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Books on the topic 'Tarim Basin'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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1

Jia, Chengzao. Tectonic characteristics and petroleum, Tarim Basin, China. Beijing, P.R.C: Petroleum Industry Press, 1997.

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2

Talimu Pendi gou zao chen ji yu cheng cang: Talimupendigouzaochenjiyuchengcang. Beijing: Di zhi chu ban she, 2010.

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3

Mao, Shaozhi. Late Cretaceous-early Tertiary dinoflagellates and acritarchs from the Kashi area, Tarim Basin, Xinjiang Province, China. Toronto: Royal Ontario Museum, 1988.

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4

Xinjiang Talimu Pendi ye sheng zhi wu tu pu: Native plants atlas in Tarim Basin of Xinjiang. Beijing: Ke xue chu ban she, 2013.

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5

Aijun, Qiu, and Zhang Ling 1977 October-, eds. Xinjiang Talimu Pendi ye sheng zhi wu ming lu: Native plants lists in Tarim Basin of Xinjiang. Beijing: Ke xue chu ban she, 2013.

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6

Mingjiang, Deng, ed. Talimu He liu yu shui quan guan li yan jiu: On the management of water rights in Tarim river basin. Beijing Shi: Zhongguo shui li shui dian chu ban she, 2010.

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7

Talimu He liu yu qi hou bian hua ying xiang ping gu bao gao: China climate change impact report : Tarim River Basin. Beijing Shi: Qi xiang chu ban she, 2014.

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8

Talimu Pendi han wu--ao tao xi tan suan yan yan you qi kan tan: Oil and gas exploration of Cambrian-Ordovician carbonate in Tarim basin. Beijing: Shi you gong ye chu ban she, 2010.

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9

Talimu Pendi ao tao xi tan suan yan yan feng dong xi tong mo shi ji cheng yin yan jiu: Study on the patterns and forming mechanism of fracturecavity systems in ordovician carbonate, Tarim Basin = Talimu Pendi aotaoxi tansuanyanyan fengdong xitong moshi ji chengyin yanjiu. Beijing: Di zhi chu ban she, 2011.

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10

Associates, Gustavson, ed. The Petroleum geology and exploration potential of the Tarim Basin, China. Boulder, Colo: Gustavson Associates, 1993.

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11

Geological Survey (U.S.), ed. Geology of the Tarim Basin with special emphasis on petroleum deposits, Xinjiang Uygur Zizhiqu, Northwest China. Reston, Va: [U.S. Geological Survey], 1985.

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12

Yeniningsih, Taat Kurnita. Pendidikan Seni Tari. Syiah Kuala University Press, 2018. http://dx.doi.org/10.52574/syiahkualauniversitypress.317.

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Keseluruhan isi buku ajar ini disajikan dalam 7 bab : bab1 landasan konsep seni secara umum, bab 2 karakteristik seni tari anak, bab 3pengetahuan dasar dan apresiasi tari, bab 4 pengalaman studio tari, bab 5 pembelajaran seni tari, bab 6 dan bab7 diberikan tari tradisional Rateeb Meusekat dan tari Nusantara Mak Inang Pulau Kampai. Tujuan pembelajaran untuk menumbuh-kembangkan kepekaan apresiasi estetik, membentuk kepribadian baik lahir maupun batin, berbudi luhur sesuai dengan lingkungan budaya Indonesia. Buku ajar ini diharapkan dapat bermamfaat sebagai salah satu sumber bagi mahasiswa atau calon guru yang akan mengajarkan materi tari dan diharapkan dapat melaksanakan kegiatan pembelajaran seni tari untuk SD. Tujuan pembelajaran seni tari dapat dicapai apabila seorang guru memahami prinsip-prinsip dasar tari, dan dapat mengajarkannya sesuai dengan karakteristik anak.
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13

Great Basin Indians (Ansary, Mir Tamim. Native Americans.). Heinemann, 1999.

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14

Musa, Abdulkerim bin Seyh. Makalat-i Seyyid Harun: Tenkitli basim (Turk Tarih Kurumu yayinlari). Turk Tarih Kurumu Basimevi, 1991.

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15

Hajji, Ahmad Ismail. al-Talim al-asasi al-ilzami wa-takhfid sanawatihi fi Misr: Usul nazariyah wa-khibrat ajnabiyah. Maktabat al-Nahdah al-Misriyah, 1994.

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16

Kartomi, Margaret. South Sumatra. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036712.003.0007.

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This chapter examines the historical distribution of two musico-lingual groups living in South Sumatra: the Besemah in Tanjungsakti and Kayuagung, and the Ogan-Komering Ilir (OKI) people in Burai. South Sumatra's network of rivers and tributaries—known as the Batang Hari Sembilan—has governed its peoples' travels, worldviews, adat, legends, and musical arts for well over 2,000 years. This chapter explores how South Sumatra's environment and associated cosmology, adat customs, and the history of religion and foreign contact have shaped its musico-lingual groups and music, dance, and theater more generally. It first considers the Besemah's bardic legends and their classical and social dances and ensemble music, vocal music, and solo instrumental music before turning to the Anak Dalem people. It also describes the Ogan-Komering Ilir (OKI) river basins, the dance called tari tanggai, Palembang, and musical arts with a Muslim theme or flavor in the uplands and lowlands.
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