Relevant bibliographies by topics / Television and digital media

Academic literature on the topic 'Television and digital media'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Contents

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Television and digital media.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Television and digital media"

1

Victoria-Mas, Juan Salvador. "From the school in television to the (digital) television in the school." Comunicar 14, no. 27 (October 1, 2006): 98–103. http://dx.doi.org/10.3916/c27-2006-15.

Full text
Abstract:
In this paper, first, three implicits insights are identified regarding relationships between education and television. Next is the description of one kind of development from television programs «sort of educational» to the properly educational television programs. Finally, we focus in the ideal of interactivity in one television alreadey converged, in some cases, with internet. In the epilogue, an insight is proposed regarding two platonic miths, one about participation in the communication and another about the breaking of the unidirectionality and of the mass communication media like television seems to carry us.En el presente artículo se identifican, en primer lugar, los tres implícitos principales en las relaciones entre educación y televisión. Se describe a continuación una evolución desde los programas de tipo educativo a los propiamente educativos. Y se apunta, finalmente, hacia el ideal de la interactividad en una televisión que ya ha convergido, en algunos casos, con el medio Internet. En el epílogo, se aporta una reflexión a propósito de dos mitos platónicos referridos a la participación en la comunicación y a la ruptura de la unidireccionalidad y de la comunicación de masas hacia la que parecían abocarnos medios como la televisión.
APA, Harvard, Vancouver, ISO, and other styles
2

Van Gorp, Jasmijn, Sonja De Leeuw, Justin Van Wees, and Bouke Huurnink. "Digital Media Archaeology." Archaeologies of Tele-Visions and -Realities 4, no. 7 (September 9, 2015): 38. http://dx.doi.org/10.18146/2213-0969.2015.jethc080.

Full text
Abstract:
In this article, we will contribute to a methodological discussion in the Digital Humanities by uncovering the digital tool AVResearcherXL as a form of Digital Media Archaeology. AVResearcherXL enables to search across, compare and visualise the metadata of Dutch television and radio programmes and a selection of newspaper articles of the Dutch Royal Library. Media archaeology provides a fruitful framework to reflect on the tool as method for Television History Research. First, the tool in itself functions as a new way of media archaeology. The tool, as it is, is double-sided and enables comparison, shedding an unusual, data-driven light on the television, radio and newspaper archives by providing different 'slices of' and 'search lights on' the metadata, thus contributing to a 'variantology of the media.' At the same time, we approach our own reflection on the tool as a form of media archaeology: we will uncover the tool, digging in its architecture and its functionalities, and offer an approach to a meaningful use of the tool. In other words, this very article is a form of ‘doing media archaeology’, in the sense of becoming 'an active archaeologist of knowledge'. Digital media archaeology, therefore, is always two-fold and a matter of interaction of user and tool. In this article, we first dissect the tool as archaeological site, before exploring its usage. Taken together, the article provides methodological strategies to cope with a digital tool such as AVResearcherXL and thus aims to further enhance an understanding of Digital Media Archaeology as an opening to media historical inquiry.
APA, Harvard, Vancouver, ISO, and other styles
3

van Ryn, Luke. "Book Review: Television as Digital Media." Media International Australia 142, no. 1 (February 2012): 178. http://dx.doi.org/10.1177/1329878x1214200119.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Gilbert, Anne. "Push, Pull, Rerun: Television Reruns and Streaming Media." Television & New Media 20, no. 7 (April 29, 2019): 686–701. http://dx.doi.org/10.1177/1527476419842418.

Full text
Abstract:
In scholarly and industry analyses of television’s expansion into online distribution, few have accounted for the specific negotiations required when old television content streams on new media. This article considers the economic consequences, viewer utility, and cultural position of television reruns as they expand from the pushed flows of legacy television to the pull contexts of digital streaming. The emergence of streaming outlets upsets conventions of off-network syndication yet introduces new licensing revenue to television markets, and streaming undermines the pleasures of familiar, passive entertainment offered by reruns. Reruns, as a concept, a cultural commodity, and as an archive of a televisual past and present, are reconfigured with the move toward streaming television. Internet distribution of television reruns provides a necessary case study to investigate the full scope of how streaming services are destabilizing the conventions of the U.S. television industries.
APA, Harvard, Vancouver, ISO, and other styles
5

Sun, Lin. "Research on Digital Media Art Film and Television Special Effects Technology Based on Virtual and Reality Algorithm." Scientific Programming 2022 (September 24, 2022): 1–7. http://dx.doi.org/10.1155/2022/4424772.

