Journal articles on the topic 'Television broadcasting – Influence – Case studies'
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1
Stollfuß, Sven. "The platformisation of public service broadcasting in Germany: The network ‘funk’ and the case of Druck/Skam Germany." Critical Studies in Television: The International Journal of Television Studies 16, no. 2 (June 2021): 126–44. http://dx.doi.org/10.1177/1749602021996536.
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This article investigates how platformisation changes the practices of content production and distribution through the case of the web series, Druck (tr. Pressure (2018–), for the public service content network ‘funk’ (ARD and ZDF). An analysis of the German adaptation of the Norwegian television and web series Skam (tr. Shame) (NRK3, 2015–2017) shows how public service broadcasting (PSB) in Germany is changing due to the influence of social media. To reach a younger audience, PSB has to meet them on third-party platforms. Consequently, PSB must provide content that fits the mobile media environment of social media.
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Putranto, Ardino Yosland, and Wahyuningsih ,. "PENGARUH BUDAYA ORGANISASI TERHADAP INOVASI PRODUK PADA TV BERITA MILIK PEMERINTAH INDONESIA (STUDI KASUS PADA LPP TELEVISI REPUBLIK INDONESIA)." Media Riset Akuntansi, Auditing dan Informasi 12, no. 3 (December 12, 2012): 1. http://dx.doi.org/10.25105/mraai.v12i3.595.
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<span>In the era of open competition and is very tight at this time, product innovation is not <span>an option but a necessity. The changes and dynamics in market and also the environment in general, can not be ignored if you want to continue to survive in the business. Accordingly, this case study attempted to analyze on product innovation, particularly in relation to organizational culture. Case studies conducted at the Institute for Public Broadcasting (LPP) Televisi Republik Indonesia (TVRI) as a government-owned TV station news which is also the oldest TV station in Indonesia. The analysis focused on the influence of organizational culture - which includes the type of adhocracy and hierarchy culture - to product innovation in TVRI. Data were obtained through questionnaires to managers and staff of the news division field. With the method of multiple regression analysis, the results suggest that there are<br />cultural influences of organizational culture that include adhocracy and hierarchy<br />culture to product innovation either jointly or individually. The type of culture that encourages more product innovation happening in the LPP TVRI is adhocracy culture. This indicates that TVRI should immediately make the transition a culture that has been more dominant, the hierarchy culture, toward a more flexible and responsive to environmental changes, which is adhocracy culture. Thus expected to be able to support its role in maximazing the function of public institutions to provide more balanced information on the people of Indonesia.<br />Keywords:Organizational Culture, Cultural Adhokrasi, Cultural Hierarchy, Product<br />Innovation.<br /></span></span>
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Zordan, Davide. "Screening Piety, Invoking Fervour: The Strange Case of Italy's Televised Mass." Journal of Religion, Media and Digital Culture 3, no. 1 (December 6, 2014): 56–83. http://dx.doi.org/10.1163/21659214-90000041.
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This paper discusses the television broadcasting of Catholic Masses in Italy today from an interdisciplinary perspective that integrates theology with religion and media studies as well as television studies. After a brief overview of the history of television broadcasting of the Mass and a discussion of its rapid theological acceptance, the paper analyzes the unique success and “proliferation” of televised Masses in Italy. Looking at some of the common characteristics of televised Masses across Italian broadcasting channels, the paper concludes with a reflection on the specificity of (televised) Mass as a ritual action.
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Tulasi, Dominikus. "Implementasi Pedoman Perilaku Penyiaran Menurut Perspektif Komisi Penyiaran Indonesia (KPI)." Humaniora 5, no. 1 (April 30, 2014): 414. http://dx.doi.org/10.21512/humaniora.v5i1.3040.
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This multidiscipline research combines models and theoretical guidance of Indonesia Broadcasting Commission in implementing ethical behavioral guidance toward television broadcasting programs as mass media, a case study at Trans7. This qualitative research examined on how both Television management and Indonesia Broadcasting Commission highlight and perceive behavioral acting of host relating to entertainment programs. In one hand, program producer is able to construct, construe, and reconstruct societal opinions and mindset to its program. On the other hand, Indonesia Broadcasting Commission (KPI) construes the television program overacting and unethical. KPI judges the behavior of the program host does not deserve to present to the society referring to the broadcasting regulations, especially broadcasting behavioral guidance and broadcasting program standard (P3-SPS). Analyzing the implications television broadcasting program is a matter of negative image towards national culture and social norms through significant participant observation. This phenomenon is alarming, considering the host of TV programs which in the long run will be able to influence social value system and national culture. As it is able to gain an extensive understanding towards the identity makeup and sense of television broadcasting programs that exist within Indonesian society.
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Gardini, Gianluca. "Broadcasting, the Free Market and the Public Interest: Is the Italian Path to Pluralism Viable?" European Public Law 13, Issue 2 (May 1, 2007): 239–61. http://dx.doi.org/10.54648/euro2007014.
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The television and the mass media in general have a vital function in the creation of the democratic process, similar to that of institutions. The basic argument of this article is that television is not a simple market commodity and general competition laws cannot protect adequately the public interest of citizens in broadcasting. In Italy, in particular, the television sector has always suffered for lack of pluralism, a highly concentrated market, strong influence of political forces over public broadcasting. For these reasons the Italian experience represents an interesting case, as it allows one to observe the effects of a transition from a broadcasting framework entirely based on specific public regulation (monopoly) to a system hinged on general competition laws and technological development After looking at the evolution of broadcasting in Italy, the author will try to suggest some remedies for the Italian television sector.
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Hutasoit, Kennorton, and Henni Gusfa. "The effect of television media on beginner voters’ political participation." Jurnal Studi Komunikasi (Indonesian Journal of Communications Studies) 4, no. 3 (November 5, 2020): 583. http://dx.doi.org/10.25139/jsk.v4i3.2432.
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The political participation of beginner voters in the 2019 Indonesian General Elections in Belu Regency, East Nusa Tenggara Province (NTT) differentiate the current research from other studies. The television media were assumed to influence the political participation of beginner voters in the border region. Correlation test (r) was used to uncover the findings of this study. This study revealed a correlation between exposure to television mass media and political participation with 0.623 value, or strong correlation level category. Television media exposure also had a significant influence on political participation in the border district. Therefore, television broadcasting institutions which manage public frequencies play an important role in increasing the political participation of beginner voters at the border district by broadcasting political and election-related contents or programs.
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Tiani, Riris, and M. Suryadi. "Broadcasting Applications of Local Wisdom Character on Coastal Environment in Communication Media." E3S Web of Conferences 125 (2019): 09007. http://dx.doi.org/10.1051/e3sconf/201912509007.
