Relevant bibliographies by topics / Symbols in the Bible

Academic literature on the topic 'Symbols in the Bible'

Author: Grafiati
Published: 27 July 2024
Last updated: 28 July 2024

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Journal articles on the topic "Symbols in the Bible"

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Pérez Venero, Miriam. "Inversion of biblical symbols in The Grapes of Wrath." Literatura y Lingüística, no. 26 (December 21, 2012): 167. http://dx.doi.org/10.29344/0717621x.26.43.

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Although it is agreed that Steinbeck’s The Grapes of Wrath (1939) is full ofallusions and symbols connected to the Bible, no consensus has been reachedyet about their nature. In this article an analysis is described which aims atdemonstrating that the allusions and symbols found are better interpreted asinversions of the traditional biblical symbols, in such a way that the novel canbe considered a new ‘bible for the people’.
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Stasyk, Mykola. "Bible motifs in the novel «V.I.N.» by Valentyn Terletsky." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 12, no. 21 (2019): 84–90. http://dx.doi.org/10.34079/2226-3055-2019-12-21-84-90.

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The article examines the text-forming role of biblical images-symbols in Valentyn Terletsky's novel «V.I.N.». The analysis of the text reveals the peculiarities of the poetics, the creative personality of the author. It is stated that the writer actively uses biblical symbols and motifs in his novel that allow him to go beyond the scope of the investigative detective. The presence of Christian motifs in the work increases the number of possible interpretations, enables to depart from its literal explanation and gives the reader the opportunity to speculate events. The very title of the work contains hints of biblical parallels. In this way, the author creates a multidimensional space in which reality receives philosophical and religious reflection. Numbered symbols, which are endowed with biblical semantic connotations, also contribute to this. The article focuses on the fact that the life of the characters of the novel is «related» to such numbers as ten (the symbol of the beginning and the end of the case), forty (related to the completeness of the trials, a turning point in human life) and more. Special attention is drawn to the main character's sleep. It is known that dreaming is a technique often used in fiction. Sleep becomes a source of thoughts and analogies. It contributes to the decoding of the novel and the use of such a symbol as a circle that most readers perceive as an element that has magical protective content. In the novel this symbol is polysemantic, and the characters try to break the circle in order to «find» themselves, to play their vital role. It is stated that the work can draw clear parallels between the protagonist of the novel (He) and Jesus Christ, but such a comparison is rather conditional, since the focus of the writer is not «action», but the spiritual beginning of his characters. The use of biblical allusions in the novel enhances the meaning of the story. It helps to understand the characters who are trying to find themselves, to understand themselves, to believe in themselves. The investigation into the disappearance of the main character leads to an unexpected open finale, where everyone has a chance to be «reborn» to become themselves. It can be stated that the use of biblical symbols and motifs by the writer is characterized by freedom and flexibility. The biblical images in the work are ambivalent. In the novel «V.I.N.», Valentyn Terletsky abstracts biblical motifs and images from their theological understanding, that makes them universal. This enables to reveal writer's interest in Christianity solely as an aesthetic concept.
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Ruskulis, Lilia, Inna Rodionova, and Rymma Maiboroda. "The symbol of «heart» in the linguophilosophical concept of H. Skovoroda." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 23 (2020): 211–17. http://dx.doi.org/10.34079/2226-3055-2020-13-23-211-217.

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The article examines the linguistic and philosophical research of H. Skovoroda – a symbolic perception and interpretation of the world around. It was found out that the thinker sought to allegorically interpret the Bible, which he perceived as the only reliable source of happiness, he believed that the world of the Bible is the ideal otherness of the human world (microcosmos) and the universe (macrocosmos). The authors of the article analyzed one of the brightest symbols of the linguist – the symbol of the heart, which is the basis of all human actions, bad and good thoughts, the place where thoughts and feelings are born and grow, where the truth opens, this symbol is the center of human moral actions, his inherent thinking and will.
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Лисенко, Наталія, and Надія Тендітна. "СЛОВА-СИМВОЛИ У ТВОРАХ ГРИГОРІЯ СКОВОРОДИ ЯК ОЗНАКА ХУДОЖНЬОГО МИСЛЕННЯ." Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe 4, no. 1 (2022): 15–22. http://dx.doi.org/10.15804/ppusn.2022.01.01.