Full text
Abstract:
Art special effects, as a kind of new media art form, bring different visual impacts to viewers in film and television animation. This study discusses the application of digital media art film and television special effects’ technology through virtual and realistic algorithms. The wide application of digital media art film and television special effects’ technology has achieved the purpose of saving production time and cost for the creation of film and television dramas. Through the comprehensive analysis and research on art creation, image impact, film viewing perception, and natural interactive emotion under different technological environments, and the analysis of the comparison results, it can be seen that digital media art film and television special effects’ technology has a far-reaching impact on film and television animation, can better carry out the sustainable development of film and television field, also promote the sustainable development of science and technology to a certain extent, promote the modern development of digital media art design, support society's continuous development and progress, and better promote the all-round integration of digital media art and film and television creation.
APA, Harvard, Vancouver, ISO, and other styles
6

Ginsburg, Faye. "INDIGENOUS MEDIA FROM U-MATIC TO YOUTUBE: MEDIA SOVEREIGNTY IN THE DIGITAL AGE." Sociologia & Antropologia 6, no. 3 (December 2016): 581–99. http://dx.doi.org/10.1590/2238-38752016v632.

Full text
Abstract:
Abstract This article covers a wide range of projects from the earliest epistemological challenges posed by video experiments in remote Central Australia in the 1980s to the emergence of indigenous filmmaking as an intervention into both the Australian national imaginary and the idea of world cinema. It also addresses the political activism that led to the creation of four national indigenous television stations in the early 21st century: Aboriginal People's Television Network in Canada; National Indigenous Television in Australia; Maori TV in New Zealand; and Taiwan Indigenous Television in Taiwan); and considers what the digital age might mean for indigenous people worldwide employing great technological as well as political creativity.
APA, Harvard, Vancouver, ISO, and other styles
7

Yip, William, and Lowell Kongable. "Advanced Digital Television System." IEEE Transactions on Consumer Electronics CE-32, no. 4 (November 1986): 743–53. http://dx.doi.org/10.1109/tce.1986.290167.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Rozanova, N., and A. Yushin. "Digital Technologies in TV and Transformation of Media Market." World Economy and International Relations, no. 5 (2015): 92–103. http://dx.doi.org/10.20542/0131-2227-2015-5-92-103.

Full text
Abstract:
The article analyzes new phenomena in the field of television associated with the digital era, in particular, the transformation of media market under the influence of technological, economic, financial and institutional factors of digitalization. Contemporary international and Russian television industry is in the process of digital revolution. The era of traditional television as a typical broadcasting technology, a traditional social, economic and cultural phenomenon, has come to an end. We are on the verge of a global and irrevocable shift to mass utilization of various digital devices that certainly affect the positions of television as a separate industry. Modern television is outlined as a part of a wide digital media market, just a segment of a highly competitive entertainment structure with complex network interactions. In terms of Russia, the new phenomena accompanying the evolution of media and television markets in the process of digitalization urgently need an economic analysis. In what direction is it necessary to develop the local broadcasting? Is there a sound commercial future of national and regional television companies? What lessons can extract Russia from world experience? What else does Russian television need to improve efficiency and global competitiveness? These issues are detail considered in the article. Trends and obstacles for the implementation of a prospective business model for Russian TV are shown. It is concluded that successful development of the Russian television industry is possible only under the conditions of efficient formation of a fundamentally new configuration of a multi-market structure type.
APA, Harvard, Vancouver, ISO, and other styles
9

Stadel, Luke. "A Review of “Television as Digital Media”." Quarterly Review of Film and Video 30, no. 3 (May 2013): 279–83. http://dx.doi.org/10.1080/10509208.2011.647542.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Wijfjes, Huub. "Television as Digital Media (review)." Technology and Culture 53, no. 4 (2012): 956–57. http://dx.doi.org/10.1353/tech.2012.0146.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Television and digital media"

1

King, Brian J. "Commercial Media Viewing Habits: Digital Natives vs. Digital Immigrants." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1249505318.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Paredes, Maribel Castaneda. "The development of the US advanced digital television system, 1987-1997 : the property creation of new media /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2000. http://wwwlib.umi.com/cr/ucsd/fullcit?p9975044.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Sirakan, Sikares. "Digital television in Thailand (2006-2007)." Phd thesis, Australia : Macquarie University, 2008. http://hdl.handle.net/1959.14/22214.

