Dissertations / Theses on the topic 'Tantric Buddhism in the West'
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Eddy, Glenys. "Western Buddhist Experience: The Journey From Encounter to Commitment in Two Forms of Western Buddhism." Arts, 2007. http://hdl.handle.net/2123/2227.
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Doctor of PhilosophyThis thesis explores the nature of the socialization and commitment process in the Western Buddhist context, by investigating the experiences of practitioners affiliated with two Buddhist Centres: the Theravadin Blue Mountains Insight Meditation Centre and the Gelugpa Tibetan Vajrayana Institute. Commitment by participants is based on the recognition that, through the application of the beliefs and practices of the new religion, self-transformation has occurred. It follows a process of religious experimentation in which the claims of a religious reality are experientially validated against inner understandings and convictions, which themselves become clearer as a result of experimental participation in religious activity. Functionally, the adopted worldview is seen to frame personal experience in a manner that renders it more meaningful. Meditative experience and its interpretation according to doctrine must be applicable to the improvement of the quality of lived experience. It must be relevant to current living, and ethically sustainable. Substantively, commitment is conditional upon accepting and succesfully employing: the three marks of samsaric existence, duhkha, anitya and anatman (Skt) as an interpretive framework for lived reality. In this the three groups of the Eight-fold Path, sila/ethics, samadhi/concentration, and prajna/wisdom provide a strategy for negotiating lived experience in the light of meditation techniques, specific to each Buddhist orientation, by which to apply doctrinal principles in one’s own transformation. Two theoretical approaches are found to have explanatory power for understanding the stages of intensifying interaction that lead to commitment in both Western Buddhist contexts. Lofland and Skonovd’s Experimental Motif models the method of entry into and exploration of a Buddhist Centre’s shared reality. Data from participant observation and interview demonstrates this approach to be facilitated by the organizational and teaching activities of the two Western Buddhist Centres, and to be taken by the participants who eventually become adherents. Individuals take an actively experimental attitude toward the new group’s activities, withholding judgment while testing the group’s doctrinal position, practices, and expected experiential outcomes against their own values and life experience. In an environment of minimal social pressure, transformation of belief is gradual over a period of from months to years. Deeper understanding of the nature of the commitment process is provided by viewing it in terms of religious resocialization, involving the reframing of one’s understanding of reality and sense-of-self within a new worldview. The transition from seekerhood to commitment occurs through a process of socialization, the stages of which are found to be engagement and apprehension, comprehension, and commitment. Apprehension is the understanding of core Buddhist notions. Comprehension occurs through learning how various aspects of the worldview form a coherent meaning-system, and through application of the Buddhist principles to the improvement of one’s own life circumstances. It necessitates understanding of the fundamental relationships between doctrine, practice, and experience. Commitment to the group’s outlook and objectives occurs when these are adopted as one’s orientation to reality, and as one’s strategy for negotiating a lived experience that is both efficacious and ethically sustainable. It is also maintained that sustained commitment is conditional upon continuing validation of that experience.
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Eddy, Glenys. "Western Buddhist Experience: The Journey From Encounter to Commitment in Two Forms of Western Buddhism." Thesis, The University of Sydney, 2007. http://hdl.handle.net/2123/2227.
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This thesis explores the nature of the socialization and commitment process in the Western Buddhist context, by investigating the experiences of practitioners affiliated with two Buddhist Centres: the Theravadin Blue Mountains Insight Meditation Centre and the Gelugpa Tibetan Vajrayana Institute. Commitment by participants is based on the recognition that, through the application of the beliefs and practices of the new religion, self-transformation has occurred. It follows a process of religious experimentation in which the claims of a religious reality are experientially validated against inner understandings and convictions, which themselves become clearer as a result of experimental participation in religious activity. Functionally, the adopted worldview is seen to frame personal experience in a manner that renders it more meaningful. Meditative experience and its interpretation according to doctrine must be applicable to the improvement of the quality of lived experience. It must be relevant to current living, and ethically sustainable. Substantively, commitment is conditional upon accepting and succesfully employing: the three marks of samsaric existence, duhkha, anitya and anatman (Skt) as an interpretive framework for lived reality. In this the three groups of the Eight-fold Path, sila/ethics, samadhi/concentration, and prajna/wisdom provide a strategy for negotiating lived experience in the light of meditation techniques, specific to each Buddhist orientation, by which to apply doctrinal principles in one’s own transformation. Two theoretical approaches are found to have explanatory power for understanding the stages of intensifying interaction that lead to commitment in both Western Buddhist contexts. Lofland and Skonovd’s Experimental Motif models the method of entry into and exploration of a Buddhist Centre’s shared reality. Data from participant observation and interview demonstrates this approach to be facilitated by the organizational and teaching activities of the two Western Buddhist Centres, and to be taken by the participants who eventually become adherents. Individuals take an actively experimental attitude toward the new group’s activities, withholding judgment while testing the group’s doctrinal position, practices, and expected experiential outcomes against their own values and life experience. In an environment of minimal social pressure, transformation of belief is gradual over a period of from months to years. Deeper understanding of the nature of the commitment process is provided by viewing it in terms of religious resocialization, involving the reframing of one’s understanding of reality and sense-of-self within a new worldview. The transition from seekerhood to commitment occurs through a process of socialization, the stages of which are found to be engagement and apprehension, comprehension, and commitment. Apprehension is the understanding of core Buddhist notions. Comprehension occurs through learning how various aspects of the worldview form a coherent meaning-system, and through application of the Buddhist principles to the improvement of one’s own life circumstances. It necessitates understanding of the fundamental relationships between doctrine, practice, and experience. Commitment to the group’s outlook and objectives occurs when these are adopted as one’s orientation to reality, and as one’s strategy for negotiating a lived experience that is both efficacious and ethically sustainable. It is also maintained that sustained commitment is conditional upon continuing validation of that experience.
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Child, Alice Louise. "Transformative bodies : communication, emotions, and illumination, in tantric Buddhism." Thesis, University of Leeds, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.396585.