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The article analyzes the words-symbols in the artistic and philosophical world of Gryhoriy Skovoroda. Based on the classification of D. Chizhevsky, in the symbolism of the Ukrainian Baroque poet considered concepts-symbols by the following meanings: biblical words-symbols, archetypal symbols, cosmogonic words-symbols, symbols-names of creatures, natural phenomena, to denote the peculiarities of the environment. The poet-philosopher in his works uses such biblical words-symbols as God, Christ, the Bible, the heart, the angel, the prophet, the cross. In the works of G. Skovoroda there are archetypal images-symbols of fire, light, water, blood, circles. In the works analyzed by us, G. Skovoroda uses such cosmogonic words-symbols as: sun, moon, star, star. The word-symbol of the wing in the poet’s works is closely connected with biblical symbols, creates a positive characteristic and means «take-off». In the works of G. Skovoroda the main function of symbolic names of birds, such as: crow, dove, nightingale, eagle and hawk, characterological, it carries an emotional load. In the collection «Fairy Tales of Kharkiv» words-symbols to denote the names of animals represent certain human qualities. Gryhoriy Skovoroda also used symbols-names of natural phenomena in his work, in particular, such as: thunder, lightning, clouds, rainbow. Quite often in the works of G.S. Skovoroda there are such words-symbols to denote the features of the natural environment, such as forest, sea, roads. According to research, Christian symbols were of great importance to Gryhoriy Skovoroda, but a significant part of the symbols came to his worldview from the ideas of the ancient Slavs.
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Hong-An, Pham Thi. "Intertextuality in Emily Dickinson's poetry." Science & Technology Development Journal - Social Sciences & Humanities 5, no. 2 (May 7, 2021): first. http://dx.doi.org/10.32508/stdjssh.v5i2.608.

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A text is absolutely not a writer’s genuine creation, but it principly receives the material and is altered from another text. The concept of intertextuality is constructed by Julia Kristeva (1941-), stressing the interconnection between a text and other prior ones. Intertextuality can be in the form of topics, motifs, images, symbols, and so on, constantly employed by the writer either unconsciously, as believed by Freud, or consciously. In so doing, intertextuality, however, does not mean to diminish creativity in writing; on the contrary, it diversifies the process. Emily Dickinson (1830 – 1886), a talented but reclusive American poet, has utilized quite a number of images, symbols, and tales in the Bible, the text of considerable influence in her culture and society, in her poems. Her intertextuality with the Bible sophisticatedly proves her thoughts of the religion and its practice. Her religious experiences, which are interwoven in her poetry, reveal the spirit of liberty and sensitiveness she possesses. Bearing such philosophy in poetry and life, Dickinson can be regarded as a symbol of American soul, with unique and creative individualism. This paper will analyze and clarify the aforementioned proposition, principly using the method of intertextual criticism.
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Dillon, Amanda. "“I Am the Nail”: A Multimodal Analysis of a Contemporary Reception of Isaiah 53." Religions 14, no. 3 (March 10, 2023): 370. http://dx.doi.org/10.3390/rel14030370.

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The Arma Christi, the instruments of the Passion of Christ, are a fascinating collection of symbols evident throughout the history of Christian art. This article considers the striking re-emergence of visual depictions of the Arma Christi in the contemporary spiritual practice of Bible Journaling. How have these symbols of the Passion made their way back into the popular Christian imaginary and creative expression of Bible readers today? The creative, devotional practice of Bible Journaling is gaining popularity in many countries, notably the US. Almost exclusively practiced by women, Bible Journaling involves making artistic interventions directly in the material artefact of the printed Bible, with different creative media. In considering the value of this practice for women’s spirituality, this article employs a social semiotic approach, multimodal analysis, to survey their visual representations and to analyse in detail one specific creative intervention, “I AM THE NAIL”, as a reception of a contemporary understanding of salvation through the suffering of Jesus Christ on the cross. Also considered are intertextual readings of the Hebrew Bible (Isaiah 53: 3–5) and the NT. The semiotic influence of popular cultural products such as The Passion of the Christ movie on the visual idiom embraced by the journalers forms part of this analysis.
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Çitaku, Muhamed. "The Influence of the Bible on Albanian Literature." Obnovljeni život 78, no. 1 (January 9, 2023): 81–91. http://dx.doi.org/10.31337/oz.78.1.6.