Full text
Abstract:
Thesis (PhD)--Macquarie University, Division of Society, Culture, Media and Philosophy, Dept. of International Communication, 2008.
Bibliography: p. 348-366.
Introduction -- Globalisation and network society -- Digital television -- Communication policy and development of Thai TV -- Research design -- Results : DTV: Thailand at the crossroads -- Results: National DTV policy and trends -- Results: Thai TV stations in technological transition (part 1) -- Results: Thai TV stations in technological transition (part 2) -- Discussion and conclusion.
The evolution of television and broadcasting technology from analogue to digital brings about changes in the global television industry. This technological transition is related to a political push which is highly concerned with national public interest in relation to socio-economic forces. Thailand's TV industry has also adopted and used digital television (DTV) technologies since the late 1990s in its TV production and broadcasting. The Thai government broadcasting regulators are expected to play a key role in launching and issuing national DTV policy. However, they seem to be involved in a conflict of interest which has negatively impacted Thailand's DTV transition. --This study selects Thailand's TV industry as a case study of a developing country in response to global technological transition. The thesis aims to explore major drives influencing Thai broadcasting in the shift from analogue to digital. It provides recommendations vis-à-vis the establishment of national DTV policy, and the current use of DTV technologies by Thai TV stations. The research project was conducted in Bangkok, Thailand, between October 2006 and October 2007, after the September coup in 2006. Two research methodologies employed in the study are (1) in-depth interviews with 26 experts (TV station administrators and mass communication scholars), and (2) observations of the nine TV stations. --Theoretical concepts in globalisation of communication echnologies and communication policy are reviewed. The research reveals two major pushes significantly forcing Thailand's TV industry into a newly administrative sphere. These are: (1) global push, and (2) domestic push; both are extensively addressed in this thesis.
Mode of access: World Wide Web.
xv, 366 p. ill. (some col.)
APA, Harvard, Vancouver, ISO, and other styles
4

Costa, Sarah Moralejo da [UNESP]. "Supernatural na web: produção e reprodução audiovisual em suporte convergente." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/89376.

Full text
Abstract:
Made available in DSpace on 2014-06-11T19:24:02Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-07-26Bitstream added on 2014-06-13T20:51:13Z : No. of bitstreams: 1 costa_sm_me_bauru.pdf: 783771 bytes, checksum: f6115841d14868eb3c59d33eab2dfea9 (MD5)
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
A diversidade de suportes e mídias que povoam o mercado tecnológico atualmente desperta preocupações por parte dos produtores de conteúdo cultural comercial devido principalmente à necessidade de atender a um novo público que busca cada vez mais interagir com narrativas, com os produtores e com demais consumidores. A web, com suas ferramentas de interatividade e construção coletiva de conhecimento, se destaca como ponto de união de interesses tanto de produtores, com a maior variabilidade de suas narrativas, quanto dos consumidores, com suas diversas formas de fruição de conteúdo. Partindo da hipótese de que as ferramentas da web interferem na forma de fruição, o objetivo da pesquisa se volta para a identificação dessas ferramentas e análise crítica de sua utilização na transmissão de conteúdo audiovisual na web. A pesquisa se debruça sobre um produto audiovisual, a série de TV Supernatural, buscando observar quais são as ferramentas envolvidas no processo de convergência midiática entre televisão e internet, mais especificamente, a apropriação feita pelo público do conteúdo audiovisual para sua transmissão na web, originalmente produzido para a TV. O objetivo é compreender criticamente esse deslocamento de conteúdo e qual a importância das características da web para essa dinâmica, buscando responder quais recursos midiáticos estão disponíveis para transmissão de conteúdo audiovisual. Esta observação se faz a partir da análise de três sites distintos, com formas diferentes de disponibilização do conteúdo de série Supernatural, buscando uma gama maior de ferramentas disponíveis próprias da web
The diversity in media and supports which populate the technology market nowadays brings about some worry on the part of the producers of culturally commercial content due, mainly, to the need of catering to a new public who looks more and mor to interact with the narrative, with said producers and with other consumers of such media. The web, with its interactivity tools and collective construction of knowledge, comes across as union focus of of interests from the part of the producers, with a greater varibility of its narratives, and also from the part of the consumers, with its many ways of fruition of such content. Coming from the bypothesis that the web-tools interfere in the ways of fruition, the aim of this research is to turn is focus on the identification of these tools and on the critical analysis of its usage in the transmission of audiovisual content over the web. The research focu on an audiovisual product, the TV series Supernatural, aiming to observe what are the tools involved in the media convergence process between television and the internet, more specifically, the appropriation made by the public of the audiovisual content for its transmission on the web, originally produced for the TV. The goal is to critically understand such content displacement and what is the importance of the web characteristics for this dynamic, trying to answer what media resources are available for the transmission of audiovisual content. This observation is made by the analyses of three distinct websites, with different ways of release of the content of the series Supernatural, trying to achieve e bigger frame of reference on the tools available over the web
APA, Harvard, Vancouver, ISO, and other styles
5

