Academic literature on the topic 'Tattooing'

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Journal articles on the topic "Tattooing"

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Delunas, Andrew, and Nathan Osborne. "Etched in Flesh: The Philosophy of Tattoos and Tattooing." International Journal of Arts, Humanities & Social Science 04, no. 08 (August 9, 2023): 1–5. http://dx.doi.org/10.56734/ijahss.v4n8a1.

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Tattooing is an ancient art form, dating back to Neolithic times and is today widely practiced the world over. Given tattooing’s popularity and its wide acceptance in the modern world (a recent survey found that 30 percent of the adult American population has at least one tattoo), philosophers’ continued silence with respect to tattooing is mystifying. If philosophers have nothing to say about tattooing, what could be the reason for such a glaring omission? This disregard is telling: It may be that philosophers consider tattooing too “low brow”, and hence, not worthy of their consideration. In what follows, we offer a few reasons why philosophers of art should take tattooing seriously as an art form. We will also expand on our contention that tattoos represent one of the most intimate forms of art known to humanity (indeed, perhaps the most intimate). Lastly, we will consider tattooing as a representational art form, and attempt to discern what can be gleaned of the tattoo artist’s intentions from her work.
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Hutton Carlsen, Katrina, Mitra Sepehri, and Jørgen Serup. "Tattooist-Associated Tattoo Complications: “Overworked Tattoo,” “Pigment Overload” and Infections Producing Early and Late Adverse Events." Dermatology 236, no. 3 (September 9, 2019): 208–15. http://dx.doi.org/10.1159/000501962.

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Background: Tattooist-related technical failures of tattooing were hitherto unstudied and related to clinical complications. Tattooing requires talent, training and experience. Amateurism is a challenge in popular tattoo industry with no formal education and certification of the tattooists. Objective: To study technical tattoo failures causing disease in a consecutive hospital material of tattoo complications. Material: 574 patients with 702 tattoo complications referred to the “Tattoo Clinic” (a subspecialised dermatological clinic) were enrolled. Patients were examined clinically and classified with respect to the cause of complication. Results: 147 (21%) tattooist and tattoo studio-related complications were recorded, i.e. excessive pigment installed in the dermis with “pigment overload” in 64 (9%), tattoo “needle trauma” with “overworked tattoos” in 43 (6%), contaminated ink causing infection in 20 (3%), and other sources of infections related to tattooing in 20 (3%). Pain and discomfort were particularly common as well as long-term complications including scarring induced by “needle trauma.” “Pigment overload” with black pigment carried a special risk of granulomatous inflammation and sarcoid granuloma and was observed in 12/35 (34%) of punch biopsies taken from tattoos with “pigment overload.” Keratoacanthoma associated with trauma was observed in 1 case. 82% of complications were related to professional tattooists working in a tattoo studio and 18% to amateurs. Conclusion: Technical failures of tattooing are associated with medical tattoo complications. “Needle trauma” with major skin damage, e.g. “overworked tattoo,” and installation of excessive pigment, e.g. “pigment overload,” and (re)use of contaminated tattoo ink bottles are identified failures calling for preventive intervention.
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McDade, Adam. "The contemporary western tattooist as a multifaceted practitioner." Craft Research 10, no. 2 (September 1, 2019): 261–75. http://dx.doi.org/10.1386/crre_00005_1.

