Academic literature on the topic 'Sununu, John E., 1964-'
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Journal articles on the topic "Sununu, John E., 1964-"
Holden, Constance. "Was John Sununu Joking?" Science 252, no. 5002 (April 5, 1991): 35. http://dx.doi.org/10.1126/science.252.5002.35.d.
Full textHOLDEN, C. "Was John Sununu Joking?" Science 252, no. 5002 (April 5, 1991): 35. http://dx.doi.org/10.1126/science.252.5002.35-c.
Full textCohen, David B. "George Bush's Vicar of the West Wing: John Sununu As White House Chief of Staff." Congress & the Presidency 24, no. 1 (March 1997): 37–59. http://dx.doi.org/10.1080/07343469709507824.
Full textKanabar, Varsha, Jeremy P. T. Ward, and Clive P. Page. "Obituary: Stuart John Hirst (1964–2009)." Pulmonary Pharmacology & Therapeutics 23, no. 4 (August 2010): 229–30. http://dx.doi.org/10.1016/j.pupt.2010.05.005.
Full textDoud, Richard K., and John Vachon. "An Interview with John Vachon 28 April 1964." Archives of American Art Journal 45, no. 1/2 (January 2005): 18–32. http://dx.doi.org/10.1086/aaa.45.1_2.25435101.
Full textWhite, Nicholas J. "‘Ungentlemanly capitalism’: John Hay and Malaya, 1904–1964." Management & Organizational History 14, no. 1 (September 4, 2018): 98–122. http://dx.doi.org/10.1080/17449359.2018.1465826.
Full textMorgenstern, Leon. "From Cardiology to Laparoscopy: John Carroll Ruddock, MD (1901-1964)." Surgical Innovation 12, no. 3 (September 2005): 185–86. http://dx.doi.org/10.1177/155335060501200301.
Full textHughes, John M., and Anthony R. Kampf. "Who's Who in Mineral Names: John Francis Rakovan (b. 1964)." Rocks & Minerals 92, no. 1 (December 6, 2016): 81–84. http://dx.doi.org/10.1080/00357529.2017.1241694.
Full textCooke, Lez. "Six and ‘Five More’: Experiments in Filmed Drama for BBC2." Journal of British Cinema and Television 14, no. 3 (July 2017): 298–323. http://dx.doi.org/10.3366/jbctv.2017.0375.
Full textBoardman, Thomas J., David R. Brillinger, and John W. Tukey. "The Collected Works of John W. Tukey, Volume I, Time Series: 1949-1964." Technometrics 27, no. 3 (August 1985): 319. http://dx.doi.org/10.2307/1269718.
Full textDissertations / Theses on the topic "Sununu, John E., 1964-"
McLoughlin, P. J. "John Hume and the revision of Irish Nationalism, 1964-79." Thesis, Queen's University Belfast, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419501.
Full textMonkman, James. "John Cheever's relationship with the American magazine marketplace, 1930 to 1964." Thesis, University of Nottingham, 2015. http://eprints.nottingham.ac.uk/31066/.
Full textRegnauld, Arnaud. "La tentation de l'érotisme dans la fiction de John Hawkes (1964-1997)." Paris 3, 2002. http://www.theses.fr/2002PA030101.
Full textEroticism in John Hawkes's works is relevant to the notion of temptation ; his writing aims at a frontier which representation can only grasp through indirect means. Hawkes can only figure sexuality within the boundaries of meaningful representation, as if his writing revealed an obsessional concern with the Original Sin. We will posit that the tension which precedes the satiation of desire, this constantly differed bliss are truly erotic. When Hawkes brings the act of writing to its limit, throwing it to the brink of nonsense, he raises the issue of the incarnation of the letter within the boundaries of the text. The transcendence of the divine word (the end of metaphysics, i. E God's death, entails that of the writer as an omnipotent demiurge on the fictional level) is irrelevant to the incarnation of the letter, i. E the possibility of inscribing a body irretrievably absent from the written word. We are therefore far less concerned with the figuration of the body than with its figurality as it remains on the fringes of the text. The body appears only as the trace, the imprint, or rather, the tracing out of a twice-differed presence, that of the flesh of language which surfaces when two desires converge: that of the reader, and that of the author. This convergence of desires is only possible within the poetic process which dislocates language as it tends toward the very limit of meaning, arousing our emotion as it strikes the chords of the affective connotations borne by language. Hawkes's lyricism, this constant call toward the other whose presence the author tries to ensure, prompts us to envisage intersubjectivity from the angle of the aesthetic relation as it occurs within poetic language. The autotelic nature of metafiction which Hawkes embraces in his later works cannot exclude the other, for Hawkes's concern lies not with writing for someone in particular, but rather to an other, be it writing (to) oneself as (to) an other
Curtis, Jesse. "Awakening the Nation: Mississippi Senator John C. Stennis, the White Countermovement, and the Rise of Colorblind Conservatism, 1947-1964." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1396962537.