Costa, Sarah Moralejo da. "Supernatural na web : produção e reprodução audiovisual em suporte convergente /." Bauru : [s.n.], 2012. http://hdl.handle.net/11449/89376.

Full text
Abstract:
Orientador: Marcelo Magalhães Bulhões
Banca: Rogério Ferraraz
Banca: Mauro de Souza Ventura
Resumo: A diversidade de suportes e mídias que povoam o mercado tecnológico atualmente desperta preocupações por parte dos produtores de conteúdo cultural comercial devido principalmente à necessidade de atender a um novo público que busca cada vez mais interagir com narrativas, com os produtores e com demais consumidores. A web, com suas ferramentas de interatividade e construção coletiva de conhecimento, se destaca como ponto de união de interesses tanto de produtores, com a maior variabilidade de suas narrativas, quanto dos consumidores, com suas diversas formas de fruição de conteúdo. Partindo da hipótese de que as ferramentas da web interferem na forma de fruição, o objetivo da pesquisa se volta para a identificação dessas ferramentas e análise crítica de sua utilização na transmissão de conteúdo audiovisual na web. A pesquisa se debruça sobre um produto audiovisual, a série de TV Supernatural, buscando observar quais são as ferramentas envolvidas no processo de convergência midiática entre televisão e internet, mais especificamente, a apropriação feita pelo público do conteúdo audiovisual para sua transmissão na web, originalmente produzido para a TV. O objetivo é compreender criticamente esse deslocamento de conteúdo e qual a importância das características da web para essa dinâmica, buscando responder quais recursos midiáticos estão disponíveis para transmissão de conteúdo audiovisual. Esta observação se faz a partir da análise de três sites distintos, com formas diferentes de disponibilização do conteúdo de série Supernatural, buscando uma gama maior de ferramentas disponíveis próprias da web
Abstract: The diversity in media and supports which populate the technology market nowadays brings about some worry on the part of the producers of culturally commercial content due, mainly, to the need of catering to a new public who looks more and mor to interact with the narrative, with said producers and with other consumers of such media. The web, with its interactivity tools and collective construction of knowledge, comes across as union focus of of interests from the part of the producers, with a greater varibility of its narratives, and also from the part of the consumers, with its many ways of fruition of such content. Coming from the bypothesis that the web-tools interfere in the ways of fruition, the aim of this research is to turn is focus on the identification of these tools and on the critical analysis of its usage in the transmission of audiovisual content over the web. The research focu on an audiovisual product, the TV series Supernatural, aiming to observe what are the tools involved in the media convergence process between television and the internet, more specifically, the appropriation made by the public of the audiovisual content for its transmission on the web, originally produced for the TV. The goal is to critically understand such content displacement and what is the importance of the web characteristics for this dynamic, trying to answer what media resources are available for the transmission of audiovisual content. This observation is made by the analyses of three distinct websites, with different ways of release of the content of the series Supernatural, trying to achieve e bigger frame of reference on the tools available over the web
Mestre
APA, Harvard, Vancouver, ISO, and other styles
6

Etter, Ryan Henry. "FINDING CAMELITTLE: CHILDRENS TELEVISION IN A DIGITAL AGE." Ohio University Honors Tutorial College / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1309890115.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Scott, Fiona. "Young children's engagement with television and related media in the digital age." Thesis, University of Sheffield, 2018. http://etheses.whiterose.ac.uk/22928/.