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Abstract Although tattooing has been vaguely discussed in an academic literature for over a century, it has only received serious scholarly interest in recent decades. The literature that exists is primarily within the contexts of art history, economics and dominantly, social sciences. With few exceptions, the emphasis is placed on the modified body or the recipient of the tattoo as the focus of the study, and not the process of cultural production. Tattooing from the perspective of the practitioner, and thus the methods, processes and actions of the tattooist, is yet to have gained sufficient focus. As a result, understanding of a creative medium that is a dominant form of cultural consumption is limited, largely deductive and lacking in informed internal voices. This article aims to offer insight into the multifaceted and contingent nature of the role of the contemporary western tattooist, which may be understood as a tattooist working in a western context in the twenty-first century. Conducted by a researcher who is also a professional tattooist, the article is informed by a multimethod methodology combining a contextual review with practical research and autoethnography. Drawing upon professional practice to provide elucidation, a lens for partially understanding the contingent role of the tattooist in pragmatic multiplicity of a visual artist, a designer and a craftsperson is proposed. Specific attention is paid to the notion of craft in accordance to the criteria of the supplemental, material and skill proposed by Adamson to exemplify when the tattooist can be understood as performing the action of a craftsperson. The role of the contemporary western tattooist has been either assumed, ignored or studied without the necessary resources or methodologies within conventional disciplinary approaches. In introducing an insider practitioner perspective into the current dialogue, tattooing may be better understood and researched in the avenues in which it has previously been studied, while also being introduced into the broader craft, design and arts academic discourse.
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Lee, Meredith. "Permanent Gestures." TDR: The Drama Review 67, no. 3 (September 2023): 32–46. http://dx.doi.org/10.1017/s1054204323000242.

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Primitive whiteness refers to the atavistic and colonial violence of the appropriation of tattooing in the United States. The radical deviance of the tattooist and their canvas, read through queer forms of pathologized identities, illuminates what happens when this primitive whiteness is indeed queer.
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Bergevin, Rita C. "Tattooing." Nursing 46, no. 7 (July 2016): 68. http://dx.doi.org/10.1097/01.nurse.0000484038.70692.63.

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Raju, Gottumukkala S. "What is new in tattooing? “Custom tattooing!”." Gastrointestinal Endoscopy 59, no. 2 (February 2004): 328–29. http://dx.doi.org/10.1016/s0016-5107(03)02554-9.

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Akarsu, Seyda. "Evaluating the condition of the existing art of body tattooing and current practices in Turkey." New Trends and Issues Proceedings on Humanities and Social Sciences 2, no. 1 (February 19, 2016): 47–52. http://dx.doi.org/10.18844/prosoc.v2i1.276.

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Throughout history, human kinds have always been trying new ways by different means to look beautiful and different. Tattooing is also one of those ways and challenges. Today tattooing is losing its traditional concept and becoming more common with new professional spirit. Traditional tattoo with all its concerns to tattoo receivers and tattooing artists now is gradually become peeled from its old cast to be regarded as an art. Tattooing is application of dye to subdermal layers of skin which stays permanently and can't be rejected by skin later on. With rising tattoo application and use in the world, likewise in our country tattooing, it is also growing and become more popular. Based on this idea, the existing tattooing practices in Turkey were investigated and evaluated. This research applied in three biggest metropoles and a Holliday village. On these locations, the questionnaires were submitted to 553 tattoo receivers and 69 tattooing artist personnel. At the same time, 69 tattooing centres were visited and observed. The study results show that; tattoos are mostly the product of aesthetic and self-expression predominantly in younger generations. The most preferred tattoo motives were writings and images, and also the most preferred color found to be black. None of tattooing artist had formal training and they had different understandings of hygiene. As a result of this study, it has also been found that there are no regulations, administration or enforcement for standards in tattooing centres. Following the evaluation of this research results and also considering the current practice of tattooing centers in Turkey. It is proposed a set of recommendations to train, to regulate, to administrate and to enforce the standards for the art and practice of tattooing in Turkey.Keywords: Tattooing, Body Art.Â
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Noah, N. "Tattooing and piercing – the need for guidelines in EU." Eurosurveillance 11, no. 1 (January 1, 2006): 1–2. http://dx.doi.org/10.2807/esm.11.01.00589-en.

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As in Amsterdam [1], the impetus for UK guidelines for hygienic tattooing came from an outbreak of hepatitis B caused in 1978 by a tattooist. The outbreak resulted in 30 primary and three secondary cases [2]. Guidelines for hygienic tattooing followed soon after, and were taken up, fairly enthusiastically on the whole, by the tattooists. These were expanded in 1982 to include acupuncture, ear-piercing and hair electrolysis. Laws to control the hygiene of these practitioners were introduced at the same time {Local Government Miscellaneous Provisions Act 1982 [amended 2003] and the Greater London Council [General Powers] Act 1982}. Body piercing was hardly heard of at the time: although it was undoubtedly and somewhat furtively practised, it was not as popular or as open as it is now. Guidelines for beauty therapy, hygienic hairdressing and micropigmentation followed.
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Zhitny, Vladislav Pavlovich, Noama Iftekhar, and Frank Stile. "Paramedical Tattooing." Plastic and Reconstructive Surgery - Global Open 8, no. 9 (September 2020): e3118. http://dx.doi.org/10.1097/gox.0000000000003118.