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Li, Gregory Kenneth, and 李群雄. "Tantric symbolism in Vajrayogini imagery." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B45166225.
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Tanemura, Ryugen. "A study of consecration ritual in Indian Buddhist Tantrism : a critical edition and annotated translation of selected sections of the Kriyasamgrahapanjika of Kuladatta." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249929.
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Mori, Masahide. "The Vajravali of Abhayakaragupta : a critical study, Sanskrit edition of select chapters and complete Tibetan version." Thesis, SOAS, University of London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285705.
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English, Elizabeth. "Vajrayogini : her visualisation, rituals, and forms." Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313185.
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Foljambe, Alan. "An intimate destruction: tantric Buddhism, desire and the body in surrealism and Georges Bataille." Thesis, University of Manchester, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491872.
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The dissertation addresses the influence of Tantric Buddhism on Surrealism and the work of the French writer Georges Bataille. Specifically, it explores the approaches of the two fields to the concepts of desire, death, and the separate self, and examines how the treatment of these themes in Buddhism affected their role in early twentieth century France, particularly within Surrealism and the work of Georges Bataille.
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Chen, Jinhua. "The formation of early Esoteric Buddhism in Japan, a study of the three Japanese esoteric apocrypha." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ30080.pdf.
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Konik, Adrian. "Buddhism and transgression : the appropriation of Buddhism in the contemporary West /." Leiden : Brill, 2009. http://opac.nebis.ch/cgi-bin/showAbstract.pl?u20=9789004178755.
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Twist, Rebecca L. "Patronage, devotion and politics a Buddhological study of the Patola Sahi Dynasty's visual record /." Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1197663617.
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Braitstein, Lara 1971. "Saraha's Adamantine Songs : texts, contexts, translations and traditions of the Great Seal." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85132.
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My dissertation is focused on a cycle of Saraha's Adamantine Songs and their relationship to the Great Seal. Belonging to a genre known as 'Adamantine Songs'---Vajra Giti in Sanskrit, or rDo rje 'i gLu in Tibetan---their titles are: "A Body Treasury called the Immortal Adamantine Song"; "A Speech Treasury called the Manjughosa Adamantine Song" and "A Mind Treasury called the Unborn Adamantine Song". The dissertation is divided into two parts: the first is the contextualization of a Great Seal (Sanskrit: mahamudra; Tibetan: phyag rgya chenpo) root text by the adept Saraha; and the second is a critical edition of the Tibetan text along with the first full translation of the text into English. The critical edition of the Tibetan is based on versions of the poems drawn from five different Tibetan sources---four scriptural (the sDe dge, Co ne, sNar thang and 'Peking' bsTan 'gyurs) and one literary (Mipham Rinpoche's 19th century collection 'phags yul grub dbang dam pa rnams kyi zab mo'i do ha rnams las kho la byung mu tig phreng ba or "Pearl Garland of the Profound Dohas of the Noble Great Siddhas of India").The first chapters of the dissertation explore the contexts of this song cycle, its author and traditions that relate to it, in particular the Karma Kagyu (karma bka' brgyud) school of Tibetan Buddhism. The first chapter is a discussion of the author, Saraha, the tales of whose many 'lives' pervade Tibetan Buddhist traditions to this day. Chapter 2 explores the broader context of South Asian siddha traditions, while Chapters 3 and 4 provide an analysis of the Great Seal both as it emerges through Saraba's work and as it exists as a living tradition in the Tibetan Buddhist context. As mentioned above, particular emphasis is given to the Karma Kagyu school. Finally, Chapter 5 provides an introduction to Tibetan poetics and the Sanskrit traditions that influence it.
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Peng, J. "An exploration of Tibetan Tantric Buddhism and its art : a potential resource for contemporary spiritual and art practice." Thesis, University College London (University of London), 2013. http://discovery.ucl.ac.uk/1417088/.
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Tibetan Tantric Buddhism is today considered one of the most important and controversial forms of Asian culture, using a rich and somewhat complicated range of methods and materials. The perception of the ‘mystical’ nature of Tibetan Tantric Buddhist art in the world beyond Tibet has changed and evolved significantly and profoundly over the last three decades. However, contemporary Tibetan artists feel confused about how to develop a Tibetan art tradition within the context of a globalised world. Against this background I am interested in exploring the mysterious nature of Tibetan Tantric Buddhism and its art through grasping its religious values, historical context, and artistic qualities. In so doing I try to investigate questions concerning the cross-cultural analysis and utility of images in Tibetan Tantric Buddhist art, as opposed to political conflicts that often arise in the media now. As an exploration of Tibetan Tantric Buddhist art and its contemporary significance, this research seeks to fulfill three important goals: first, to introduce Tibet’s mystical and magnificent art within its historical and religious contexts to those unfamiliar with either Tibet Buddhism or Tibetan Buddhist art and its cultural background; second, to examine the influences of Tibetan Tantric Buddhist art tradition on some contemporary Tibetan and non-Tibetan artists’ art practice; and third, to embark on combining theoretical research, methods of meditation and my own art practice as a way of exploring the trans-cultural translation of Tibetan Buddhist art in Chinese and Western contexts. The aim is to explore the potential of Tibetan Tantric Buddhist art as elucidating common ground between the meditative mind and the creative mind for engaging in an open conversation of faith, spirituality, religion, and aesthetic experiences in the contemporary period.
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Gordon, Brandon Lee. "Development and Validation of a Tantric Sex Scale: Sexual-Mindfulness, Spiritual Purpose, and Genital/orgasm De-emphasis." Bowling Green State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu154203013060414.
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Huang, Huai-Hsuan. "Distinguishing Patterns of Utopia and Dystopia, East and West." Scholar Commons, 2017. http://scholarcommons.usf.edu/etd/7038.
