Academic literature on the topic 'Symphonies (Chamber orchestra), Arranged'
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Journal articles on the topic "Symphonies (Chamber orchestra), Arranged"
Driver, Paul. "Gruber's Concertos." Tempo, no. 178 (September 1991): 22–27. http://dx.doi.org/10.1017/s004029820001398x.
Full textKrasnikova, T. N., and M. A. Stepanova. "DEDICATED TO THE ANNIVERSARY." Arts education and science 1, no. 30 (2022): 197–200. http://dx.doi.org/10.36871/hon.202201023.
Full textBogunović Hočevar, Katarina. "Beethoven’s Symphonies in the Musical Life of Nineteenth-Century Laibach." Studia Musicologica 61, no. 1-2 (April 13, 2021): 7–31. http://dx.doi.org/10.1556/6.2020.00002.
Full textBekenova, A. "N.Karimov's viola transcriptions in the pedagogical repertoire (on the example of the transcription of «Kuy» by M.Sagatov)." Pedagogy and Psychology 47, no. 2 (June 30, 2021): 256–64. http://dx.doi.org/10.51889/2021-2.2077-6861.30.
Full textAlmási, István. "Transylvanian Folk Music in Zoltán Kodály's Compositions." Studia Musicologica 59, no. 1-2 (June 2018): 55–60. http://dx.doi.org/10.1556/6.2018.59.1-2.4.
Full textPrice, Emmett G. "A Brief Analysis of "Roots, Branches, Shapes, and Shades (Of Green)", as Composed and Arranged by Wendell Logan for Piano and Chamber Orchestra." International Jazz Archive Journal 02, no. 3 (October 1, 2001): 180–279. http://dx.doi.org/10.2307/44758078.
Full textGable, Tony. "IGNAZ JOSEPH PLEYEL (1757–1831) SYMPHONIES CONCERTANTES, VIOLIN CONCERTO David Perry (violin), Isabella Lippi (violin), Victoria Chiang (viola), Baltimore Chamber Orchestra / Markand Thakar Naxos, 8.570320, 2009; one disc, 79 minutes." Eighteenth Century Music 8, no. 2 (July 25, 2011): 341–44. http://dx.doi.org/10.1017/s1478570611000170.
Full textBurel, O. V. "About compositions for piano and orchestra by Ch.-M. Widor. Background." Aspects of Historical Musicology 13, no. 13 (September 15, 2018): 45–60. http://dx.doi.org/10.34064/khnum2-13.04.
Full textKashuba, Denis. "Chamberness in genre-stylistic field of Piano concertos by Johannes Brahms." Aspects of Historical Musicology 16, no. 16 (September 15, 2019): 207–24. http://dx.doi.org/10.34064/khnum2-16.12.
Full textKrabbe, Niels. "Paul von Klenau og hans niende symfoni. Kilderne, værket, receptionen." Fund og Forskning i Det Kongelige Biblioteks Samlinger 53 (March 2, 2014): 229. http://dx.doi.org/10.7146/fof.v53i0.118851.
Full textDissertations / Theses on the topic "Symphonies (Chamber orchestra), Arranged"
Ring, Gordon L. (Gordon Lee). "Symphony No. 1 "Concertante"." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc331555/.
Full text"A portfolio of music compositions." Thesis, 2012. http://library.cuhk.edu.hk/record=b5549034.
Full text在第一首樂曲《亂了殘紅》中,我嘗試探索胡琴的獨特音色,在單一的音色組合當中(四部胡琴)尋找音色上的細微變化。另外,我亦嘗試運用有較大自由的記譜法,在給予樂手空間的同時,令他們有緊密的合作,令團隊中有一種緊密而又自然的合作。
在《風刀霜劍》中,我將這記譜法更廣泛地運用,而透過這記譜法,我希望可以解放樂手的創造力,同時有效地運用在中國傳統音樂中常見的即興元素。另外,中國樂器有不少先天的限制,我在尊重這些限制的前提下,嘗試在正常以外的演奏技巧,以加強表現力。
此後,我將《風刀霜劍》的成果運用於《殘月葬花》,希望從而可以在西方樂器的組合上體現中國文化的影響。在前作的基礎上,顧及到西方音樂訓練中沒有即興演奏的習慣,在記譜上作出了調整,但仍然保留對音色轉變的敏感以及演奏者的自由與緊密合作。而在這些的技巧上,我希望仍然能夠表達一個屬於中國文化的境象,以此作為我對中國文化的回應。
The works included in this portfolio represent my continual effort to develop a solution for my search for an expression of my Chinese influences. I focus mainly on three aspects: the unique timbre of Chinese instruments, the intimacy of a small traditional Chinese music ensemble, and the spontaneity of individual performers. I attempt to include these three elements into my work while retaining an expressive quality that I find to be common in Chinese literature. The three works presented in this portfolio are my continual attempts to develop these ideas into a way of expression.