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Li, Jia-Hong, Tzung-Her Chen, and Wei-Bin Lee. "Tattooing Attack." International Journal of Digital Crime and Forensics 6, no. 3 (July 2014): 30–46. http://dx.doi.org/10.4018/ijdcf.2014070103.

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Image authentication must be able to verify the origin and the integrity of digital images, and some research has made efforts in that. In this paper, we reveal a new type of malicious alteration which we call the “Tattooing Attack”. It can successfully alter the protected image if the collision of the authentication bits corresponding to the altered image and the original watermarking image can be found. To make our point, we chose Chang et al.'s image authentication scheme based on watermarking techniques for tampering detection as an example. The authors will analyze the reasons why the attack is successful, and then they delineate the conditions making the attack possible. Since the result can be generally applied into other schemes, the authors evaluate such schemes to examine the soundness of these conditions. Finally, a solution is provided for all tamper detection schemes suffering from the Tattooing Attack.
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Dissertations / Theses on the topic "Tattooing"

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Schonberger, Nicholas. "Inking identity tattoo design and the emergence of an American industry, 1875 to 1930 /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 4.20 Mb., 168 p, 2005. http://wwwlib.umi.com/dissertations/fullcit/1428185.

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Dass, Rhonda. "Native American symbols in tattooing." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3386672.

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Thesis (Ph.D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2009.
Title from PDF t.p. (viewed on Jul 15, 2010). Source: Dissertation Abstracts International, Volume: 70-12, Section: A, page: 4804. Adviser: John Wm. Johnson.
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Williams, Caitlyn. "Tattooing and the Generalized Other." Thesis, Southern Illinois University at Edwardsville, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10615381.

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The primary purpose of this study was to examine how women who are considering tattoos understand the action in relation to the Generalized Other. Data was derived from qualitative interviews conducted with women of various ages; some with and without tattoos. Understood stereotypes and perceptions of tattooed individuals were discussed, in addition to various reasons for obtaining a tattoo. How these beliefs and expectations were manifested within the interview participants’ lives was also discussed, as it was important to know what reference groups helped to form their Generalized Others and therefore, aided in influencing their personal decisions regarding the act of tattooing.

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Thif, Yaman, and Olle Rendlert. "AUTOMATED INK : CNC Tattooing Robot." Thesis, KTH, Skolan för industriell teknik och management (ITM), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-279841.