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Before Sir Thomas More published Utopia and defined his ideal world with this fictional land, humans had been looking for their ideal society for centuries based on various religions and cultures. Yet, there are a few studies focusing on Utopia and Dystopia in cross-cultural contexts. This thesis will explore the two main questions: 1) can Utopia and Dystopia be separated? and 2) how does the utopian concept in the West involve in Eastern culture during the postwar period in postcolonial perspective?
Phoenix in Japan and THX 1138 in U.S. are two well-known works during the post-World War II period via their popular media: manga in Japan and film in U.S. Phoenix, a renowned Japanese manga created by Osamu Tezuka. Phoenix the manga not only reveals the rise and fall of human civilization but also shows the reincarnation of life with Buddhist ideas, which means one living being starts its new life in different physical form after it dies. This reincarnation of life also points out how utopian-dystopian system functions in the East. THX 1138, a famous American film directed by George Lucas, starts with a robot-dominated world. More's definition of Utopia reveals several features of ideal society: an isolated society, well-trained and well-ordered citizens, a democratic government, universal education, and loose religious limits. According to More's utopian features, the society in THX 1138 is quite familiar with the so-called utopian world. However, the method of dehumanization in this film brings the concept and features of Dystopia.
After the 16th century, the term Utopia, as a Western ideology, entered East Asian cultures. In Eastern perspective, Utopia and Dystopia are the continuous states of one society like a circulation system. In the West, utopian-dystopian works tend to focus on the specific period. By discussing Phoenix and THX 1138, I want to show this continuous social pattern in different cultural contexts.
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Restrepo, Mariana. "Transmission, Legitimation, and Adaptation: A Study of Western Lamas in the Construction of ‘American Tibetan Buddhism’." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/822.
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This thesis presents a study of the role of western lamas within Tibetan Buddhism in America, arguing that the role of the lama is as an influential and central aspect in the development and transformation of the Tibetan Buddhist tradition in the west. This thesis argues how western lamas holding a position of authority act as a catalyst of change within their group and in the overall process of change and adaptation of the Tibetan Buddhist tradition in America, creating what may become ‘American Tibetan Buddhism.’ Three relevant areas regarding the role of the lama within the transforming tradition are identified: 1) the basis of authority of the lama, or how authority is obtained; 2) the use of such authority as a tool for change; and 3) transmission of the teachings and lineage.
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McGuire, Robert. "The Madhyamaka speaks to the West : a philosophical analysis of śūnyatā as a universal truth." Thesis, University of Kent, 2015. https://kar.kent.ac.uk/54341/.
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Through a philosophical analysis of realist interpretations of Madhyamaka Buddhism, I will argue that the Madhyamaka is not well represented when it is represented as nihilism, absolutism or as some non-metaphysical alternative. Indeed, I will argue that the Madhyamaka is misrepresented when it is represented as anything; its radical context sensitivity entails that it cannot be autonomously volunteered. The Madhyamaka analysis disrupts the ontic and epistemic presuppositions that consider inherent existence and absolute truth to be possible and necessary, and so the ultimate truth, śūnyatā, is not an absolute truth or ultimate reality. However, I will argue that śūnyatā does qualify as a universal truth and should be understood as a context-insensitive, non-propositional truth in a non-dual dependent relationship with the multitudinous context-sensitive, propositional truths. This analysis will prove helpful in an investigation of those tensions, discernible within Buddhist modernism and the discourse of scientific Buddhism, that arise when Buddhist apologists claim a timeless modernity and a non-hostility with respect to contemporary worldviews. I will argue that apologists can resolve these tensions and satisfy their intuitions of timelessness, but only if they are willing to foreground the crucial distinction between their Buddhist worldview (their context-sensitive propositional truths) and their Madhyamaka attitude towards that worldview (the context-insensitive truth of śūnyatā). I will go on to generalise this result, showing that this Madhyamaka analysis opens up the possibility for frictionless co-operation between any and all worldviews, and that we therefore have a philosophical basis for a workable and sensitive theory of worldview pluralism. I will find it necessary to defend this position by demonstrating that, despite its context-insensitivity, the ultimate truth’s non-dual relationship with conventional truth mitigates against moral and epistemic relativism. I will further substantiate my claim as to the universal truth of śūnyatā by showing that, in Karan Barad’s ‘agential realism’, we find a revealing example of śūnyatā being articulated from within a non-Buddhist context. Thus, I hope to demonstrate some of the good effects of the Madhyamaka message, and show that this message can only be communicated clearly when it is distinguished from the discourses of Buddhism. In this manner, not by giving it a voice but through finding its voiceless authority, I hope to enable the Madhyamaka speak to the West.
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Bailey, Cameron. "A feast for scholars : the life and works of Sle lung Bzhad pa'i rdo rje." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:c8de47c2-98b2-4b3c-8bcb-3e93ca668722.
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Bzhad pa'i rdo rje (1697-1740), the Fifth Sle lung Rin po che, was a religiously and politically controversial figure and an incredibly prolific author, having written or compiled over 46 volumes worth of mainly religious texts. A high-ranking Dge lugs pa sprul sku, Sle lung is seen as having gradually "defected" to the Rnying ma school, although he self-identified as a follower of the "non-sectarian" (ris med) perspective. Sle lung also acted as a spiritual advisor to most of the major central Tibetan rulers during the course of his life, most significantly Mi dbang Pho lha nas (r. 1729-1747). But despite numerous features of fascinating interest, Sle lung and his writings have received very little scholarly attention, and this thesis is intended to fill this unfortunate lacuna. The present study begins with an extended biographical examination of Sle lung's life, and the political and religious unrest in central Tibet at the time in which he was deeply invested. I pay special attention to the controversies that surrounded him, particularly his purported sexual licentiousness and his ecumenical work which was unpopular among his more sectarian Dge lugs pa critics. This opening biography provides critical historical context as I move on to examine two of Sle lung's most important literary works. The first is the sixteen-volume Gsang ba ye shes chos skor, a massive cycle of teachings by Sle lung and his students that integrates tantric theories derived from Sle lung's experience with Gsar ma (specifically Dge lugs pa) teachings. The second work is the Bstan srung rgya mtsho'i rnam thar, a unique text in Tibetan literature which consists of an apparently unprecedented compilation of Tibetan Buddhist protector deity (bstan srung, chos skyong) origin myths. I will make sense of key features of these two works within the larger context of Indo-Tibetan Buddhism, as well as the political and personal concerns of Sle lung himself.