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This study aims to determine the effect of television shows on people's verbal behavior. Natnography used as a research method, to find out the types of television programs that are seen by many people of all ages. Cultural studies methods also used to determine the negative impact of television broadcast content. How the influence of television shows on the style of public communication in forming the character of millennial society. In-depth interview techniques with KPID and representatives of national television stations. Based on research in the field, television shows are present for 24 hours in the family room. Culture that accepted in society that television has not become a spectacle but has become a demand. Broadcasting institutions control the formation of mental, social, and cultural. The results of this study include many Impoliteness television shows. The reality in broadcasting shows that FTV content, talk shows, and advertisements have the most verbal abuse (VA) frequencies. Form (VA) is dominated by abuse, swear, invective, and (nonVA). 60% of the broadcasting composition in the media must be educative with local wisdom, 20% national or international public broadcasting, 20% broadcast advertising content. Forms of impertinence are influenced by frequency, television cognition, and broadcast regulation.
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Svensson, Kent, and Lelia Green. "Battling the Commercialisation of the Swedish Mediasphere." Media International Australia 95, no. 1 (May 2000): 117–30. http://dx.doi.org/10.1177/1329878x0009500112.
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The regulation of national broadcasting is a forum for the official expression of a country's media priorities. Sweden has consistently attempted to prevent foreign broadcasters from establishing themselves in the Swedish mediasphere. Subsequently, wherever a non-Swedish broadcaster has demonstrated market demand for a media product not available in Sweden, the government has attempted to create a Swedish equivalent to meet public demand and prevent the loss of audience share to non-Swedish broadcasters. This dynamic is especially clear in terms of the introduction of commercial broadcasting. Sweden was the last country in Western Europe to license a commercial television station, in 1992. This case study addresses the accommodation of the historically socialist government to the demands for commercial broadcasting, and the policy debates which informed these deliberations. It is argued that one reason for the Swedish government resisting commercial television was an opposition to the country's further integration within global capitalism, regardless of the fact that Swedish technology has helped the expansion of transnational broadcasting systems.
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Yessenbekova, U., and D. Dospan. "BROADCASTING IN KAZAKHSTAN IN CONDITIONS INFORMATION SOCIETY. LEGAL ASPECTS." BULLETIN Series of Philological Sciences 72, no. 2 (June 30, 2020): 652–60. http://dx.doi.org/10.51889/2020-2.1728-7804.105.
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The article discusses the development problems and legal aspects of television broadcasting in Kazakhstan in the information society. The mechanisms of monitoring and forecasting the activities of socially responsible television, its role in the democratic modernization of society are proposed. The authors comprehensively analyzes the legal aspects of broadcasting in the information society, studies the role of television in the new social conditions. In the article, the authors highlight new constructions of modern media relations and forms of content management, which leads to increased civic activism and an increase in the political consciousness of society. And this becomes an effective way to change the social segment and influence on it. The transition of passive audience groups to the position of an active participant in the communication process poses completely new challenges for the state and society. The article contains predictive models of relations between television and political institutions and the principles of the formation of mechanisms for controlling society over the activities of television in the information society.
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Moran, Albert, and Karina Aveyard. "Vocal Hierarchies in Early Australian Quiz Shows, 1948–71: Two Case Studies." Media International Australia 148, no. 1 (August 2013): 107–17. http://dx.doi.org/10.1177/1329878x1314800112.
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This article examines the complexities involved in transferring content and genre from one media platform to another by emphasising the shifting, fragile yet stabilising part that sound can play in such a transformation. Early television is often labelled as a period of ‘radio with pictures’, and this intriguing designation directs our attention to this ‘moment’ of changeover. This analysis explores the parameters of sound in television's displacement of radio as the primary broadcasting medium in Australia in the 1950s. We focus in particular on the role of the human voice (host, audience and contestants) in two early quiz shows – Wheel of Fortune and Pick-a-Box – that began on radio and were both successfully remade as television programs.
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Windarto, Windarto, Eko Nuriyatman, and Rustian Mushawirya. "Strategi Pengawasan Siaran Televisi Lokal Oleh Komisi Penyiaran Daerah." Wajah Hukum 4, no. 2 (October 19, 2020): 276. http://dx.doi.org/10.33087/wjh.v4i2.259.
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This scientific article discusses the strategy of monitoring local television broadcasts by the regional broadcasting commission of Jambi Province. The research method used is juridical empirical to be able to find answers about how the local television broadcast conditions in Jambi Province and the monitoring strategy carried out by the regional broadcasting commission. Based on the research results, data shows that there are many violations, especially during the implementation of regional head elections and there are 12 (twelve) violations that have been given a reprimand sanction, the violations that occur are evenly distributed in all programs both advertising, news and cinema. Television broadcast surveillance strategy by monitoring broadcasts and receiving reports from the public. The theory used in this scientific article is the theory of legal effectiveness which reviews the success in implementing the law, failure in implementation and the factors that influence it. Because in this case the success in implementing the law on this scientific article is obeyed by the broadcasting institutions that are subject to sanctions. As for local television located outside Jambi City, the strategy was to form volunteer supervisors located in each district / city where local television was available.
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Setiawan, Harry, Siti Karlinah, Dadang Rahmat Hidayat, and Yuliandre Darwis. "The Failure of Implementation Broadcasting Regulations in Indonesia-Malaysia Border Region: Case Study on Free-to-air Television in Meranti Regency, Riau Province - Indonesia." Jurnal Komunikasi: Malaysian Journal of Communication 37, no. 1 (March 31, 2021): 88–106. http://dx.doi.org/10.17576/jkmjc-2021-3701-06.
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Border residents in Meranti Regency still love Malaysian free to air television broadcasts. The broadcasting regulation stipulates that broadcasters must provide free to air access to foster a love of Indonesian television broadcasts and a spirit of nationalism for all levels of society. However, the reality in the field is inversely proportional. An important point that questioned in this research is how the implementation of broadcasting regulations governing equality of access to information and containers of cultural expression in free to air broadcasts for all Indonesian people, especially in border areas. This study aims to reveal the extent of the application of broadcasting regulations in the border region in the context of free to air broadcasts and cultural expression containers in free to air broadcasts. Social action media studies used as an analytical tool to reveal that access and broadcasting infrastructure are a necessity for reaching viewers. The program of the choice model is another analytical tool in uncovering the motives for selecting free to air broadcasts that are loved by border society. The case study method used to find data from the field of a single case that is the implementation of free to air broadcasting regulations in the Indonesian border region of Malaysia. As a result, broadcasting regulations are considered unsuccessful in the context of free to air in the border regions, and the expression of Malay culture has no place on Indonesian television, which in turn, the Malay cultural preference filled with free to air Malaysian broadcasts. Keyword: Broadcasting, free-to-air, audience, border society, culture.