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Just as the Bible has had a great influence on world literature, so too has it influenced Albanian literature. The impact of this book is evident in all literary periods throughout the history of Albanian literature. Albanian authors have taken stories, characters, motifs, and themes from the Bible and have conveyed these in a variety of artistic forms. Through biblical symbols Albanian authors have expressed ideas about themselves, society, culture, and politics and have demonstrated that these symbols have different meanings in Albanian literature. They have achieved this by giving biblical stories a unique structure, modifying them partially by adding new characters and events, etc. Therefore, as a result, biblical stories and characters in Albanian literature have a new distinctive quality as compared to those in the Bible. The purpose of this study is to demonstrate the influence that the Bible has had on principal Albanian authors, as well as the peculiarities that biblical events and characters acquire in Albanian literature. The authors have used quantitative and hermeneutic analysis to help identify biblical elements in Albanian literature.
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Gevorgyan, Gourgen. "Metaphor in the Bible." Armenian Folia Anglistika 2, no. 1-2 (2) (October 16, 2006): 31–35. http://dx.doi.org/10.46991/afa/2006.2.1-2.031.

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Metaphor as a stylistic device is widely used in fiction. Writers can usually be easily identified due to the metaphors they use in their works. Metaphor is one of the basic devices of imagery. The Bible abounds in metaphors and the system of imagery in the Holy Book is heavily dependent on this device. Here, metaphors appear not only in the form of words, but of sentences, as well. Symbols, which are specific to the Bible, communicate a special meaning to the events and phenomena described.
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Yamat, Ezuoke, Chukwudinma O., and IJIOMA, Patricia Ngozi. "The Semiotics of Christian Theological Translation and Interpreting." International Journal of Linguistics, Literature and Translation 4, no. 4 (April 27, 2021): 27–33. http://dx.doi.org/10.32996/ijllt.2021.4.4.5.

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The Christian theological text, whether written or oral is a derivative of a sacred text called The Bible, thus, making the theological text a second order text. This makes it possible for the Christian theological text to adopt first of all, the semiotic forms of The Bible: signs, symbols, vestments and colours as well as those of the modern church. Semiotic translation which implies a decoding of signs and symbols, interprets textual signs and symbols in a source text (ST) to the target audience (TA). Hence, translation is an interpretative activity. The translation of Christian theological semiotics could be done in-text, in footnotes or in notes and references as a form of elucidation to the target audience. Theology is a discipline and as such, most of its signs and symbols are technical. To deal with its semiotics is part of the deverbalisation process which its translator must engage in, in order to understand the source text (ST) and to reverbalise the same. The paper aims at furnishing Christian theological translators with the meanings of selected Christian theological signs and symbols. This is a plunge into the dynamic equivalence of the signs and symbols, since formal equivalence, calque and loaning do not deliver the relevant comprehension needed by the translator for adequate reverbalisation of the source text. The paper highlights the importance of semiotic research in the translation of Christian theological texts.
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Bardski, Krzysztof. "Symbol – ikona tajemnicy." Verbum Vitae 16 (December 14, 2009): 201–10. http://dx.doi.org/10.31743/vv.1531.

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Throughout the centuries, the more-than-literal interpretation of the Bible was present in the tradition of the Church. Symbols made out of biblical literary motifs expressed deep theological and human concepts. They made visible what otherwise was invisible. Our article presents three symbols rooted in the biblical text that acquired new spiritual meanings in the ancient and medieval interpretation of the Scripture: wings, tree and bow.
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Dissertations / Theses on the topic "Symbols in the Bible"

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Benitez, Ignacio. "Cities as symbols Jerusalem and Babylon in history and eschatology /." Theological Research Exchange Network (TREN) Access this title online, 2006. http://www.tren.com/search.cfm?p034-0045.