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Sun, Chien-Yu. "The silence of the void exploring the visual language of the void from the East to the West /." Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050111.115826/index.html.
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Clarke, Wesley S. "Return to P'ong Tuk: Preliminary Reconnaissance of a Seminal Dvaravati Site in West-central Thailand." Ohio University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1321396671.
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Choi, Glen S. "Lotus Pond, Bicultural Ripples: The Psychological Orientations of Korean-Canadian Practitioners of Buddhism." Thèse, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/30977.
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This dissertation examines whether Buddhist beliefs and practices serve to reinforce and/or promote a Korean and/or Canadian cultural prism for next-generation Korean Buddhist practitioners in Toronto, Canada. I define Korean and Canadian cultural prisms based on the cross-cultural psychological framework of Individualism-Relational Collectivism (I-RC) and Analytical-Holistic (A-H) cognition. The aim of my research is to problematize culture in the construction of religious meaning and behaviour for relatively bicultural individuals. My research question can thus be summarized as follows: How is religious meaning and behaviour culturally constructed by next-generation Korean Buddhist practitioners in Canada? What role do individual cultural orientations and the different Buddhist cultural traditions play in this cultural construction and how does Buddhism compare to the other religions (namely Protestantism) practiced by younger-generation Korean-Canadians in this regard? By answering these questions, I ultimately hope to show whether the meaning system of Korean culture is preserved through religion among the younger generation of Korean Buddhist practitioners. I hypothesize that, due to the relatively non-authoritarian nature of Buddhism, the light of Buddhist beliefs and practices will predominantly be refracted through the a priori cultural prism of the individual in question, and the role of Buddhist doctrine and institutions in promoting a particular orientation (individualistic/relationally collectivistic and analytic/holistic) will be minimal and subordinate to the individual. The particular cultural orientation of this prism will, in turn, be dependent upon individual levels of monoculturalism (Korean or Canadian) or biculturalism (Korean and Canadian). In this way, Buddhism may serve to both preserve and undermine the Korean cultural meaning system. By comparison, I hypothesize that the relatively authoritarian nature of (Protestant) Christianity will likely encourage younger-generation Korean Christians to relate to their religion in a predominantly uniform way, regardless of the individual’s cultural orientation.
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Barros, Maria Theresa da Costa. "O despertar do budismo no ocidente no século XXI: contrbuição ao debate." Universidade do Estado do Rio de Janeiro, 2002. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=3622.
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Esta tese apresenta como um dos seus aspectos fundamentais a compreensão de outra cultura, outra versão, outro conjunto de valores: o pensamento indiano, berço da Ahamkãra a consciência individual, o eu e das práticas ascéticas de origem pré-ariana e autóctone. No interior dessa tradição, foram escolhidos os ensinamentos do Buddha Shãkyamuni, por sua
absoluta originalidade na concepção da individualidade, transformando radicalmente as concepções de subjetividade existentes em sua época. O intuito, ao buscar uma tradição em
tudo diferente da nossa, é, por dirigir o foco para o mais contrastante, iluminar nossa própria tradição, enriquecer o campo de discussão das novas matrizes de subjetivação em nossa sociedade ocidental pós-moderna e globalizada. Com essa abordagem objetiva-se contribuir para o debate em torno do despertar do budismo ocidental, no séc. XXI, lançando algumas
linhas de reflexão que auxiliem, por um lado, a contextualizar esse acontecimento, e, por outro, a ampliar o debate sobre as questões relativas à noção de sujeito, utilizada pelos
teóricos da psicanálise, através da apresentação de uma outra versão, a do eu budista. A comparação entre uma forma de individualidade oriunda de uma sociedade tradicional e holista e a forma da individualidade contemporânea, oriunda de uma sociedade secularizada e individualista, é possível através do que Harpham denomina imperativo ascético, uma força
estruturante primária e transcultural. Nesse sentido visualiza-se uma relação entre as práticas ascéticas e a construção do eu. Segundo Mauss, o eu também é uma categoria universal,
presente em todas as culturas. Assim como se encontram variações sobre o repertório das práticas ascéticas disponíveis em diferentes culturas, encontram-se variações na forma da
subjetividade, de acordo com o seu solo cultural e sua paisagem mental. Fizemos uma conexão entre as práticas ascéticas indianas e o que denominamos de identificação mística, a partir da qual foi possível inferir essa imbricação entre ascetismo, construção e sacralização do eu nos primórdios da civilização indiana. Com o budismo ocorre uma espécie de
descentramento, a sacralização é estendida a todo o cosmo, as práticas de meditação sintonizam com todos os seres, com todos os animais, para eliminar as causas do sofrimento.