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The art of tattooing has been around for centuries in human history and tattoos are still very popular in today’s society. Tattoos serve as a way to, for example, express people’s personalities, religious beliefs, or culture, and its growing popularity may lead to the need for more technological and automated alternatives. In this project, a computer numerical control plotter was built to investigate the possibilities of automation of tattooing, and the project focused on the possible limitations of performance and safety in an automated tattooing machine. The machine was built using two stepper motors connected with an H-Bot configuration that moved a gantry in the X and Y directions. A third stepper motor connected to a lead-screw was mounted on the gantry enabling movement in Z direction. Several tests were conducted in order to examine the performance of the machine. These tests were done using ink and whiteboard markers to draw different geometries on paper and the subject’s arm. The results showed limitations in the size of the tattoo as the machine could only draw on a flat surface and therefore had trouble adjusting to the uneven surface of an arm. The results also showed that the machine had some trouble drawing rounded geometries, such as circles, which meant that the circles, to a certain extent, got an elliptical appearance. It did however draw straight lines accurately. The main factors of this were believed to be a combination of sub-optimal assembly and the stepper motors being too weak to optimally operate with the H-Bot configuration. The safety risks were considered restricted when using a limit switch sensor and carefully calibrating the speed and movement in the Z-axis.
Tatueringskonsten har funnits i århundraden och tatueringar är fortfarande mycket populära i dagens samhälle. Tatueringar fungerar bland annat som ett sätt att uttrycka människors personligheter, religion eller kultur. Dess växande popularitet kan leda till ett behov av tekniska och automatiserade alternativ. I detta projekt byggdes en CNC-plotter för att undersöka möjligheterna till automatisering av tatueringar och projektet fokuserade på möjliga begränsningar av prestanda och säkerhet hos en automatiserad tatueringsmaskin. Maskinen byggdes med två stegmotorer anslutna med en H-Bot-konfiguration som flyttade en brygga i X- och Y-riktningarna. En tredje stegmotor ansluten till en ledskruv monterades på bryggan vilket möjliggjorde rörelse i Z-led. Flera tester genomfördes för att undersöka maskinens prestanda. Dessa tester gjordes med hjälp av bläck- och tuschpennor för att rita olika geometriska former på papper och testpersoners armar. Resultaten visade begränsningar i tatueringsstorleken eftersom maskinen bara kunde rita på en plan yta och därför hade problem med att anpassa sig till den ojämna ytan av en arm. Resultaten visade också att maskinen hade vissa problem med att rita runda geometrier, så som cirklar, vilket medförde att cirklarna, till en viss grad, fick ett elleptiskt utseende. Den ritade dock raka linjer med bra noggrannhet. De största anledningarna till detta tros vara en kombination av bristfällig montering och att stegmotorerna var för svaga för att optimalt kunna fungera med H-Bot-konfigurationen. Säkerhetsriskerna ansågs vara begränsade vid användning av en gränslägesgivare och noggrann kalibrering av hastigheten och rörelsen i Z-led.
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Gee, Richard L. "The criminalization of tattooing in Oklahoma an application of Clegg's circuits of power /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5942.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2007.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 20, 2009) Vita. Includes bibliographical references.
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Erim, Bilun. "Making The Secular Through The Body: Tattooing The Father Turk." Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12613367/index.pdf.

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This thesis examines the recent phenomenon of Atatü
rk&rsquo
s tattoos through a twofold theoretical framework of body politics and secularism. Firstly, it examines the growing interest on the body in social sciences, which has focused on the body as a site of both docility and subversivity. Additionally, the body has been rediscovered as a fetish object through which selfhood and subjectivity are continually reconstructed and contested. These developments were simultaneously conditioned by and manifested themselves in an understanding of &lsquo
the body as a project&rsquo
. Secondly, the study explores Atatü
rk&rsquo
s continued legacy in Turkish politics and for the nation-people. 73 years after his death, Atatü
rk still remains the utmost personification of the secular Turkish nation state. An effort is made to demonstrate how &lsquo
the secular&rsquo
, representing the normative nation-identity, and &lsquo
the religious&rsquo
, representing its Other, have been made in Turkish history. In light of these theories, Atatü
rk tattoo almost seems like an oxymoron: &lsquo
tattoo&rsquo
carrying controversial and rebellious, and &lsquo
Atatü
rk&rsquo
statist and conformist undertones. The main ambition of this thesis is to explore this contradiction through an analysis of whether the Atatü
rk tattoo is a spontaneous (body) politics on the side of &lsquo
the people&rsquo
or whether it is a symptom of Kemalism&rsquo
s current position in society and politics. Finally, to better understand the subject, field research has been conducted with tattoo artists and people with the Atatü
rk tattoo, in 3 cities, through the summer and fall of 2010.
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McDonough, Jodi Michelle. "Indelible impressions: Tattoos and tattooing in the context of incarceration." Thesis, University of Ottawa (Canada), 2002. http://hdl.handle.net/10393/6204.