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Thorsell, Jennifer. "Den moderna frälsaren : En komparativ analys av Harry Potter och Jesus." Thesis, Högskolan Dalarna, Litteraturvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-21005.

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The books about Harry Potter have been read by people all over the world, but is there some-thing more to them than just the magical adventure novels they first appear to be? Many have discovered the multiple layers of understanding that the author J. K. Rowling has put in her famous books, and since I was curious about a few features in the story that reminded me of certain elements which can be found in the Bible, I decided to find out more. The following essay investigates which specific features in the books about Harry Potter that can be traced to which specific parts of the Bible. The main focus is the comparison between the character Harry Potter and Jesus Christ. I use a comparative analyzing method and secure my theory with quotes from both Harry Potter and the Bible. In the end, I found a wide range of similarities between the two characters, and in my discus-sion, I raised the question whether or not the likenesses were intentional by Rowling. I reached the conclusion that the authors intention is not as important as the reader’s interpreta-tion and what they can learn from it.
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Helou, Clémence. "Symbole et langage dans l'Apocalypse de Jean." Paris 4, 1994. http://www.theses.fr/1994PA040072.

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Le but de cette these est de decouvrir la confrontation de la violence et de la verite dans l apocalypse de jean illustree par la symbolique de l epee comme parole dans la bouche du fils de l homme. Cette confrontation est le chiffre d un mystere dont il s agit de dechiffrer les termes en vue d un depassement. L apocalypse en examine la possibilite et a sa suite le lecteur. La premiere partie definit les termes et essaie de saisir la configuration de l apocalypse et sa dynamique interne. La deuxieme partie s attache au personnage principal, jesus-christ, fils de l homme, agneau et parole de dieu. A travers ces trois figures, a la fois contradictoires et complementaires, le christ exerce son double pouvoir de roi et de juge, signifie par le couple symbolique epee-parolre enrichi par des correspondances spatiales et temporelles. La troisieme partie s applique au dechiffrement en tant que relecture. Celle-ci est consideree comme un double acte de comprehension et de conversion et etudiee au triple point de vue de l auteur de l apocalypse, du lecteurauditeur et des evenements contemporains. Sa specificite consiste a lire le present en fonction a la fois du passe et du futur et de degager ainsi les evenements du particulier et du contingent en leur donnant une solution ultime et universelle. Mais comme le mal continue a dominer dans le monde. Il redtera en dialectique avec l esperance d une victoire acquise, une fois pour toutes, par l agneau et les siens. Cette ouverture vers l au dela est capable d initier des a present un retournement qui ne s accomplira qu a l eschaton. Le gage en est le depouillement reducteur de l epee en parole et de la violence negative en "violence" de la verite
The goal of this thesis is to study the confrontation between violence and truth in the revelation of john, as portrayed by the symbolic couple of the sword and word that appear in the mouth of christ, son of man. This confrontation is the mystery to be deciphed in examining the possibility of violence to be converted by truth as is the sword by the word. In the first section this theme is studied in relation to the book as a whole in the second section, the central personnage, jesus-christ, is seen in his three contradictory manifestations : son of man, lamb and "word of god" as well as king and judge. His power is illustrated by the couple of sword-word, enriched by spatial and temporal correspondances. The third section concerns the re-reading considered as a double act of comprehension and conversion. Initiated by the author of the revelation himself, his re-interpretation is renewed by each reader-auditor and actualised by contemporary events. It thus has the specific potential to link the present at once to the past and to the future and therefore to disengage the events from their particularity and contingence and to give them an umtimate and universal solution. This promised solution is based in the voctory of lamb and his followers. The victory offers a pledge of general renewal in spite of the domination of evil. The hope will be fully realized only in the future (the eschaton). It consists in the reducing of the sword into word likewise of negative violence into a "violence" of truth
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Helleland, Miriam. "Att våga förnya för att förmedla : Förnyandet av den moderna sakrala konsten sett ur tre konstverks uppkomst tagna från konstprojektet "Kyrkorummet"." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-133064.