O budismo nasce com uma vocação universalista e leva para fora das fronteiras da Índia esse eu construído a partir dos conceitos da Ãhimsa, a não-violência, e da noção de ausência de existência inerente, inscritos no pensamento budista há dois mil e quinhentos anos, despertando o interesse do ocidente após um longo período de obscurecimento.This thesis presents, as a fundamental aspect, the understanding of another culture, another version, another framework of values: of Indian thought, the foundation of Ahamkãra the individual consciousness, the Self and of the ascetic practices of pre-Arian and autochthonous origin. Our choice within this tradition fell upon the teachings of Buddha Shãkyamuni, due to the absolute originality of their conception of individuality, radically transforming the extant conceptions of subjectivity of the time. The aim of this search within a tradition that differs from ours in all respects, as we focus on that contrast, is to shed light in our own tradition, adding to the discussion about new subjectivity matrixes in our postmodern, global wessern society. This inquiry aims at contributing to the debate on the emergence of Wessern Buddhism in the 21st. century, by essablishing some lines of reflection that should help us to contextualise this phenomenon, on the one hand, and on the other, to widen the debate on issues that relate to the notion of subject as theoretical psychoanalysts use it, through the presentation of the Buddhist Self as another version. A transcultural, primary structuring force, which Harpham calls ascetic imperative, shall allow for the comparison between one form of individuality which comes from a traditional and holistic society, and the form of contemporary individuality, which comes from a secularised and individualist society. Along these lines, we see a relationship between the ascetic practices and the construction of the Self. According to Mauss, the Self also is a universal category, which all cultures present. Much as there are variations on the inventory of ascetic practices available in various cultures, there are variations on the form of subjectivity, in accordance with its cultural ground and its mental landscape. We essablish a connection between Indian ascetic practices and what we call mystic identification, and this allows us to infer the interrelation between asceticism and the construction and sacralisation of the Self in the primeval ages of Indian civilisation. A kind of de-centring occurs with Buddhism: sacralisation spreads through all the Cosmos, meditation practices syntonize with all beings, all animals, in order to eliminate the causes of suffering. Buddhism has risen with an universalist vocation, and took beyond the borders of India this Self built upon the concepts of Ãhimsa, of non-violence, and the notion of absence of inherent existence, which have been intrinsic to Buddhist thought for twenty-five hundred years, and calls the attention of the West after a long period of concealment.
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Pearce, Laura Elizabeth Pearce. "Recording the West: Central Asia in Xuanzang’s Great Tang Dynasty Record of the Western Regions." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu1515139237769597.
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Seevers, Kiel J. "A comparative look at karma and determinism." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1414434790.
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Neishi, Miwa. "The Formless Self." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461685555.
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Turek, Magdalena Maria. ""In this body and life"." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2013. http://dx.doi.org/10.18452/16694.
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Tantrische Praktiken von Meditation in Zurückgezogenheit sind auf der tibetischen Hochebene seit mindestens einem Jahrtausend verbreitet, doch ihre äußerst elitäre und geheime Natur hat ihre Erforschung bisher verhindert. Diese Dissertation definiert die vormoderne Struktur der eremitischen Tradition in Khams, die von der Ris med-Bewegung festgelegt wurde, und widmet sich der Wiederbelebung dieser Tradition im modernen Khams unter der chinesisch-kommunistischen Herrschaft. Die Fallstudie bildet die ’Ba’ rom bKa’ brgyud- "Meditationsschule von La phyi" (La phyi sgom grwa) mit Fokus auf den gTum mo-Verwirklicher Tshul khrims mthar phyin (geb. 1947), der als zeitgenössische Verkörperung des Mi la ras pa gilt. Gemäß der Dissertation liegt die rituelle und soziale Macht des tibetischen Eremiten in der Ausführung, Verkörperung und Aussöhnung von Paradoxa: das Erreichen von soteriologischen Zielen im weltlichen Leben sowie die Lösung der Dilemmas der Tibeter in Krisenzeiten. So wird Entsagung zu einer affirmativen Strategie, die Netzwerke aktiviert, die wiederum Eremiten, ihre Linien, Praktiken und Trainingsstätten seit Jahrhunderten unterstützten. Der Antrieb für soziale Ermächtigung der Einsiedler liegt in der Radikalität ihrer Entsagung, bei der nicht nur erwartet wird, Befreiung und Erleuchtung unvermeidlich zu generieren, sondern diese wie Mi la ras pa "in diesem Leib und Leben" zu verwirklichen. Eine solche wahrgenommene Transformation des Körpers durch Meditation ist entscheidend für die Befähigung der Eremiten, Widersprüche zu versöhnen und Einsiedeleien zu gründen, die als Orte für eine effektive Identitätskonstruktion und Sphären der Autonomie und Macht, die aus der lokale Geschichte und heilige Stätten gewonnen werden, dienen. Gerade in Krisenzeiten neigen Einsiedeleien dazu, Netzwerke zu bilden und zu einer alternativen Bewegung zu werden, die die etablierten Machtstrukturen umgeht oder gegen sie spricht, zugleich aber ihren religiösen Charakter behält.Tantric practices of meditation in retreat have been prevalent across the Tibetan Plateau since at least a millennium, yet their highly elitist and clandestine nature has hitherto prevented their exploration and analysis. This thesis defines the pre-modern structure of the hermitic tradition in Khams, codified by the nonsectarian Ris med movement, but devotes most attention to the examination of its revival in contemporary Khams under the Chinese communist rule through the case study of the ’Ba’ rom bKa’ brgyud “meditation school of La phyi” (La phyi sgom grwa), centered around the cotton-clad gtum mo-accomplisher Tshul khrims mthar phyin (b. 1947), eulogized as the contemporary embodiment of Mi la ras pa. The main claim of this dissertation is that the ritual and social power of the Tibetan hermit lies in the performance, embodiment and final reconciliation of paradox – generally attaining soteriological goals in mundane life and specifically, resolving the dilemmas of Tibetans during times of perceived crisis. Acts of renunciation become an affirmative strategy, activating networks that have sustained hermits, their lineages, practices, and training venues for centuries. The reason for social empowerment of hermits lies in the radical nature of their training, which by social agreement is not only bound to generate liberation and enlightenment, but is even able to yield fruit “in this very body and life,” in emulation of Mi la ras pa. Such transformation of the body through meditation is crucial to the hermit’s ability to reconcile contradictions and to establish hermitages as venues for effective identity construction and spheres of autonomy and power, extracted from local history and sacred geography. Especially in times of crisis, hermitages tend to form networks and evolve into a movement for counter-culture, which circumvents or speaks against the established power structures of the day, but at the same time, maintains its essentially religious character.
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Andrei, Laurentiu. "Quel soi ? : une réflexion comparative sur l'idée de soi dans le stoïcisme et dans le bouddhisme zen." Thesis, Clermont-Ferrand 2, 2016. http://www.theses.fr/2016CLF20005.