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In consideration of the prevalence and popularity of tattoos among our prison population, I argue that the disciplinary institution and the carceral experience may have an effect upon the function and value of tattoos for the prisoner. My approach to analysis is informed by the application of discourse analysis in the work of James Messerschmidt on the construction of masculinity, and Michel Foucault on the body of the condemned within the dynamics of the disciplinary institution. Given such insights and theoretical underpinnings, the purpose of this qualitative study is to explore whether the prison and the experience of incarceration has an effect upon the meaning, value and appeal of tattoos among Canadian prisoners, and more specifically, among men serving life sentences. I conducted eight non-directive interviews with incarcerated lifers concerning tattooing and their tattoos. Following the interviews, I undertook a time frame analysis in order to organize and examine the subjects' experiences with tattooing during three different time periods, these being, prior to incarceration, during incarceration, and today. Given the exploratory nature of my study, my research may be more accurately conceptualized as an exercise in logic of discovery rather than an exercise in the logic of verification. (Abstract shortened by UMI.)
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Naidoo, Leanne. "Soul tattoos : an exploration of the therapeutic self - the indelible and the disposable." Thesis, Nelson Mandela Metropolitan University, 2005. http://hdl.handle.net/10948/373.

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From a social constructionist perspective, the self of the therapist is the only tool that she takes into therapy with her. The study of the therapeutic self therefore becomes important as this impacts on the quality of therapy received by the client. This treatise explores the development of the researcher’s therapeutic self through the storying of significant learning experiences in the course of her training in counselling psychology. An analysis of the narrative reveals the substance of some of the soul tattoos that make up her therapeutic self. The study was undertaken from an action research approach, thus emphasising the investigation of the therapeutic self in the field and feeding this information back into the practice of counselling psychology in the course of the research project. The themes extracted in the analysis reveal the process of action learning and what constituted significant learning experiences for the researcher. The researcher found that certain conditions were required for the formation of soul tattoos and that merely obtaining a masters degree in counselling psychology was not sufficient preparation for the practice of counselling psychology.
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Follett, John Alan. "The consumption of tattoos and tattooing : the body as permanent text." Thesis, University of Wolverhampton, 2009. http://hdl.handle.net/2436/88534.

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In this thesis, I investigate permanence through exploring tattoo consumption in terms of the social-historical context of being tattooed. The analysis is based on four years of data collection adopting a grounded theory approach. I present an analysis of how permanence occurs in terms of tattoo consumption, with particular interest in the physical permanence in relation to identity creation. This is set within the framework of Consumer Culture Theory (CCT). The reason for this is twofold, firstly to illustrate the ability of using tattooing as an instrument to investigate permanence within CCT. Secondly, to show the lack of use of the socio-historical perspective within such an investigation, and to show that the use of such data is a valid strategy and which adds depth and context to such an investigation. Furthermore, I suggest that tattoo consumption has become a site of embodied expression that is bounded by physicality, and permanence. I present a typology of tattooed consumers based on levels of commitment and explore in depth two main categories, physicality, and, permanence. I find that the physical permanence is shown through the commitment to tattoo usage. Its permanent nature determines the tattoo as an act of consumption that is dualistic in nature; both accepted, and yet equally rejected, which is seen within the consumers‘ negotiation of its use, in terms of mimicry and placement. Being tattooed represents a form of consumption that contravenes certain rules and norms of society, and yet at the same time is the basis for community membership and adherence to a set of sub-cultural norms and values.
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Kwan, Hoi-ling, and 關凱齡. "Tattooing the city: "infiltration of arts platforms in urban dense space"." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47542767.

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There are huge demands of limited lands in Hong Kong. It is an increasing trend for Hong Kong Government to develop open space for the use of recreation activities as they found out that it is very important to the individual as well as the community. Other than recreation use, those open spaces can also served to allow air ventilation, penetration of sunlight and also act as a place for amenity and visual relief in Hong Kong. Although, these functions are very important in the high rise building environment, high density city like Hong Kong, there are many small public open spaces in urban area which are not in a good quality. They cannot function well in responsive to the context of the area, enhancing the quality of the neighborhoods and suited for the public need in the community which they turns out become not as popular as they are expected. The pocket open space in urban area is relatively small, surrounded by commercial buildings or residential buildings. They usually have a simple setting with planters and street furniture. Different activities involvement by different users in these small open spaces create a small community in the urban area and supposingly can enhance the interaction within people in the area. Considering that there are complaints from the Artists that there are not enough outdoor arts space in Hong Kong and public arts is the trend of some of the cities in other countries to enhancing the identity and culture of the urban areas, such as the King Williams ArtWalk in Otario in Canada. However, It is not popular in the urban dense space in Hong Kong. It is good to exploring a possible new way to sustain the unique culture by applying public arts platform in the urban area. The site is located around the Aberdeen Street in Central. It is an old district with new culture style but lack of solid identity and energy throughout the space. Although there are different organic developments, the streetscape is without strong characters. The following pilot project is aim to use art platform as a tools to revealing the missing link in urban context and also adding a possible new function to the open space in urban dense area as a “outdoor showroom” of arts in the city in order to vibrate the city and raise the awareness of public arts to the publics.
published_or_final_version
Architecture
Master
Master of Landscape Architecture
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Books on the topic "Tattooing"

