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1

Bonds, Mark Evan. After Beethoven: Imperatives of originality in the symphony. Cambridge, Mass: Harvard University Press, 1996.

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2

Kápolnai, Iván. Ausztria népességi viszonyai a 19. században =: Population conditions of Austria in the 19th century. Budapest: Központi Statisztikai Hivatal Levéltára, 2002.

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3

On architecture. Riverside, Calif: Ariadne Press, 2002.

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4

Australia, National Gallery of, ed. Secession: Modern art and design in Austria and Germany, 1890s-1920s. Canberra: National Gallery of Australia, 2000.

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5

The 1848/9 revolutions in German-speaking Europe. Harlow, England: Longman, 2001.

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6

Victoria and Albert museum. Furniture of about 1900 from Austria & Hungary in the Victoria & Albert Museum. London: Victoria and Albert Museum, 1986.

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7

The memory factory: The forgotten women artists of Vienna 1900. West Lafayette: Purdue University Press, 2012.

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8

Freud, Sigmund. The letters of Sigmund Freud and Otto Rank: Inside psychoanalysis. Baltimore: Johns Hopkins University Press, 2012.

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9

Luise, Lipschitz, ed. Architecture in Vienna, 1850 to 1930: Historicism-Jugendstil-new realism. Wien: Springer, 2003.

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10

Hanswursts lachende Erben: Zum Weiterleben der lustigen Person im Wiener Vorstadt-Theater von La Roche bis Raimund. Bern: P. Lang, 1989.

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11

Music criticism in Vienna, 1896-1897: Critically moving forms. Oxford: Clarendon Press, 1996.

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12

Reinhart, Stiftung Oskar. Caspar David Friedrich to Ferdinand Hodler, a romantic tradition: Nineteenth-century paintings and drawings from the Oskar Reinhart Foundation, Winterthur. Frankfurt am Main: Insel Verlag, 1993.

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13

Pressler, Rudolf. Biedermeier furniture. Atglen, PA: Schiffer Pub., 1996.

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14

Musical life in Biedermeier Vienna. New York, NY: Cambridge University Press, 1988.

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15

Weigel, Hans. Flight from greatness: Six variations on perfection in imperfection. Riverside, Calif: Ariadne Press, 1998.

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16

Empress Marie Therese and music at the Viennese court, 1792-1807. Cambridge, U.K: Cambridge University Press, 2003.

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17

Néret, Gilles. Gustav Klimt, 1862-1918: The world in female form. Köln: Taschen, 2011.

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18

Néret, Gilles. Gustav Klimt, 1862-1918. Köln: Benedikt Taschen, 1993.

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19

Néret, Gilles. Gustav Klimt, 1862-1918. Köln: Benedikt Taschen, 1993.

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20

Federico, Zeri, Dolcetta Marco, and Mazour Elena, eds. Klimt, Judith I. Richmond Hill, Ont: NDE Pub., 2000.

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21

Angelika, Taschen, ed. Wiener Werkstætte: 1903-1932. Köln: Taschen, 2003.

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22

Stedman. Symphony 19th Century: A Research and Information Guide. Taylor & Francis, 1996.

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23

Floros, Constantin. Gustav Mahler and the Symphony of the 19th Century. Lang Publishing, Incorporated, Peter, 2014.

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24

Bonds, Mark Evan. After Beethoven: The Imperative of Originality in the Symphony. Harvard University Press, 1996.

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25

After Beethoven: The Imperative of Originality in the Symphony. Harvard University Press, 1997.

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26

Bonds, Mark Evan. After Beethoven: The Imperative of Originality in the Symphony. Harvard University Press, 2013.

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27

Gustav Mahler and the Symphony of the 19th Century: Translated by Neil K. Moran. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2014.

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28

Eroica: The First Great Romantic Symphony. Head of Zeus, 2017.

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29

Will, Richard. Char Symphony Age Haydn Beethoven (New Perspectives in Music History and Criticism). Cambridge University Press, 2008.