Full textSpicer, Jeffrey A. "The Changing Face of the Western: An Analysis of Hollywood Western Films from Director John Ford and Others During the Years 1939 to 1964." Cleveland State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=csu1336436304.
Full textCallahan, Angelina Long. "Satellite meteorology in the cold war era: scientific coalitions and international leadership 1946-1964." Diss., Georgia Institute of Technology, 2013. http://hdl.handle.net/1853/50350.
Full textHuftier, Arnaud. "Ecrire un pays qui n'existe pas : réception et re-création : les littératures belges à travers l'exemple de Jean Ray / John Flanders." Valenciennes, 2001. https://ged.uphf.fr/nuxeo/site/esupversions/296cafbc-25b1-40a4-88ab-d7bf1f3afd70.
Full textR. De Kremer's litecherary output was in two languages : French and Dutch, and under two names : Jean Ray and John Flanders. This ontological duality is emphasized by a dual situation of periphery : the way, as a bilingual Belgian, he looks at the neighbouring centers : Paris and Amsterdam. So much so that with that distinctly national output, it is possible to section a century of Belgian literatures according to their receptions and codifications. Around the paratopy of Ray / Flanders and from the Belgian sending system, there is an opening on the main receiving systems. Reception lays the foundations for a national and generic imprisonment. From there, R. De Kremer's approach in his works is not only to consider literature as an institution, but the institution in literature, and not only to see his works as second-rate literature, according to popular and exarcerbated aspect, but to see the dynamic movement of writing beneath literature
Coughlan, Peter Joseph. "The search for a positive definition or description of the laity from Vatican II's Lumen Gentium, 1964, to John Paul II's Christifideles Laici, 1988 : a no-through road." Thesis, Heythrop College (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417936.
Full textHenry, Lucas Aaron. "Freedom Now!: Four Hard Bop and Avant-Garde Jazz Musicians' Musical Commentary on the Civil Rights Movement, 1958-1964." [Johnson City, Tenn. : East Tennessee State University], 2004. http://etd-submit.etsu.edu/etd/theses/available/etd-1110104-224112/unrestricted/HenryL121004f.pdf.
Full textTitle from electronic submission form. ETSU ETD database URN: etd-1110104-224112 Includes bibliographical references. Also available via Internet at the UMI web site.
Flynn, Kevin 1970. "Destination nation : writing the railway in Canada." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38189.
Full textLiterary depictions of the railway do, however, exhibit a tension between communitarian and individualist values that may itself lie at the heart of the Canadian character. Some of the earliest representations of the railway, in travel narratives of the late nineteenth century, make explicit reference to the notion that the railway was a sign and a product of a common national imagination. But poets of this period virtually ignored the railway for fear that its presence would disturb the peaceful contemplation, and thus the identity, of the individuals who populated the pastoral spaces of their verse. Modern poets did eventually manage to include the train in their work, but used it most often as a vehicle to continue the private musings of their individual lyric speakers rather than to explore the terrain of the national consciousness. One prominent exception to this tendency is E. J. Pratt's Towards the Last Spike, in which imposing individuals such as Sir John A. Macdonald and William Van Horne and thousands of unnamed rail workers combine their efforts in order to construct the railway, which stands as a symbol of how individuals and communities can work together in the national interest. Canadian fiction demonstrates the same impulses as Canadian poetry by using the railway as a means of depicting the thoughts, feelings, and experiences of individuals, but it also challenges the myth of the railway's creation of a unitary national culture by showing how diverse communities---of race, class, and region---imagine their relationship to the railway in very different ways.
The varied character of Canada's literary treatment of one of the country's central national symbols suggests that a tension between individualism and communitarianism also informs Canadian literature itself, whose writers have used the railway to fulfill their goals in individual texts but have rarely employed it as a symbol of national community.
Books on the topic "Sununu, John E., 1964-"
Peart, John. John Peart: Paintings 1964-2004. Campbelltown, N.S.W: Campbelltown Arts Centre, 2004.
Find full textSununu, John H. Presentation of the portrait of the honorable John H. Sununu, June 12, 1996, the State House, Concord, New Hampshire. [Salem, N.H: John Sununu, 1994.