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In this essay the renewal of the modern sacred art has been examined through the creation of three works of art from the art project “Kyrkorummet”. The aim has been to show that renewal of the modern sacred art is best accomplished by the combination of the artist history and Bible knowledge and the open mindness of the beholder towards the new and creative, in order to communicate the gospel in modern time. The large extend of the art project demanded a selection of the art works. Therefore, three were chosen and they show the last supper and the baptism in a renewal way including both symbolism and creativity. To complete and facilitate the analyses, a theme, light and water, have been used as well as relevant theories in art history with Kandinsky as main art critic. Through the art project and it’s teaching, history in combination with present time through visits in different and modern churches, thoughts have been stimulated and the result has been new works of art that speaks of our time. The project has also shown that symbolism is an important aspect in the renewal of sacred art, since it communicates and reveals important truths.
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Hsu, Yun-Che. "The symbolism of blood in Levitical rites and sacrifices." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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Niedfeldt, Scott. "The implications of marriage imagery for theology with reference to selected Old Testament prophets and the Pauline corpus." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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Rehby, Hervé M.-H. "Le cœur : organe et symbole dans la Bible, le Talmud et l'Antiquité péri-méditerranéenne." Bordeaux 2, 1994. http://www.theses.fr/1994BOR2M144.

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Mitchell, Mary Louise. "A reading of the imagery of Lamentations /." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85022.

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This dissertation interprets the poems of the book of Lamentations through the study of their imagery and of the themes expressed through that imagery. The introduction places the study in the context of literary studies of biblical texts and of recent scholarship on Lamentations. The book is read in its canonical order, identifying the images and patterns of imagery which occur in each poem. Major images are compared with similar images in other biblical poetry and interpreted as to the themes which they express. Comparison of imagery which appears in several poems illustrates how the experience of the fall of Jerusalem is variously understood and expressed within the book as a whole. The poems depict the suffering and losses of the community during the siege and its aftermath, while attempting to understand what these events mean for the community's relationship with its god. The speaker of Lam 3, however, reflects on human suffering from the perspective of an individual man. The poems and the book as a whole express vividly the experience of loss and suffering. The religious meaning of the disaster remains unanswered throughout the book, with the possible exception of the first chapter, where the balance of imagery of sin and suffering suggests that the sufferers receive what they have deserved for their sins. The book as a whole both expresses loss and suffering and inquires without final resolution as to the religious meaning of the communal disaster.
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Forsythe, Ruth. "From barrenness to birth stories of impossibilities and life /." Theological Research Exchange Network (TREN), 2000. http://www.tren.com.

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Van, Gorp Terry L. "An investigation of serpent symbolism and Numbers 21:4-9." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

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Books on the topic "Symbols in the Bible"

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Conner, Kevin J. Interpreting the symbols and types. Portland, Or: Bible Temple Pub., 1992.

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Niggemeyer, Margarete. Perlen schimmern auf den Toren: Eine Auslegung des Perlensymbols in christlichen und ausserchristlichen Traditionen. Paderborn: Bonifatius, 1997.

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Hallett, Christopher. Apocalypse: Symbols from the Book of Revelation in poetry. Glebe, NSW: C. Hallett, 1992.

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Lee, Anne Marie. How to use stories, symbols, songs, and skits for lively children's liturgies. Mystic, CT: Twenty-Third Publications, 1995.

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Weiler, Gerda. Ich brauche die Göttin: Zur Kulturgeschichte eines Symbols. Königstein/Taurus: Helmer, 1997.

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Shanūdah, III, Coptic Patriarch of Alexandria, 1923-2012. Muṣṭalaḥāt wa-rumūz fī al-Kitāb al-Muqaddas = Idioms & symbols in the Holy Bible. 4th ed. al-Qāhirah: al-Kullīyah al-Iklīrīkīyah lil-Aqbāṭ al-Urthūdhuks, 2011.

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Amacher, Mark A. The Savior's symbols: Seven affirmations from the life of the Master. Springville, Utah: CFI, an imprint of Cedar Fort, Inc., 2013.

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Wiersbe, Warren W. Index of biblical images: Similes, metaphors, and symbols in Scripture : based on the text of the New International Version of the Bible. Grand Rapids, Mich: Baker Books, 2000.

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Bilderback, Allen H. Revelation and apocalyptic symbols: Bible stories of the planets and stars : revelations of God's glory : hidden identities. Puyallup, Wash: Valley Press, 1991.

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Soued, Albert. Les symboles des rêves dans la Bible. Paris: J. Grancher, 1997.

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Book chapters on the topic "Symbols in the Bible"

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Tyson, Herb. "Symbols and Equations." In Microsoft® Word 2010 Bible, 351–66. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2014. http://dx.doi.org/10.1002/9781118983966.ch20.

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Gruber, Mayer I. "Thomas Staubli and Silvia Schroer, Body Symbolism in the Bible." In Perspectives on Hebrew Scriptures I, 637–39. Piscataway, NJ, USA: Gorgias Press, 2006. http://dx.doi.org/10.31826/9781463210823-057.

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Reynolds III, Bennie H. "Symbolic and Non-Symbolic Visions of the Book of Daniel in Light of the Dead Sea Scrolls." In The Hebrew Bible in Light of the Dead Sea Scrolls, 218–34. Göttingen: Vandenhoeck & Ruprecht, 2011. http://dx.doi.org/10.13109/9783666535550.218.

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Neto, Nefatalin Gonçalves. "Saramago e i valori di Sassoli: del mitico e dell’etico in Caino." In Libere carte, 225–39. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0100-1.23.

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Cain resumes the biblical story of the genesiacs brothers to recount it in a heterodox way. Based on the canonical biblical texts, the ethical perspective of David Maria Sassoli and in ideological discourses, José Saramago (re)reads the life of the murderous brother by a desacralizing bias, establishing a process of discursive reorganization of the Bible and, consequently, of Christianity – an ideology rooted in the social thought that the writer Portuguese intends to resolve. Our proposal is to probe such ethical assumptions questioned by the novel. Thus, we will focus on the figure of the protagonist to reflect on postures, symbolic representations, narrative functions and ideological expressiveness. Let us, through our reading, decommthe kaleidoscopic clash that the skilled narrator stages to present an ethical proposal in dialogue with renewing ideals of today's society.
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Neto, Nefatalin Gonçalves. "Saramago e os valores de Sassoli: do mítico e do ético em Caim." In Libere carte, 227–41. Florence: Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0010-3.23.

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Cain resumes the biblical story of the genesiacs brothers to recount it in a heterodox way. Based on the canonical biblical texts, the ethical perspective of David Maria Sassoli and in ideological discourses, José Saramago (re)reads the life of the murderous brother by a desacralizing bias, establishing a process of discursive reorganization of the Bible and, consequently, of Christianity – an ideology rooted in the social thought that the writer Portuguese intends to resolve. Our proposal is to probe such ethical assumptions questioned by the novel. Thus, we will focus on the figure of the protagonist to reflect on postures, symbolic representations, narrative functions and ideological expressiveness. Let us, through our reading, decommthe kaleidoscopic clash that the skilled narrator stages to present an ethical proposal in dialogue with renewing ideals of today's society.
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Stovell, Beth M. "Anne Moore, Moving Beyond Symbol And Myth: Understanding The Kingship Of God Of The Hebrew Bible Through Metaphor." In Perspectives on Hebrew Scriptures IX, edited by Ehud Ben Zvi and Christophe Nihan, 511–16. Piscataway, NJ, USA: Gorgias Press, 2014. http://dx.doi.org/10.31826/9781463235635-022.

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Westerhof, Nicolaas, Nikolaos Stergiopulos, and Mark I. M. Noble. "Symbols." In Snapshots of Hemodynamics, 255–57. Boston, MA: Springer US, 2010. http://dx.doi.org/10.1007/978-1-4419-6363-5_37.

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"Editorial symbols." In The Crimean Karaim Bible, XXXI—XXXII. Harrassowitz, O, 2019. http://dx.doi.org/10.2307/j.ctvh4zgsw.5.