Full text
Abstract:
This thesis is one output of a White Rose Doctoral Training Partnership (WRDTP) Economic and Social Research Council (ESRC) studentship, devised by The Universities of Sheffield and Leeds in partnership with CBeebies. Taking a sociomaterial approach (Barad, 2003) to digital literacies in early childhood, this thesis focuses on United Kingdom (UK) preschool children's intra-actions and social practices (Wohlwend, 2009) with television and related media (TV&RM) at home. It examines how both well-established and new verbal and non-verbal intra-actions constitute children's unique social practices. Drawing on Bourdieu's notion of habitus (1977), this thesis asks how social class is implicated in these practices. These inquiries are addressed empirically using a mixed-methods approach. The results of a UK-wide survey of 1,200 parents of preschool children and ethnographic case studies with 6 families in Sheffield, UK are presented. Several original contributions to empirical, theoretical and methodological knowledge are made in this thesis. Firstly, in their everyday engagements with TV&RM, preschool children amalgamate fragments of media texts with other material and/or immaterial things to constitute synthesised texts ('synthesised practices'). Secondly, preschool children and their families share habitus in relation to TV&RM ('family media habitus'). Thirdly, preschool children have relationships with narrative media texts without ever having engaged directly with them, via proxies including physical artifacts and social contact ('proxy media engagement'). Fourthly, family members engage with preschool children's TV&RM interests in ways which extend their learning in relation to literacies. Middle-class families use their children's TV&RM interests as the basis for engaging children in school-like literacies learning ('media practice schoolification'). Working-class families tend to extend their children's TV&RM interests in terms of operational, critical and cultural digital literacies and embodied literacies. Methodologically, the thesis develops a framework for 'Sociomaterial Nexus Analysis' and 'nexus mapping'.
APA, Harvard, Vancouver, ISO, and other styles
8

Waller, A. S. "Meta TV in practice : a study of the re-use of television texts within contemporary television programmes." Thesis, University of Salford, 2015. http://usir.salford.ac.uk/34068/.

Full text
Abstract:
This thesis considers how television reflects on its own output in the context of newly created television programmes which seek to reconsider, reframe and re-contextualise the content of television programmes that have already been broadcast. It does this by considering a range of programmes created between 2002 and 2009 as part of my work as a practice based researcher. These programmes cover some of the key genres in contemporary television and reflect the development of forms and themes within the medium. The broad focus of this work is to seek to gain an understanding of what fresh meanings can be derived from re-using existing television content in new programmes that contextualise it with the provision of newly commissioned and created visual content. More specifically the work seeks to explore the role of the implied viewer and his or her proxies on screen and how this affects the construction and delivery of these new programmes. The programmes under consideration include archive based retrospectives of television dramas, lifestyle programmes and property formats. These are viewed from the perspective of key ideas in television studies including fan studies, celebrity culture, intertextuality, hybridity and television history. Taken altogether, it is argued the work constitutes a meta-practice in television.
APA, Harvard, Vancouver, ISO, and other styles
9

Cerigatto, Mariana Pícaro [UNESP]. "Educação para as mídias na formação de professores: uma proposta transmídia entre Web e TV digital." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/89514.