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Cette étude de philosophie comparée propose une herméneutique de l’idée de soi à partir d’une analyse de la dimension ascétique de la question « quel soi ? », qui se manifeste à travers les disciplines de libération mises en place par les traditions du Portique et du Zen. Déclinée sous différentes formes, cette question constitue la pierre angulaire des pratiques de soi propres aux deux traditions. Il apparaît que sa principale fonction est celle d’orienter l’idée de soi, eu égard à une polarité soi ↔ non-soi, afin de parvenir à la condition du sage, celle d’un accord libérateur avec une nature originelle commune à tous. Ainsi, au lieu de désigner simplement un fondement ontologique – réel ou supposé – l’idée de soi joue alors bien plutôt un rôle de vecteur, qui, selon son orientation,permet ou non d’actualiser cet accord. Par la prise en compte comparative du rôle de la négation (détachement) de soi, cette étude cherche donc à élargir le spectre des processus de subjectivation ou des pratiques de soi et, ainsi, de mettre au jour un aspect assez négligé par l’histoire occidentale de la subjectivité. Par là même, cette thèse permet de mieux comprendre comment une (méta)physique stoïcienne du plein peut être à même de penser la négation (détachement) de soi et, inversement, comment une métaphysique bouddhiste de la vacuité peut développer une pensée de la subjectivité morale et de la responsabilitéThis study in comparative philosophy offers a hermeneutics of the idea of self. It explores the ascetic dimension of the question “what self?” apparent across the various disciplines of liberation developed by the Stoic and Zen traditions. In its diverse guises, this question is the cornerstone of specific practices of the self within these traditions. As such, its main function is to guide the idea of self, with regard to the polarity self ↔ non-self, in order to achieve the status of the sage, which represents a kind of harmony with an original nature that is common to all individuals. Therefore, rather than simply designating an ontological foundation – real or alleged – the idea of self has the role of a vector, which, depending on its orientation, allows one to actualise (or not) this harmony. Through comparative analysis of the role of negation (detachment) of the self, this study seeks to broaden the spectrum of the processes of subjectification or practices of the self and, thus, to bring to light an aspect that has been somewhat neglected by the Western history of subjectivity. In doing so, this thesis enables better understanding of how the full-bodied (meta)physics of the Stoics is able to think the negation (detachment) of the self and, conversely, of how the Buddhist metaphysics of emptiness can develop an idea of moral subjectivity and responsibility
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Capper, Daniel Stuart. "Why do Americans practice Tibetan Buddhism? /." 2000. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:9965064.
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Wilson, Melinda. "Buddhism east and west: Chinese Buddhism in Beijing and Houston." 2008. http://hdl.handle.net/1969.1/ETD-TAMU-3178.
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Although Buddhism was introduced in the United States over a century ago, only recently has it become part of the mainstream. In addition to the exponential increase in Buddhist practitioners in the United States, scholar Thomas Tweed argues that Buddhist images and references, devoid of religious context, have seeped into American society. The increasing popularity and prevalence of Buddhism in America is attributable to many factors including changes to the immigration laws in the 1960s and the episodic popularity of all things Eastern. This fascination with the East is epitomized by the current Dalai Lama, who has a pop-culture presence as well as political sway, as evidenced by his meeting with John McCain on July 25, 2008.
Just as the pre-1965 immigration laws stifled Buddhism in the United States by limiting the number of Asian immigrants, Mao’s communist doctrines prevented the practice of Buddhism in China. As a result, in recent years Buddhism has emerged in the United States and remerged in China. By examining the state of Buddhism in Beijing and Chinese Buddhism in Houston this thesis shows that despite the comparable newness of the religion in both places, it is developing in very different ways, showing the impact region has on religion.
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Dark, Jann, University of Western Sydney, College of Arts, and School of Communication Arts. "Relationship in the field of desire." 2006. http://handle.uws.edu.au:8081/1959.7/16867.
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This thesis is divided into two parts. Part One, entitle “Working Through Condensation” describes a type of practice, Part Two, entitled “The Tourist and the Tourist Tout”, unravels and explores what was discovered through that practice. The intersection of two personal discoveries have been formative in my art practice. The first relates to the Indian Hindu and Buddhist concept of formlessness found in certain Tantric cosmogonies. This began, for me, an interest in the phenomenon of emptiness as an ontological awareness of how “art” or “creativity” happens. The second event was the hearing of a phrase, which I call a found phrase. The phrase, “working through condensation”, suggested a metaphoric tool for conceptualising my practice, through an analogous use of the process of condensation. I was struck by a similarity between my conception of the above found phrase and Tantric cosmogeny. In Part One of this thesis, I develop a link between elements in Tanta cosmogony, the found phrase and the Situationist Internationalist practice of derive as a basis for practice. This thesis has been largely constituted by three research journeys to India, where the conception and results of this practice unfolded.Doctor of Creative Arts (DCA)
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eaa2143. "Tsongkhapa’s Coordination of Sūtra and Tantra: Ascetic Performance, Narrative, and Philosophy in the Creation of the Tibetan Buddhist Self." Thesis, 2021. https://doi.org/10.7916/d8-c3ht-bt53.
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The dissertation examines the life narrative of Tsongkhapa Losang Dragpa (1357-1419), the influential founder of the Ganden school of Tibetan Buddhism, primarily through the lens of the bodhisattva path to enlightenment, a topic that animates much of Indian Buddhist literature and Tsongkhapa’s own writings. Over the course of five chapters, the dissertation (1) contextualizes Tsongkhapa’s social, political, and historical circumstances, the limiting factors for that narrative; (2) explores the social nature of life narratives themselves, particularly Tibetan Buddhist ones, and the many sources on which Tsongkhapa drew in creating a self in relation to the bodhisattva ideal; (3) analyses the topic of asceticism as a constellation of practices that embody traditional ideals, which the dissertation uniquely relates to both monastic and, perhaps surprisingly, tantric discipline in the construction of a bodhisattva/would-be buddha self; (4) synthesizes several themes within Tsongkhapa’s oeuvre in relation to the bodhisattva path to enlightenment, highlighting the irreducibly social nature of embodied enlightenment; and (5) proposes that Tsongkhapa’s social activities, specifically his so-called Four Great Deeds, instantiate the ideal of the enlightened self’s acting within society, specifically his context of fifteenth-century Central Tibet. The dissertation relies primarily on Tsongkhapa’s brief intellectual autobiography, Excellent Presence, his earliest biography, Haven of Faith, a number of Tsongkhapa’s systematic writings, and a variety of primary and secondary sources that contextualize elements of the historical, sociological, religious, and theoretical analyses presented throughout the five chapters.