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"Using Annotations and Symbols." In SolidWorks® 2011 Parts Bible, 535–53. Indianapolis, IN, USA: Wiley Publishing, Inc., 2013. http://dx.doi.org/10.1002/9781118257753.ch16.

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"Using Patterns, Symbols, and Styles." In Adobe® Creative Suite® 5 Bible, 307–21. Indianapolis, IN, USA: Wiley Publishing, Inc., 2011. http://dx.doi.org/10.1002/9781118257807.ch9.

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Conference papers on the topic "Symbols in the Bible"

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Breviario, Álaze Gabriel do. "The teachings of Jehovah's witnesses: A bibliographical and narrative documentary review." In V Seven International Multidisciplinary Congress. Seven Congress, 2024. http://dx.doi.org/10.56238/sevenvmulti2024-185.

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As another neo-Christian religious movement, the religious organization of Jehovah's Witnesses has exclusivist, proselytizing, millenarian, non-creationist, non-trinitarian, politically neutral teachings and practices and claims to accept scientific discoveries based on evidence, although in practice they do not. This work aims to present and discuss the main teachings of Jehovah's Witnesses, as a member of this religious organization, baptized more than 15 years ago. To this end, it carries out a bibliographical and narrative documentary review, under the Giftedean neoperspectivist paradigm. It fills the gap in the literature on Theology and Science of Religion that there was not yet any scientific work on Jehovah's Witnesses produced and published by someone who belongs or has belonged to this religious entity for a long time. It concludes that: its teachings are based on a mainly literal interpretation of the Hebrew-Aramaic and Christian Greek Scriptures (the Bible), with the exception of prophetic symbolism; its concepts such as apostasy, porneía , dating, friendship, spirituality, maturity, sexting , sexual abuse need to be refined in the light of scientific research, since the Bible does not make them explicit in numerous cases; this religious community needs to learn to respect Science and the scientific community as a whole, since they do not currently do so, believing they understand human life, the world and truth more than scientists; it needs to implement theocratic meritocracy for the appointment, designation or removal of its leaders, with only the requirement of some spiritual qualifications prevailing today, insufficient for the fulfillment of the Christian ministry in strategic functions.
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Frantzidis, Christos A., Aristea Ladas, Maria D. Diamantoudi, Anastasia Semertzidou, Eirini Grigoriadou, Anthoula Tsolaki, Despoina Liapi, et al. "What are the symbols of Alzheimer? A permutation entropy based symbolic analysis for the detection of early changes of the electroencephalographic complexity due to mild Alzheimer." In 2012 IEEE 12th International Conference on Bioinformatics & Bioengineering (BIBE). IEEE, 2012. http://dx.doi.org/10.1109/bibe.2012.6399689.

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Marpaung, Agus, and Lekris Laurika. "The Existence of the Church as an Institutional Symbol of Minority Community in Dealing with Diversity in Grace Bible Church of Kedungwungu, Blitar, East Java." In Proceedings of the First International Conference on Christian and Inter Religious Studies, ICCIRS 2019, December 11-14 2019, Manado, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.11-12-2019.2302102.

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Grana, Costantino, Daniele Borghesani, Simone Calderara, and Rita Cucchiara. ""Inside the bible"." In Proceeding of the 1st ACM international conference. New York, New York, USA: ACM Press, 2008. http://dx.doi.org/10.1145/1460096.1460158.

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Rubtsova, Svetlana Y. "BIBLICAL PRECEDENT UNITS AS INTERTEXTUAL ELEMENTS IN CONTEMPORARY MEDIA DISCOURSE." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.16.