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Whitehall, Lisa. Tattooing and scarification. Derby: Derbyshire College of Higher Education, 1990.

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Sudo, Masato. Ransho: Japanese tattooing. [Japan]: [s.n.], 1985.

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Robley, Horatio Gordon. Moko, or, Maori tattooing. [S.l.]: Southern Reprints, 1987.

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Jordan, Gary Paul. The art of tattooing. [Derby]: Derbyshire College of Higher Education, 1987.

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Handy, Willowdean C. Tattooing in the Marquesas. Mineola, N.Y: Dover Publications, 2008.

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Spennemann, Dirk R. Tattooing in the Marshall Islands. Honolulu: Bess Press, 2009.

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Spennemann, Dirk R. Tattooing in the Marshall Islands. Honolulu: Bess Press, 2009.

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Thomas, Nicholas. Skin deep: A history of tattooing. London: National Maritime Museum, 2002.

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contributor, Avia Tusiata 1966, ed. Tatau: A history of Samoan tattooing. Sydney, NSW: NewSouth Publishing, 2018.

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Scutt, R. W. B. Art, sex, and symbol: The mystery of tattooing. 2nd ed. New York: Cornwall Books, 1986.

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Book chapters on the topic "Tattooing"

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Engel, Andy. "Medical Tattooing." In Tattoos und Tattooentfernung, 71–77. Berlin, Heidelberg: Springer Berlin Heidelberg, 2022. http://dx.doi.org/10.1007/978-3-662-62560-6_8.

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Reed, Carrie E. "Tattooing in China." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 1–4. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-3934-5_10172-1.

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De Cuyper, Christa. "Procedure of Tattooing." In Dermatologic Complications with Body Art, 49–71. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77098-7_3.

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Reed, Carrie E. "Tattooing in China." In Encyclopaedia of the History of Science, Technology, and Medicine in Non-Western Cultures, 4142–46. Dordrecht: Springer Netherlands, 2016. http://dx.doi.org/10.1007/978-94-007-7747-7_10172.

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Barron, Lee. "Semiotics and tattooing." In Social Theory in Popular Culture, 108–24. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-30389-9_8.

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Thami, Gurvinder P. "Tattooing in Vitiligo." In Comprehensive Textbook on Vitiligo, 283–86. First edition. | Boca Raton, FL : CRC Press, 2020.: CRC Press, 2020. http://dx.doi.org/10.1201/9781315112183-44.

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Bergh, Luna. "Tattooing as Memorial Pragmemes." In Perspectives in Pragmatics, Philosophy & Psychology, 585–97. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-43491-9_30.

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Schubert, Theresa. "Growing Geometries - Tattooing Mushrooms." In Shared Habitats, 232–39. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456477-018.

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Bavin, Kyla, and James Treadwell. "Tattooing and Body Modification." In Shades of Deviance, 52–55. 2nd ed. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003138198-12.

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Rees, Michael. "A review of the current literature and the case for figurational sociology." In Tattooing in Contemporary Society, 29–59. London: Routledge, 2021. http://dx.doi.org/10.4324/9780429295072-2.

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Conference papers on the topic "Tattooing"

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Schubert, Theresa. "Growing geometries (tattooing mushrooms)." In PROCEEDINGS OF THE INTERNATIONAL CONFERENCE ON NUMERICAL ANALYSIS AND APPLIED MATHEMATICS 2014 (ICNAAM-2014). AIP Publishing LLC, 2015. http://dx.doi.org/10.1063/1.4912820.