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30

Beethoven's Eroica: The first great romantic symphony. 2017.

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31

Samuels, Robert. Mahler's Sixth Symphony: A Study in Musical Semiotics (Cambridge Studies in Music Theory and Analysis). Cambridge University Press, 2004.

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32

Samuels, Robert. Mahler's Sixth Symphony: A Study in Musical Semiotics (Cambridge Studies in Music Theory and Analysis). Cambridge University Press, 1996.

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33

The Symphonic Repertoire: Volume 2. The First Golden Age of the Viennese Symphony: Haydn, Mozart, Beethoven, and Schubert. Indiana University Press, 2002.

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34

Dixon, Christine. Secession: Modern Art and Design in Austria and Germany 1890s-1920s. National Gallery of Australia, 2002.

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35

Reiter, Ilse. Constitutions of the World from the late 18th Century to the Middle of the 19th Century: Europe: Vol. 2: Constitutional Documents of Austria, Hungary and Liechtenstein 1791-1849. K.G. Saur (An Impint of Walter de Gruyter), 2005.

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36

Bowman, William D. Priest and Parish in Vienna, 1780 to 1880 (Studies in Central European Histories). Brill Academic Publishers, 2000.

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37

Jervis, Simon. Furniture of About 1900 from Austria & Hungary in the Victoria & Albert Museum. Faber & Faber, 1986.

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38

The Characteristic Symphony in the Age of Haydn and Beethoven (New Perspectives in Music History and Criticism). Cambridge University Press, 2002.

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39

Deiters, Franz-Josef, Axel Fliethmann, Alison Lewis, Cat Moir, and Christiane Weller, eds. Topos Österreich | Topos Austria. Rombach Wissenschaft, 2020. http://dx.doi.org/10.5771/9783968216492.

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Karl Kraus called Austria the “testing facility for the apocalypse”, but also noted that “the streets of Vienna are paved with culture; the streets of other cities with asphalt”. Hugo von Hofmannsthal dismissed the idea that there was an Austrian form of literature as fiction. In his opinion, there was only German literature, into which the works of Austrian writers were subsumed. In this respect, Austria is therefore not a completely straightforward subject. What remains indisputable, however, is that Austria became one of the trendsetters in German-speaking literature and culture from the 19th century onwards. The book ‘Topos Österreich’ (Topos Austria) thus contains studies from the field of literary and cultural studies which focus on modern Austrian literature.
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40

Raspa, Venanzio. Aesthetics of the Graz School. De Gruyter, Inc., 2010.

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41

Raspa, Venanzio. Aesthetics of the Graz School. De Gruyter, Inc., 2010.

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42

Raspa, Venanzio. Aesthetics of the Graz School. De Gruyter, Inc., 2010.

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43

Good Music for a Free People: The Germania Musical Society in Nineteenth-Century America (Eastman Studies in Music). University of Rochester Press, 2010.

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44

Liberalism And The Habsburg Monarchy 18611895. Palgrave Macmillan, 2013.

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45

Blaschke, Bertha, and Luise Lipschitz. Architecture in Vienna 1850-1930: New Objectivity. Springer, 2002.

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46

Jaroslava, Bubnová, Wiener Secession, and Galerie Rudolfinum (Prague, Czech Republic), eds. Vienna Secession: 1898-1998 : the century of artistic freedom. Munich: Prestel, 1998.

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47

Boubnova, Iaroslava, and Czech Republic) Galerie Rudolfinum (Prague. Vienna Secession 1898-1998: The Century of Artistic Freedom (Prestel Art). Prestel, 1998.

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48

Gates-Coon, Rebecca. Charmed Circle: Joseph II and the Five Princesses, 1765 - 1790. Purdue University Press, 2015.

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49

Gates-Coon, Rebecca. Charmed Circle: Joseph II and the Five Princesses, 1765 - 1790. Purdue University Press, 2015.

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50

Charmed Circle: Joseph II and the Five Princesses, 1765-1790. Purdue University Press, 2015.

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