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Relevant bibliographies by topics / Teatro comunale (Fauglia, Italy)

Academic literature on the topic 'Teatro comunale (Fauglia, Italy)'

Author: Grafiati

Published: 25 July 2024

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Journal articles on the topic "Teatro comunale (Fauglia, Italy)"

1

Tronchin, Lamberto. "The sound quality of the Teatro Comunale in Treviso, Italy." Journal of the Acoustical Society of America 105, no. 2 (February 1999): 930. http://dx.doi.org/10.1121/1.426296.

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Körner, Axel. "From Hindustan to Brabant: Meyerbeer’s L’africana and Municipal Cosmopolitanism in Post-Unification Italy." Cambridge Opera Journal 29, no. 1 (March 2017): 74–93. http://dx.doi.org/10.1017/s0954586717000052.

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AbstractThis article examines the political and cultural circumstances leading to the Italian premiere of Giacomo Meyerbeer’s posthumous opera L’Africaine at Bologna’s Teatro Comunale in November 1865. Meyerbeer’s death in May 1864 and the French premiere of his last opera the following year combined to produce a striking moment of transnational cosmopolitan sentiment that built on the composer’s reputation for writing music that had the capacity to communicate across national and political boundaries. Shortly after the Unification of Italy, Bologna was keen to capitalise on these emotions and used the Italian premiere strategically in order to position itself as one of the cultural capitals of the new Italian nation state.

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3

Ketterer, Robert C. "Under Cover in Babylon: Rossini's Cyrus the Great for the Lenten Season." Nineteenth-Century Music Review, September 6, 2022, 1–21. http://dx.doi.org/10.1017/s1479409822000295.

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Rossini's Ciro in Babilonia, ossia, La caduta di Baldassare (Cyrus in Babylon, or, The Fall of Belshazzar) was performed during Lent in 1812 at Ferrara's Teatro Comunale. This study examines how the opera's librettist Francesco Aventi synthesized disparate sources that included the Greek historian Herodotus and the Biblical prophets, ancient and early modern prose treatises on the Persian king Cyrus the Great, and baroque operatic representations of imperial power; and how Rossini responded to those sources musically for the particular historical moment in March of 1812. The piece is of interest as the first serious opera for the librettist and the composer both. It displays innovative approaches to classicizing material familiar from the eighteenth-century, as exemplified in Metastasio's Ciro riconosciuto and Sarti's Giulio Sabino, and it presents the secular hero Cyrus as a Christological figure that suffers and then triumphs with divine help. Musically it anticipates developments in Rossini's own Mosè in Egitto and Semiramide. The title “Under cover in Babylon” refers first to Aventi's and Rossini's use of the standard operatic plot device of the disguised lover to motivate Cyrus's entry into the enemy city of Babylon. Second, by calling the piece an “oratorio” and including Biblical material, they disguised an opera as an entertainment appropriate for Lent. Finally, the piece carries possible but subtly expressed messages connected with Napoleonic Italy and the Ferrarese Jewish community.

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Books on the topic "Teatro comunale (Fauglia, Italy)"

1

author, Filidei Valentina, ed. Il teatro comunale di Fauglia: (1852-2014). Pontedera: Tagete edizioni, 2015.

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2

Verti, Roberto. Il Teatro comunale di Bologna. Milano: Electa, 1998.

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3

Lentini, Vittorio. Il Teatro di Trani: Il più antico teatro stabile di Puglia. Bari: M. Adda, 1998.

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4

Pasolini-Zanelli, G. Il teatro di Faenza dal 1788 al 1888. Sala Bolognese: A. Forni, 1986.

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5

Nembi, Ornella. Storia del Teatro Metastasio. Firenze: Angelo Pontecorboli, 1995.

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6

Luconi, Massimo. Teatro Metastasio stabile della Toscana: 1964-2014, 50 anni nel segno del grande teatro : un teatro in movimento fra innovazione e tradizione. Livorno, Italy]: Sillabe, 2014.

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7

Emilio, Vita, ed. Russi: Una città, il suo teatro. [Ravenna]: D. Montanari, 2001.

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8

Retti, Manfredo. Tre secoli in scena: Storia del Teatro comunale di Todi. Todi (PG): Edizioni dell'Anthurium, 2014.

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9

Lamberto, Trezzini, Paganelli Sergio, and Verti Roberto, eds. Due secoli di vita musicale: Storia del Teatro comunale di Bologna. 2nd ed. Bologna: Nuova Alfa editoriale, 1987.

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10

Franca, Cella, and Guadagnolo Pasquale, eds. Un' Idea dell'opera: Spettacoli e interpreti al Teatro comunale di Bologna, 1984-1989. Bologna: Grafis, 1989.

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