die studie gee die navorser ʼn oorsig van die vinnig ontwikkelende internasionale digitale tegnologiese tendense in die uitsaaiwese en die moontlikhede wat dit vir streeksgemeenskappe bied. Nuusberigte oor internasionale ontwikkelings en die menings van deskundiges word in verband gebring met streekstelevisie in Suid-Afrika. Een gevolgtrekking is dat die land die koste van subsidies vir streekstelevisiedienste sal moet opweeg teen die dringende maatskaplike behoeftes van burgers. Die het geblyk dat sulke subsidies te duur sou wees in die korter termyn. Voorbereidings vir die aanbied van die Wêreldbeker Sokkertoernooi in 2010 kan die basis skep om later wel meer gesofistikeerde en bekostigbare streeksdienste te lewer.
38
Slevin, James Martin. "The normative foundations of television culture : a critical account of the conceptualization of moral responsibility in Dutch and British state broadcasting policy." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307905.
Full text
39
Venter, Sahm. "The safety of journalists an assessment of perceptions of the origins and implementation of policy at two international television news agencies /." Thesis, Connect to this title online, 2005. http://eprints.ru.ac.za/213/.
Full text
40
Ceylan, Tulun Seyhan. "Policies Of Turkish Radio Television Corporation (trt): The Case Of The Directorate Of Documentary Programs." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/3/12607297/index.pdf.
Full textAbstract:
The objective of this study is to examine historically the policies of theDirectorate of Documentary Programs (DDP) of the Turkish Radio Television Corporation (TRT). Since there is very little research about particular sphere of the public service broadcasting in Turkey it is aimed to contribute to this area of study.
In the course of the study, historical conditions, structural factors, broadcasting policies, the conditions of public broadcasting of a country, and the role of individuals and the research methods applied in media studies were taken into
consideration. Furthermore, governmental, military, lawful, economic, cultural policies, and policies emerging from the institutional mechanisms, and practices of individuals are illustrated regarding the different time periods.
In this study, documentary research, observation, interview, and internet research were used as data gathering methods. Literature analysis, historical analysis and interpretative analysis were employed as methods of analysis.
It is mentioned that the role of individuals in the analysis of media studies is not paid much attention, additionally, especially in Turkey, research conducted about media generally ignores the methods of ethnography, field research and interpretative analysis. In analyzing the policies of DDP, it is asserted that except for the structural effects, individuals/actors have also roles in shaping these
policies. Furthermore, to examine the media, particularly television policies, it is maintained that there is a need to carry out analysis at the individual level by the help of conducting field research, applying methods of ethnography, and interpretative analysis in Turkey. Finally, it is claimed that to a large extend DDP have been under the effects of public broadcasting notion of Turkey, and there is a need for improving the institutional policies for the DDP to serve the public interest.
41
Papathanassopoulos, Stylianos. "The deregulation of television and policies for new media development : a comparative study of the United Kingdom, France, Luxembourg and the broadcasting policy of the European Community during 1981-86." Thesis, City University London, 1989. http://openaccess.city.ac.uk/7950/.
Full textAbstract:
This study describes and assesses the problems associated with the development of the new broadcasting media in the United Kingdom, France and Luxembourg in 1981-1986. It also examines the implications associated with the new broadcasting media in both the audiovisual landscape and the public policies concerning broadcasting. It describes and analyses the audiovisual policy initiated by the Commission of the European Community. This study believes that the impact of the the new broadcasting media on the audiovisual environment has been mostly indirect because of their very slow development. In all three countries, the development of the new broadcasting media has taken on an industrial dimension in terms of assisting the restructuring of their mature economies. The strongest impression to emerge from this project is a profound confusion and uncertainty about the media developments. A situation including an increased number of actors, involved both in conventional and new broadcasting media adversely influenced the latter's development. Even though the United Kingdom and France followed a different policy path, the outcome was the same: small growth. While France followed a state-led policy, the United Kingdom favoured private initiative and the market forces. This project also stresses that although economic pressures and challenges have been a driving force for policy adjustment, technology and markets do not themselves dictate specific and institutional arrangements. Additionally, it describes the state policy on broadcasting in Luxembourg and the anxiety of its politicians to maintain the Grand Duchy's traditional role as the location for international broadcasting. Finally, the European Community's broadcasting policy is discussed in terms of another attempt to harmonise diversified national legislations for the satellite age of television and 1992's Single Market.
42
Sousa, Helena. "Communications policy in Portugal and its links with the European Union : an analysis of the telecommunications and television broadcasting sectors from the mid-1980's until the mid-1990's." Thesis, City University London, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319649.
Full text
43
Maniaty, Tony. "The changing role of war correspondents in Australian news and current affairs coverage of two conflicts, Vietnam (1966-1975) and Iraq (2003)." Electronic version, 2006. http://hdl.handle.net/1959.14/682.
Full textAbstract:
Thesis (MA)--Macquarie University (Division of Society, Culture, Media & Philosophy, Dept. of Media and Communications), 2006.Bibliography: leaves 176-188.
Precursors -- An imperfect war -- Interregnum -- The perfect war -- Conclusions.
This thesis explores how war reporting on Australian television has been dramatically reshaped over the last 40 years, particularly by new technologies. Specifically, it seeks to answer these questions: 1. How did differing cultural, social, political and professional contexts, available technology and battlefield experience affect the attitudes, editorial content and narrative forms of two generations of television correspondents - in Vietnam and Iraq respectively? 2. How did technological and other industry changes over the 30 years between Vietnam and Iraq reshape the power relationship between the war correspondent in the field and his news producers and managers? What impact did these changes have on the resulting screened coverage? What are the longer-term implications for journalism and for audiences?
Mode of access: World Wide Web.
192 leaves ill. (some col.)
44
Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010." Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.
Full textAbstract:
While much has been written on the Australian film and television
industry, little has been presented by actual producers,
filmmakers and technicians of their time and experiences within
that same industry. Similarly, with historical documentaries, it
has been academics rather than filmmakers who have led the
debate. This thesis addresses this shortcoming and bridges the
gap between practitioner experience and intellectual discussion,
synthesising the debate and providing an important contribution
from a filmmaker-academic, in its own way unique and insightful.
The thesis is presented in two voices. First, my voice, the
voice of memoir and recollected experience of my screen
adventures over 38 years within the Australian industry, mainly
producing historical documentaries for the ABC and the SBS. This
is represented in italics. The second half and the alternate
chapters provide the industry framework in which I worked with
particular emphasis on documentaries and how this evolved and
developed over a 40-year period, from 1970 to 2010.
Within these two voices are three layers against which this
history is reviewed and presented. Forming the base of the
pyramid is the broad Australian film industry made up of feature
films, documentary, television drama, animation and other types
and styles of production. Above this is the genre documentary
within this broad industry, and making up the small top tip of
the pyramid, the sub-genre of historical documentary. These form
the vertical structure within which industry issues are
discussed. Threading through it are the duel determinants of
production: ‘the market’ and ‘funding’.
Underpinning the industry is the involvement of government, both
state and federal, forming the three dimensional matrix for the
thesis. For over 100 years the Australian film industry has
depended on government support through subsidy, funding
mechanisms, development assistance, broadcast policy and
legislative provisions.
This thesis aims to weave together these industry layers, binding
them with the determinants of the market and funding, and
immersing them beneath layers of government legislation and
policy to present a new view of the Australian film industry.
45
Olivier, Jak. "The possibilities provided by subtitling to the SABC TV in the recognition and protection of language rights." Thesis, Potchefstroom University for Christian Higher Education, 2003. http://hdl.handle.net/10919/71575.
Full textAbstract:
The degree to which the SABC (South African Broadcasting Corporation) as public broadcaster gives shape to its language policy and language mandate, against the background of an investigation of language rights, establishes the central problem statement of this research.It is widely acknowledged that it is difficult to define the concept of language rights. Although the language-sociological literature associates this concept with minority and cultural rights, it can also be seen as individual rights. According to the Constitution of the Republic of South Africa, 1996, it is clear that language rights should be seen as individual rights that can be exercised within a particular community. Although this dissertation provides an extensive juridical and language sociological explanation of the concept of language rights, the description by Judge Albie Sachs will be used as a working definition for this research. His division between the following four fundamental language rights, viz.: (i) the right to use your language; (ii) the right to develop your language; (iii) the right to be understood and to understand other languages as well as (iv) the right not to be discriminated against because of your language, provides a useful investigation instrument with which the degree to which the SABC-TV acknowledges and protects language rights can be measured.It is found that despite the policy documents on national and corporate level that has equal consideration and treatment of the diverse South African languages in mind, it still happens that the SABC-TV fails to give form to the language rights of individuals that belong to indigenous minority language groups in South Africa. Due to this, the research suggests that the extensive implementation of subtitles, as a form of screen translation that differs from lip synchronised dubbing, can make a significant contribution to the acknowledgement and protection of language rights by the SABC-TV.In addition to a discussion on what subtitles entail, the technical nature and specific parameters thereof, a feasibility study is included within which the affordability of this project for the SABC-TV is indicated. It is found that this form of screen translation is ideal for the South African situation because it is cheaper than both lip synchronised dubbing and the creation of new television programmes, but also because it can effectively be employed in regional broadcasts. Furthermore, the use of bilingual subtitles and pivot subtitles are also alternatives that may be considered. It is essential though that subtitles can indeed contribute to the way in which the SABC, as a public broadcaster, acknowledges and protects the fundamental language rights of the multitude of South Africans that belong to different language communities in South Africa. (Written in Afrikaans)
46
Olivier, Jacobus Alwyn Kruger. "Die moontlikhede wat onderskrifte die SABC-TV bied in die erkenning en beskerming van taalregte / Jacobus Alwyn Kruger Olivier." Thesis, North-West University, 2003. http://hdl.handle.net/10394/2417.
Full text
47
Papandrea, Franco. "Cultural regulation of Australian television programs." Phd thesis, 1996. http://hdl.handle.net/1885/144362.
Full text
48
Lane, Karen Lesley. "Broadcasting, democracy and localism : a study of broadcasting policy in Australia from the 1920s to the 1980s / Karen Lesley Lane." Thesis, 1987. http://hdl.handle.net/2440/18715.
Full text
49
Smith, Laura Kendall Poindexter Paula Maurie. "Consolidation and news content how media ownership policy impacts local television news /." 2004. http://wwwlib.umi.com/cr/utexas/fullcit?p3143472.
Full text
50
Kim, Shin Dong. "The political economy of the Korean television industry state, capital and media in globalization /." 1997. http://catalog.hathitrust.org/api/volumes/oclc/39797639.html.
Full text