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Modern media discourse is featured by a certain freedom of choice of linguistic means to express the author’s intention or to draw attention to the event covered. Globalisation of the information space initiates dynamic processes of image perception and reinterpretation of universal concepts under the conditions of intercultural communication. The article deals with the analysis of biblical precedent units as intertextual inclusions for linguistic expressiveness with a profound pragmatic component in the language of modern media and the Internet. The research is devoted to investigation ofbiblicism functioning specifics in media discourse which is considered a driving force of modern language. Correlations of global bible concepts in different linguistic communities are also considered. For contextual interpretation of biblical precedent units in modern media discourse the following methods were implemented: descriptive-comparative method, the method of continuous sampling, the method of contextual analysis, the method of interpretation. It was found that the rich internal form of the biblical concept increases the pragmatic potential of intertextual context, performing the following functions: expressiveness, philosophical reconsideration, symbolism, provocation, initiation of semantic association, and text quintessence. On the example of illustrative material, taken from a corpus of media — Russian, British, American periodicals and the information space of the Internet, it is shown that the main biblical meanings and concepts are universal in terms of associative chains, formed in the consciousness of the recipient. On this basis, the conclusion is made that some correlations exist between different forms of presentation of religious doctrine and their modern interpretation, which found expression in a certain connection of some concepts and evaluations. Refs 15.
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Kim, Hyoyoung, and Jin Wan Park. "Topics on bible visualization." In SIGGRAPH Asia 2013 Art Gallery. New York, New York, USA: ACM Press, 2013. http://dx.doi.org/10.1145/2542256.2542261.

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Octavianus, Cindy, I. Putu Ayub Darmawan, Maria Lidya Wenas, and Mikha Agus Widiyanto. "Effectiveness of Action Bible Game Board Media to Introduce Bible Characters to Children." In 1st World Conference on Social and Humanities Research (W-SHARE 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220402.039.

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Wlochova, Andrea. "THE IMPORTANCE OF THE KRALICE BIBLE." In 5th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS SGEM2018. STEF92 Technology, 2018. http://dx.doi.org/10.5593/sgemsocialf2018/2.3/s21.022.

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Kanungo, Tapas, and Philip Resnik. "The Bible, truth, and multilingual OCR evaluation." In Electronic Imaging '99, edited by Daniel P. Lopresti and Jiangying Zhou. SPIE, 1999. http://dx.doi.org/10.1117/12.335806.

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Susanto, Budi, Wahju Satria Wibowo, Centaury Harjani, and Koniherawati. "Bible Learning with Board Game for Children." In 2nd International Media Conference 2019 (IMC 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200325.006.

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Reports on the topic "Symbols in the Bible"

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Baker, Clara. Bertolt Brecht and the Bible. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.5319.

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Rad, E. A. The Bible as an object of literary study. OFERNIO, March 2023. http://dx.doi.org/10.12731/ofernio.2023.25108.

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Santa, Àngels. La Bible du roman populaire: la revue Le Rocambole. Edicions de la Universitat de Lleida, 2023. http://dx.doi.org/10.21001/luc.25.26.12.

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Choong, Yee-Yin, Mary Theofanos, Brian Stanton, and Patrick Hofmann. Symbols representing biometrics in use. Gaithersburg, MD: National Institute of Standards and Technology, 2009. http://dx.doi.org/10.6028/nist.ir.7645.

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Koller, Daphne. Sensors & Symbols: An Integrated Framework. Fort Belvoir, VA: Defense Technical Information Center, January 1999. http://dx.doi.org/10.21236/ada427081.

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George, M., and L. Pierson. Standardized communication symbols to facilitate circuit design. Office of Scientific and Technical Information (OSTI), May 1990. http://dx.doi.org/10.2172/6779946.

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Brown, D. P. RHIC Cryogenic System Equipment Identification System and Schematic Symbols. Office of Scientific and Technical Information (OSTI), March 1992. http://dx.doi.org/10.2172/1119162.

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Knapp, Beverly G. The Precedence of Global Features in the Perception of Map Symbols. Fort Belvoir, VA: Defense Technical Information Center, June 1988. http://dx.doi.org/10.21236/ada203792.

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Smallman, H. S., M. St John, H. M. Oonk, and M. B. Cowen. Track Recognition Using Two-Dimensional Symbols or Three-Dimensional Realistic Icons. Fort Belvoir, VA: Defense Technical Information Center, March 2000. http://dx.doi.org/10.21236/ada376639.

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Landroche, Tina. Chinese women as cultural participants and symbols in nineteenth century America. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6174.

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