In biographies of Tibetan Buddhist figures, emphasis on the hagiographic tends to obscure the social, political, and historical contexts in which their subjects act, which in turn tends to reinforce the Weberian notion of Buddhism as an individualist path. Emphasis on individual achievement (simultaneously including yet excluding lineages, practices, philosophical positions, and so on) tends to reinforce the inverse, Foucauldian notion that this is a deliberate attempt to obscure various power struggles that actually define religious actors and institutions. In the case of Tsongkhapa, modern scholarship has tended to present the remarkable success of his Ganden school either to his individual genius in advancing (allegedly) unique philosophical positions or to social facts (e.g., his efforts at monastic reform), political facts (e.g., Phagdru dominance over rival Sakya), and historical facts (e.g., Mongol allegiance to his successors) largely unrelated to his personal charisma, erudite scholarship, or social impact.
As a sort of middle way between these extremes, it is possible to locate within these contexts the specific achievements of the individual who is—according to both general Buddhist understanding and contemporary theorists in philosophy, psychology, literary studies, and sociology—deeply socialized. As social documents, life narratives, inclusive of biography and hagiography, function as indices of tradition, just as do practices of monastic and tantric asceticism, all with goals of embodying the principles articulated in the systematic literature within the social, political, and historical contexts to be transcended. This ideal, then, proves to be fully situated within social contexts, and Tsongkhapa’s Four Great Deeds instantiate it in relation to both individual achievements of asceticism and the institutionalization of communal and educational capacities to replicate the processes engendering this ideal, buddhahood. In sum, Tsongkhapa’s life narrative expresses the expectations and ideals of Tibetan Buddhist culture in a way that proves complementary to systematic presentations and to “lived” practices of monastic and tantric asceticism.
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Dark, Jann. "Relationship in the field of desire." Thesis, 2006. http://handle.uws.edu.au:8081/1959.7/16867.
Full textAbstract:
This thesis is divided into two parts. Part One, entitle “Working Through Condensation” describes a type of practice, Part Two, entitled “The Tourist and the Tourist Tout”, unravels and explores what was discovered through that practice. The intersection of two personal discoveries have been formative in my art practice. The first relates to the Indian Hindu and Buddhist concept of formlessness found in certain Tantric cosmogonies. This began, for me, an interest in the phenomenon of emptiness as an ontological awareness of how “art” or “creativity” happens. The second event was the hearing of a phrase, which I call a found phrase. The phrase, “working through condensation”, suggested a metaphoric tool for conceptualising my practice, through an analogous use of the process of condensation. I was struck by a similarity between my conception of the above found phrase and Tantric cosmogeny. In Part One of this thesis, I develop a link between elements in Tanta cosmogony, the found phrase and the Situationist Internationalist practice of derive as a basis for practice. This thesis has been largely constituted by three research journeys to India, where the conception and results of this practice unfolded.
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Zhang, Kai. "Archetype and allegory in "Journey to the West"." Thesis, 2008. http://hdl.handle.net/1828/1823.
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The Journey to the West (西游记) is one of the masterworks of classic Chinese fiction. It was written by Wu Cheng‘en (吴承恩) in the 16th century CE. Many of the scholars, both Chinese and Western, who have studied the narrative of this Ming era (1368-1644) novel, have considered it to be an epic of myth and fantasy, heavily laden with allegorical meaning. Most scholars have chosen to interpret the novel by means of an encompassing framework of meaning rooted in the convergence of the teachings of Buddhism, Taoism and Confucianism. I propose to look at the Journey’s narrative structure as a heroic adventure or monomyth of the kind proposed by Joseph Campbell, following the insights of Carl Jung on the nature of the collective unconscious. To analyze the component parts of the quest story that forms the bulk of the novel‘s narrative, I shall turn to Vladimir Propp‘s categorization of the functioning of elements of plot and character in his morphology of folktales. I shall also argue that the Journey is not an allegory that serves the beliefs and practices of a number of religions and philosophies, but a specifically Buddhist allegory. The Journey is seen as intentionally composed of symbols, images, and codes that function to project a heroic adventure with a complex pattern of meaning, primarily representing the eternal human struggle for identity and a fully realized existence, that are Buddhist in nature.
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Shieh, Spancer, and 謝孟錫. "The main idea of Lanuage and Truth of The Zen Buddhism ---- one way to understand through The West Philosophy." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/20013834323227099271.
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碩士文化大學
哲學研究所
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In my thesis of Master of Philosophy " The main idea of Language and Truth of The Zen Buddhism ---- one way to understand through The West Philosophy " , first, by way of the research of the theory of Ferdinand de Saussure (1857-1913) and Ludwig Wittgenstein (1889-1951), I had disscussed the nature of Language in detail; and by way of the explanation and criticise of the theory of knowledge of David Hume (1711-1776), I had explained and cleared elementally the nature of Truth; finally, by way of West Philosophy, I made the nature of Language and of Truth as two supporting pillar to contribute to the understanding toward The Zen Buddhism . In my thesis, the research of the nature of Language stop finally at "Language, is one of the transmissive tool of meaning (sort of state of mind)". And in the process of the research of the nature of Truth, first, through Hume''s theory of perception, I built up a "Model of Mind", according to it, I gave a further underatanding and explanation to what people called "Understanding", "Reason", "Intuition" and "Experience"; second, on the basis of "Model of Mind", I separated "Truth" into two forms, and gave each of it clear and definite distinctions and explanations. By way of the research above, it is clear to find that, through these two different ways of trace ---- Language and Truth, finally, both of them reveal the same request ---- they ask further understanding about Mind, and such request can also be regarded as the request to research the nature of philosophy. Therefore, what I called "The new foundation of understanding" can be decided as : a brand-new foundation of understanding through the cognition toward the Mind.