Full text
Abstract:
Made available in DSpace on 2014-06-11T19:24:05Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-03-13Bitstream added on 2014-06-13T20:51:23Z : No. of bitstreams: 1 cerigatto_mp_me_bauru.pdf: 2244395 bytes, checksum: 0b988f5491b6e78d1e322fa6ea524c91 (MD5)
O presente trabalho apresenta uma metodologia pedagógica voltada para atividades de leitura e escrita da linguagem audiovisual e se esboça em plataformas digitais de educação e na formação inicial de professores de língua portuguesa. Os objetivos foram desenvolver um curso de alfabetização à linguagem do audiovisual em formato semipresencial utilizando como suporte o ambiente virtual de aprendizagem Moodle e indicar possibilidades de combinação dessa modalidade web com televisão digital. As atividades seguem fundamentos da media literacy, área interdisciplinar que se preocupa em desenvolver formar de ensinar e aprender aspectos relevantes dos meios de comunicação na sociedade, e de princípios da aprendizagem colaborativa e construtivista. São exemplificadas experiências de transposição entre plataformas, limitações da televisão digital e uma proposta de 'parceria' entre web e televisão digital, dentro de uma estratégia de educação transmídia
Este trabajo presenta uma metodologia centrada en la enseñanza de lectura y escritura actividades de lenguaje audiovisual y se describe en las plataformas digitales en la educácion y la formación de professores de idioma português. Los objetivos fueron desarrollar um un curso de alfabetización en el lenguaje de formato visual utilizando como apoyo el entorno virtual de aprendizaje Moodle y indicar las possibilidades de combinar esta modalidad web con la televisión digital. Las actividades siguen los fundamentos de la media literacy, campo interdisciplinario que se ocupa em desarrolar formas de enseñar y aprender los aspectos relevantes de la inserción de los medios de comunicación en la sociedade, y los principios del aprendizaje colaborativa y constructivista. Son ejemplificadas experiencias de la transposición entre plataformas, las limitaciones de a televisión digital y un propuesta de associación entre la web y la televisión digital, dentro de una estrategia de educación transmedia
APA, Harvard, Vancouver, ISO, and other styles
10

Shirley, B. G. "Improving television sound for people with hearing impairments." Thesis, University of Salford, 2013. http://usir.salford.ac.uk/31007/.

Full text
Abstract:
This thesis investigates how developments in audio for digital television can be utilised to improve the experience of hearing impaired people when watching television. The work has had significant impact on international digital TV broadcast standards; it led to the formation of the UK Clean Audio Forum whose recommendations based on the research have been included in ETSI international standards for digital television, adopted into ITU standards for IPTV and also into EBU and NorDig digital television receiver specifications. In this thesis listening tests are implemented to assess the impact of various processes with a phantom centre channel and with a centre loudspeaker. The impact of non-speech channel attenuation and dynamic range control on speech clarity, sound quality and enjoyment of audio-visual media are investigated for both hearing impaired and non-hearing impaired people. For the first time the impact of acoustical crosstalk in two channel stereo reproduction on intelligibility of speech is quantified using both subjective intelligibility assessments and acoustic measurement techniques with intelligibility benefits of 5.9% found by utilising a centre loudspeaker instead of a phantom centre. A novel implementation of principal component analysis as a pre- broadcast production tool for labelling AV media compatible with a clean audio mix is identified, and two research implementations of accessible audio are documented including an object based implementation of clean audio for live broadcast that has been developed and publicly demonstrated.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Television and digital media"

1

Television as digital media. Durham, NC: Duke University Press, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

author, Castro Cosette, ed. Digital television and digital convergence. New York, New York: Hampton Press, 2014.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

1952-, Gripsrud Jostein, ed. Relocating television: Television in the digital context. New York: Routledge, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Televisa y Globo en la convergencia digital. Coyoacán, México: Universidad Nacional Autónoma de México, 2013.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

New media and popular imagination: Launching radio, television, and digital media in the United States. Oxford: Oxford University Press, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

The multi-media revolution. London: Stationery Office, 1998.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Seminário de Pesquisa CEPOS (4th 2009 São Leopoldo, Rio Grande do Sul, Brazil). TV digital, economia política e democracia. São Leopoldo, RS, Brasil: CEPOS Grupo de Pesquisa, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

B, Musburger Robert, ed. Introduction to media production: The path to digital media production. 3rd ed. Burlington, MA: Focal Press, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

2007), Mainzer Tage der Fernseh-Kritik (40th. Öffentlichkeit im Wandel: Fernsehen im digitalen Wettbewerb. Mainz: Zweites Deutsches Fernsehen, 2007.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