The first work in the portfolio, "Rummage through the Crimson", explores the unique timbre of huqin. The instrumentation (three erhus and one zhonghu) allows me to search for difference within a homogenous texture and thus to discover the timbral nuance available. I also experiment with a notation that at the same time allows freedom and requires cooperation among performers to create a cohesive and natural ensembleship.
The second work, "Slashes of Frost and Wind", extends the experimentation of notation to a greater scale. While using an ensemble of Chinese instruments, I try to utilize the freedom allowed by the notation to unleash the innate creativity of the performers and to evoke the improvisatory nature of their traditional playing. On the other hand, I explore the use of extended techniques while respecting the instrument's natural capabilities.
In "Flower Burial under a Pallid Moon", I attempt to transfer the findings from "Slashes of Frost and Wind" to a purely Western context, in the hopes of creating a piece of music that express Chinese elements while using Western instruments, so as to expand the expressive possibilities of such an ensemble. Many technical elements have been brought over, namely sensitivity to timbral nuance, improvisatory nature of the notation, and close cooperation while in a state of performance freedom. More suggestive descriptions are added to guide the performers in improvisatory passages. Most importantly, I retain a Chinese imagery that runs through the veins of all these three works. In essence, the technical attempts here merely try to approach a succinct expression of my Chinese influence.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Ting, Chung Wai.
Thesis (M.Mus.)--Chinese University of Hong Kong, 2012.
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstracts also in Chinese; includes Chinese.
Abstract --- p.i
Acknowledgement --- p.iii
Rummage through the Crimson --- p.1
Slashes of Frost and Wind --- p.16
Flower Burial under a Pallid Moon --- p.27
Books on the topic "Symphonies (Chamber orchestra), Arranged"
John, Adams. Chamber symphony. [New York]: Hendon Music, 1995.
Find full textScriabin, Aleksandr Nikolayevich. Scriabin settings: For chamber orchestra. Newton Centre, MA (167 Dudley Rd., Newton Centre 02159): GunMar Music, 1992.
Find full text1770-1827, Beethoven Ludwig van, ed. Beethoven, Harnoncourt, 9 symphonies: The Chamber Orchestra of Europe. [Germany]: TELDEC, 1991.
Find full textBorodin, Aleksandr Porfirevich. Symphonies nos. 1 & 3. [Leeuwarden, The Netherlands]: Brilliant Classics, 2008.
Find full textJohannes, Brahms. The symphonies. London, England: Decca, 2013.
Find full textBasral, Akmal Nasery. Simfoni untuk negeri: Twilite Orchestra dan Magenta Orchestra. [Jakarta]: Gaby Bakrie, 2011.
Find full textGórecki, Henryk Mikołaj. Concerto for piano and string orchestra ; Three pieces in Old style. [England]: Conifer Classics, 1994.
Find full textBaird, Tadeusz. Epiphany music ; Concerto lugubre: For viola and orchestra ; Elegeia : for orchestra ; Four love sonnets ; Symphony no. 3. Southwater, West Sussex, England: Olympia, 1989.
Find full textLutosławski, Witold. Venetian games: Trois poèmes d'Henri Michaux ; Symphony no. 2. Poland: Muza, 1989.
Find full textUllrich, Scheideler, ed. Bearbeitungen und Gelegenheitswerke für Kammerensemble. Mainz: Schott, 2014.
Find full textBook chapters on the topic "Symphonies (Chamber orchestra), Arranged"
"‘Completely Absorbed by the Piano’." In Beethoven's Symphonies Arranged for the Chamber, 193–234. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108924207.007.
Full text"‘A Fruitful Age of Arrangements’." In Beethoven's Symphonies Arranged for the Chamber, 7–39. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108924207.002.
Full text"Selling Arrangements, Constructing the Canon." In Beethoven's Symphonies Arranged for the Chamber, 77–115. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108924207.004.
Full text"Bibliography." In Beethoven's Symphonies Arranged for the Chamber, 239–50. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108924207.009.
Full text"Index." In Beethoven's Symphonies Arranged for the Chamber, 251–58. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108924207.010.
Full text"Musical Arrangements and Musical Works." In Beethoven's Symphonies Arranged for the Chamber, 153–92. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108924207.006.
Full text"Introduction." In Beethoven's Symphonies Arranged for the Chamber, 1–6. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108924207.001.
Full text"Arrangers and Authority." In Beethoven's Symphonies Arranged for the Chamber, 40–76. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108924207.003.
Full text"Beethoven and Steiner’s Plan." In Beethoven's Symphonies Arranged for the Chamber, 116–52. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108924207.005.
Full text"Epilogue." In Beethoven's Symphonies Arranged for the Chamber, 235–38. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108924207.008.
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