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Monaghan, Whitney. "Lesbian, gay and bisexual representation on Australian entertainment television: 1970–2000." Media International Australia 174, no. 1 (September 18, 2019): 49–58. http://dx.doi.org/10.1177/1329878x19876330.
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With the exception of a small number of contributions to the study of gay and lesbian representation in Australia, the queer history of Australian entertainment television has been left unexamined. This article seeks to address this gap through analysis of lesbian, gay and bisexual (LGB) characters in Australian entertainment television over a 30-year period from 1970 to 2000. The article examines the rise and fall of LGB representation on prime time Australian television from 1970 onwards in order to understand how key shifts in the politics of Australian cultural life have come to influence Australian television broadcasting. Charting the representation of LGB characters on Australian entertainment television, this article seeks to understand the politics of inclusion and exclusion of LGB characters and provides the basis for further research into Australian queer television history.
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Zeinalabedini, Asefeh. "The People’s Attitude towards the Language Use in the Local Media Broadcast: A Case Study of Azerbaijani language in Tabriz." Khazar Journal of Humanities and Social Sciences 17, no. 4 (December 2014): 5–28. http://dx.doi.org/10.5782/2223-2621.2014.17.4.5.
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This paper aims to describe the barriers of the language development with investigating the influence of an official language on native language that is used in broadcasting media, including television and radio. The data for this study is generated from a local televisionin Tabriz, informal and friendly interviews and communications with audiences. Data analysis is informed by a critical discourse analytic approach. Research’s findings about people’s attitude towards using their native language in the broadcast media suggest that a significat effect of the official language on the native language. The findings are interpreted as the local television and radio are to promote the development of the official language instead of the native/local language. Other results also reveal that the language used in broadcasting local media is not the appropriate version of Azerbaijani, but moves towards more Persian than Azerbaijani.
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Wilson, Helen. "Hosting the Olympic Broadcast." Media International Australia 97, no. 1 (November 2000): 23–34. http://dx.doi.org/10.1177/1329878x0009700106.
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The host broadcaster is a peculiar, temporary but complex media institution which takes its most developed form in the case of the Olympic Games. The Sydney Olympic Broadcasting Organisation (SOBO) was the host broadcaster for the Sydney Olympics, providing vision for world television networks. Its political economy is examined from the point of view of the changing dynamics of television technologies and the Olympic Movement's assignment of intellectual property, including broadcast rights. The concept of a host broadcaster is shown to be a product of a particular moment in television history and in this respect it is compared to other hosting functions that the media provide for such an event.
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Volčič, Zala, and Melita Zajc. "Hybridisation of Slovene Public Broadcasting: From National Community towards Commercial Nationalism." Media International Australia 146, no. 1 (February 2013): 93–102. http://dx.doi.org/10.1177/1329878x1314600113.
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Public broadcasting institutions have existed as central and publicly funded national institutions, providing services in the public interest. The coincidence of technological, political and economic circumstances in the last 20 years or so, however, has challenged their monopoly position. Technological developments – specifically digitalisation – have expanded spectrum availability. In some cases, public television has been commercialised, privatised or marginalised by the introduction of commercial channels. This article focuses on a specific case study of the Slovene public broadcaster. It addresses the fate of public service television in the digital and post-communist era, tracing the transformation from state broadcasters to the era of digital delivery, audience fragmentation and commercial nationalism. It explores, on the one hand, the way in which public service broadcasters have embraced and capitalised on new forms of digital distribution and, on the other, how they continue to embrace national(istic) and commercial imperatives.
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Barambones, Josu, Raquel Merino, and Ibon Uribarri. "Audiovisual Translation in the Basque Country: The Case of Basque Television-Euskal Telebista (ETB)." Broadcasting with Intent 57, no. 2 (February 4, 2013): 408–22. http://dx.doi.org/10.7202/1013953ar.
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Recent historical translation research done on Basque state-owned television shows that while the Basque-speaking channel has used dubbed translation of children’s programmes to promote and standardize the use of Basque, the Spanish-speaking channel has competed in the wider market of Spanish broadcasting channels with fiction for adults. The choice of products to be broadcast for diverse target audiences clearly reflects a diglossic situation in terms of language distribution but it also serves to illustrate government language planning policies. Since Basque television is controlled by political instances (power), manipulation and ideology clearly have an influence both selecting the programmes and controlling the type of (Basque) language used when translating and dubbing imported products.
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Spellerberg, Ian S., Graeme D. Buchan, and Nick Early. "Television and environmental sustainability: Arguing a case for a code of standards in NZ." Pacific Journalism Review : Te Koakoa 12, no. 2 (September 1, 2006): 137–47. http://dx.doi.org/10.24135/pjr.v12i2.866.
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This article explores the portrayal of the environment and environmental sustainability by free-to-air network television in New Zealand. The results are based on a three-month survey of a) the portrayal of the use and treatment of the environment, and b) the reporting of environmental news. While television includes environmentally-oriented programmes (eg. some BBC Horizon documentaries), there are no regular programmes about the state of the environment, sustainable use of resources and energy, and there is no regular environmental slot in the news in New Zealand. Some programmes and advertisements are environmentally unfriendly and a few trivialise resource abuse. It is argued that the media has an ‘orchestrational’ influence on social norms and behaviours, and that to eliminate counter-messages requires the addition of a new ‘environmental standard’ to the Code of Broadcasting Practice. It is also argued that coverage of environmental news is quite narrow and, in the case of Television New Zealand, inconsistent with the stated aims of the Television Charter. New Zealand television could and should make a valuable contribution to environmental sustainability.
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Cunningham, Stuart, and Angela Romano. "W(h)ither Media Influence?" Media International Australia 95, no. 1 (May 2000): 19–27. http://dx.doi.org/10.1177/1329878x0009500105.
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During 1999–2000, the Productivity Commission's inquiry into Broadcasting, together with the ABA's ‘cash for comment’ inquiry, painted the old shibboleth of media influence in a new light. Influence has been a central term in government media regulation, but the term has rarely been interrogated from first principles in the policy domain. Assumptions have been made about the greater influence of television compared with radio, in spite of ongoing controversy centring around the cash for comment inquiry that has spotlighted both the power of talkback radio kings and their potential to misuse it. Policy-makers and politicians have also been overly optimistic about the potential of new media forms to ameliorate concentration of influence in the hands of media oligopolies. After examining the complex flows of influence within and between media organisations, this paper lists several recommendations for future directions in research on the subject.
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Yakusheva, Victoriya Vladimorovna. "The Influence of the Marketability Factors on the TV Company." Journal of Flm Arts and Film Studies 4, no. 4 (December 15, 2012): 136–48. http://dx.doi.org/10.17816/vgik44136-148.
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The author studies the problem of the competitive recovery of Russian TV channels and the new ways of achieving commercial success. The Public Limited Company “Channel 1” and the Russian State Television and Radio Broadcasting Company produce and feature similar audio-visual production, have the same market shares and rates of growth, but substantially different competitive edges. Why? The author gives a thorough analysis of the leading media brands, methods of the TV business protection in particular situations and the factors that can influence the management process.
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Andrews, Kylie. "Don’t tell them I can type: negotiating women’s work in production in the post-war ABC." Media International Australia 161, no. 1 (September 26, 2016): 28–37. http://dx.doi.org/10.1177/1329878x16669400.
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This article examines the pervasive mechanisms of discrimination in Australian public broadcasting in the 1950s and 1960s and considers how concepts of femininity were engaged to maintain the sexual division of labour within one of Australia’s leading cultural institutions, the Australian Broadcasting Commission (ABC). Constructing a collective biography of female producers who challenged gendered work practices, it discusses the obstacles that confronted women in production and considers the social, economic and industrial factors that allowed certain women to become producers when many failed to escape the ABC’s typing pool. Referring to case studies derived from biographical memory sources and industrial documentation, this article historicises the careers of radio and television producers and contextualises their histories against data found in the 1977 Women in the ABC report, to re-imagine the nature of women’s work in Australian broadcasting in the post-war era.
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Fortunato de Melo, Felipe. "COMPARATIVO DE TRANSMISSOES FUTEBOLÍSTICAS E O RÁDIO COMO BASE FUNDAMENTAL PARA OUTRAS MÍDIAS." Revista Científica Semana Acadêmica 10, no. 225 (September 14, 2022): 1–12. http://dx.doi.org/10.35265/2236-6717-225-12207.
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The work seeks to analyze three soccer broadcasts in different media, namely radio, television and the internet, in this case through streaming. During the analysis that has a comparative character, it becomes the central focus of the work to demonstrate the influence of radio soccer broadcasting within the other two media. In this way, emphasizing the basis and importance of radio.
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Md Alui, Siti Eryza Aziera, Mazlina Pati Khan, Nurul Asyiqin Shafei @ Safri, and Nordiana Mohd Nordin. "Audio Visual Digital Preservation Strategies: A case study in National Broadcasting Agency." Environment-Behaviour Proceedings Journal 7, SI10 (November 30, 2022): 47–51. http://dx.doi.org/10.21834/ebpj.v7isi10.4100.
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This study discusses the digital preservation practice and challenges of the media repository in the broadcasting industry. This study covers the digital preservation practices in Wisma TV, Radio Television Malaysia (RTM) where it functioning as information hubs for media resources and assisting in the preservation of cultural heritage. However, these broadcasting archives have mostly gone unnoticed and neglected by those working in the archive sector. Qualitative research methodology is used by implementing the case study design in order to explored the challenges while performing the digital preservation work. This broadcasting organization media collective was envisioned as a distributed network of organizations that supported media production, exhibition, and study, functioning as resource centers for media and supporting regional preservation efforts. Keywords: Audiovisual Archiving, Digital Preservation, Broadcasting Industry eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by E-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under the responsibility of AMER (Association of Malaysian Environment-Behavior Researchers), ABRA (Association of Behavioral Researchers on Asians), and cE-Bs (Centre for Environment-Behavior Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.
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Cryle, Denis. "The Press and Public Service Broadcasting: Neville Petersen's News Not Views and the Case for Australian Exceptionalism." Media International Australia 151, no. 1 (May 2014): 56–65. http://dx.doi.org/10.1177/1329878x1415100108.
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This article revisits historical rivalries between established and emerging media, namely the press and broadcasting, during the first half of the twentieth century. To this end, the author constructs a dialogue between Neville Petersen's broadcasting research and his own press research over a similar period. In his major work, News Not Views: The ABC, Press and Politics (1932–1947), Petersen (1993) elaborates in detail the ongoing constraints imposed by Australian newspaper proprietors on the fledgling Australian Broadcasting Commission (ABC) in their ultimately unsuccessful struggle to restrict its news supply and influence. Drawing on subsequent press research based on international forums, the author revisits this rivalry, particularly Petersen's thesis that Australian press proprietors exercised disproportionate influence over the national broadcaster when compared with other English-speaking countries, such as Britain and Canada.
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Morgan Parmett, Helen. "Television for the Peace Arch Country: Transnational Broadcasting History in the Pacific Northwest." Television & New Media 21, no. 5 (February 1, 2019): 510–29. http://dx.doi.org/10.1177/1527476418824299.
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This article contributes to international broadcasting history through a case study of a local, independent television station in the Pacific Northwest. KVOS-TV was one of a few stations on the U.S./Canadian border that sought out a cross-border audience, but it is unique in its efforts to produce programming to bridge these audiences into a unified viewing public that it termed the Peace Arch Country. The station’s international programming constituted its viewing public as translocal citizens in ways that supported the broader global ambitions of the Pacific Northwest region, as well as responded to and promoted the global ambitions of western liberal democracy and capitalism in the fight against Communism. KVOS-TV’s constitution of Peace Arch citizenship shows how television was a tool for creating translocal citizens, educating and governing them from a distance.
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Thomas, Amos Owen. "Regional Variations on a Global Theme: Formatting Television for the Middle East and beyond." Media International Australia 132, no. 1 (August 2009): 105–17. http://dx.doi.org/10.1177/1329878x0913200111.
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The issue of cultural interchange of foreign programming is growing ever more pertinent within the deregulated television industries of emergent economies and regions. Adaptation of global program formats has become a common practice around the world, though it has proven more challenging in the Middle East, in a context of variable religious conservatism, political freedoms and economic affluence. Drawing on case histories of format adaptations that have experienced differing degrees of success within the region, this paper develops inductively a typology for contingent creative strategies, namely replica, indigene, collage and hybrid. With an eye to targeting both advertisers and audiences, television networks and program producers might thus cater to diverse cultural sensibilities across sub-regional audiences when broadcasting regionally. Finally, the paper highlights under-researched issues surrounding media reproduction for geolinguistic regions.
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Porto, Mauro Pereira. "Realism and Politics in Brazilian Telenovelas." Media International Australia 106, no. 1 (February 2003): 35–45. http://dx.doi.org/10.1177/1329878x0310600105.
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Telenovelas have been central to the constitution and development of Latin American cultures, becoming the most popular genre of television broadcasting. In the Brazilian case, the melodramatic serials soon became the basis for the commercial success of TV Globo, the dominant network. The prime-time telenovelas of TV Globo are currently watched in almost 50 per cent of the dwellings with TV sets every night. This paper argues that this popularity is specific to the Brazilian industry. The realism and treatment of political issues in the genre is traced to the role of scriptwriters.
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Josephi, Beate, Gail Phillips, and Angela Businoska. "Localism and Networking: A Radio News Case Study." Media International Australia 117, no. 1 (November 2005): 121–36. http://dx.doi.org/10.1177/1329878x0511700113.
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The Broadcasting Services Act 1992 ushered in a new hands-off approach by government which, in the case of radio, permitted commercial broadcasters to double their investments in individual markets through the two-station policy while removing any onerous commitments to local content. Since then, there has been concern about the flow-on effect this may have had, with Peter Collingwood's 1997 study of commercial radio confirming that levels of local content were reducing as levels of networked content were increasing. He bemoaned the fact that a by-product of the self-regulatory regime was a reduction in the amount of publicly available information against which performance could be gauged. Since 1992, only one detailed study of local radio news has been done, Graeme Turner's 1996 examination of radio and television news in the Brisbane market. Now a parallel study has been conducted in Perth, giving an insight into localism and networking six years later.
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Westerway, Peter. "Starting Aboriginal Broadcasting: Whitefella Business." Media International Australia 117, no. 1 (November 2005): 110–20. http://dx.doi.org/10.1177/1329878x0511700112.
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Officials in the Australian Public Service often wield substantial influence on policy-making, yet their work is normally hidden from public view. This case study of the process involved in developing an Aboriginal broadcasting policy after the 1967 referendum reveals conflict between two incompatible paradigms: assimilation (Aboriginal affairs) and diversity of choice (broadcasting). This conflict, together with official reluctance to truly consult with relevant Aboriginal communities and misunderstandings over historically and culturally specific concepts such as country, tribe, clan, community and resident, eventually led to policy failure. Since community control was not considered as an option, Aboriginal broadcasting obstinately remained whitefella business.
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Manning, Peter. "Review: A foretaste of TV’s future." Pacific Journalism Review 20, no. 2 (December 31, 2014): 255. http://dx.doi.org/10.24135/pjr.v20i2.180.
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Review of: Australian Television News: New forms, functions, and futures, by Stephen Harrington, Bristol & Chicago: Intellect Press, 2013. 195pp, ISBN 9781841507170This is a deliberately provocative book designed to address what the author sees as the main tropes of journalism studies and to redefine TV news journalism in a new digital age. It is built on three Australian programme case studies – the Network Seven morning show Sunrise, the Network Ten late evening conversational The Panel and the Australian Broadcasting Corporation’s comedic The Chaser’s War on Everything.
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Greguš, Ľuboš, Anna Kačincová Predmerská, and Jana Radošinská. "Misleading Through Images: Television News as Simulacrum." Studies in Media and Communication 10, no. 2 (June 13, 2022): 65. http://dx.doi.org/10.11114/smc.v10i2.5557.
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The aim of the presented theoretical-empirical study, which is based on theoretical reflection on the issue in question, case study and application of quantitative content analysis, is to discuss the occurrence of simulations in contemporary television newscasting in the context of the construction of media reality. Due to the specificity of the topic and the complexity of the research, we focus on informing about foreign affair events portrayed by the Slovak news television channel TA3. Drawing from current studies and acquired data sets, the research material consists of 712 television news items by TA3 and 4208 audio-visual agency materials by Reuters published over a two-month period, more specifically in January 2019 and May 2019. We conducted quantitative content analysis in order to point out the degree of occurrence of simulations in television news. Considering the results of the inquiry, we can confirm the unclear labelling of stock and archive images in every eighth television news item, which can lead to distortion of recipients’ imagination, i.e., towards misrepresentation or ‘bending’ objective reality in their minds caused by television broadcasting.
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Azwar, Azwar, Hreeloita Dharma Shanti, and Kintan Arumdhani. "DAMPAK SINETRON INDONESIA TERHADAP PERILAKU MASYARAKAT." JOURNAL OF DIGITAL EDUCATION, COMMUNICATION, AND ARTS (DECA) 2, no. 02 (October 1, 2019): 89–98. http://dx.doi.org/10.30871/deca.v2i02.1524.
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This study aims to reveal how people's behavior after watching the soap opera Anak Langit and what are the factors that cause people's behavior to change after watching the soap opera Anak Langit. In addition, this study will also look at how violations that occur in Anak Langit soap operas are based on broadcasting regulations in Indonesia. This research will explore the existing problems using Cultivation Theory where this theory assumes that television exposure impacts on the community. This theory is based on Gerbner's thought which conveys that the continued exposure of the media will give an idea and influence on the perception of the viewer. That is, as long as viewers make contact with television they will learn about the world, change their perception of the world, learn to behave and people's values. This study uses qualitative methods, where researchers conduct literature studies, observations and interviews to approach and explore research problems. Based on this research it can be seen that the soap opera Anak Langit has a negative impact on some of its audience. This is because many violations occur, if guided by broadcasting regulations in Indonesia.
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Hallsworth, Djuna. "National broadcasting, international audiences: How cultural difference is represented in the Danish television dramas Ride upon the Storm, Liberty and Greyzone." Journal of Scandinavian Cinema 10, no. 2 (June 1, 2020): 121–36. http://dx.doi.org/10.1386/jsca_00018_1.
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Denmark represents a noteworthy ‐ and rather successful ‐ example of where state-funded public service broadcasters have retained strong branding locally while asserting an online streaming presence and negotiating sustainable transnational partnerships for future collaboration, thus consolidating domestic and international markets. This article analyses the impact of the shift away from national broadcasting towards transnational production cultures on the Danish domestic market, historically dominated by local public service broadcasters: Danmarks Radio and TV2. Using the television dramas Ride upon the Storm, Liberty and Greyzone as case studies, the article examines the idea that trends towards harnessing global audiences and fostering transnational production collaborations may partially undermine the distinctive cultural and linguistic features of Danish television drama.
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Ardhoyo, Novalia Agung Wardjito. "THE EXIXTENCE OF DAAI TV INDONESIA IN THE NEW MEDIA ERA." Moestopo International Review on Social, Humanities, and Sciences 2, no. 1 (April 28, 2022): 44–50. http://dx.doi.org/10.32509/mirshus.v2i1.30.
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Mostly television station operates by advertiser support. But not with DAAI TV. There are no product advertisements like most television stations in Indonesia. However, DAAI TV has been broadcasting since 2007 and still exists until now without advertiser support. This research hopes to be useful in increasing the reader's insight, how DAAI TV's business model is and whether there are economic or political elements behind its operations. This research uses a qualitative approach with a case study method. The data needed in this analysis was obtained through interviews with several parties from DAAI TV and documentation studies. The research procedure was carried out within the framework of descriptive analysis. It can be concluded that the television station DAAI TV is a media that uses a different concept from other media, namely social networks. And with its uniqueness as a television that spreads love, DAAI TV hopes that through its shows, it will have a special place in the hearts of viewers.
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Pajala, Mari. "‘Long live the friendship between the Soviet Union and Finland!’ Irony, nostalgia, and melodrama in Finnish historical television drama and documentary series." European Journal of Cultural Studies 20, no. 3 (January 16, 2017): 271–84. http://dx.doi.org/10.1177/1367549416682244.
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In critical studies on historical television programmes, the affective qualities of televisual memory have been discussed mainly in terms of nostalgia. This article argues that conceptualizing the affective modes of relating to the past in more varied ways can help us to better understand the politics of memory on television. As a case study, the article analyses Finnish Broadcasting Company Yleisradio’s historical drama and documentary series that deal with the relationship between Finland and the Soviet Union. The article identifies three affective modes in the programmes: irony, nostalgia and melodrama. Each of these modes offers different possibilities for critiquing, understanding and justifying the past. By studying televisual memories of the Soviet Union in a non-socialist country with important political, economic and cultural ties with the socialist bloc, the article moreover questions a clear East–West binary in studies on post-socialist memory.
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Green, Lelia. "(Not) Using the Remote Commercial Television Service to Dispel Distance in Rural and Remote Western Australia." Media International Australia 88, no. 1 (August 1998): 25–38. http://dx.doi.org/10.1177/1329878x9808800106.
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This paper addresses issues of ‘distance’ between remote and metropolitan audiences, and the use of communications technologies as tools to dispel such distance. Using the satellite-delivered RCTS broadcasting as a case study — given that this was part of the thrust to ‘dispel’ this distance — the research reported here interrogates notions of difference and inclusion as perceived, experienced and expressed by people resident in remote and regional Western Australia. The argument advanced is that new communications technologies do not dispel distance; rather, they act as catalysts through which distance is re-experienced and redefined. These distinctions are of continuing and growing importance in a climate within which Networking the Nation and digital TV again promise more equalisation of differences and services, and more dispelling of distance.
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Marín-Montín, Joaquín. "Adaptaciones en la realización televisiva del deporte en directo por la COVID-19." INDEX COMUNICACION 11, no. 01 (January 11, 2021): 141–62. http://dx.doi.org/10.33732/ixc/11/01adapta.
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The emergence of the COVID-19 has affected Live TV content production. Televised sporting events have changed competitions calendars and the return has been conditioned by the evolution of the pandemic. In most cases, the presence of the public is not allowed on sports grounds. Major sporting events have been modified in their television coverage subject to the provisions of health authorities. The purpose of this article is to examine the adjustments made in the television production from a representative group of sporting events during the development of the health crisis. It also aims to identify how the innovations brought influence the audiovisual process of contents. An applied methodology was based on the case study. The purpose of this is to take as a reference two specific cases of television adaptations: European football and NBA competitions. Regarding the analysis of the selected data, they were examined from the elements that make up the grammar of television production applied to sports. The results obtained indicate how the integration of innovations during TV broadcasting of major sports events allowed to enhance the audience experience, especially due to the increase in virtual resources
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Robie, David. "‘Drugs, guns and gangs’: Case studies on Pacific states and how they deploy NZ media regulators." Pacific Journalism Review 18, no. 1 (May 31, 2012): 105. http://dx.doi.org/10.24135/pjr.v18i1.292.
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Media freedom and the capacity for investigative journalism have been steadily eroded in the South Pacific in the past five years in the wake of an entrenched coup and censorship in Fiji. The muzzling of the Fiji press, for decades one of the Pacific’s media trendsetters, has led to the emergence of a culture of self-censorship and a trend in some Pacific countries to harness New Zealand’s regulatory and self-regulatory media mechanisms to stifle unflattering reportage. The regulatory Broadcasting Standards Authority (BSA) and the self-regulatory NZ Press Council have made a total of four adjudications on complaints by both the Fiji military-backed regime and the Samoan government and in one case a NZ cabinet minister. The complaints have been twice against Fairfax New Zealand media—targeting a prominent regional print journalist with the first complaint in March 2008—and twice against television journalists, one of them against the highly rated current affairs programme Campbell Live. One complaint, over the reporting of Fiji, was made by NZ’s Rugby World Cup Minister. All but one of the complaints have been upheld by the regulatory/self-regulatory bodies. The one unsuccessful complaint is currently the subject of a High Court appeal by the Samoan Attorney-General’s Office and is over a television report that won the journalists concerned an investigative journalism award. This article examines case studies around this growing trend and explores the strategic impact on regional media and investigative journalism.
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Gaber, Ivor, and Rodney Tiffen. "Politics and the media in Australia and the United Kingdom: parallels and contrasts." Media International Australia 167, no. 1 (April 10, 2018): 27–40. http://dx.doi.org/10.1177/1329878x18766721.
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Australia and Britain share many common aspects in their democratic political and media systems, but there are also important differences. Perhaps the single most important media difference is that television has been a much more important element in the UK political communication system than it has been in Australia. The British Broadcasting Corporation is a much bigger and more central institution than the Australian Broadcasting Corporation, and commercial TV in Britain has a much stronger public service mandate. The British press has a national structure which can give it a substantive collective role, although its right-wing dominance means it has been a less-than-benign influence on public life. Both countries are facing rapid changes, with partisan political divisions in flux and the digital environment disrupting traditional media models. In this article, we seek to interrogate the commonalities and differences between the media and political systems operating in Australia and the United Kingdom. After tracing some important differences in their institutional structures, the dominant theme of our later analysis is that in both systems, and in both countries, the overarching narrative is one of disruption. And we pose the question – Will the current disruptions widen or narrow these differences?
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OKUMUŞ, M. Sami. "THE AUDIENCE STRUGGLE BETWEEN TELEVISION, CINEMA, AND OTT PLATFORMS: THE CASE OF NETFLIX AND DISNEY+ IN TURKEY." Turkish Online Journal of Design Art and Communication 13, no. 1 (January 1, 2023): 108–23. http://dx.doi.org/10.7456//11301100/008.
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This study examines the actions of Netflix and Disney+, two of the most popular global brands among the many OTT platforms that continue their broadcasts based on domestic and foreign companies with a significant number of users worldwide and especially in Turkey after 2016. In this regard, as a result of the breakthroughs, strategies, and subscription numbers between Netflix, which started broadcasting in Turkey in January 2016, and Disney+, which started broadcasting in June 2022, it is questioned which platform is the spotlight for what reason and to what extent, and the main reflection of this OTT structure on cinema and television is examined. As the trends towards digital entertainment on a global scale changed and gained momentum as of 2020, the revenues in this sector increased by 31% and reached 61.8 billion dollars. This corresponds to a 26% increase compared to 2019, and OTT platforms worldwide reached 1.1 billion online subscribers. In 2020, the revenues of these platforms increased by 32% compared to the previous year, reaching 24.7 billion dollars. Considering that only Netflix shares are traded on the stock exchange with a value of over $60 billion, the growth rates are seen. The extent and direction of the growth of Netflix, which has 220.67 million users by 2022, and Disney+, which has 221.1 million users, as the leading corporations in this sector is the main issue of this study. This study aims to conclude by discussing the position of OTT platforms in the world and Turkey, the systemic and global structuring of these platforms during the COVID-19 pandemic, and the findings on the similarities or differences between Netflix and Disney+ in Turkey, following the transformations of the compulsory or optional audience perspective in the media and entertainment sector in recent years. Although there are many news and academic studies on Netflix today, since this study is about Disney+, which is a relatively new platform, it is aimed at pioneer studies on this subject, which has not yet been addressed comprehensively.
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Fahadi, Prasakti Ramadhana. "Oligarchic Media Ownership and Polarized Television Coverage in Indonesia’s 2014 Presidential Election." Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia 4, no. 2 (December 30, 2019): 77–86. http://dx.doi.org/10.25008/jkiski.v4i2.328.
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It has been argued that the media ownership is an influential factor determining the content production and performance of the media. However, knowledge about the characteristics of the media ownership and its impacts on the coverage of general election by the media has been less researched. Judging by such developments, this work raises the following question: how did the oligarchic ownership of the Indonesian news television channels determine the ways in which they covered two candidates who ran for president in 2014? By selecting TV One and Metro TV as a case study, this work extracts reports on the ways in which these news TV channels have produced news content related to the 2014 general election using qualitative and thematic content analyses. The findings are as follows: In the 2014 Indonesian presidential election, both TV One and Metro TV failed to comply with the ideal journalistic principles of covering both sides, objective and balanced reporting, as required by the Indonesian Broadcasting Commission, while broadcasting news about the two presidential candidates. Instead, the television stations preferred to broadcast the polarized news coverage of the presidential candidates. TV One appeared to show more support for the Prabowo-Hatta Rajasa presidential candidate pair, while Metro TV favoured the Joko Widodo-Jusuf Kalla presidential candidate pair. This suggests that oligarchic media ownership strongly influenced the content production and performance of these news TV channels. They were used by oligarchs who have the media company to convey their personal political agendas in the hope that it will influence, or even set, the public’s agenda.
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Goggin, Gerard, and Catherine Griff. "Regulating for Content on the Internet: Meeting Cultural and Social Objectives for Broadband." Media International Australia 101, no. 1 (November 2001): 19–31. http://dx.doi.org/10.1177/1329878x0110100105.
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Much of the present debate about content on the internet revolves around how to control the distribution of different sorts of harmful or undesirable material. Yet there are considerable issues about whether sufficient sorts of desired cultural content will be available, such as ‘national’, ‘Australian’ content. In traditional broadcasting, regulation has been devised to encourage or mandate different types of content, where it is believed that the market will not do so by itself. At present, such regulatory arrangements are under threat in television, as the Productivity Commission Broadcasting Inquiry final report has noted. But what of the future for certain types of content on the internet? Do we need specific regulation and policy to promote the availability of content on the internet? Or is such a project simply irrelevant in the context of gradual but inexorable media convergence? Is regulating for content just as quixotic and fraught with peril as regulating of content from a censorship perspective often appears to be? In this article, we consider the case of Australian content for broadband technologies, especially in relation to film and video, and make some preliminary observations on the promotion and regulation of internet content.
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Nieuwenhuis, Ivo. "Televisual Satire in the Age of Glocalization." Many Lives of Europe’s Audiovisual Heritage 7, no. 13 (May 16, 2018): 69. http://dx.doi.org/10.18146/2213-0969.2018.jethc143.
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This article analyses the highly popular Dutch satirical TV-show Zondag met Lubach (ZML) from the perspective of ‘glocalization.’ This places the show both within the global tradition of late-night satire, originating in the United States, and in the local Dutch tradition of satirical TV. A general overview of these traditions is followed by a close reading of one ZML segment, which is then compared to the American show Last Week Tonight with John Oliver. This comparison reveals the dominant influence of the American tradition of performing televisual satire, thus contesting the common assumption in television studies that nationhood still plays a central role in the practice of broadcasting.
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Kenji, Ishii. "The Stereotyping of Religion in Contemporary Japan." Journal of Religion in Japan 2, no. 1 (2013): 63–83. http://dx.doi.org/10.1163/22118349-12341245.
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Abstract This paper offers an analysis of the nature of information related to religion presented on television news programs in contemporary Japan. The author maintains that information coming from television programs plays an influential role in formulating people’s perception of religion. This includes not only incidents that have occurred in the case of new religions (e.g., Aum Shinrikyō and Hō no Hana Sanpōgyō), but also events related to well-established religious traditions, such as Buddhist and Shintō denominations, and religions outside of Japan, in particular Islam. Through the use of data on TV broadcasting compiled by a database-producing company, the author examines information about religion aired on the news programs of NHK (Nihon Hōsō Kyōkai) and Nihon TV. In this context, the author categorizes four types of religion-related programs that are aired on TV: (1) religious programs provided by religious organizations themselves; (2) general educational programs that feature religious elements; (3) news reporting on religion; and (4) religious programs as entertainment programs. The author concludes that news reporting on religion in Japan today follows predictable patterns, contributing to what he calls “the stereotyping of religion.”
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Sai, S. V., N. Yu Sorokin, and О. V. Tissen. "Assessment reliability parameters of the DVB-T2 broadcasting station’s equipment with local content insertion." Russian Technological Journal 9, no. 5 (October 26, 2021): 26–35. http://dx.doi.org/10.32362/2500-316x-2021-9-5-26-35.
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Local content modification provided to subscribers of the terrestrial digital television signal is necessary to provide the technical possibility of organizing inserts of local content signals, such as TV programs of regional broadcasters, as well as information on emergency situations. Broadcast multiplexes of federal TV programs are designed for use within the corresponding time zone (A, B, C, D, M). In each time zone, there are a number of regions, in each of which there are local TV and radio companies that produce local content that must be delivered to the subscribers of the whole subject. The task of embedding/modifying content at each remote transmitting station is performed by an inserter or local content insertion device (ETSI TS 102773). The reliability parameters of the restorable system for organizing terrestrial television broadcasting at a remote station with the content modification were calculated in this article. Tables and a graph of the broadcasting system states are presented, on the basis of which, systems of Kolmogorov differential equations are compiled. It was found that additional redundancy organized by connecting the output stream from the RX1 receiver directly to the transmitting device allows for a 2.5-fold increase in the average operating time between failures, as well as an increase in the availability factor by 5.26 percent. All calculations were performed using the SimInTech software package. The influence of automatic redundancy of the local content inserter and the transmitter on the occurrence of errors in the stream that affect the quality of the output signal is considered. The relationship between the availability factor and the components of the quality of service parameter – SAE, SDE and SIE is determined.
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Sun, Wanning, and Jing Han. "If You Are the One and SBS: the cultural economy of difference." Media International Australia 175, no. 1 (February 22, 2020): 6–19. http://dx.doi.org/10.1177/1329878x20906894.
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If You Are the One ( IYATO) is China’s most popular television dating show. Since Australia’s Special Broadcasting Service (SBS) bought it 6 years ago, the show has attracted a cult following among English-speaking viewers. SBS subsequently purchased several other Chinese reality shows, and the Seven Network launched its own version of IYATO. But none of these programmes have proven to be as enduringly popular as IYATO. Taking an industry studies approach, this article draws on the inside knowledge of one of the authors, and on interviews with several other SBS employees, to shed light on the media industry’s thinking behind importing cultural products from China, particularly against the backdrop of fear and anxiety about China’s influence. We also ask why IYATO has endeared itself to Australia’s English-speaking viewers in ways that the majority of Chinese media content has not, despite the Chinese government’s myriad soft power initiatives.
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Veldman, Meredith. "“Dressed in an Angel's Nightshirt”: Jesus and the BBC." Journal of British Studies 56, no. 1 (January 2017): 117–37. http://dx.doi.org/10.1017/jbr.2016.117.
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AbstractThis article examines images of Jesus broadcast on the BBC from the 1930s through the 1950s. During these years, the BBC sought to use its cultural influence to replace popular religiosity with what the clerics who staffed its Religious Broadcasting Department (RBD) regarded as a more masculine, modern, and vigorous national religious faith. To achieve this aim, the RBD marshaled the might of British New Testament scholarship and its image of a warrior-like, apocalyptic historical Jesus. Yet the RBD's hopes of bridging the gap between popular religiosity and its own vision of Christianity went unrealized. Programs on Jesus that reached a genuinely national audience—The Man Born to be King, Dorothy L. Sayers's wartime radio drama, andJesus of Nazareth, a popular television series from the 1950s—instead featured Anglicized and ahistorical images deeply embedded within British popular culture. The story of Jesus on the BBC highlights both this popular culture's strength and Christian Britain's fragmentation.
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Indrawati, Reni Sara, and Fitzerald Kennedy Sitorus. "Hans Georg Gadamer's Hermeneutics for News Anchor." Journal of Social Research 2, no. 2 (January 7, 2023): 405–11. http://dx.doi.org/10.55324/josr.v2i2.598.
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Globalization has a significant impact on increasing the need for information through the media in society. Television is one of the means of information that is trusted and easily accessible to the public. News anchors or news anchors on television carry an important role in disseminating information to the public. News anchors are an important part of broadcasting news information on television in realizing pre-planned news show programs. It doesn't stop there, television news anchors play an important capacity in influencing thoughts, persuasion, and shaping public opinion through the information they present to the public. In addition to proper expression and word selection, they are also obliged to deliver news in a language that is easy to understand, and understandable to television viewers. News anchors prepare themselves with information, knowledge, and competence before breaking the news. This paper presents an explanation of how the concept of understanding news texts can be seen from the perspective of Gadamer's hermeneutic philosophy. The research method used in solving the problem is the Hermeneutic analysis of a German philosopher named Gadamer. The news material in a news text is analyzed to bring out a new understanding by the process of mixing two horizons between the text of the news writer and the horizon news anchor along with the theory of communication competence and the study of hermeneutics. Hermeneutics helps news anchors present news well through preconceptions so that there is a melting of horizons and a history of influence that results in an understanding of dialogue or conversation with individuals, groups, and communities in this case the television audience so that a new horizon is reached.
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Steemers, Jeanette. "International perspectives on the funding of public service media content for children." Media International Australia 163, no. 1 (March 10, 2017): 42–55. http://dx.doi.org/10.1177/1329878x17693934.
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Funding original children’s television has never been easy because this is rarely a commercially attractive proposition unless you target a global audience and tap into ancillary revenues from licenced merchandise. As a case of market failure, policy makers who wish to ensure the production of a diverse range of quality content for children have therefore pursued a range of interventions to ensure sustainable levels of local content in the face of strong competition from US-owned media services. The aim of this article is to evaluate different funding options for public service children’s content in a more challenging and competitive multiplatform media environment in countries with a strong tradition of public service content for children. Focussing on interventions that go beyond public service broadcasting (PSB) (quotas, alternative funds), it assesses the extent to which these interventions reflect a future-oriented approach, or one that is mired in the status quo and vested interests.
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Apanasenko, K. I. "RESTRICTIONS OF AN ECONOMIC ACTIVITY IN CREATIVE INDUSTRIES IN THE CONTEXT OF THE CASE LAW OF EUROPEAN COURT OF HUMAN RIGHTS." Economics and Law, no. 1 (May 10, 2022): 19–32. http://dx.doi.org/10.15407/econlaw.2022.01.019.
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Formation of information society and increasing of the role of information for the different aspects of a social life, decline of an attitudinal influence of religious organizations and religious leaders in some European countries and increasing of the role of religion in other countries are important factors to predict an increasing of conflicts between states and different types of information conductors. So researching of a practice of the European Court of human rights concerning application of an Article 10 of European convention on human rights in a sphere of creative industries is an actual and important task. An author elaborates on Court’s assessing of licensing in a sphere of television and radio broadcasting and some aspects of activity of TV-companies, restrictions in an advertisement sphere. Court finds that countries have a right to state a model of broadcasting on their territories through system of the licensing in this sphere. The licensing can depend on such conditions as nature and objectives of a proposed station, its potential audience at national, regional or local level, the rights and needs of a specific audience and the obligations deriving from international legal instruments. The licensing process must provide sufficient guarantees against arbitrariness, including the proper reasoning by the licensing authority of its decisions denying a broadcasting license. The law must indicate with sufficient clarity the scope of any discretion and the manner of its exercise. EUCHR underlines a special social responsibility of TV-monopolists in broadcasting of an advertisement concerning important social discussion. An approach of EUCHR in assessing of interference with the right to freedom of expression on practice of the creative sector of the economy concerning a balance between this freedom and social interest in ensuring of morality and rights of believers is investigated separately. The author has analyzed most important cases of this type including such as “Sekmadienis Ltd. v. Lithuania” (2018), “Gachechiladze v. Georgia” (2021). The author concluded that a main argument for Court’s decision was a form of a bringing of the information. Using not gross forms of expression of views in commercial practice concerning religious symbols and leaders, addressing them in some humorous, not satirical manner is a permissible form of expression of views.