David, Rowe, ed. Sport beyond television: The internet, digital media and the rise of networked media sport. New York: Routledge, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Television and digital media"

1

Sanz, Esteve. "The Television Industry." In Digital Media Worlds, 102–17. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137344250_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Reed, Christopher S. "Radio and Television." In Digital Media Law, 178–97. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003197966-9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Starks, Michael. "Cross-Media Regulation?" In The Digital Television Revolution, 158–79. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137273352_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Starks, Michael. "Public Service Digital Media." In The Digital Television Revolution, 180–201. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137273352_10.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Dimitrova, Nevenka, John Zimmerman, Angel Janevski, Lalitha Agnihotri, Norman Haas, Dongge Li, Ruud Bolle, Senem Velipasalar, Thomas Mcgeeand, and Lira Nikolovska. "Media Augmentation and Personalization Through Multimedia Processing and Information Extraction." In Personalized Digital Television, 203–33. Dordrecht: Springer Netherlands, 2004. http://dx.doi.org/10.1007/1-4020-2164-x_8.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Raneberg, Dale. "Delivering on the Promise of Digital Television." In Media Management, 59–67. Berlin, Heidelberg: Springer Berlin Heidelberg, 2003. http://dx.doi.org/10.1007/978-3-540-24786-9_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Turow, Joseph. "Rethinking Television in the Digital Age." In Media, Organizations and Identity, 27–46. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230248397_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Cruikshank, Sally Ann. "Digital producers and social media." In A Complete Guide to Television, Field and Digital Producing, 178–90. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003037729-29.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Dawson, Max. "Television Abridged: Ephemeral Texts, Monumental Seriality and TV-Digital Media Convergence." In Ephemeral Media, 37–56. London: British Film Institute, 2011. http://dx.doi.org/10.1007/978-1-349-88356-1_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Cohen, James, and Thomas Kenny. "Over-the-Top Television and Storytelling in a Streaming World." In Producing New and Digital Media, 183–212. Second edition. | London ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9780429201226-6.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Television and digital media"

1

Haqqu, Rizca, and Sri Hastjarjo. "Television Media Convergence on Digital Media In Netgen Generation." In International Post-Graduate Conference on Media and Communication. SCITEPRESS - Science and Technology Publications, 2017. http://dx.doi.org/10.5220/0007331004380442.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Common, Thitinan B. "MANAGING THAI TELEVISION IN THE DIGITAL LANDSCAPE." In World Conference on Media and Mass Communication. The International Institute of Knowledge Management (TIIKM), 2018. http://dx.doi.org/10.17501/medcom.2018.4101.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Drury, G. M. "Digital video broadcasting on cable television media." In IEE Colloquium on DVB (Digital Video Broadcasting): The Future for Television Braodcasting?'. IEE, 1995. http://dx.doi.org/10.1049/ic:19950881.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Badarch, Enkhtugs, and Chuluunbandi Naimannaran. "Switchover of Radio and Television Broadcasting into Digital Technology in Mongolia." In 2014 7th International Conference on Ubi-Media Computing and Workshops (UMEDIA). IEEE, 2014. http://dx.doi.org/10.1109/u-media.2014.60.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Lun Liu. "Digital television's position and effect in the media ecology environment of broadcast and television." In 2010 3rd IEEE International Conference on Computer Science and Information Technology (ICCSIT 2010). IEEE, 2010. http://dx.doi.org/10.1109/iccsit.2010.5564539.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Stein, Martin J. "Digital Multi-Media: Now that I've Got it, where Do I Put it?" In SMPTE Advanced Television and Electronic Imaging Conference. IEEE, 1994. http://dx.doi.org/10.5594/m00855.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Birkmaier, Craig J. "A Proposal for Open Architecture Digital Communication Systems Based on Standard Media Publishing Apertures." In SMPTE Advanced Television and Electronic Imaging Conference. IEEE, 1995. http://dx.doi.org/10.5594/m00837.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Chen, Fengqin. "Research on the Conflict and Blend between Traditional Television Arts and New Digital Media." In International Conference on Education, Management and Computing Technology (ICEMCT-15). Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icemct-15.2015.11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Başaran, Meltem. "An Investigation on the Netflix Platform in the Context of Flow Theory." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.025.