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Prado, Ana Laura Ferreira. "The body as an artistic medium: From body paintings to tattoos that I have done in my life." In IV Seven International Congress of Health. Seven Congress, 2024. http://dx.doi.org/10.56238/homeivsevenhealth-085.

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The work explores the body as a means of artistic expression, focusing on body painting, tattoos and indigenous graphics as historical and cultural forms of art. It discusses the evolution of tattooing from its origins to its popularization and the cultural resistance behind indigenous graphics. It also addresses sexism in the world of tattooing, highlighting interviews with female tattoo artists about their challenges. The author presents her own experiences with tattoos, emphasizing art as a powerful form of personal expression, culminating in a photo essay that celebrates the body as the protagonist of visual communication.
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Couture, O., N. Pannacci, A. Babataheri, P. Tabeling, M. Fink, M. Tanter, and Vincent Servois. "Ultrasound-inducible fluorescent particles for internal tattooing." In 2009 IEEE International Ultrasonics Symposium. IEEE, 2009. http://dx.doi.org/10.1109/ultsym.2009.5441918.

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Joe, Seonggun, Dongkyu Lee, Byungjeon Kang, Jong-Oh Park, and Byungkyu Kim. "Micro tattooing mechanism for the capsule endoscope." In 2017 14th International Conference on Ubiquitous Robots and Ambient Intelligence (URAI). IEEE, 2017. http://dx.doi.org/10.1109/urai.2017.7992836.

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Hoang, Manh Cuong, Viet Ha Le, Jayoung Kim, Eunpyo Choi, Byungjeon Kang, Jong-Oh Park, and Chang-Sei Kim. "Intestinal Tattooing Mechanism Integrated with Active Wireless Capsule Endoscope." In 2018 7th IEEE International Conference on Biomedical Robotics and Biomechatronics (Biorob). IEEE, 2018. http://dx.doi.org/10.1109/biorob.2018.8487183.

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Winiarek, Anna, and Ludwika Wojciechowska. "PERCEPTION OF (THE) PSYCHOLOGICAL MOTIVES OF TATTOOING OF ALL AGES." In International Psychological Applications Conference and Trends. inScience Press, 2019. http://dx.doi.org/10.36315/2019inpact080.

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7

Khoo, C. H., H. McRobbie, and R. Patel. "TATTOOING IN THE COLON – IS THE DESIGN INFLUENCED BY OUTCOME?" In ESGE Days 2022. Georg Thieme Verlag KG, 2022. http://dx.doi.org/10.1055/s-0042-1744895.

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Moon, HS, JH Park, JS Kim, SH Kang, JK Sung, and HY Jeong. "THE USEFULNESS OF COLONIC TATTOOING USING ICG IN COLORECTAL TUMOR PATIENTS." In ESGE Days 2018 accepted abstracts. Georg Thieme Verlag KG, 2018. http://dx.doi.org/10.1055/s-0038-1637379.

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Jeong, Bongkeum, Mon-Chu Chen, and Jesus Ibanez Martinez. "A Tattooing for the Child Health Records Design that can Save Live." In HCI Korea 2016. The HCI Society of Korea, 2016. http://dx.doi.org/10.17210/hcik.2016.01.15.

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Joe, Seonggun, Dongkyu Lee, Byungkyu Kim, Byungjeon Kang, and Jong-Oh Park. "Design and dynamics analysis of a compact tattooing mechanism for a capsule endoscope." In 2017 International Conference on Manipulation, Automation and Robotics at Small Scales (MARSS). IEEE, 2017. http://dx.doi.org/10.1109/marss.2017.8001899.

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Reports on the topic "Tattooing"

1

Dorado, Marianne C. TRIBE: Translating Tribal Tattooing into Textiles. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1026.

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2

Christopher Dana Lynn, Christopher Dana Lynn. Does tattooing benefit the immune system? The inking of immunity. Experiment, April 2018. http://dx.doi.org/10.18258/11127.

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