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Hernández, Sierra Adriana. "Erotismo, poema y budismo tántrico : Octavio Paz y los caminos del éxtasis." Thèse, 2011. http://hdl.handle.net/1866/7019.
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Cette recherche a comme objectif l’étude d’un des thèmes clef dans la vaste œuvre du poète et essayiste mexicain Octavio Paz (1914-1998) : les analogies entre l’érotisme, le poème et le sacré comme chemins ou voies d’union et de réconciliation humaine, idée qui est particulièrement renforcée dans son œuvre à partir des voyages et du séjour en Orient –spécialement en Inde– entre 1951 et 1968.
Pendant la période nommée « cycle indien » (‘ciclo hindú’), Paz s’est intéressé aux différentes traditions de la pensée orientale, particulièrement le bouddhisme, et surtout son orientation tantrique. Ce mémoire analyse les apports les plus significatifs du bouddhisme à l’œuvre de Paz. À partir de l’étude de concepts comme la vacuité, le silence, l’autre bord (‘otra orilla’), l’union extatique transcendante et la libération, ce mémoire soutient que Paz a approfondi les analogies entre l’érotisme, la poésie et le sacré en ne les concevant pas seulement comme expériences de réconciliation mais en les menant au-delà, au plan transcendental, à partir de l’union extatique dans la vacuité.
Même si ce mémoire tient compte d’un grand nombre d’œuvres d’Octavio Paz, qui vont de El arco y la lira (1956) à Vislumbres de la India (1995), une attention particulière est dédiée à deux textes qui sont les plus représentatifs du résultat de sa rencontre avec l’Orient, Ladera este (1969) et El mono gramático (1974), dans lesquels il est possible d’observer les analogies que Paz établit entre l’érotisme, le poème, et le bouddhisme tantrique à partir de l’expérience de l’altérité (‘otredad’), qui propose à l’être humain la recherche de son ‘autre’ pour se réconcilier dans l’unité, et de l’expérience de dissipation dans la vacuité.
La conclusion générale de l’étude souligne que l’érotisme, le poème, et le bouddhisme tantrique se proposent dans l’œuvre de Octavio Paz comme trois chemins parallèles de révélation par lesquels l’être humain peut accéder à sa plénitude, état manifeste dans l’expérience extatique.This research studies a key subject in the work of the Mexican poet and essayist Octavio Paz (1914-1998): the analogies between eroticism, poetry and the sacred as three human ways of union, reconciliation, and liberation that are particularly reinforced in his work since his journey to and stay in the East –especially in India- between 1951 and 1968. During the period called Hindu cycle (‘ciclo hindu’), Paz was interested in different traditions of oriental thought such as Buddhism, especially in its tantric orientation. This study analyses the significant contributions of Buddhism to Paz’s work. The examination of concepts like vacuity, silence, another shore (‘otra orilla’), ecstatic transcendental union, and liberation proves that Paz studied the analogies between eroticism, poetry and the sacred in depth, broaching them not just as reconciliation experiences but taking them further (‘más allá’) to the transcendental level of ecstatic union in vacuity. Although a large number of Paz’s works are considered, from El arco y la lira (1956) to Vislumbres de la India (1995), particular attention is dedicated to two poetics texts which are the most representative of his encounter with the East - Ladera Este (1969) and El mono gramático (1974) - where we can observe the analogies that Paz established between eroticism, poetry and tantric Buddhism, through the experiences of ‘otherness’, which proposes to man the search of the ‘other’ to reconcile in unity, and dissipate in vacuity. The general conclusion of the study emphasizes that eroticism, poetry and tantric Buddhism are proposed in Octavio Paz’s work as three parallel ways of revelation from which human being can achieve plenitude, which is manifest in the ecstatic experience.
Esta investigación tiene como objetivo el estudio de un tema clave en la extensa obra del poeta y ensayista mexicano Octavio Paz (1914-1998): las analogías entre el erotismo, el poema y lo sagrado como caminos o vías de unión y reconciliación humana, ideas que se refuerzan particularmente en su obra a partir de los viajes y estancias en Oriente –especialmente en La India- entre 1951 y 1968. Durante el período denominado ‘ciclo hindú’, Paz se interesó en diferentes tradiciones de pensamiento oriental entre las que destacó el budismo, sobre todo en su orientación tántrica. Esta memoria analiza las significativas aportaciones del budismo a la obra de Paz y, a partir del estudio de los conceptos de vacuidad, silencio, otra orilla, unión extática trascendente y de liberación, se sostiene que Paz profundizó en las analogías entre el erotismo, la poesía y lo sagrado, no planteándolas sólo como experiencias de reconciliación sino llevándolas ‘más allá’, al plano trascendental, a partir de la unión extática en la vacuidad. Aunque se tiene en cuenta un buen número de obras de O. Paz desde El arco y la lira (1956) hasta Vislumbres de la India (1995), se dedica una atención particular a dos textos poéticos que son los más representativos del resultado de su encuentro con Oriente, Ladera este (1969) y El mono gramático (1974), donde se observan las analogías que Paz establece entre el erotismo, el poema y el budismo tántrico a partir de la experiencia de ‘otredad’, que propone al hombre una búsqueda de su ‘otro’ para reconciliarse en la unidad, y de la experiencia de disipación en la vacuidad. La conclusión general del estudio subraya que el erotismo, el poema y el budismo tántrico se plantean en la obra de Octavio Paz como tres caminos paralelos de revelación por los que el hombre puede acceder a su plenitud, estado manifiesto en la experiencia extática.