Full text
Abstract:
Today, with the development of technology, many developments and changes have been experienced in mass media. In the traditional period, content could only be accessed from sources such as television, newspapers, magazines, and radio, while the digital platforms that emerged with the era of the so-called new media enabled people to acquire the content they wanted at any time. Netflix, one of these digital platforms, is a video streaming service that offers on-demand access to individuals. Netflix, which first started selling DVD subscriptions by mail in 1998, has turned into a platform that sells monthly subscriptions to reach the video content it hosts today. Digital platforms such as Netflix offer users the opportunity to watch the content they want from anywhere, with the communication device (tablet, phone, computer) they want, in a way that they can create their own streams, without even the need for internet. Within the scope of this study, the contents on the Netflix platform in the context of the flow theory of Raymond Williams will be analyzed by content analysis method. Williams discussed the program structure of the television as streaming. According to him, television contents create a whole among themselves and present a flow to the viewers and the audience is caught in this flow. Within the scope of the study, the contents of Netflix, one of the digital content viewing platforms that are formed as a result of changing broadcasting concepts, will be analyzed using semi-structured interview technique in the perspective of flow theory.
APA, Harvard, Vancouver, ISO, and other styles
10

Zhao, Huawen, Yanhua Liu, and Xiaohong Ling. "Design of Intelligent Film and Television Advertisements Recommendation System Based on Digital Media and Decision Tree." In 2021 6th International Conference on Communication and Electronics Systems (ICCES). IEEE, 2021. http://dx.doi.org/10.1109/icces51350.2021.9488995.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Television and digital media"

1

González Oñate, Cristina, and Carlos Fanjul Peyró. Television brands. The management of continuity in the Spanish television media. Revista Latina de Comunicación Social, 2009. http://dx.doi.org/10.4185/rlcs-64-2009-869-894-908-en.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Thibadeau, Robert. The Question of Standards for Digital Interactive Television. Fort Belvoir, VA: Defense Technical Information Center, November 1993. http://dx.doi.org/10.21236/ada273872.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Garris, Michael D., Mary T. Laamanen, Craig S. Russell, and Lawrence D. Nadel. Recommendation: closed circuit television (CCTV) digital video export profile - level 0. Gaithersburg, MD: National Institute of Standards and Technology, December 2016. http://dx.doi.org/10.6028/nist.ir.8161.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Garris, Michael D., Mary T. Laamanen, Craig S. Russell, and Lawrence D. Nadel. Assessment of closed circuit television digital video recording and export technologies. Gaithersburg, MD: National Institute of Standards and Technology, March 2017. http://dx.doi.org/10.6028/nist.ir.8172.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Silin, Dmitriy. Digital Rock Studies of Tight Porous Media. Office of Scientific and Technical Information (OSTI), August 2012. http://dx.doi.org/10.2172/1174160.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Hoener, Johanna. So Many Choices: An Experimental Study of Digital Television Choice, Customization, and Satisfaction. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.7412.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Nadel, Lawrence, Mary Laamanen, Michael Garris, and Craig Russell. Recommendation: closed circuit television (CCTV) digital video export profile - level 0 (revision 1). Gaithersburg, MD: National Institute of Standards and Technology, April 2019. http://dx.doi.org/10.6028/nist.ir.8161r1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Sarabia-Andúgar, Isabel, and Josefina Sánchez-Martínez. Household adaptation to digital terrestrial television in its first phase of implementation in Spain. Revista Latina de Comunicación Social, 2012. http://dx.doi.org/10.4185/rlcs-067-948-068-098-en.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Fedele, Maddalena. Young characters in television fiction: youth identities, models and portrayals in the digital age. Universitat Pompeu Fabra, 2014. http://dx.doi.org/10.31009/informesdcom.2020.02.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Guimerà-i-Orts, Josep-Àngel, and Federica Alborch-Gil. The Crisis of Public Local Digital Terrestrial Television in Spain: The case of Catalonia. Revista Latina de Comunicación Social, 2011. http://dx.doi.org/10.4185/rlcs-66-2011-934-292-313-en.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Television and digital media' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography