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1

Kampion, Drew. Stoked: A history of surf culture. Santa Monica, CA: General Pub. Group, 1997.

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2

Stoked!: A history of surf culture. Salt Lake City: G. Smith, 2003.

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3

Chidester, Brian. Pop surf culture: Music, design, film, and fashion from the Bohemian surf boom. Santa Monica, Calif: Santa Monica Press, 2008.

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4

Chidester, Brian. Pop surf culture: Music, design, film, and fashion from the Bohemian surf boom. Santa Monica, Calif: Santa Monica Press, 2008.

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5

Chidester, Brian. Pop surf culture: Music, design, film, and fashion from the Bohemian surf boom. Santa Monica, Calif: Santa Monica Press, 2008.

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6

Rich, Harbour, Harbour Surfboards, and Orange Coast College. Frank M. Doyle Arts Pavilion, eds. Harbour chronicles: A life in surfboard culture. Costa Mesa, CA: OCC Arts Pavilion Press, 2010.

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7

O surfe nas ondas da mídia: Esporte, juventude e cultura. Rio de Janeiro: Apicuri, 2011.

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8

Giroux, Henry A. Channel surfing: Race talk and the destruction of today's youth. Toronto: Canadian Scholars' Press, 1997.

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9

The American surfer: Radical culture and capitalism. New York: Routledge, 2010.

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10

Channel surfing: Race talk and the destruction of today's youth. New York: St. Martin's Press, 1997.

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11

Channel surfing: Race talk and the destruction of today's youth. Basingstoke: Macmillan, 1997.

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12

Masoni, Alessandro. Storia del surf in Italia: Sport e cultura nei ricordi dei protagonisti. Firenze: Phasar, 2013.

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13

Surfing the Zeitgeist. Faber & Faber, Limited, 2014.

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14

Stranger, Mark. Surfing Life. Taylor & Francis Group, 2020.

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15

Surfing the Zeitgeist. Faber & Faber, 1997.

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16

Mussa, Paul, and Jim Heimann. Surfing: Vintage Surfing Graphics (Icons). Taschen, 2004.

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17

Booth, Douglas. Surfing. Edited by Robert Edelman and Wayne Wilson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199858910.013.21.

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In the grand narrative of surfing, the pastime diffused from Hawai’i in the early twentieth century and fifty years later from Australia and California; by the end of the century surfing had been codified into a sport and homongenized as a global culture. This chapter questions the grand narrative of surfing and raises historiographical questions about evidence, context, and social memory. It presents alternative evidence and interpretations and exposes a more complex, disordered, and chaotic surfing past. The chapter proceeds from the assumptions that narratives are not definitive reconstructions but representations and processes of mediation and that historians are authors who, in addition to choosing their evidence, choose the tools of their mediations such as contexts and concepts. In these senses, historical narratives of sport, including surfing, should be understood as residing in social contexts that determine their cultural resonance and social memory.
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18

Stecyk, Craig. Surf Culture: The Art History of Surfing. Gingko Press, 2002.

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19

undifferentiated, David Carson, and Craig Stecyk. Surf Culture: The Art History of Surfing. Gingko Press, 2002.

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20

San Jose Museum of Art (Corporate Author), Bolton T. Colburn (Editor), Ben Finney (Editor), Tyler Stallings (Editor), C. R. Stecyk (Editor), Deanne Stillman (Editor), and Tom Wolfe (Editor), eds. Surf Culture: The Art History of Surfing. Not Avail, 2002.

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21

Channel Surfing. Palgrave Macmillan, 1999.

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22

Jennifer, Joseph, and Taplin Lisa 1969-, eds. Signs of life: Channel-surfing through '90s culture. San Francisco: Manic D Press, 1994.

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23

Joseph, Jennifer. Signs of Life: Channel-Surfing Through '90s Culture. Manic D Press, 1994.

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24

Kampion, Drew. Stoked: A History of Surf Culture. Stoddart, 1997.

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25

Stoked: A History of Surf Culture. Taschen America, LLC, 1998.

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26

Sociology of Hallyu Pop Culture: Surfing the Korean Wave. Springer International Publishing AG, 2021.

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27

Sociology of Hallyu Pop Culture: Surfing the Korean Wave. Springer International Publishing AG, 2022.

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28

Pop Surf Culture: Music, Design, Film, and Fashion from the Bohemian Surf Boom. Santa Monica Press, 2008.

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29

Bengston, Billy Al, Domenic Priore, Brian Chidester, and Kathy Zuckerman. Pop Surf Culture: Music, Design, Film, and Fashion from the Bohemian Surf Boom. Santa Monica Press, 2014.

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30

Lawler, Kristin. American Surfer: Radical Culture and Capitalism. Taylor & Francis Group, 2010.

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31

Stranger, Mark. Surfing Life: Surface, Substructure and the Commodification of the Sublime. Taylor & Francis Group, 2017.

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32

Stranger, Mark. Surfing Life: Surface, Substructure and the Commodification of the Sublime. Taylor & Francis Group, 2017.

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33

Puerto Ricos Surf Culture The Photography Of Steve Fitzpatrick. Schiffer Publishing, 2012.

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34

Surf craft: Design and the culture of board riding. MIT Press, 2014.

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35

Giroux, Henry A. Channel Surfing: Race Talk and the Destruction of Today's Youth. Palgrave Macmillan, 1998.

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36

American Surfer: Radical Culture and Capitalism. Routledge, 2010.

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37

Lawler, Kristin. American Surfer: Radical Culture and Capitalism. Taylor & Francis Group, 2010.

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38

Lawler, Kristin. American Surfer: Radical Culture and Capitalism. Taylor & Francis Group, 2010.

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39

Lawler, Kristin. American Surfer: Radical Culture and Capitalism. Taylor & Francis Group, 2010.

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40

American Surfer: Radical Culture and Capitalism. Taylor & Francis Group, 2012.

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41

Ice Cream Headaches: Surf Culture in New York and New Jersey. Damiani, 2018.

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42

Kempton, Jim. Women on Waves: A Culture History of Surfing--From Ancient Goddesses and Hawaiian Queens to Malibu Movie Stars and Millennial Champions. Pegasus Books, 2021.

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43

Men Who Surf. Melbourne University Publishing, 2008.

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44

Kampion and Kate Brown. Historia de la Cultura del Surf. Taschen America, LLC, 2003.

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45

Anderson, Jon. Surfing Spaces. Routledge, 2022.

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46

Anderson, Jon. Surfing Spaces. Taylor & Francis Group, 2022.

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47

Surfing Spaces. Taylor & Francis Group, 2017.

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48

Anderson, Jon. Surfing Spaces. Taylor & Francis Group, 2022.

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49

Anderson, Jon. Surfing Spaces. Taylor & Francis Group, 2022.

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50

Palimpsests in Ethnic and Postcolonial Literature and Culture: Surfacing Histories. Springer International Publishing AG, 2022.

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