Find full textOffice, General Accounting. Military bases: Status of prior base realignment and closure rounds : report to the Honorable John E. Sununu, House of Representatives. Washington, D.C. (P.O. Box 37050, Washington, D.C. 20013): The Office, 1998.
Find full textBellany, John. John Bellany: Paintings, watercolours and drawings, 1964-86. [Edinburgh]: Trustees of the National Galleries of Scotland, 1986.
Find full textFroemke, John August. Memoirs of John August Froemke, 1893-1988: Professor of natural sciences (chemistry), 1930-1964 : professor emeritus, 1964-88. Sioux Falls, SD: Dept. of Chemistry, Augustana College, 1988.
Find full textHarris, Betty Clayton. John R. Emens College-Community Auditorium: 25th anniversary souvenir, 1964-1989. Muncie, Ind: Ball State University, 1989.
Find full textHlavacek, John. Assignment the world: This is the John Hlavacek report, 1964-1966. Omaha, Nebraska: Hlucky Books, 2011.
Find full textHealey, Charles J. Pope St. John XXIII National Seminary: The First Fifty Years (1964-2014). Weston, Mass: Seminary Press, 2014.
Find full textSchlesinger, Arthur M. (Arthur Meier), jr., 1917-2007, Kennedy, Caroline (Caroline Bouvier), 1957-, Beschloss Michael R. 1955-, Ridder, Rob de (Robert Josephus Maria), 1950-, and Appelman Martin, eds. Mijn leven met John F. Kennedy: Historische gesprekken met Arthur M. Schlesinger Jr. 1964. Houten: Spectrum, 2011.
Find full textMandalam, Ravi. The kotal route sketches: Royal Society Kinabalu expedition 1964 : original field sketches of Prof. John Corner. Kota Kinabalu: Sabah Society, 2011.
Find full textBook chapters on the topic "Sununu, John E., 1964-"
Hernández, Paola S., and Analola Santana. "John Leguizamo (Bogotá, Colombia/New York City 1964–)." In Fifty Key Figures in Latinx and Latin American Theatre, 101–4. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003144700-22.
Full text"1964." In The Selected Letters of John Berryman, 499–523. Harvard University Press, 2020. http://dx.doi.org/10.4159/9780674250345-036.
Full text"1964." In The Selected Letters of John Berryman, 499–523. Harvard University Press, 2020. http://dx.doi.org/10.2307/j.ctv33wwtmq.38.
Full text"JOHN UPDIKE in 'New Yorker,' 1964." In Samuel Beckett, 273–76. Routledge, 2003. http://dx.doi.org/10.4324/9780203197318-60.
Full text"“No Betrayal of Despair”: The Night of the Iguana (1964)." In John Huston's Filmmaking, 92–110. Cambridge University Press, 1997. http://dx.doi.org/10.1017/cbo9780511624339.008.
Full text"JOHN DESMOND BERNAL Fünfundzwanzig Jahre später [1964]." In Die soziale Funktion der Wissenschaft, 1–18. De Gruyter, 1986. http://dx.doi.org/10.1515/9783112645864-003.
Full textBolick, Harry, Tony Russell, T. DeWayne Moore, Joyce A. Cauthen, David Evans, Harry Bolick, Tony Russell, et al. "John Studivan Gatwood." In Fiddle Tunes from Mississippi, 178–91. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496835796.003.0018.
Full text"George E. Welhvarth: John Osborne: ‘Angry Young Man’? (1964)." In John Osborne: Look Back in Anger. Bloomsbury Academic, 1991. http://dx.doi.org/10.5040/9781350403178.0015.
Full text"Technology and aggregate demand in J.S.Mill'seconomic system (1964)." In John Stuart Mill on Economic Theory and Method, 12–24. Routledge, 2000. http://dx.doi.org/10.4324/9780203439036-8.
Full text"HACKER, John (fl. 1790s) HACKETT, Arthur Everton (1901–1964)." In Dictionary Of British And Irish Botantists And Horticulturalists Including plant collectors, flower painters and garden designers, 1389. CRC Press, 2002. http://dx.doi.org/10.1201/b12560-727.
Full textConference papers on the topic "Sununu, John E., 1964-"
FLEURY, PAUL A. "INTRODUCTION OF GOVERNOR JOHN SUNUNU." In Proceedings of the Memorial Symposium. WORLD SCIENTIFIC, 2006. http://dx.doi.org/10.1142/9789812773562_0005.
Full textReports on the topic "Sununu, John E., 1964-"
Coombs, HC with Mr John Reed, at opening of art exhibition by Sidney Nolan Qantas House - 1964. Reserve Bank of Australia, September 2022. http://dx.doi.org/10.47688/rba_archives_pn-002887.
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